Godzilla vs. Destoroyah (Review)
Godzilla vs. Destoroyah
aka Gojira vs Desutoroia
1995
Directed by Takao Okawara
Written by Kazuki Omori
This is the final film in the Heisei series. It is also the final film in March of Godzilla 4. Funny how things work out, almost as if it was planned… So when Godzilla vs. Destoroyah was originally coming out, it hit the press because Godzilla dies. Thus, the entire ending is completely spoiled. Good job, publicists. This was the time when everyone was dying. Godzilla, Superman, Orville Redenbacher, Kurt Cobain, Jonas Salk, and Motoo Kimura. Everyone was dropping dead. It became passe, especially since everyone who died seemed to pop up good as new in a year or so. Originally, Godzilla was to stay dead for ten years so America could have their own Godzilla trilogy. But then Dean Devlin/Roland Emmerich managed to mess that up something awful, and Godzilla had to be rushed into making a reappearance to make up for how terrible the American film was. Even years later, Toho still hasn’t made up for how horrible Emmerich/Devlin’s Godzilla film was.
But enough of complaining, we’ll do plenty of that once we get around to that bastard of a film. For THIS film, Toho decides to connect it to the original film more than any previous Godzilla film. The oxygen destroyer is mentioned often, and is the source of the new villain who appears to fight Godzilla. It seems that no matter what mankind does, it creates giant monsters that destroy Tokyo. Maybe Tokyo should move five miles away from where it is located, that will probably solve all the problems.
Godzilla will be all red and smoking, as he inches closer and closer to nuclear meltdown. So now the poor actor in the suit has to sit around as dry ice is pack onto him before each shot, so the proper amount of steam sprays out. The fact they went and made a new Godzilla suit is probably a good idea, as the older suits were beginning to wear out and it helps emphasize the change in Godzilla is permanent and unavoidable.
Godzilla vs. Destoroyah didn’t hit the US for a few years thanks to the lack of US distribution, so for a while all you could see it on was bootlegs. Then the VHS tape with the dubbing came out in the late 90s, and eventually it got released on a double DVD with Godzilla vs. SpaceGodzilla, which is the only DVD release in region 1 so far. So the US has never been able to see this the way it was originally created, unless you get an import DVD.
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Godzilla vs. Mothra (Review)
Godzilla vs. Mothra
aka Gojira vs. Mosura aka Godzilla and Mothra: The Battle for Earth
1992
Directed by Takao Okawara
Written by Kazuki Omori
This is the most popular film of the Heisei Godzilla series, in that it did the best at the box office due to the cross appeal of Mothra with girls. It spawned the Mothra Trilogy as an offshoot (though technically not in the same universe) and helped set up sequels down the line in the Heisei series. And it wasn’t released in the US until years later, thanks to fallout from Godzilla vs. King Ghidorah. Thus, I ended up with a full-screen dubbed VHS release around 1998 or so when the movies started to show up at the local Suncoast (now bankrupt.) Isn’t that grand? So as Godzilla has been rebooted, it is time for familiar monsters to start reappearing. Since Ghidorah already did his part, now Mothra will show up to kick some Godzilla butt. Mothra is also joined by Battra, the Dark Mothra. Wow, how original. Will Dark Godzilla then show up? What about Light Ghidorah? What if we had a Godzilla who was black on one side and green on the other? Then he fought another bi-colored Godzilla, except his colors were on the opposite sides! This is a Star Trek joke, for those of you who are 13 and stumbled across this while Googling for “Godzilla boobs” or something.
Someone will find this review by Googling “Godzilla boobs”
Back to the films, we have typical Heisei stuff with the army being useless, that psychic girl Miki Saegusa showing up, and a bunch of new main characters who have to spend the film repairing their marriage. Important stuff, to be sure. This is also the deput of the Heisei Shibojin, or the Cosmos as they get renamed this time around. And they are not real twins, just two Idols that Toho had lying around.
Originally, Mothra was to fight a monster known as Bagan in a film called Mothra Vs. Bagan. Then Godzilla vs. Biollante tanked and Toho realized that no one knew who Bagan was. Instead of having Mothra fight Bagan all across Asia (including battles in Shanghai and Bangkok) Mothra was reworked into the Godzilla series. Mothra then got so popular she headlined her own trilogy of films. Bagan appeared as the final boss in the Super Nintendo video game Super Godzilla, and almost fought Godzilla in Godzilla vs. Bagan, but that film became Godzilla vs. Destoroyah. So Bagan gets the shaft again!
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Categories: Bad, Movie Reviews Tags: Akiji Kobayashi, Battra, Godzilla, Heisei Series, Hurricane Ryu, Japan, Kazuki Omori, Keiko Imamura, Kenpachiro Satsuma, March of Godzilla 4, Megumi Odaka, Mothra, Saburo Shinoda, Satomi Kobayoshi, Sayaka Osawa, Shobijin, Takao Okawara, Takehiro Murata, Tetsuya Bessho
Godzilla vs. King Ghidorah (Review)
Godzilla vs. King Ghidorah
aka Gojira vs. Kingu Gidora
1991
Directed and written by Kazuki Omori
Godzilla vs. King Ghidorah is the third of the Heisei series of films, and the first to include a classic Toho kaiju in a new form (other classic monsters such as Mothra and Rodan would soon arrive as well.) The big story with Godzilla vs. King Ghidorah is not the plot or the monsters or any of that jazz, but the controversy surrounding the release of the film. Back in 1991, the US was still having rough relations with Japan economically, following a period where Japan seemed to be buying up much of America at wholesale prices. Japan’s edge had started to slip at this point, and they would soon be in the middle of a decade-long recession, but fear of Japan soon controlling the world war rampant in the dimmest of bulbs, who coincidentally just happen to have radio and TV shows. They were upset over the sequence where the precursor to Godzilla, the Godzillasaurus, slaughters a bunch of US troops during World War 2. The fact that men from the future who were white also went back in time to ruin Japan economically in retaliation of Japan’s dominance was also touchy. Accusations of anti-Americanism flew wild, and Japan had to say “What the frak?” No one seemed upset over the thousands of dead Japanese people in the film, the fact a Japanese woman was one of the time travelers, a white guy was a good robot, or the fact that everyone in the future where Japan dominated hated the country and thought of them as corrupt and deserving death for their arrogance.
But talking heads are morons, so who gives a crap what they thought in 1991? All I am concerned about is if that had any decision in the delaying of release of the post-Biollante films in America. Godzilla vs. King Ghidorah did not hit the US market until at least 1996, because I bought the VHS of it while I was in college. A few bootlegs circled at conventions, but outside of the grey market you could not get a glimpse of new Godzilla for five years. Of all of the Heisei era films, I think I enjoy this one the most, largely due to the human characters not being that annoying. It was very much better than its predecessor, Godzilla vs. Biollante, which was terrible (when Godzilla wasn’t fighting the army) and featured a stupid monster that I hate. Biollante’s poor showing at the box office basically forced Toho to tell the director he is bringing back a named monster, something that happened again when GMK: Tokyo SOS director Masaaki Tezuka was forced to put Ghidorah and Mothra in a film neither had any business being in. Toho could easily avoid this by not having lame monsters like Biollante or Megaguirus, but I guess that is just too difficult. Rumors swirl that this was originally going to star King Kong in a rematch against Godzilla, but negotiations went sour.
Enough rambling, let’s get to this production! We will have the cast breakdown, and then jump into the feature
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The best special effects money can buy!
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The Monster X Strikes Back: Attack the G8 Summit (Review)
The Monster X Strikes Back: Attack the G8 Summit
aka Girara no gyakushû: Tôya-ko Samitto kikiippatsu aka Guilala’s Counterattack: Lake Toya Summit Crisis
2008
Directed by Minoru Kawasaki
Minoru Kawasaki has been given the nickname of late as the “Ed Wood of Japan.” I think this nickname is misleading, because Minoru Kawasaki’s films aren’t bad, they are just really weird. The kind of weird that plays well to international cult audiences but if you try to describe them to your coworkers they just look at you weird and then avoid talking movies with you in future conversations. He first burst in the international scene with Calamari Wrestler in 2004, about a squid that showed up at wrestling matches. His other films include Executive Koala – about a koala executive who may have murdered his wife, Crab Goalkeeper – about a crab that is a goalkeeper on a soccer team, The World Sinks Except Japan – a parody of The Sinking of Japan film (this was also Kawasaki’s first film filled with political satire), Kabuto-O Beetle – another wrestling film with a giant beetle, The Rug Cop – a parody of 1970’s Japanese cop tv shows involving a living toupee, and the upcoming Neko Râmen Taishô – about a cat who runs a Ramen stand. This resume makes him the perfect person to helm the return film for the giant monster Guilala. (He actually did work with giant monsters on Ultraman Tiga.)
Guilala first appeared in 1967’s The X from Outer Space (aka Uchi Daikaiju Girara, literally Giant Space Monster Guilala.) This was the first daikaiju film from Shochiku. After Guilala was brought to Earth as a spore it grew into a giant monster and rampaged until it was coated with Guilalalium, which returned it into a spore and it was shot back into space. The goofy monster design is probably what the film is best remembered for. There have been rumors for years of Guilala returning, most noticeably the long-standing rumor that he would fight Gappa, another Japanese monster who was a one-shot deal from the Nikkatsu studios. And now Guilala reappears years later in The Monster X Strikes Back: Attack the G8 Summit (as well as a promotional exercise video released around the time of the movie’s release in theaters in 2008 that I have been unable to track down!) After the film was released in Japan, Guilala showed up again in the US in a commercial for Ladders, some job website.
The Monster X Strikes Back: Attack the G8 Summit is not a daikaiju movie in so much as it is political satire set against the backdrop of a monster attack. The political caricatures are independent enough that you don’t need to know who they are to follow along, but if you are versed in foreign affairs than you get a whole new layer of jokes that others will miss.
The G8 Summit is a forum for governments of eight nations of the northern hemisphere. The leaders of the eight member nations each get represented here as exaggerated caricatures, though how exaggerated you are can vary. There is also a few changes from who actually attended the G8 Summitt due to political changes in power that happened after the script was already in production. The most noticeably is that Prime Minister Shinz? Abe hosts the summit here, while in reality the 2008 G8 Summit in Japan was actually hosted by former Prime Minister Yasuo Fukuda, who took over after Abe’s surprise resignation. The Russian president is also called Putin, though the Russian president at the time of the meeting was Dmitri Medvedev (and the actor resembles him more than Putin.) All other minor differences are listed below in the Social Studies 101 section. But first we need to introduce the non-political characters:
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Categories: Movie Reviews, Ugly Tags: Beat Takeshi, Guilala, Hurricane Ryu, Japan, Kazuki Kato, Kim Jong-Il, Minoru Kawasaki, Morishita Yuri, Natsuki Kato, Take-Majin
