Godziban Episode 21 – Go!Go!ゴジラくん#12「飛べ!未来へ向かって」(Review)
Godziban Episode 21 – Go!Go!ゴジラくん#12「飛べ!未来へ向かって」
aka ゴジばん
December 31, 2019
Written and directed by Hideyuki Kobayashi
King Ghidorah makes his grand entry into the Godziban story line proper and causes a whole heap of trouble! Keep in mind King Ghidorah’s puppet has been seen in the stage play that was put on in the special event episode, but that is not entirely canon to the current story line even though it could easily fit in before the actual show as where Mothra came from. So maybe it is canon. It’s canon! If Santa Kaiju can be canon, this is canon. Canon!
Not only do we got King Ghidorah, but there are some other new faces in this episode, which turned out to be the final Godziban episode. Of the season? Of all time? We will wait to see. Until then, it looks like March of Godzilla 2019 in 2020 has come to an end. But don’t fret, because March of Godzilla 2020 will be starting up soon enough! Godzilla marching will never die as long as they keep producing more and more Godzilla stuff to keep marching on!
Go! Go! Godzilla-kun
Minya is still taking care of Baby Rodan, giving him food and trying to get him strong. He’s basically doing for Rodan what Godzilla-kun was doing for him in earlier episodes. Godzilla-kun and Little stop by (Little tossing a folded leaf around like a paper airplane) to check on the pair. Little asks about flying, and Godzilla-kun thinks about flying using his atomic breath to power it (like in Godzilla vs. The Smog Monster) and then laughs as he dismisses the concept!
But the message is clear…Minya must teach Rodan how to fly. Even though Minya can’t fly! So expect a lot of puppets falling to Earth!
Next we see Minya and Rodan at the top of a big cliff. Minya demonstrates flying by launching the paper/leaf airplane off the cliff into the sky. Rodan tries to fly…and hovers for about a second before dropping like a rock. Minya runs down to go get him and carries Rodan all the way back up the mountain. Minya is a pretty good dad, but he should be, as he had a pretty good dad himself. That’s been consistently one of Godzilla’s best traits.
Rodan tries again, fails again, and Minya hauls him back up the cliff again. Rodan is apprehensive about trying again. Minya is trying to encourage him when suddenly they hear the cries of “Dorat dorat dorat dorat dorat!” Yes, the Dorats are back, who you may remember tried to eat Baby Rodan’s egg last time we saw them.
The Dorats are still jerks, and are back to eat Rodan now that h’es big enough to make a full meal for the trio. They try to float the Baby Rodan away, but Minya grabs him. So they start blasting Minya with electricity! Again and again until eventually Minya is scorched and collapses. Rodan begins to panic and desperately tries to wake him. The drama going on here!
Then the fear becomes blinding white hot rage as Rodan takes flight and smashes through the villains, knocking them around as he swoops and soars among their ranks, causing them to all crash into the ground. Minya is back awake with Rodan returns, and they are both happy at the victory and Rodan’s new flying ability.
The Dorats aren’t going to go away that easily. They get mad and decide to get even, thus they merge into King Ghidorah! It’s a truly massive King Ghidorah, larger than all the other puppets on the show combined! King Ghidorah floats in the sky as Minya and Rodan shake in fear, then King Ghidorah blasts them with the electric breath rays. Good ol’ Minya still protects Rodan despite now being blasted with even more powerful blasts than before. The two are helpless…until Godzilla-kun is there!
Godzilla-kun charges…despite King Ghidorah being 20 times his size! He is not detoured by being blasted, Godzilla-kun jumps and grabs onto the neck of King Ghidorah’s central head! He tries chocking and scratching it, but the other two heads clamp on to Godzilla-kun’s head and tail and tosses him into a cliffside.
Godzilla-kun gets up, still determined to fight even though it is fruitless and he’s going to die. But behind him…Minya and Rodan got every other kaiju in town with them! Little, Baby Mothra, Anguirus, Baragon, even Gorosaurus, Manda, Kumonga, and Varan who we’ve not even seen before on this program. Somehow Minya and Rodan got new characters to join the show in order to help their friend. That’s some pretty effecient help! This is amazing!!! It’s Godziban: Endgame! Or Destroy All Monsters, yes yes, but that means I can’t make my jokes!
They all charge at King Ghidorah….and then it ends.
Godzilla-kun talks directly to the camera to thank everyone for watching the show. We are either taking a series break or this is the end of the line, but we go out on something amazing and this show rules so hard I hope it continues. Either way it is an amazing journey.
We end with the full version of the theme song playing to some of the highlights of the season while drawings by Onigiri and シウ*単行本発売中 flank the action.
Here’s hoping there is more Godziban in our future, whenever that may be! Until then, March of Godzilla 2019 in 2020 concludes, but keep on marching, people! Okay, I lied, there will be one more March of Godzilla 2019 in 2020 article, because I’m going to make a character guide for the show, but as that is a guide and not an article we gotta say goodbye here! (and there might be a few movie reviews in between depending on how lazy I am in posting the backlog of completed reviews!)
Read more…
Categories: Movie Reviews Tags: Anguirus, Baragon, dorats, Godziban, Godzilla, Godzilla Junior, King Ghidorah, Kumonga, Manda, March of Godzilla 2019, Minya, Rodan, Varan
Terror of Mechagodzilla (Review)
Terror of Mechagodzilla
aka Mekagojira no gyakushu aka メカゴジラの逆襲
1975
Written by Yukiko Takayama
Directed by Ishiro Honda
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Titanosaurus, DirectTV pioneer
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Terror of Mechagodzilla is a direct followup to the previous film, Godzilla vs. Mechagodzilla. It’s also the final film of the Showa era, one of the few films to show direct continuity that would be used more in the Heisei films, and the final Godzilla work of some G-legends, Ishiro Honda and Akihiko Hirata. It also bombed horribly, helping lead to a decade-long absence of Godzilla in film form. Overall, Terror of Mechagodzilla is a mixed bag. The action sequences are some of the most violent and explosive of the older films, but they’re obviously trying to compensate from the lower budget (many scenes suddenly end up in the countryside) and the hectic explosions loose their danger after the 1 millionth giant boom.
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Being a little mermaid sure is boring…
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Ishiro Honda doesn’t sleep on the job, making up for the lower filming budget with some neat visual stylizing. A flashback to Professor Mafune’s descent into madness is shown via sepia-toned photographs while narration explains. Katsura’s lament that Titanosaurus is to be used as a murderous weapon is juxtaposed with other alien-controlled kaiju from prior films played on a quad-screen shot. Godzilla’s first appearance is one of the better introduction scenes in his history.
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The alien command center is in some Trekker guy’s basement?
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While Godzilla vs. Mechagodzilla showed a trend towards more serious, Terror of Mechagodzilla straddled the edge of serious and silly. The action sequences were more destructive, but the alien villains were more comic book. The cyborg daughter is played for tragedy, but it is obvious from the beginning that it will end in a downer and we’re just running through the steps until the final act. I am willing to accept that some of the sillier aspects are unintentional, such as the alien helmets or the complete lack of concern for hunting down the aliens by Interpol even after they’ve been spotted multiple times in the same area. But I can’t deny that I feel it is there, and it clouds Terror of Mechagodzilla in a way that the prior film did not have.
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Titanosaurus was tragically hit by a meteor during the filming of this scene…
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メカゴジラの逆襲 (translation: Counterattack of Mechagodzilla) was first released in the US in theaters in 1978 under the title The Terror of Godzilla. The US rights were held by Henry Saperstein, who sold Bob Conn Enterprises the film rights, but also released the movie itself on TV in 1978 as Terror of Mechagodzilla. This cut is credited to UPA Productions of America, and features an additional six minutes of scenes taken from other Godzilla films and narrated to serve as an introduction to Godzilla (this sequence is detailed below), the only think cut was a brief shot of Katsura’s fake breasts during a surgery scene. By the mid-1980s, there was a new cut on tv that featured many of the violent scenes cut down, as well as not having the opening narration. There are some that say this was the theatrical cut, though I don’t know why the theater cut would have removed the violence when that seems more of a tv cut thing to do. That cut was the most widely available for decades, including the original version I saw before I got a tape of the original cut. I have still not seen the restored DVD, hence the screenshots are either from the old VHS tape or the earlier DVD.
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For some reason, the humans won’t take us serious!
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And as March of Godzilla 2012 continues, let’s get us to the Roll Call!
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G is for Godzooky, that’s good enough for me!
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Categories: Movie Reviews, Ugly Tags: Akihiko Hirata, Annoying Kenny kid, Godzilla, Goro Mutsumi, Henry G. Saperstein, Ise Mori, Ishiro Honda, Japan, kaiju, Katsuhiko Sasaki, Katsumasa Uchida, Katsumi Nimiamoto, King Ghidorah, Manda, March of Godzilla 2012, Masaaki Daimon, Mechagodzilla, Rodan, Titanosaurus, Tomoe Mari, Tomoko Ai, Toru Ibuki, Toru Kawai, Yukiko Takayama
Destroy All Monsters (Review)
Destroy All Monsters
aka Attack of the Marching Monsters aka Kaiju soshingeki
1968
Directed by Ishiro Honda
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Godzilla before that first morning coffee.
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When I was but a wee lad first learning about the Godzilla experience, catching Super Scary Saturday showings of G-flicks, buying Godzilla films on VHS that weren’t showing up on tv, recording films airing on the local UHF station, I was also reading up on every monster movie related book I could read. My favorites were by a guy named Daniel Cohen*, who wrote such books as Super-Monsters and Science Fiction’s Greatest Monsters, well-read copies of which still lie somewhere in my mom’s attic. There was also another set of books at the library that were neon orange with a book each for Dracula, the Mummy, King Kong, Godzilla, and a few other monsters. The thing was, every library in the area did NOT have the Godzilla book! I was so angry! Imagine 8 year old Tars so mad he purposefully murdered his entire Oregon Trail travel party. Some say I went too far, but they say so only via their gravestone markers…
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Manda and Godzilla set up their slot car racers!
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But is there a point to that rambling first paragraph? Yes! You see, of the Godzilla flicks and lore of Godzilla flicks, knowledge of a movie containing all sorts of Toho monsters was spread. This mythical, magical movie, had like all sorts of monsters, including monsters I had never heard of, beat the tar out of each other and aliens attack. It was Destroy All Monsters. And it never aired on TV anywhere near me. So sad! It also wasn’t at any video store. Destroy All Monsters became a mocking ghost, forever out of reach. Until one day in college suddenly it was on VHS tape. I was like “HELL YEAH!” and bought me some Destroy All Monsters, watched it, loved it, and now don’t know where the tape is because a DVD version was released shortly thereafter. So yeah. And now I have this cool version, which has the AIP dub merged with a widescreen format custom made by some guy on the internet. Because I’m awesome like that.
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Check out this curve, ladies!
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Was Destroy All Monsters worth the 14 years of questing to find? Damn straight it was! Though it isn’t perfect, it is entertaining. It’s got alien invasions, an awesome monster fight finale, Akira Kubo, alien chicks in silver hoodies and capes, 1960s astromen costumes in bright primary colors, attempts to make rocket propulsion scientifically accurate, lasers, and Minya! The only thing missing from this film is Don Frye, but he pops up in another flick years later to make it all right.
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Gah this water’s too cold! Back to the blanket for me!
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I save the whales….for dessert!
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Monster Roll Call!
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Moonbase Mission Control stole it’s color scheme from TarsTarkas.NET!
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Categories: Bad, Movie Reviews Tags: Akira Kubo, Anguirus, Baragon, Godzilla, Gorosaurus, Japan, Jun Tazaki, kaiju, Kenichiro Maruyama, King Ghidorah, Kumonga, Kyoko Ai, Manda, Minya, Mothra, Rodan, Yoshio Tsuchiya, Yukiko Kobayashi
Ultra Q – Episodes 5 and 6 (Review)
Ultra Q Episodes 5 and 6
Pegila Has Come! and Grow! Turtle
1966
Episode 5 Pegila Has Come! directed by Samaji Nonagase
Episode 6 Grow! Turtle directed by Harunosuke Nakagawa
Once again we dip into the world of Ultra Q, the Japanese TV series. A precursor to the Ultraman series, Ultra Q features many giant monsters that our plucky heroes have to deal with. Previously we have gone over Episodes 1 and 2, and then Episodes 3 and 4. Now we tackle the next two episodes! In addition to the 28 episodes of Ultra Q, a movie was produced in 1990 titledUltra Q: Star of Legend. A follow up series aired in 2004 entitled Ultra Q: Dark Fantasy as well as a radio drama called Ultra Q club (episode guide here.)
Tsuburaya Productions Co. created the TV series, which started to air in 1966. Before it became Ultra Q, however, it was known as Unbalance. As it became less Twilight Zone and more monsters, the name turned out to be a problem, but luckily a sports move called the Ultra C was gaining popularity, and thus Ultra Q was coined. Several artifacts of the original concept remain, including the very Twilight Zone-ish main title theme, as well as a narrator (but one used less frequently.) Several episodes would be somewhat independent stories that barely featured the main characters, and still other episodes would have ambiguous endings.
Thanks to recent Region 2 DVD release, these shows are now available to a whole new generation. However, they aren’t available to me in their entirety, as there are no English subtitles! But that’s where making up what we don’t understand comes in. Plot synopses and visual clues help us get the gist of the episodes, but the subtle parts we are just winging. That actually makes the show a bit better, as if we found out something was lamer than we though we might not like it as much. We don’t need no stinking subtitles!
Main Characters:
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Categories: Television Reviews Tags: Akira Ohizumi, Annoying Kenny kid, Chotaro Togin, Harunosuke Nakagawa, Hiroko Sakurai, Japan, Jun Kuroki, kaiju, Kappei Matsumoto, Kazuo Nakamura, Kenji Sahara, Manda, Masanari Nihei, Nami Tamura, Samaji Nonagase, Ultra Q, Ureo Egawa, We don't need no stinking subtitles, Yasuhiko Saijo, Yoshifumi Tajima, Yukihiro Seino, Yukio Fuklltome
