Monster King Godzilla (Review)
Monster King Godzilla
1980 (yeah, right!)
Directed by Who the Frak Knows!
It’s March of Godzilla 2011, so let’s get right into it with some weirdo Godzilla flicks you probably haven’t heard of!
Monster King Godzilla is a Godzilla movie mashup that is a very truncated version of the movie ESPy mixed with fight scenes of Godzilla from a bunch G flicks randomly inserted. Part of a couple of films (2, really) supposedly from a Hawaiian TV station that edited them for broadcast. Whether or not that is true, I am not convinced at all (this is discussed more in the upcoming Attack of the Galactic Monsters review) but it is probably just a clever fake. Good job trying to make this look like it came from a VHS tape, it might even have been copied onto one. FYI, the title Monster King Godzilla comes from the Japanese name for the 1956 Godzilla, King of the Monsters recut when it was released in Japan in 1957.
The best piece of research I have found on this is a blog entitled Monster King Godzilla that has one post, entitled Monster King Godzilla, that is just a scan of the supposed VHS jacket the bootleg is from with the same text you see everywhere. Huzzah!
Here is the text that accompanied this film:
“Very rare Godzilla film made for Hawaiin TV in 1980 by Filmways TV USA, 99% stock footage and a bizare wrap around plot involving physic powers make this a very strange film. AVI is from a VHS purchased at the Chiller Theatre convention in the mid 90s. I have never found any record of this film anywhere else.”
Ignoring all the misspellings, either this guy purchased what is probably a hoax and released it himself, or he just made up this story after creating the hoax and is feigning ignorance about the film ESPy.
Whatever the case, it doesn’t matter, as this is a frakked up Godzilla film so we’re gonna review it for March of Godzilla 2011!
First of all, since ESPy is used as a template for all the Godzilla mashup footage, let’s take a brief look at the 1975 Toho ESP/spy flick. It was part of their “mutants” series of films, back when Toho was making wacked out 1970s films that are rather freaky to watch today. The UN sets up an organization called Espy filled with psychics and ESP people, to stop a group called Counter Espy, who are evil psychics and ESP people. Why Counter Espy is named first I have no idea, having not seen the film, but I am guessing because they are psychic! Being psychic probably explains all sorts of plot problems with ESPy. How convenient! Counter Espy tries to kill the Prime Minster of Baltonia:
Espy stops them, and newbie Espy agent Jiro Miki (Masao Kusakari), his dog Cheetah, veteran Espy agent Yoshio Tamura (Hiroshi Fujioka), and girl Espy agent Maria Harada (Kaoru Yumi) must do battle with the evil Counter Espy leader Ulrov/Wolf (Tomisaburo Wakayama) to save the world from evil people who have special powers. No heads explode, which is a failing of the ESPy series, all one entries in it. Jun Fukuda directed this film along with War in Space, the other source film used in a Godzilla Mashup.
Godzilla flicks used in this film include
Godzilla vs. Megalon
Godzilla vs. the Smog Monster
Godzilla vs. Mechagodzilla
Revenge of Mechagodzilla
Godzilla vs. Gigan
There are lots of quick edits and huge portions of ESPy is skipped as the film moves in in order to throw in all the Godzilla footage. So there will probably be some vary confusing things mentioned in the plot section, but it is accurate. Having not seen ESPy, I was at an even worse advantage, but I persevered because I’m awesome. You can be awesome too, all you need to do is read this review!
Who cares about the crappy humans, it’s Monster Roll Call!
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Categories: Movie Reviews, Ugly Tags: Anguirus, fan films, Gigan, Godzilla, Hedorah, King Caesar, King Ghidorah, Mechagodzilla, Megalon, Titanosaurus
Godzilla vs. King Ghidorah (Review)
Godzilla vs. King Ghidorah
aka Gojira vs. Kingu Gidora
1991
Directed and written by Kazuki Omori
Godzilla vs. King Ghidorah is the third of the Heisei series of films, and the first to include a classic Toho kaiju in a new form (other classic monsters such as Mothra and Rodan would soon arrive as well.) The big story with Godzilla vs. King Ghidorah is not the plot or the monsters or any of that jazz, but the controversy surrounding the release of the film. Back in 1991, the US was still having rough relations with Japan economically, following a period where Japan seemed to be buying up much of America at wholesale prices. Japan’s edge had started to slip at this point, and they would soon be in the middle of a decade-long recession, but fear of Japan soon controlling the world war rampant in the dimmest of bulbs, who coincidentally just happen to have radio and TV shows. They were upset over the sequence where the precursor to Godzilla, the Godzillasaurus, slaughters a bunch of US troops during World War 2. The fact that men from the future who were white also went back in time to ruin Japan economically in retaliation of Japan’s dominance was also touchy. Accusations of anti-Americanism flew wild, and Japan had to say “What the frak?” No one seemed upset over the thousands of dead Japanese people in the film, the fact a Japanese woman was one of the time travelers, a white guy was a good robot, or the fact that everyone in the future where Japan dominated hated the country and thought of them as corrupt and deserving death for their arrogance.
But talking heads are morons, so who gives a crap what they thought in 1991? All I am concerned about is if that had any decision in the delaying of release of the post-Biollante films in America. Godzilla vs. King Ghidorah did not hit the US market until at least 1996, because I bought the VHS of it while I was in college. A few bootlegs circled at conventions, but outside of the grey market you could not get a glimpse of new Godzilla for five years. Of all of the Heisei era films, I think I enjoy this one the most, largely due to the human characters not being that annoying. It was very much better than its predecessor, Godzilla vs. Biollante, which was terrible (when Godzilla wasn’t fighting the army) and featured a stupid monster that I hate. Biollante’s poor showing at the box office basically forced Toho to tell the director he is bringing back a named monster, something that happened again when GMK: Tokyo SOS director Masaaki Tezuka was forced to put Ghidorah and Mothra in a film neither had any business being in. Toho could easily avoid this by not having lame monsters like Biollante or Megaguirus, but I guess that is just too difficult. Rumors swirl that this was originally going to star King Kong in a rematch against Godzilla, but negotiations went sour.
Enough rambling, let’s get to this production! We will have the cast breakdown, and then jump into the feature
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The best special effects money can buy!
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