Godzilla’s Revenge (Review)

Godzilla’s Revenge

aka All Monsters Attack aka Godzilla-Minya-Gabara: All Monsters Attack! aka Gojira-Minira-Gabara: Oru kaiju daishingeki

1969

Starring
Tomonori Yazaki as Ichiro Miki
Eisei Amamoto as Toy Consultant Shinpei Inami
Sachio Sakai as Bank Robber Senbayashi
Kazuo Suzuki as Bank Robber Okuda
Kenji Sahara as Ichiro’s Father
Machiko Naka as Ichiro’s Mother
Shigeki Ishida as The Landlord
Directed by Ishiro Honda

SUPER SCARY SATURDAY! BOOOoooOOOoooOOOooOOOOooOOO! Once again, Super Scary Saturday will be our guide through the world of Godzilla! This is the greatest Super Scary Saturday intro of them all! It’s only ironic that it’s on one of the worst Godzilla movies of them all! It’s got stock footage, more stock footage, annoying kids in short shorts, even more stock footage, even more annoying kids in short shorts, and oddly enough was one of my favorite G films as a kid, probably because this movie is marketed for kids (though I suspect the Super Scary Saturday intro also helped.) The stock shots of Godzilla are pulled from several films, so you see Godzilla’s head change shape a few times. We got our grubby paws on the Japanese version as well as the American TV dub, so we’ll be contrasting both as we go along. It’s the same storyline, but there are a few key differences, most notably, the kid in the Japanese version is about twenty times less annoying! He’s almost respectable! It’s amazing. Minya famously talks in this film, and shrinks down in size to have chats with little Ichiro, the Boy of Monster Island. Speaking of Monster Island, this film was the immediate follow-up to Destroy All Monsters, where all the monsters were living on Monsterland, but from this movie forward they all live on Monster Island. Also, Destroy All Monsters took place in the far off future of 1999, while this film is set back in 1969. So either Monster Island becomes Monsterland, or Monsterland is another name for Monster Island, possibly due to Monster Island being really a peninsula.


I hope I didn’t bore you off with that over-analysis there. It’s time to not care about technicalities anymore, as we’re going to be visiting the mind of an 11 year old boy, his monster playmates, a crazy toy inventor, two bumbling master thieves, and two bullies named Gabara! All of this hosted by Al Lewis, Grandpa Munster himself! It’s the last March of Godzilla film until the next March of Godzilla (ignore that this is May and we’re still putting up films) and the last Super Scary Saturday film I have on tape. So let’s Celebrate, Celebrate, Super Station TBS! And bring on Super Scary Saturday!

After the famous Super Scary Saturday commercial scares it’s way by again, we get the opening. “It’s Me, Grandpa!” we get our familiar greeting as Grandpa Munster awaits us sitting in the Super Scary Saturday theater. He’s excited to have us there: “Do I have a treat for you! This is better than having your own Red Cross Blood Bank franchise!” It sure is. Grandpa Munster rules! Grandpa continues: “You heard of Wrestlemania? Well, we have MONSTERmania!” It’s Godzilla vs. All Comers!

Grandpa then jumps to Crazed Grandpa Announcer Don King mode to promote the upcoming fight! Behind him at the podium are cartoons of Godzilla and Gabara, Godzilla in a wrestling suit giving his pointing finger, and Gabara doing his hair! We cut to Gabara for his view of the upcoming fight, and his Godzilla-taunting, which I will transcribe in it’s entirety for your reading pleasure: “Listen up you giant water lizard! I’m the prettiest monster and the meanest Godzilla. You’re going to get the shock of your life when you step on the Monster Island with me, Gabara, the giant cat from Monstermania! I’m the one, the only, the true world champion!”



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Godzilla vs. Megalon (Review)

Godzilla vs. Megalon

aka Gojira tai Megaro

1973

Starring
Katsuhiko Sasaki as Inventor Goro Ibuki
Hiroyuki Kawase as Rokuro ‘Roku-chan’ Ibuki (Rock Salt)
Yutaka Hayashi as Hiroshi Jinkawa (Rex Dart- Eskimo Spy)
Robert Dunham as Emperor Antonio of Seatopia
Kotaro Tomita as Lead Seatopian Agent (Oscar Wilde)
Wolf Otsuki as Seatopian Agent (Rasputin)

From the magic land of Japan we get the epic story of a robot and his giant lizard friend as they defend the world from a giant cockroach and a big beetle. Yes, Godzilla is back, and this time, he’s teamed up with his greatest companion, Jet Jaguar. Now this is generally considered one of the worst of the series (in fact, of all the different series) and there is a strong argument for that honor. The lack of budget is apparent throughout the film, from the lack of extras, to the reuse of stock shots from many prior films, to the shoddy costumes for the monsters and Seatopians. The worst offender is the character of Rokuro, aka Roku-chan, or what we’ll be calling him in this review, Rock Salt. Every time his name is called, it sounds like they’re just saying “Rock Salt!” so there we go. (MST3K referred to him as “Roxanne” in their airing.) Rock Salt is the worst instance of a “Kenny” in a Godzilla film. Kennies are named after the many different Kennies from the Gamera series of films, in which each movie had a different annoying kid named Kenny who seemed to have higher security clearance than the highest generals in Japan. Kennies are also known to wear shorts so tiny they’d cover more skin if they didn’t wear pants at all. Kenny’s main job is to give kids a movie representation of themselves to bring them into the film. Unfortunately for us, anyone over 9 realizes Kennies are annoying. Rock Salt is one of the most annoying Kennies to emerge from Japan. He’s dubbed by a woman who does male child voices by just whining in a baby’s voice. The screeching heard every time Rock Salt opens his filthy mouth is enough to grate your ears so you’ll rip them off. Rock Salt lives with two men, one of who is called his “brother,” named Goro. The fact that Goro is over twenty years older than Rock Salt, yet no other parents are around, is oddly suspicious, especially since the only other parental figure is fellow male Hiroshi Jinkawa. No one calls him Hiroshi Jinkawa at any point in the film, and MST3K dubbed him Rex Dart, Eskimo Spy; and so he shall be called here as well.


Enough of the human characters, we’ll go into them in more detail later, let’s get to the whole reason we watch these films, the monsters. The Daikaiju. The Big Boys. We know the headliner, Big G himself, Godzilla. We got us a brand new Godzilla suit for this film, which makes him look like a frog. As the current kid-friendly trend made Godzilla’s eyes get bigger and bigger, we see the extreme right here. If you’re nostalgic for some of the older suits and face designs, you’re in luck, and the liberal use of older footage gives us the Godzilla vs. Gigan suit, as well as the suits from Godzilla vs. the Sea Monster and Destroy All Monsters. Teaming up with Godzilla is the reason this film was made, Jet Jaguar. Jet Jaguar, in addition to having an awesome name, is a robot with special powers. He has the ability to think for himself, evasion sensors so he’ll always get out of your way (props to dumb dialogue), punch-card powered programming, and the ability to program himself to change his height. Not by any build in means, he just magically grows big or shrinks depending on what the script calls for. More on that as it happens, let’s look at the villains. The evil headliner is Megalon, making his movie debut. This was the first in a series of one movies Megalon is featured in in his quest to destroy Godzilla. That puts him on equal footing with Jet Jaguar, as they’re both one-hit wonders. Megalon is a giant cockroach. He has the magical power of shooting lightning from his star shaped antenna on his head (a singular antenna) and can spit red bricks that explode upon impact. Megalon’s most far out feature is what cements him in the dredges of G-History: Drill Hands. Yes, each hand of Megalon is half a drill. No thumbs, no claws, no use of any kind, but drills. Maybe Japan had an irrational fear of the Chrysler Building during the early seventies. He’s joined by Gigan, who’s returning from the previous film, both because the costume was still in good condition, and because that allows to use a good chunk of the previous film’s fight between Godzilla and Gigan. After this, Gigan won’t be seen again until Godzilla Final Wars (and his second form in that movie makes him look even more silly.) Gigan is a beetle-looking freak with a single red glowing eye, like old school cylons from Battlestar Galactica, minus the ping pong action. Gigan has hooks for hands, making his only slightly less useless than Megalon’s.


So we know our characters, we know our monsters, we know our potential pitfalls, let’s get this party started!

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