Godzilla vs. Destoroyah (Review)
Godzilla vs. Destoroyah
aka Gojira vs Desutoroia
1995
Directed by Takao Okawara
Written by Kazuki Omori
This is the final film in the Heisei series. It is also the final film in March of Godzilla 4. Funny how things work out, almost as if it was planned… So when Godzilla vs. Destoroyah was originally coming out, it hit the press because Godzilla dies. Thus, the entire ending is completely spoiled. Good job, publicists. This was the time when everyone was dying. Godzilla, Superman, Orville Redenbacher, Kurt Cobain, Jonas Salk, and Motoo Kimura. Everyone was dropping dead. It became passe, especially since everyone who died seemed to pop up good as new in a year or so. Originally, Godzilla was to stay dead for ten years so America could have their own Godzilla trilogy. But then Dean Devlin/Roland Emmerich managed to mess that up something awful, and Godzilla had to be rushed into making a reappearance to make up for how terrible the American film was. Even years later, Toho still hasn’t made up for how horrible Emmerich/Devlin’s Godzilla film was.
But enough of complaining, we’ll do plenty of that once we get around to that bastard of a film. For THIS film, Toho decides to connect it to the original film more than any previous Godzilla film. The oxygen destroyer is mentioned often, and is the source of the new villain who appears to fight Godzilla. It seems that no matter what mankind does, it creates giant monsters that destroy Tokyo. Maybe Tokyo should move five miles away from where it is located, that will probably solve all the problems.
Godzilla will be all red and smoking, as he inches closer and closer to nuclear meltdown. So now the poor actor in the suit has to sit around as dry ice is pack onto him before each shot, so the proper amount of steam sprays out. The fact they went and made a new Godzilla suit is probably a good idea, as the older suits were beginning to wear out and it helps emphasize the change in Godzilla is permanent and unavoidable.
Godzilla vs. Destoroyah didn’t hit the US for a few years thanks to the lack of US distribution, so for a while all you could see it on was bootlegs. Then the VHS tape with the dubbing came out in the late 90s, and eventually it got released on a double DVD with Godzilla vs. SpaceGodzilla, which is the only DVD release in region 1 so far. So the US has never been able to see this the way it was originally created, unless you get an import DVD.
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Cozzilla (Review)
Cozzilla
aka Godzilla, il re dei mostri
1977
Categories: Movie Reviews, Ugly Tags: Akihiko Hirata, Akira Takarada, Alberto Moro, Armando Valcuda, Godzilla, Haruo Nakajima, Ishiro Honda, Italy, Japan, Luigi Cozzi, Momoko Kochi, Raymond Burr, Takashi Shimura, Terry O. Morse
Godzilla, King of the Monsters (Review)
Godzilla, King of the Monsters!
aka Kaijû no Gojira
1956
Starring
Raymond Burr as Steve Martin
Takashi Shimura as Dr. Kyohei Yamane
Akira Takarada as Hideto Ogata
Momoko Koochi as Emiko Yamane
Akihiko Hirata as Dr. Daisuke Serizawa
Frank Iwanaga as Security Officer Tomo Iwanaga
Toyoaki Suzuki as The Boy from Oto Island
Directed by Ishiro Honda and Terry O. Morse (USA)
Disclaimer: This is the 1956 American-cut version of Gojira. The 1954 film Gojira will be getting it’s own review eventually. Comparisons between the two will be discussed, but will not go into in depth at this time. So let’s get dangerous!
The original cinema production that introduced Godzilla to millions of Americans is still a powerful piece of film. Unlike later installments, when Godzilla was relegated to defending the world mode, here he’s non-stop brute force. People die, casualties of his attacks are seen in detail never reached again. Even so, the film is watered down from the original Japanese film. Thus, we’ll be hitting the brutality the hardest when the original is recapped. Be that as it may, we’re here with the American version, and we will soldier on. The major difference to even the most untrained eye is the addition of Raymond Burr. This was pre-Perry Mason. Pre-Ironside. Pre-Godzilla 1985. Raymond Burr plays American Reporter Steve Martin, no relation to our Steve Martin. He’s not a wild and crazy guy, he was not born a poor black man, and he doesn’t star in terrible remakes with 9,000,000 children. Burr and his translator wander around, inserting themselves into scenes from the original movie, basically recreating the film around him. Instead of a straight shot, the movie is recut to begin with a flashback to before Godzilla’s initial attack on Tokyo, and then regains real time after the plot has reached the initial beginning point. Thus, American audiences instantly see the destruction of Godzilla, without seeing the monster behind it. And so shall we…
Categories: Bad, Movie Reviews Tags: Akihiko Hirata, Akira Takarada, Frank Iwanaga, Godzilla, Ishiro Honda, Japan, kaiju, Momoko Kochi, Raymond Burr, Takashi Shimura, Terry O. Morse, Toyoaki Suzuki