Snow Monster (Review)
Snow Monster
aka 大雪怪 aka Da Xue Guai
2019
Written by Sheng Fan Zhang and Pian Jia Leng
Directed by Huang He
NetFlix isn’t the only streaming platform pumping out a ton of their original movies to drive up views, China has several big streaming companies and they are all creating their own content in a bet to win sole control of views. Streaming platform Youku has greenlit a ton of original content, but the films of interest to us are several that are basically SyFy Channel original movies! They got giant snakes, giant alligators, sea monsters, the list goes on and on. But most importantly, they have Snow Monster, which is pretty much King Kong in snow demon form. Also there are ice sharks! Yes, Snow Monster fights the ice sharks! This is some of what we call pretty amazing stuff.
The Snow Monster himself is not a gorilla or even an ape. It appears to be a huge furry satyr, complete with a long tail. The fur is snow white, the hands only have three fingers and a thumb, the legs are bent like goat legs, and the head is adorned with two large goat horns, one of which is partially snapped off. The monster himself is a mix of guy in suit and CGI depending on the scene needs, but more often than not he is just a guy standing there reacting to what is going on. This makes it sort of charming in a low budget cinema sort of way.
Of course there are no English subtitles, but at TarsTarkas.NET, we don’t need no stinking subtitles! The plot is pretty easy to follow, the monsters don’t need to talk, and while we have all seen this before, and it’s fun to see it again done different with the shadow of the original sprawling over it. Part of the film has the same trouble the Peter Jackson King Kong did, in that we spend a bunch of time running around with monsters that aren’t the giant monster of the title. I don’t know how much planning you need for a Snow Monster movie but there are like 25 people credited. If this keeps up with the other Youku films I got on the docket than I will keep you posted, otherwise I would advise getting a job as a film planner as they seem to be giving them away! I identified who I could in the cast, but as I don’t know what the names of the characters they are playing are, I’m just going to refer to them by their real names. Since this is a harder to find movie (unless you are specifically looking for it), this will be more of a recap review.
Snow Monster does keep the monster in the winter wonderland where it exists instead of having a sequence where it is brought back to the city to cause trouble. That’s obviously a cost consideration, but it also points to the reality of transporting a gigantic monster out of a hostile environment and then into an urban environment without their being any sort of issues, something most of the Kong films just handwave away.
Snow monster, snow sharks, monster birds, a random dinosaur skeleton that seems put there because there were big skeletons in Kong: Skull Island except those were Kong’s family and here it makes no sense unless Snow Monster’s dad was a tyrannosaur. It’s Snow Monster, baby!
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Categories: Movie Reviews Tags: China, King Kong, Li Ruoxi, mad monkey time, Tim Wu, Youku, Zhang Yongxian
In the Shadow of the Moon (Review)
In the Shadow of the Moon
2019
Written by Gregory Weidman and Geoffrey Tock
Directed by Jim Mickle
In the Shadow of the Moon is a fun little time travel murder mystery that gets too convoluted for its own good. In 1988, three seemingly random people drop dead, blood and their brains leaking out of their face. Officer Locke (Boyd Holbrook) manages to insert himself into the case as part of his bid to make detective. His partner Maddox (Bokeem Woodbine) is less enthused about the extra work, and brother-in-law and current detective Holt (Michael C. Hall) doesn’t want his sister’s husband messing up his first big case. Soon it is evident the dead have all been attacked, and a mysterious woman (Cleopatra Coleman) is responsible. After a chase she winds up dead, but who she is or how she ended up with a police service revolver bullet in her hand despite no officer shooting that night remains a mystery.
The only problem is she shows up again 9 years later alive and killing again, and will keep reappearing as an increasingly obsessed and isolated Locke attempts to solve the mystery of who she’s killing and how she’s doing it. Things are best when we don’t know anything and are caught up in what is going on. There is a clue in the very beginning, but it becomes obvious really fast what is going on and why, and once you figure that out all the rest of the twists unravel in your mind and it just becomes a waiting game for them to happen on screen.
Speaking of mysterious deaths, the writers just go and fridge Locke’s wife by having her die in childbirth, which he misses part of due to the time traveling killer. Locke’s estrangement from his family as the years go on mean we drop most of the supporting cast that hasn’t died by other means, forcing Boyd Holbrook to largely carry things on his own. While he isn’t bad, sometimes it good to have more people to interact with for a film instead of it just being a succession of things that happen to Locke.
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Categories: Movie Reviews Tags: Bokeem Woodbine, Boyd Holbrook, Cleopatra Coleman, Geoffrey Tock, Gregory Weidman, Jim Mickle, Michael C. Hall, Netflix, Rudi Dharmalingam, Sarah Dugdale