Godzilla vs. SpaceGodzilla (Review)

Godzilla vs. SpaceGodzilla

aka Gojira VS Supesugojira

1994

Directed by Kensho Yamashita
Written by Kanji Kashiwa and Hiroshi Kashiwabara


Nothing is ever spelled right in a Godzilla film.

Godzilla vs. SpaceGodzilla was the twenty-first Godzilla film and the second to last Heisei picture. It received mixed to bad criticisms upon its release in Japan and later the US, and now is almost universally scorned. There are some good points, and some nice nods to continuity of the Heisei series. SpaceGodzilla is an old concept from the 1970s (along with Godzilla vs. the Devil, which could have only been born in the 1970s) that got yanked out for modern day after TriStar failed in their quest to make an American Godzilla film. Upon release of the actual American Godzilla film a few years later, one wishes they instead yanked Godzilla vs. the Devil out of the dustbin instead!

The design for SpaceGodzilla stems from an old Nintendo game Super Godzilla, during the game Godzilla could become Super Godzilla, and the sprite design was almost identical for SpaceGodzilla. They, in fact, took the sprites, slightly altered them, and then called is SpaceGodzilla. SpaceGodzilla has never returned to the silver screen, but he returned for several episodes of Godzilla Island, where it was revealed there is a second SpaceGodzilla who is killed in that series. SpaceGodzilla also shows up in video games (fitting due to his design origin): First he appeared in Godzilla: Giant Monster March. He also showed up in Godzilla: Save the Earth, replacing Orga as the final opponent in hard mode. In his biggest role, SpaceGodzilla is the final boss in Godzilla: Unleashed, the game where Godzilla battles against Animal Control for the right to have his pit bulls run free in the streets.

MOGUERA shows up instead of Mechagodzilla because Mechagodzilla was too powerful in the previous film, and having Godzilla and his robot brother fight the space spawn would be too one-sided, even though it could be advertised as Godzilla^3! So they drag out Toho’s other robot creation (no, not Mechakong) MOGUERA! Back when he was Moguera, he was in 1957’s The Mysterians and showed up as an alien agent on a carnage run smashing through cities until he was killed when a bridge fell out from under him (the same fate as James T. Kirk!) A second Moguera then appeared later in the film only to also die by being crushed. Now MOGUERA is built by the UN from the wreckage of Mechagodzilla to fight Godzilla, and is an acronym for Mobile Operation Godzilla Universal Expert Robot Aero-Type. MOGUERA can split into two vehicles, Land Moguera and Star Falcon, because every monster in the Heisei universe has multiple forms, even freaking robots!

Babygodzilla has grown up some and is now Littlegodzilla, who is now Minya-sized and more annoying. I still hate him, but even worse, there was a possibility that he would have gotten his own TV shows spun off of this film. Thankfully, that never came to pass. So instead I will complain about the US DVD release. I can ignore the dubbing, the lack of credits, who cares. The problem is they chop off a good portion of the film in multiple scenes! It is supposed to be anamorphic widescreen, but it is obvious that parts are sourced from a fullscreen print that is chopped off at the top and bottom for widescreen! This is most apparent in the title shot, where most of the word “Gojira” is chopped off. Multiple scenes in the film have characters missing the tops of their heads. I am not going to watch my VHS copy of the film to see if it is filled with chopped off foreheads, I am just going to assume it doesn’t. So “BOOO!” to whoever authored the DVD, you did a terrible job and I hope you die by being crushed by DVDs.


Xillian raiders forced us to wear these horrible clothes! Help us!

One thing the movie never harps on is that is SpaceGodzilla was created from Godzilla cells, then he is Godzilla’s offspring (in a round-about way!) We have a cool subplot about fatherly responsibilities, daddy issues, what if you have a son who is genetically defective, all sorts of things that are completely ignored! The human plot could have benefited greatly from a little less of the psychic crap and a little more family turmoil. Maybe Miki has a friend whose father hates her because she is psychic, and thus she begins to act out and be bad. Then dad learns he must love his daughter and take care of her even if she is different, because otherwise she could become a horrible space monster obsessed with crystals! And then…Dad is crushed by a crystal, but her psychic/telekinetic powers save him! Then the whole thing airs on ABC Family.

Speaking of crystals…crystals? Who thought crystals was a good idea? Every time I watch this I think of those New Age wackos who use crystals to get energy and all that other freaky stuff. That’s a little loopy even for a Godzilla film. What is next, WitchGodzilla (excuse me…WiccanGodzilla?) In conclusion, crystals are dumb.

Miki Saegusa (Megumi Odaka) – Psychic girl Miki Saegusa becomes Telekinetic girl Miki Saegusa due to her new telekinetic abilities. She’s still psychic, and also has magic earrings that keep her in contact with The Cosmos, who warn her of the danger of SpaceGodzilla (something Miki doesn’t bother to let anyone else know about, but they learn soon enough!)
Lt. Koji Shinjo (Jun Hashizume) – Member of G-Force who goes to track down Godzilla for the Project T, then ends up co-piloting MOGUERA. Has sort of a thing with Miki.
Lt. Kiyoshi Sato (Zenkichi Yoneyama) – Shinjo’s friend and care-free dancer, Sato is the yang to Shinjo’s yin and parties it up while the two search for Godzilla. Also becomes one of the MOGUERA operators after their Godzilla/Project T mission.
Major Akira Yuki (Akira Emoto) – Best friend of Goro Gondo from Godzilla vs. Biollante, ever since his friend’s death he has obsessed with hunting Godzilla down. Eventually learns to give up his quest after Godzilla saves the world by killing SpaceGodzilla. And he also finds love. Isn’t that sweet? It is, you chump!
Professor Chinatsu Gondo (Towako Yoshikawa) – The sister to Goro Gondo is a respected scientist and works for the G-Force Science council. She helps design Project T, helps determine the origin of SpaceGodzilla, and convinces Akira Yuki to give up his obsessed ways and learn to love.
Professor Susumu Okubo (Yosuke Saito) – This guy is all about controlling Godzilla and then secretly selling that technology to the Yakuza! Has crazy eyes, crazy chin, and crazy goggles. Yes, he is crazy. Like all mad scientists, he dies. To bad one of those lecturing scientists from Godzilla vs. Biollante weren’t around to bore this guy to death with their speeches.
Minister Takayuki Segawa (Kenji Sahara) – Even politicians get into the Godzilla-fighting fun! Recurring from the past two films, Minister Takayuki Segawa makes his final appearance in the Heisei series. Kenji Sahara has been in scores of kaiju movies and tv shows, including such fare as Ultra Q, Godzilla vs. Mothra, Godzilla’s Revenge, Godzilla vs. King Ghidorah, and Godzilla vs. Mechagodzilla II.
Commander Takaki Aso (Akira Nakao) – This gruff commander of military forces will head all action against Godzilla for the last three Heisei films. He looks the part perfectly. Akira Nakao returns as Prime Minister Hayato Igarashi in Godzilla X Mechagodzilla and Tokyo SOS.
The Cosmos (Keiko Imamura and Sayaka Osawa) – Those tiny Japanese girls are back, as tiny as ever! Now they are in red Kool-aid-tinted Astral Projection form! They warn Miki of the danger of SpaceGodzilla. They thank Miki when it is all over. That’s about all they do, but at least it is the same girls playing the part.
Godzilla (Kenpachiro Satsuma) – Godzilla was just minding his business one day when this space freak comes to Earth, throws his kid in a crystal cage, blasts Godzilla up, and then goes all “I’m conquering the Earth!” We know Godzilla ain’t gonna stand for that crap, so soon he is kicking butt and blasting names and chewing bubblegum. I messed up the quote but you get the idea.
SpaceGodzilla (Ryo Hariya) – SpaceGodzilla comes from space, hence the name. He is also totally into crystals. He believes in Crystal Lite because they believe in him! SpaceGodzilla can’t go ten minutes without explaining all sorts of crystal nonsense to you, and also mentioning how he wants to conquer the galaxy. I guess the crystals told him to do it.
MOGUERA (Wataru Fukuda) – Mobile Operation Godzilla Universal Expert Robot Aero-Type is now MOGUERA and was built by G-Force from the ruins of Mechagodzilla. The original Mogueras were tools of alien invaders in The Mysterians. Can split into Land Moguera and Star Falcon.
Littlegodzilla (???) – Jerk. Gets stuffed in a crystal cage for being a jerk.
Fairy Mothra (Puppet) – Miki is off tripping balls so she sees tiny Mothras flying around. Miki is insane.

M&M escalates the War on Skittles. Taste this rainbow, bitch!

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Godzilla vs. Mechagodzilla 2 (Review)

Godzilla vs. Mechagodzilla 2

aka Gojira VS Mekagojira

1993

Directed by Takao Okawara

Godzilla vs. Mechagodzilla 2 is not one of my favorite movies in the Heisei series. This is due to several factors, but largely because I hate Babygodzilla. I am a big fan of Minya, but Babygodzilla is just annoying. He fills me with disgust. Parts of this film are pretty great, but besides annoyance at the offspring, other problems creep up. Rodan is pretty much wasted in his only Heisei appearance. He does little more than show up, get beat up, and then die. Twice. The music is also odd, partially because it is inspired by King Kong Escapes and not a Godzilla film. And let’s just not go into how annoying it is to have multiple films with the same title!

Godzilla vs. Mechagodzilla 2 was released dubbed on VHS years after its release in Japan, it was so delayed that they changed the sprites in a Godzilla video game from the new Mechagodzilla to the older 1974 one because America didn’t even know about this new one. I guess the USA just can’t handle updated robots.

Kazuma Aoki (Masahiro Takashima) – This man is obsessed with pterodactyls! Obsessed! It is pretty scary. Masahiro Takashima fought more giant monsters in Orochi the Eight-Headed Dragon and returned to the Heisei series in Godzilla vs. Destoroyah.
Azusa Gojo (Ryoko Sano) – A female scientist with who was with Professor Omae on his egg quest, ends up bonding with Babygodzilla.
Miki Saegusa (Megumi Odaka) – That psychic girl is back being psychic again, because her job is to be psychic. Just imagine that listing popping up on Craigslist: Help Wanted: Must be Japanese, female, under 25, a psychic, and not afraid of giant lizards. Experience preferred. Principals only. Recruiters, please don’t contact this job poster.
Professor Omae (Yusuke Kawazu) – Scientist who leads expedition to the island and finds the Babygodzilla egg and Rodan. Yusuke Kawazu was in the second and third films in the 1990s Gamera trilogy.
Minister Takayuki Segawa (Kenji Sahara) – Kenji Sahara has been in Godzilla films since the beginning, this is the third and final turn as Minister Takayuki Segawa in the Heisei series, he showed up again in Godzilla: Final Wars. Don’t miss him in these Ultra Q episodes.
Dr. Asimov (Leo Meneghetti) – In this alternate reality, Dr. Isaac Asimov not only is a great author on books of robotics, but he didn’t die, de-aged, and became one of the lead designers of Mechagodzilla. Or this guy is just named after Isaac Asimov.
Godzilla (Kenpachiro Satsuma) – Yeah, yeah, King of the Monsters, and now a single parent. That’s what you get for not wearing protection, Godzilla!
Mechagodzilla (Wataru Fukuda) – Build from the wreckage of Mecha-King Ghidorah, Mechagodzilla is here to fight Godzilla! The NT-1 alloy, helium-3, and diamond shield armor are no match for a pterodactyl turning into gold flakes.
Rodan (Puppet) – Hatching from an egg and just chillin’ on an island until Godzilla shows up to kill him, Rodan joins the Heisei universe. Rodan later becomes Fire Rodan, because every monster in the Heisei series has several life stages.
Super Mechagodzilla (Wataru Fukuda) – Even this robot can’t escape having several life stages, as Mechagodzilla combines with the Garuda to form Super Mechagodzilla, who gets Super Destroyed at the end of the film. Super.
Fire Rodan (Puppet) – Yeah, here is the Fire Rodan entry. Fire Rodan isn’t fiery enough! We demand more fire! I want him made out of lava! That’s my Fire Rodan.
Babygodzilla (???) – I hate you, Babygodzilla. Replacing Minya in the Heisei series is this reject from an episode of Disney’s Dinosaurs. Babygodzilla is somehow Rodan’s half-brother and is sung to by plants.


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Godzilla vs. King Ghidorah (Review)

Godzilla vs. King Ghidorah

aka Gojira vs. Kingu Gidora

1991

Directed and written by Kazuki Omori

Godzilla vs. King Ghidorah is the third of the Heisei series of films, and the first to include a classic Toho kaiju in a new form (other classic monsters such as Mothra and Rodan would soon arrive as well.) The big story with Godzilla vs. King Ghidorah is not the plot or the monsters or any of that jazz, but the controversy surrounding the release of the film. Back in 1991, the US was still having rough relations with Japan economically, following a period where Japan seemed to be buying up much of America at wholesale prices. Japan’s edge had started to slip at this point, and they would soon be in the middle of a decade-long recession, but fear of Japan soon controlling the world war rampant in the dimmest of bulbs, who coincidentally just happen to have radio and TV shows. They were upset over the sequence where the precursor to Godzilla, the Godzillasaurus, slaughters a bunch of US troops during World War 2. The fact that men from the future who were white also went back in time to ruin Japan economically in retaliation of Japan’s dominance was also touchy. Accusations of anti-Americanism flew wild, and Japan had to say “What the frak?” No one seemed upset over the thousands of dead Japanese people in the film, the fact a Japanese woman was one of the time travelers, a white guy was a good robot, or the fact that everyone in the future where Japan dominated hated the country and thought of them as corrupt and deserving death for their arrogance.

But talking heads are morons, so who gives a crap what they thought in 1991? All I am concerned about is if that had any decision in the delaying of release of the post-Biollante films in America. Godzilla vs. King Ghidorah did not hit the US market until at least 1996, because I bought the VHS of it while I was in college. A few bootlegs circled at conventions, but outside of the grey market you could not get a glimpse of new Godzilla for five years. Of all of the Heisei era films, I think I enjoy this one the most, largely due to the human characters not being that annoying. It was very much better than its predecessor, Godzilla vs. Biollante, which was terrible (when Godzilla wasn’t fighting the army) and featured a stupid monster that I hate. Biollante’s poor showing at the box office basically forced Toho to tell the director he is bringing back a named monster, something that happened again when GMK: Tokyo SOS director Masaaki Tezuka was forced to put Ghidorah and Mothra in a film neither had any business being in. Toho could easily avoid this by not having lame monsters like Biollante or Megaguirus, but I guess that is just too difficult. Rumors swirl that this was originally going to star King Kong in a rematch against Godzilla, but negotiations went sour.

Enough rambling, let’s get to this production! We will have the cast breakdown, and then jump into the feature

Kenichiro Terasawa (Kosuke Toyohara) – All Godzilla films need a reporter and a scientist, so Kenichiro Terasawa is our reporter. He predicts where Godzilla comes from, IN THE FUTURE, but for now he is just a guy who hasn’t done anything cool yet.
Emmy Kano (Anna Nakagawa) – From the future! She came back in time to destroy her native Japan because Emmy has self-hate issues or something. Regardless, she soon realizes that Japan is ichiban and switches teams to be all 100% pro-Japan. She is also a pseudo-love interest for Kenichiro Terasawa, which is sort of gross because she is his descendent. I guess in the future the inbreds rule the roost.
Miki Saegusa (Megumi Odaka) – Recurring character Miki Saegusa returns for the first time, thus she is a recurring character. Recurring, you see. She is psychic and has big ears. They are related. Also, she will be a recurring character, have I mentioned that?
Professor Mazaki (Katsuhiko Sasaki) – Hey, a physics expert! Our resident scientist helps Terasawa discover the secret of Godzilla’s origin and explain the time travel junk to the military.
M-11 (Robert Scott Field) – A white guy who isn’t evil or related to a director just happens to be a robot! But that allows for cyborg action like the world has never seen. Okay, not quite. M-11 is pretty cool for a second-rate Data so I give him two robotic thumbs up!
Godzilla (Kenpachiro Satsuma) – Godzilla grows in size thanks to modern radiation from 80 meters to 100 meters. Now he can kick even more butt! If Godzilla ever wanders past your house, don’t use any radiation on him, because he’ll keep growing bigger and bigger and have to buy new wardrobes each time, making Godzilla madder and madder.
King Ghidorah (Hurricane Ryu) – King Ghidorah is the agent of the evil Futurians used to try to destroy Japan so they won’t rule the world of the future. Three heads are better than one, unless you have low ceilings.
Mecha-King Ghidorah (Hurricane Ryu) – Mecha-King Ghidorah is the modified version of King Ghidorah that transports from the future to fight Godzilla. Piloted by Emmy and M-11.
Godzillasaurus (Wataru Fukuda) – Godzillasaurus was just chillin’ on his island when these Japanese guys showed up and trenched in. Godzillasaurus suspiciously ignored them until heroic Americans came to kill the Japanese, and Godzillasaurus decided he should get involved in the conflict. His attempts at peacemaker resulted in his body being riddled with bullets, so Godzillasaurus lashed back and struck out in anger. Godzillasaurus hid his rage deep inside until it consumed him and he became rage personified. So learn some stress management, kiddies!
Dorats (puppets) – AHGH!! KILL IT! KILL IT WITH FIRE! Sorry. These ugly as sin things turn into King Ghidorah. If the Futurians wanted to destroy Japan maybe they should have dropped several dozen back in time so there would be many King Ghidorahs. But that would require having some brains!
The best special effects money can buy!

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