Terror of Mechagodzilla (Review)

Terror of Mechagodzilla

aka Mekagojira no gyakushu aka メカゴジラの逆襲

1975
March of Godzilla 2012
Written by Yukiko Takayama
Directed by Ishiro Honda

Titanosaurus, DirectTV pioneer

Terror of Mechagodzilla is a direct followup to the previous film, Godzilla vs. Mechagodzilla. It’s also the final film of the Showa era, one of the few films to show direct continuity that would be used more in the Heisei films, and the final Godzilla work of some G-legends, Ishiro Honda and Akihiko Hirata. It also bombed horribly, helping lead to a decade-long absence of Godzilla in film form. Overall, Terror of Mechagodzilla is a mixed bag. The action sequences are some of the most violent and explosive of the older films, but they’re obviously trying to compensate from the lower budget (many scenes suddenly end up in the countryside) and the hectic explosions loose their danger after the 1 millionth giant boom.

Being a little mermaid sure is boring…

Ishiro Honda doesn’t sleep on the job, making up for the lower filming budget with some neat visual stylizing. A flashback to Professor Mafune’s descent into madness is shown via sepia-toned photographs while narration explains. Katsura’s lament that Titanosaurus is to be used as a murderous weapon is juxtaposed with other alien-controlled kaiju from prior films played on a quad-screen shot. Godzilla’s first appearance is one of the better introduction scenes in his history.

The alien command center is in some Trekker guy’s basement?

While Godzilla vs. Mechagodzilla showed a trend towards more serious, Terror of Mechagodzilla straddled the edge of serious and silly. The action sequences were more destructive, but the alien villains were more comic book. The cyborg daughter is played for tragedy, but it is obvious from the beginning that it will end in a downer and we’re just running through the steps until the final act. I am willing to accept that some of the sillier aspects are unintentional, such as the alien helmets or the complete lack of concern for hunting down the aliens by Interpol even after they’ve been spotted multiple times in the same area. But I can’t deny that I feel it is there, and it clouds Terror of Mechagodzilla in a way that the prior film did not have.

Titanosaurus was tragically hit by a meteor during the filming of this scene…

メカゴジラの逆襲 (translation: Counterattack of Mechagodzilla) was first released in the US in theaters in 1978 under the title The Terror of Godzilla. The US rights were held by Henry Saperstein, who sold Bob Conn Enterprises the film rights, but also released the movie itself on TV in 1978 as Terror of Mechagodzilla. This cut is credited to UPA Productions of America, and features an additional six minutes of scenes taken from other Godzilla films and narrated to serve as an introduction to Godzilla (this sequence is detailed below), the only think cut was a brief shot of Katsura’s fake breasts during a surgery scene. By the mid-1980s, there was a new cut on tv that featured many of the violent scenes cut down, as well as not having the opening narration. There are some that say this was the theatrical cut, though I don’t know why the theater cut would have removed the violence when that seems more of a tv cut thing to do. That cut was the most widely available for decades, including the original version I saw before I got a tape of the original cut. I have still not seen the restored DVD, hence the screenshots are either from the old VHS tape or the earlier DVD.

For some reason, the humans won’t take us serious!

And as March of Godzilla 2012 continues, let’s get us to the Roll Call!

Akira Ichinose (Katsuhiko Sasaki) – Marine Biologist at the Ocean Exploitation Institute, which somehow qualifies him to have equal police rights as the rest of Interpol when he works with them to track down the mysterious dinosaur. Falls in love with a cyborg despite her repeated attempts to brush him off.
Katsura Mafune (Tomoko Ai) – Daughter of the famous Professor Mafune, who went mad. She covers for her father, telling the world he is dead. In reality, he is in league with the space aliens and is using his discovery, Titanosaurus, and his ability to control animals, against mankind for spurning him and his ideas. Katsura was rebuilt as a cyborg after she was injured in an experiment, and becomes more robotic the more the aliens due to her. Tomoko Ai went on to do a string of Nikkuatsu films.
Dr. Shinzo Mafune (Akihiko Hirata) – Akikhiko Hirata plays yet another mad scientist, except this one doesn’t have an eyepatch, he’s got crazy old man hair, mustache, and eyebrows. He hates mankind because they made fun of him. Good thing he doesn’t read YouTube comments, Dr. Mafune would explode with rage. Explode, I tell you! He teams with the aliens.
Interpol Agent Jiro Murakoshi (Katsumasa Uchida) – The main cop who is sort of in the film, though often the film forgets he’s there as it focuses more on Ichinose. But he occasionally shows up to save the day and to save Ichinose.
Alien Leader Mugal (Goro Mutsumi) – The new leader of the space aliens from the previous film. Mugal sounds like a name for a Gremlin or something. The greatest tragedy of Terror of Mechagodzilla is that the aliens never revert back to gorilla form.
Godzilla (Toru Kawai) – The biggest G of them all!
Mechagodzilla (Ise Mori) – Picked up from the ocean floor and rebuilt with human slaves, Mechagodzilla is back to fight his fleshy foe. And now he’s controlled by a cyborg lady! And he has some sort of head under his head! It’s all weird, but not enough to keep him from being turned into scrap metal.
Titanosaurus (Katsumi Nimiamoto) – Titanosaurus is a peaceful dinosaur used by an arrogant made scientist and aliens to attack humans, and is then brutally murdered by Godzilla for his crime of being brainwashed. Some people are really into Titanosaurus! If you are Japanese, you call him Chitanosaurusu. Rumor has it that Titanosaurus was originally supposed to be two smaller creatures called the Titans that fuse together to create Titanosaurus. This idea seems to have been recycled into Godzilla vs. King Ghidorah.
G is for Godzooky, that’s good enough for me!

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Godzilla vs. King Ghidorah (Review)

Godzilla vs. King Ghidorah

aka Gojira vs. Kingu Gidora

1991

Directed and written by Kazuki Omori

Godzilla vs. King Ghidorah is the third of the Heisei series of films, and the first to include a classic Toho kaiju in a new form (other classic monsters such as Mothra and Rodan would soon arrive as well.) The big story with Godzilla vs. King Ghidorah is not the plot or the monsters or any of that jazz, but the controversy surrounding the release of the film. Back in 1991, the US was still having rough relations with Japan economically, following a period where Japan seemed to be buying up much of America at wholesale prices. Japan’s edge had started to slip at this point, and they would soon be in the middle of a decade-long recession, but fear of Japan soon controlling the world war rampant in the dimmest of bulbs, who coincidentally just happen to have radio and TV shows. They were upset over the sequence where the precursor to Godzilla, the Godzillasaurus, slaughters a bunch of US troops during World War 2. The fact that men from the future who were white also went back in time to ruin Japan economically in retaliation of Japan’s dominance was also touchy. Accusations of anti-Americanism flew wild, and Japan had to say “What the frak?” No one seemed upset over the thousands of dead Japanese people in the film, the fact a Japanese woman was one of the time travelers, a white guy was a good robot, or the fact that everyone in the future where Japan dominated hated the country and thought of them as corrupt and deserving death for their arrogance.

But talking heads are morons, so who gives a crap what they thought in 1991? All I am concerned about is if that had any decision in the delaying of release of the post-Biollante films in America. Godzilla vs. King Ghidorah did not hit the US market until at least 1996, because I bought the VHS of it while I was in college. A few bootlegs circled at conventions, but outside of the grey market you could not get a glimpse of new Godzilla for five years. Of all of the Heisei era films, I think I enjoy this one the most, largely due to the human characters not being that annoying. It was very much better than its predecessor, Godzilla vs. Biollante, which was terrible (when Godzilla wasn’t fighting the army) and featured a stupid monster that I hate. Biollante’s poor showing at the box office basically forced Toho to tell the director he is bringing back a named monster, something that happened again when GMK: Tokyo SOS director Masaaki Tezuka was forced to put Ghidorah and Mothra in a film neither had any business being in. Toho could easily avoid this by not having lame monsters like Biollante or Megaguirus, but I guess that is just too difficult. Rumors swirl that this was originally going to star King Kong in a rematch against Godzilla, but negotiations went sour.

Enough rambling, let’s get to this production! We will have the cast breakdown, and then jump into the feature

Kenichiro Terasawa (Kosuke Toyohara) – All Godzilla films need a reporter and a scientist, so Kenichiro Terasawa is our reporter. He predicts where Godzilla comes from, IN THE FUTURE, but for now he is just a guy who hasn’t done anything cool yet.
Emmy Kano (Anna Nakagawa) – From the future! She came back in time to destroy her native Japan because Emmy has self-hate issues or something. Regardless, she soon realizes that Japan is ichiban and switches teams to be all 100% pro-Japan. She is also a pseudo-love interest for Kenichiro Terasawa, which is sort of gross because she is his descendent. I guess in the future the inbreds rule the roost.
Miki Saegusa (Megumi Odaka) – Recurring character Miki Saegusa returns for the first time, thus she is a recurring character. Recurring, you see. She is psychic and has big ears. They are related. Also, she will be a recurring character, have I mentioned that?
Professor Mazaki (Katsuhiko Sasaki) – Hey, a physics expert! Our resident scientist helps Terasawa discover the secret of Godzilla’s origin and explain the time travel junk to the military.
M-11 (Robert Scott Field) – A white guy who isn’t evil or related to a director just happens to be a robot! But that allows for cyborg action like the world has never seen. Okay, not quite. M-11 is pretty cool for a second-rate Data so I give him two robotic thumbs up!
Godzilla (Kenpachiro Satsuma) – Godzilla grows in size thanks to modern radiation from 80 meters to 100 meters. Now he can kick even more butt! If Godzilla ever wanders past your house, don’t use any radiation on him, because he’ll keep growing bigger and bigger and have to buy new wardrobes each time, making Godzilla madder and madder.
King Ghidorah (Hurricane Ryu) – King Ghidorah is the agent of the evil Futurians used to try to destroy Japan so they won’t rule the world of the future. Three heads are better than one, unless you have low ceilings.
Mecha-King Ghidorah (Hurricane Ryu) – Mecha-King Ghidorah is the modified version of King Ghidorah that transports from the future to fight Godzilla. Piloted by Emmy and M-11.
Godzillasaurus (Wataru Fukuda) – Godzillasaurus was just chillin’ on his island when these Japanese guys showed up and trenched in. Godzillasaurus suspiciously ignored them until heroic Americans came to kill the Japanese, and Godzillasaurus decided he should get involved in the conflict. His attempts at peacemaker resulted in his body being riddled with bullets, so Godzillasaurus lashed back and struck out in anger. Godzillasaurus hid his rage deep inside until it consumed him and he became rage personified. So learn some stress management, kiddies!
Dorats (puppets) – AHGH!! KILL IT! KILL IT WITH FIRE! Sorry. These ugly as sin things turn into King Ghidorah. If the Futurians wanted to destroy Japan maybe they should have dropped several dozen back in time so there would be many King Ghidorahs. But that would require having some brains!
The best special effects money can buy!

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Godzilla vs. Megalon (Review)

Godzilla vs. Megalon

aka Gojira tai Megaro

1973

Starring
Katsuhiko Sasaki as Inventor Goro Ibuki
Hiroyuki Kawase as Rokuro ‘Roku-chan’ Ibuki (Rock Salt)
Yutaka Hayashi as Hiroshi Jinkawa (Rex Dart- Eskimo Spy)
Robert Dunham as Emperor Antonio of Seatopia
Kotaro Tomita as Lead Seatopian Agent (Oscar Wilde)
Wolf Otsuki as Seatopian Agent (Rasputin)

From the magic land of Japan we get the epic story of a robot and his giant lizard friend as they defend the world from a giant cockroach and a big beetle. Yes, Godzilla is back, and this time, he’s teamed up with his greatest companion, Jet Jaguar. Now this is generally considered one of the worst of the series (in fact, of all the different series) and there is a strong argument for that honor. The lack of budget is apparent throughout the film, from the lack of extras, to the reuse of stock shots from many prior films, to the shoddy costumes for the monsters and Seatopians. The worst offender is the character of Rokuro, aka Roku-chan, or what we’ll be calling him in this review, Rock Salt. Every time his name is called, it sounds like they’re just saying “Rock Salt!” so there we go. (MST3K referred to him as “Roxanne” in their airing.) Rock Salt is the worst instance of a “Kenny” in a Godzilla film. Kennies are named after the many different Kennies from the Gamera series of films, in which each movie had a different annoying kid named Kenny who seemed to have higher security clearance than the highest generals in Japan. Kennies are also known to wear shorts so tiny they’d cover more skin if they didn’t wear pants at all. Kenny’s main job is to give kids a movie representation of themselves to bring them into the film. Unfortunately for us, anyone over 9 realizes Kennies are annoying. Rock Salt is one of the most annoying Kennies to emerge from Japan. He’s dubbed by a woman who does male child voices by just whining in a baby’s voice. The screeching heard every time Rock Salt opens his filthy mouth is enough to grate your ears so you’ll rip them off. Rock Salt lives with two men, one of who is called his “brother,” named Goro. The fact that Goro is over twenty years older than Rock Salt, yet no other parents are around, is oddly suspicious, especially since the only other parental figure is fellow male Hiroshi Jinkawa. No one calls him Hiroshi Jinkawa at any point in the film, and MST3K dubbed him Rex Dart, Eskimo Spy; and so he shall be called here as well.


Enough of the human characters, we’ll go into them in more detail later, let’s get to the whole reason we watch these films, the monsters. The Daikaiju. The Big Boys. We know the headliner, Big G himself, Godzilla. We got us a brand new Godzilla suit for this film, which makes him look like a frog. As the current kid-friendly trend made Godzilla’s eyes get bigger and bigger, we see the extreme right here. If you’re nostalgic for some of the older suits and face designs, you’re in luck, and the liberal use of older footage gives us the Godzilla vs. Gigan suit, as well as the suits from Godzilla vs. the Sea Monster and Destroy All Monsters. Teaming up with Godzilla is the reason this film was made, Jet Jaguar. Jet Jaguar, in addition to having an awesome name, is a robot with special powers. He has the ability to think for himself, evasion sensors so he’ll always get out of your way (props to dumb dialogue), punch-card powered programming, and the ability to program himself to change his height. Not by any build in means, he just magically grows big or shrinks depending on what the script calls for. More on that as it happens, let’s look at the villains. The evil headliner is Megalon, making his movie debut. This was the first in a series of one movies Megalon is featured in in his quest to destroy Godzilla. That puts him on equal footing with Jet Jaguar, as they’re both one-hit wonders. Megalon is a giant cockroach. He has the magical power of shooting lightning from his star shaped antenna on his head (a singular antenna) and can spit red bricks that explode upon impact. Megalon’s most far out feature is what cements him in the dredges of G-History: Drill Hands. Yes, each hand of Megalon is half a drill. No thumbs, no claws, no use of any kind, but drills. Maybe Japan had an irrational fear of the Chrysler Building during the early seventies. He’s joined by Gigan, who’s returning from the previous film, both because the costume was still in good condition, and because that allows to use a good chunk of the previous film’s fight between Godzilla and Gigan. After this, Gigan won’t be seen again until Godzilla Final Wars (and his second form in that movie makes him look even more silly.) Gigan is a beetle-looking freak with a single red glowing eye, like old school cylons from Battlestar Galactica, minus the ping pong action. Gigan has hooks for hands, making his only slightly less useless than Megalon’s.


So we know our characters, we know our monsters, we know our potential pitfalls, let’s get this party started!

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