Ghost Cat of Otama Pond


Ghost Cat of Otama Pond

aka 怪猫 お玉が池 aka Kaibyo Otama-ga-Ike
Ghost Cat of Otama Pond
1960
Written by Jiro Fujishima and Yoshihiro Ishikawa
Directed by Yoshihiro Ishikawa

One of the oft-repeated tales of Japanese ghost stories (or kaidan if you’re nasty) is the haunted cat tales. Possibly dating back to Segawa Joko III’s 1853 kabuki play “The Story of the Cat Monster of Fair Saga” (Hana Saga neko mata zoshi), a depiction of which can be seen here. These tales are called kaibyo, and generally feature cats that drink the blood of their murdered masters, return for revenge in a ghost story manner. Many kaibyo films feature lakes and haunted mansions, and some borrow other elements from similar famous Japanese ghost tales, like Yotsuya Kaidan. The amount of kaibyo films is in dispute (at least one source quotes over 100, though how correct that is I don’t know, and how many of the older kaibyo films are lost to time I also don’t know. Thanks to a great overview of some of the films by Spectacular Optical, I can tell you that the first known screen adaptation was 1910′s The Night Cherry Blossoms of Saga. Enough of the kaibyo films were made that actresses sprung up who specialized in playing the roles of the vengeful cat spirits.

Kaibyo films can seem repetitive, and the many films are less of a lesson in having a story than about telling it well. Director Yoshihiro Ishikawa filmed at least one other kaibyo film, The Ghost-Cat Cursed Pond, and besides writing that one also wrote Black Cat Mansion and Yotsuya film The Ghost of Yotsuya, so he is familiar with the classical tales. I hope to track those other kaibyo films of his down and compare them to see how he made each one different and how he didn’t. Ghost Cat of Otama Pond is based on a tale by Sotoo Tachibana. Ghost Cat of Otama Pond was screened as part of a Shintoho Film Festival that is making the rounds in the US, it was screened in San Francisco on a double bill with Vampire Bride at the Yerba Buena Center for the Arts, and I attended the screening along with duriandave of SoftFilm.

Ghost Cat of Otama Pond is a color production (rare for a first-time Shintoho director), and really makes use of the colors for atmospheric effects. The lighting and design borrow from the kabuki roots of the ghost tales, with green being the most prominent color for supernatural elements. The ghosts are all let with a spectral green, and green lighting on the wall denotes when something creepy is going on. There is also a shadow of a cat’s head that is projected on the walls repeatedly as the ghost cat is enacting its vengeance. The ghost cat’s greatest weapon is the evilness of its targets, who begin to turn on each other while the cat pulls the strings.
Ghost Cat of Otama Pond
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Posted by Tars Tarkas - May 24, 2013 at 6:14 am

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Godzilla #11 (June 1978)


Godzilla Marvel 11

Red Ronin is in the Choom Gang!


Godzilla #11 – Arena for Three! (June 1978)
Writer – Doug Moench
Penciler – Herb Trimpe
Editor – Archie Goodwin

When last we left Godzilla, a rumble was afoot between Big G, Yetrigar, and Red Ronin. And now the rumble will happen! If you need a reminder of the cast, stop by the Godzilla Marvel Splash Page, and check in on everything with March of Godzilla 2013!

The three monsters (Godzilla, Red Ronin, Yetrigar) battle, with Robert trying to help Godzilla, but Yetrigar is good at fighting them both. Some river rafters get caught in the crossfire, while Robert in Red Ronin is oblivious to their plight.

Dum Dum and Gabe get in a fighter and fly after the monsters, while the crashed Behemoth begins repairs.

Robert also doesn’t want to kill Yetrigar because the yetrigar of legend are supposed to be related to men. Even though this one has clearly lost it and is a danger to everyone. Of course, Robert also doesn’t try any real nonlethal attacks, either.

Robert eventually sees the Yetrigar is mad with rage and can’t be reasoned with, and will kill them both if he doesn’t kill it first. Robert has learned that sometimes the world is shades of grey. An important lesson. Robert buries Yetrigar under the side of the canyon (where he will remain until he pops up some time later in the West Coast Avengers!?!!) Dum Dum and Gabriel Jones end up saving the river rafters, if you were worried about the safety of these random one-issue flavor characters.

Godzilla Marvel 11

Red Ronin is just making excuses now…


Godzilla then wanders off, his work done. His work being to start a fight and then watch someone else end it. Robert flies away in shame that he had to take a life and is a fugitive from SHIELD.

Now that Robert is a murderer, will he come to grips with the fact that Godzilla might have to be put down like a foaming mouth dog? Or will Robert have learned an important lesson about monster morality, and which monster is good and bad? More likely, Robert learned that being an adult means you have to sometimes make adult decisions that you don’t like, but have no other choice.

And just wait until you find out what he learns next month!

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Posted by Tars Tarkas - May 23, 2013 at 6:38 am

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Vampire Bride


Vampire Bride

aka 花嫁吸血魔 aka Hanayome Kyuketsuma
Vampire Bride
1960
Directed by Kyotaro Namiki
Vampire Bride
Vampire Bride is female melodrama turned into a revenge creature horror film. The beginning is very different from the usual tale of murder and revenge, or a woman scorned. Forget all those rape and revenge tales that have driven the genre since the 1960s, the villain that drives the plot here is female jealousy. Women that are angry with the main character for various reasons – be it her looks, her career, or which man has her attention – conspire to take her out of the equation. They leave her battered and broken and reap the benefits of life without her. But those benefits are bittersweet, and they made the mistake of not killing Fujiko off. For she returns, returns to haunt their lives, and to stalk and end their lives. As she returns as a vampire beast, and it’s dinner time!

The Shintoho Film Festival this is a part of was originally curated in 2010 as part of the Udine Far East Film Festival by Mark Schilling. The films have finally made their way on tour across the US in 2013, and have stopped by San Francisco at the Yerba Buena Center for the Arts, who has been kicking butt lately with awesome Asian film retrospectives. Vampire Bride played a double bill with Ghost Cat of Otama Pond, and I had the pleasure of attending the screening along with good buddy duriandave of SoftFilm. The Shintoho films are a great cross-section of exploitation cinema, as well as creative outlets from filmmakers who were doing amazing things that just weren’t appreciated by the right people at the time.

Vampire Bride stars Junko Ikeuchi, who was a Shintoho star due to her clean-cut good girl image. But she ran off and got married, then had to come slinking back after that marriage quickly ended in disaster. Shintoho studio boss Mitsugu Okura wasn’t about to let her back that easily, and cast her in this revenge tale, where her beautiful face would transform into a hideously ugly monster. Like Ikeuchi, her character Fujiko’s suffers a fate of things not working out for her. What is to be a good career and a good married are tarnished by betrayal, and she can only look longingly at the life she would have had.

Vampire Bride was the one film I wanted to see most of all, both due to the promotional picture of the Vampire Bat Creature, and an iconic shot also used in promotional material of the three deformed characters staring into Great-Grandma’s magic cauldron (which I can’t seem to find in digital form!!)
Vampire Bride
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Posted by Tars Tarkas - May 22, 2013 at 6:17 am

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Area 51


Area 51

aka 51

2011
Written by Lucy Mukerjee
Story by Kenny Yakkel
Directed by Jason Connery

Area 51
Aliens just can’t make Jello correctly…

Area 51 is a more unique SyFy offering. Instead of the usual CGI effects chasing our heroes around, instead we have monsters made of largely practical effects and makeup mixed with CGI. It actually rules, because it’s so unexpected. The effects work is pretty good, the various monster costumes are full costume props, some of them being large wearable puppet constructs. The only alien costume I didn’t like was the one for Patient Zero, because it looked too much like a guy in a full body suit. This reminds me of the Don Dohler films, which was some nice nostalgia. And Area 51 is better than many of those!

Area 51
You think this is crazy, guess what they got in Area 52!

By far not the first flick to feature Area 51 or aliens fighting people in Area 51, Area 51 does give us a variety of creatures causing a variety of problems. The different stories sort of weave together, but have a bit of trouble trying to find a narrative whole. The different creatures with their own different agendas gives them more characterization than usual in a SyFy style flick. The fact that not all of the monsters are mindless killing machines was a great touch that needs to be used more in other creature features.

Area 51
Suddenly the alien thinks he’s Neo!

The basic story is the press are being let into Area 51 for the first time as part of a media transparency thing, except they are only going to get to see a tiny part of the base and nothing cool. Until things go wrong… Alien killing spree wrong!

Colonel Ronald Martin (Bruce Boxleitner) – The guy in charge of Area 51 who leads the tour and the eventual attempt to clean up the monster massacre.
Claire Fallon (Vanessa Branch) – A rabble-rousing muckeraker blogger who is famous all over the world. Takes up the fine tradition of Lois Lane-style female journalists (a trope that predates Lois Lane back to at least the Torchy Blane films) in that she fights the system and doesn’t put up with bullies. Even alien bullies
Sam Whittaker (John Shea) – A famous news reporter who is inside the system, sort of like Ted Kopple. He is also on the Area 51 tour along with his camerawoman.
Sgt. Hannah (Rachel Miner) - One of the guards on the base, a decorated war hero who is uncomfortable with the recognition because she doesn’t feel she earned it. Becomes the de facto commander of the guards tasked with not letting any of the aliens escape from the underground compound after everyone of higher rank is slaughtered.
Aaron “Shoes” Schumacher (Jason London) – Shoes is one of the guards who believes in the alien conspiracies. Can’t handle combat and shot himself in the foot to avoid it. But when aliens are attacking he managed to find courage to be under fire. Helps his friend Sgt. Hannah contain the situation.

The aliens at Area 51:

Patient Zero (Jed Maheu) – A morpher, meaning this alien can change his form into whoever he touches due to replicating DNA, and can repeat any words said by the target. This subject crashed 25 years ago and occasionally is let out to impersonate President Reagan. Is usually no trouble, except for the murderous killing spree Patient Zero goes on today. Suddenly impersonating Reagan makes sense…
J-Rod (VyVy Nguyen and Rob Steinberg – voice) – Alien Grey who lives on the base and helps his friends the humans communicate with the aliens and type up reports. Has telekenetic powers and the power to code computers while being afk. His entire belief system might turn out to be a lie… But at least he can probably get a high-paying coding job in Silicon Valley!
Lady Death and Little Devil (Ivan Djurovic and VyVy Nguyen) – alien monsters that are simply wild hyperpredators. Little Devil is Lady Death’s spawn. This creatures can’t be reasoned with and just blindly kill anyone they see.
Area 51
Time to die, Smurf!

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Posted by Tars Tarkas - May 17, 2013 at 2:15 pm

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Sexy Assassins


Sexy Assassins


2012
Written by Tina Hawthorne
Directed by David Nichols

Sexy Assassins
The best art protection in town!

Mainline Releasing throws down with another softcore crime film, this time taking place in the world of assassins. It’s hard to be an assassin for hire, what with the murdering of people and the fact you have constant, constant sex (which one would think would get in the way of the murdering, but don’t worry, Sexy Assassins figured an out!) But it is nigh time that these valiant sexy assassins got their due in movie form.

If Sexy Assassins is anything, it’s a low-budget film that looks a lot less low-budget than you would think. MRG does not skimp on the cinematography, and while I wouldn’t call things overly creative, it is professionally shot and lit, looking theater-quality good. The lower budget shines through with the lack of characters and the fact no one seems to go out in public. Every room is obviously a room in someone’s house, be it the office of a hotel. In fact, some parts of this house I recall from other films where people are bumping uglies. Either that, or I’m starting to merge all these giant Hollywood mansions that get rented out into one super mansion. Which could also be the case.

Sexy Assassins is just a straightforward assassins trying to figure out who the traitor is plot, and as there are only so many characters, only so many can be guilty. Besides that, it’s most notable feature is the mirroring of the beginning and ending sex scene and its violent conclusion. While Justine Joli is smothering her target during the throws of passion, she comes off as powerful and in control, taking down a man who probably deserved it. When Jason Sarcinelli does the same to Michelle Maylene in the end, it comes out more disturbing, with shades of domestic violence. Even though we know that her character Serena tried to kill both Sarcinelli and Joli’s characters. She’s guilty and has been seen doing so in the film, and possibly will be killing Sarcinelli seconds later. Yet it just feels weird, because he’s obviously so much more powerful than her. Also SPOILERS!

Sexy Assassins
Please don’t read this screencap, it is classified. Thank you.

Justine Joli’s sex is very into it as opposed to Michelle Maylene’s more laid back and talking sex enjoyment. Both of the actresses are primed to be more vocal and pornographic in their performances, which give more enthusiastic life the proceedings as things become raw passion. Sex seems a matter of life and death in importance, and it literally is!

While Sexy Assassins looks cool, the disturbing end just throws a big damper on the whole thing. It becomes more of a snuff film, or those old roughies where the sexy was usually ended with heinous violence as a substitution for sexual release. Your enjoyment depends on just how you respond to such things. Despite that, I like the Tina Hawthorne/David Nichols team (assuming those aren’t just pseudonyms for the same person!), they brought us Naughty Reunion and their films go over a bit of emotional things that other softcores don’t bother with.

Layla Clapton (Justine Joli) – A sexy assassin that is one of the few people who can wear an “Everything I kill I fuck” shirt non-ironically. Soon finds out the sexy assassin business might be a bit more treacherous than it seems. Layla Clapton, eh? Where is her sister, Tears In Heaven Domino?
Serena (Michelle Maylene) – Layla’s secretary, who claims to believe Layla’s cover story as a security consultant, but secretly knows the score, and is looking for a score of her own! Michelle Maylene can also be seen in Cougar School, The Teenie Weenie Bikini Squad, and Twilight Vamps Lust At First Bite,
Max Houser (Jason Sarcinelli) – A simple messenger, or a master sexy assassin? Well, this isn’t called Sexy Messengers! Hired to kill Layla, but knows bigger things will happen if things change.
Damon (Michael O’Sullivan) – Layla’s manager who gives her new assignments and handles the business side of things. But he’s a businessman first and a loyal businessman second.
Mason (Spencer Houston Hill) – Layla’s tech guy who takes care of the computer things, does hacking,, fingerprint ID, all that fun stuff. In exchange, he does fun stuff with Layla.
Sexy Assassins
She handcuffed me and then stole the frame from the painting!

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Posted by Tars Tarkas - May 13, 2013 at 6:08 am

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