Posts tagged "Turkey"

Space Ladies from Outer Space – Infernal Brains Podcast Episode 17

cat-women of the moon poster

From the deepest depths of nearby space comes the Infernal Brains Podcast! Join Tars and Todd of FourDK as they explore the surprisingly universal phenomenon of Space Ladies from Outer Space! Featuring an extra-special Guest Brain, Carol Borden from The Cultural Gutter! We scour the globe and cover a vast variety of flicks featuring female alien invaders/cultures that run into problems when Earth men come and mess everything up. It’s a surprisingly populous genre that probably speaks to all sorts of subtextual psychoses, which means there will be plenty to talk about.

As usual, there are more ways to get the episode than you can invade a planet with!

Download the mp3 (right click, save as)

Watch in slideshow form:

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Or else…

Carol Borden’s sites:
The Cultural Gutter
Monstrous Industry

Films Discussed:
Cat-women of the Moon
Missile to the Moon
El Planeta de las Mujeres Invasoras (Planet of the Female Invaders) Tars review Todd review
La Nave de los Monstrous (Ship of Monsters)
Blue Demon Y Las Invasoras
Uçan Daireler Istanbulda (Flying Saucers Over Istanbul) Tars review Todd review

Prior Infernal Brains:
Taiwanese Giant Monster Films Part 1
Taiwanese Giant Monster Films Part 2
Polly Shang Kuan
Turkish Pop Cinema Part 1
Turkish Pop Cinema Part 2
Dara Singh
Infernal Brains Podcast – 07 – Insee Daeng
Infernal Brains Podcast – 08 – Worst Podcast Ever
The Mummies of Guanajuato – Infernal Brains Podcast Episode 09
Jane Bond – Infernal Brains Podcast Episode 10
Daigoro vs Goliath – Infernal Brains Podcast Episode 11
Down the Rabbit Hole with Pearl Cheung Ling – Infernal Brains Podcast Episode 12
Through the Looking Glass with Pearl Cheung Ling – Infernal Brains Podcast Episode 13
Starman – Infernal Brains Podcast Episode 14
The Brainiac – Infernal Brains Podcast Episode 15
The Secret of Magic Island – Infernal Brains Podcast Episode 16

Infernal Brains Podcast

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Posted by Tars Tarkas - February 21, 2014 at 5:17 am

Categories: Podcasts   Tags: , , , , ,

Süper Selami (Review)

Süper Selami

Süper Selami

My mom made my suit!


1979
Written by Yılmaz Atadeniz and Hikmet Eldek
Directed by Yılmaz Atadeniz

Süper Selami

I don’t know why this movie exists!


Who wants to watch a Superman parody where he’s a filthy old man and there is lots of softcore sex? Probably more people than you can imagine, hence the reason Super Selami exists and isn’t just a figment of your imagination! Aydemir Akbaş starred in a slew of softcore Turkish films through the 70s, many of which are probably ridiculously awful, but several of which are genre parodies. Thus the exciting Superman film that is Super Selami. There is also Astronot Fehmi, which is your typical weird guy goes to space and has sex with space babes movie, except Turkish.

This being Turkish cinema, the soundtrack is ripe with stolen songs: the James Bond theme, a disco Star Trek theme, and even an instrumental version of Somewhere Over the Rainbow. Several more songs sound familiar even if I can’t place them without help.

Aydemir Akbaş plays both the heroic Super Selami, but also the villainous Çengel. That way, he has twice as much screen time, four times as many sex scenes, and eight times as many eye rolls from yours truly. The rest of the roles are minor, and the women exist to either be evil or rescue bait, and all of them get naked a lot. There is a scientist working on something secret. He has a daughter named Ayşe, who is hot and Selimi’s love interest. The Professor’s assistant Nuray is a turncoat. Çengel has another evil girl named Emel on his payroll, mostly so he can have sex with her. Selami gets his powers from a mystical guru who lives in a cave. Everyone else is either a goon or even less important.

Süper Selami

Superman and Hamburglar’s lovechild!


Super Selami is typical low budget smut, gaining interest only because of the fantastical elements of the Superman parody. It offers little of interest outside of historical curiosity, nor is it titillating. Luckily it’s so short, so my time doesn’t feel that wasted. A good rundown of all the times Turkey invoked Superman in their films can be found in our review of Süpermen Dönüyor. As usual with obscure Turkish fare, we went in native, without subtitles. But at TarsTarkas.NET, we don’t need no stinking subtitles!

Selami (Aydemir Akbaş) – Our hero is some dirty loser guy who flees into a cave and learns how to become a super hero from a mystical guru. The Super Selmai powers only work if he doesn’t have sex, which is sort of bad as this is a softcore film filled with naked women.
Çengel (Aydemir Akbaş) – Villainous leader up to no good. “Çengel” means hook, which is the perfect name because he has a double-hooked hand. Has lots and lots of sex when he’s not up to no good. Unless you think having sex is up to no good, in which case he’s consistently up to no good. Wants to get a formula from the Professor, and resorts to kidnapping and spying to do so.
Ayşe (Dilber Ay) – – daughter of the Professor (Muharrem Gürses) and love interest for Selami, even though he can’t partake in her love. She’s constantly being attacked or kidnapped by villains. There is a singer named Dilber Ay, I’m not sure if it is the same woman or not as this actress.
Guru Superman (???) – – A guru who hangs out in caves in Turkey like all true gurus. He teaches Selami how to use the power of not having sex to turn into Superman with the uttering of “Shazam!” I think this is actor Kamer Baba but I am not certain.
Death to all mimes!

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Posted by Tars Tarkas - February 12, 2014 at 9:03 am

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Flying Saucers Over Istanbul (Review)

Flying Saucers Over Istanbul

aka Uçan Daireler Istanbulda
Flying Saucers Over istanbul Uçan Daireler Istanbulda
1955
Written and directed by Orhan Erçin

Flying Saucers Over istanbul Uçan Daireler Istanbulda

No one refuses the Space Ladies!


Alien space women come to Earth to search for (what else) manly men as all of theirs are dead. So of course they head to Turkey, the manliest country in the galaxy. But the only men the space women meet in Flying Saucers Over Istanbul (Uçan daireler Istanbulda) are two greedy idiots who proceed to try to sell alien secrets to get rich in schemes that might have played well in 1955 Turkey, but now are just annoying. Perhaps they didn’t play too well in 1955 Turkey, as the film reportedly did not fare well at the box office.

Rosie returns for revenge on the Jetsons!

Flying Saucers Over Istanbul was one of those films that was lost in the quagmire of Turkish vaults, even thought possibly lost until a rather nice looking print surfaced relatively recently. If you can only view Turkish films that have been scratched to the point where they are barely watchable, you might be disappointed this is too clean. I think it’s just right, there needs to be some grit and fadedness on the prints, but digitally remastered Turkish pop cinema would destroy the entire aesthetic.

The attraction to Flying Saucers Over Istanbul is the effects. Hubcaps suspended by fishing wire with sparklers going off are our Flying Saucers. The space women have their own female robot, who is little more than plywood with light bulb attachments. Sadly the space stuff occupies maybe a quarter at most of the running time.

Do you enjoy belly dancing? Do you enjoy two jokers attempting to sell space miracle potions to rich old women? Do you enjoy a guy carrying a gigantic obviously fake camera? Because those are the themes of the majority of Flying Saucers Over Istanbul! Never fear, they throw in a fake Marilyn Monroe to distract everyone.

Flying Saucers Over istanbul Uçan Daireler Istanbulda

No, the robot is going IN to the closet, it’s even more subtextual than you think!


As you’ve probably guessed from my whining, the non-space stuff isn’t what I call entertaining. There is an attempted theme of loneliness among women, the Earth women who run a Lonely Hearts Nightclub that’s desperate to attract male guests for their clients to hit on contrast with the invading Space Women from Planet Merih, who kidnap men forcibly to replace their now dead males. But that’s about all the contrast the two sides get, their methods are wholly different (kidnapping vs coercion) and their looks are totally different(the Earth women are old, the space women look young). In the end, neither side really achieves success in their goal.

Director/writer/star Orhan Erçin directed only one more film right after this in 1955 (the comedy Çeto Sihirbaz, featuring either a magician or a wizard depending on your translation), then did not direct again until two films in 1987! He later died in 1993, on his birthday. He has unfairly been compared to Ed Wood since this film has resurfaced. Flying Saucers Over Istanbul is a comedy, and much of the camp was intentional. Still, it’s not very good.

Flying Saucers Over istanbul Uçan Daireler Istanbulda

I get stoopid, I shoot an arrow like Cupid
I use a word that don’t mean nothin’, like loopid!


The fake Marilyn Monroe was played by Mirella Monro, whose name implies she made a living impersonating the American star. This is her only listed role, and she died in 1968. I was unable to find any more information on her, as every link was just cast listing for this film.

Sapsal (Zafer Önen) – A pipe-chomping newspaper writer who spends much of his time with Kasar getting ridiculous stories that have nothing to do with what the hot news topic is. Bumbles into the invading women after being ordered to write about UFOs. Then tries to get rich instead of doing what they tell him to do, angering the space women.
Kasar (Orhan Erçin) – A stuttering photographer with a huge huge camera. His bumbling with the radio is the reason the space women landed. Spends time scheming along with Sapsal, but the aliens are too smart for them. Orhan Erçin wrote and directed as well, blame him for everything. Get him!
Space Queen/Uzaylı Kraliçe (Türkan Şamil) – The Queen of the Space Ladies from Merih, who have come to Earth to find husbands, as there aren’t any men left on their planet. They’ve heard men from Earth are handsome and strong, but then they run into Sapsal and Kasar. The brutal honesty of reality.
Space Lady/Uzaylı (Özcan Tekgül) – A Space Lady from Merih who assists the Queen in capturing dimwitted Sapsal and Kasar, and punishing them after they act like idiots. Another prominant Space Lady is played by Deniz Tanyeli.
Stelekami (???) – The cool robot lady who is a member of the Space Ladies. Stelekami doesn’t put up with Sapsal’s lies without robot choking him!

Flying Saucers Over istanbul Uçan Daireler Istanbulda

I’m kind of over gettin’ told to throw my hands up in the air.
So there.


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Posted by Tars Tarkas - January 20, 2014 at 1:37 pm

Categories: Movie Reviews, Ugly   Tags: , , , , , ,

Iron Fist: The Giants Are Coming

Demir yumruk: Devler Geliyor

aka Iron Fist: The Giants Are Coming
Demir yumruk Devler geliyor Iron Fist Giants are Coming
1970 or 1973
Written and directed by Tunç Basaran

Demir yumruk Devler geliyor Iron Fist Giants are Coming

It’s me! Super-Bat-Other Man!


Iron Fist – Giants are Coming is an interesting fantastic Turkish film, because it uses super hero tropes, but isn’t really a super hero film. There is a diabolical villain ripped straight from pulp novels, disguises, and people punching people like they’re in those cliffhanger serials. But the actual masked hero is just a disguise used by the heroes after they fake their deaths. It is very common in these pulp Turkish cinema films for the heroes to essentially be super heroes already, with incredible fighting powers and brains. Often the heroes barely get into their costumes, because they don’t need them. Demir yumruk is a nice bridge of the two groups, and I certainly didn’t think that what transpired was how the super heroics was to be involved.

Our hero Enver is a typical Turkish film hero male, in that he regularly cheats on his girlfriend (who sees it as an amusing quirk – when she’s not violently kicking the other woman out of the house!), spends much of his time hanging out with his bros and at the gym, and gets into long long long physical fights will many many villains without even the slightest of bruises. His girlfriend Meral is a tough undercover woman who can fight just as well as the men while still looking like a fashion model. She is capable of infiltrating all sorts of locations and can dazzle the minds of villains with her belly dancing skills. She even saves Enver, though later he has to save her.

Demir yumruk Devler geliyor Iron Fist Giants are Coming

I can pick both nostrils at the same time! Can your Iron Fist do that?


Beyond the ganking of pulp culture iconography and characters, Turkish cinema also features songs ripped from other films, and Demir yumruk is no exception. Surf rock aficionados will find something strangely familiar from the cool tune blasting over the opening credits, and fans of all film will recognize scores of all flavors mixmashed with scenes of completely different tones and movements. Turkey had those YouTube fan videos down pat decades before YouTube.

The influence from serials is especially prevalent, there are multiple long punching fights, and almost every one of the frequent fights has the hero or villain barely escape to menace again in a few minutes. Characters are captured and subsequently rescued, while villains disappear with magic tricks or use gimmick weapons.

Demir yumruk Devler geliyor Iron Fist Giants are Coming

The Hamburger Helper glove has gone evil!


Demir yumruk: Devler geliyor features actors in yellowface, and this isn’t the first time we’ve encountered Turkish Yellowface (or even Turkish characters named after Fu Man Chu!) But there is more on display now than I’ve seen before. Besides the Asian gang lead by Fumancu, there is another evil gang of Russians lead by a guy named Zagof. The heroic heroes try to use the enmity of the gangs to their advantage, but it just as often plays to their folly. It certainly ramps up the suspense, we don’t know which gang will become the dominant one until events play out.

Tunç Basaran has been a prolific writer and director in Turkish cinema, with many filmns in the fantasy action genres. In the West he would be best known for his cult cinema work like Iron Fist, the first Tarkan film, and Ayşecik Ve Sihirli Cüceler Rüyalar Ülkesinde, better known as Turkish Wizard of Oz.

Demir yumruk Devler geliyor Iron Fist Giants are Coming

Dammit, Gandalf, stick with your own franchise!


Enver (Enver Özer) – The all Turkish hero cop who takes this case. Like all manly Turkish men, he spends much time banging chicks who aren’t the one he’s dating, being shirtless, beating up other Turkish men, and showering with Turkish men. It’s almost as if they want me to write paragraphs and paragraphs about subtext…
Meral (Feri Cansel) – The undercover investigator bringing down Zagof’s gang from the inside, while also dating Enver, who is bringing down Zagof and Fumancu’s gangs from the outside. Though she doesn’t dress up as the super hero, she does don a mask…when she dresses as a masked bellydancer to gain access to Fumancu’s hideout. Feri Cansel was a Turkish actress and sex symbol who lead a tragic life that ended short and violently, murdered by her fiancé in 1983. The exact number of films she starred in varies, because of the Turkish practice of cutting and pasting scenes into softcore/hardcore film, but she is widely believed to be the most prolific actor of the parça seks filmleri.
Orhan (Süleyman Turan) – Ally of the heroes who is always chewing gum. He shows up randomly to help the heroes thanks to his many many jobs and connections. You could argue that Orhan is the real hero of Iron Fist, and you would be right! We all need an Orhan in our life.
Murat (Orgun Alkan) – The son of murdered professor, so he seeks revenge against Fumancu for said murder. Joins up with the heroes because revenge. The chief of police has no problems with a loose cannon civilian joining the investigation to recover missing nuclear material by terrorists.
Fumancu (Kayhan Yıldızoğlu) – Fumancu, more like Fu Man Chu! Except he’s not like Fu Man Chu, Fumancu is in a wheelchair and is shockingly effeminate. He’s got a honor guard of machine gun babes and has several assistant dudes standing over him. But is he really Wheelchair Andy Warhol?
Zagof (Altan Günbay) – Famed Russian Communist madman, seeking out the cache of uranium before it’s found by Fumancu (or people who aren’t Bondian supervillains!) He makes himself a steel hand that shoots bullets, because that’s what super villains do. His face was scared by Fumancu. Lusts after his secretaries, who he seems to hire locally, which is really weird for an international supervillain to do.
Çengel (Tarık Şimşek) – The goon we call Doublehook, he is Zagof’s chief lieutenant. His hand is replaced by a double hook, which leaves an interesting slicing pattern when used for attacks. Doublehook also scratches itches on his face with it, which is just tempting fate. But that’s how Doublehook plays!
Iron Fist (??? It is a mystery!) – A mysterious Super Hero character who starts helping the heroes right when another hero is declared dead by the enemies, but isn’t really dead. Almost as if that gives away who the hero is. But just when you think you’ve figured it out, another Iron Fist appears! Like the ending of Three Amigos!

Demir yumruk Devler geliyor Iron Fist Giants are Coming

Now this is art!


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Posted by Tars Tarkas - December 9, 2013 at 8:53 am

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Süpermen Dönüyor

Süpermen Dönüyor

aka Superman Returns aka Turkish Superman
Süpermen Dönüyor Turkish Superman
1979
Written by Necdet Tok
Directed by Kunt Tulgar


Superman may have returned once again this past summer, but now he won’t leave, and he’s picking a fight with Batman! What a jerk! I guess we’ll just have to deal with his Turkish twin brother, who was more of a precursor to the most recent adaptation of Superman than we ever could have guessed! Be prepared for amazement, because Süpermen dönüyor is amazing. It’s pure pop culture reappropriation, done with less money that would buy a gallon of gas. And that is at 1979 gas prices! But enthusiasm for Superman is evident, and Superman fully fits in with Turkish pop cinema’s love of superior manly men who punch the crap out of dozens of evil doers without getting a scratch. You could argue that Superman is weaker, having gained his powers via his alien birthright. But the Turkish men are all awesome while being Turkish, and Superman’s ease of fit into the role shows that immigration and assimilation works just as well for Turkish Superman’s origins as it does for the American one. The subconscious parallel is strong, and speaks of Superman’s universal appeal across the globe.

Confession time, this review was originally written over 9 years ago, back before TarsTarkas.NET even used a CMS and I hand-coded every page in (awful) html. The review was terrible (even for then) and I never got around to fixing it fully, returning to it every two years or so, and rewatching Süpermen dönüyor in the process. I’ve seen it unsubtitled on VHS tape, unsubtitled on a DVDR I made of said tape, and subtitled on the amazing DVD from Omar Films. I watched it before there was an American film called Superman Returns, and I’ve watched it after Man of Steel came and left theaters. This review has been rewritten so much that none of the original version remains. The most interesting change was the reaction to Turkish Superman killing people in the wake of what happens in Man of Steel. I’m still against it, but now we know that Zach Snyder stole everything from Turkish Superman! It is time for this pigeon to take flight, time for the review to show the world that it is a super being! Time for Superman to return!

Süpermen Dönüyor Turkish Superman

I told you this would happen if you didn’t stop wanking!


Superman is a member of the proud club of US properties that got their very own Turkish productions that were “inspired” by the originals. In this case, “inspired” means “directly copied”. Superman is among the most-copied foriegn properties by Turkey. While Turkey is not the only country to use Superman in unauthorized ways, it was the most prolific, with an impressive output of films both easily found and missing and presumed destroyed.

There was a series of “Superman” films where he is called Super Adam, and only occasionally wore a costume loosely (and I mean loosely!) based on the US costume. 1971’s Süper Adam, and 1972’s Süper Adam Kadınlar Arasında and Süper Adam İstanbul’da. The 1972 film Süpermen Geliyor (Superman Is Coming) and the 1976 film Süpermen Fantoma’ya Karsi (Superman vs. The Phantom) both appear to be lost, though lost Turkish films have resurfaced before.

Supermen Fantoma Ya Karsi

These posters are all you’re going to get for Süpermen Fantoma’ya Karsi unless someone finds reels in their garage


Let us not forget 1979’s other Turkish Superman film, the softcore comedy Süper Selami. But in non-smut Supermanish films, the Superman-inspired (and Three Fantastic Supermen-inspired) Çılgın Kız ve Üç Süper Adam (3 Supermen and a Mad Girl) also came from Turkey in 1973. Turkey producers (and Cüneyt Arkın for one entry!) were also involved in two of the Three Fantastic Supermen films – Three Supermen vs The Godfather and 3 Supermen at the Olympics. The most recent Superman-ish Turkish film is 2012’s SuperTurk!

This was the second film directed by Kunt Tulgar (the first was 1974’s Tarzan Korkusuz AdamTarzan the Mighty Man ) Another notable film in his resume is the Turkish martial arts flick Ejderin İntikamı (Revenge of the Dragon) Kunt Tulgar has gained fame in the West due to his name having an unfortunate other meaning in English.

Süpermen dönüyor is an amazing film, and while not being the best Turkish pop cinema entry (that would be Dunyayi Kurtaran Adam!), it is definitely top 5, and is essential viewing for cult cinema fans.

Süpermen Dönüyor Turkish Superman

Until you get rebooted in 3 years…


Tayfun (Tayfun Demir) – Tayfun Demir stars at Superman (and thus Clark Kent), he looks 7 feet tall and wears some of the goofiest glasses ever during his Clark Kent scenes. His character is named Tayfun (such originality!) but we’re just going to call him Clark Kent and Superman, as it’s much easier for all involved. Tayfun Demir seems to have been plucked out of obscurity to star as Clark Kenty and Superman, but then jumped right back in, as all we’ve been able to dig up was a date of death in 2003. Fun fact: his name translates to Typhoon Iron, which is a real superhero name if I’ve heard one!
Süpermen (Tayfun Demir) – Superman came to Earth and is now Turkish. Turkish Superman powers: When he flies, he turns into a doll! Flying Superman can rear project backgrounds! Superman can use his mental powers to type at normal speed without touching the typewriter! Super x-ray vision that sees through clothes but not underwear! Guillotine-proof head! Superman can see back in time! Superman can see long distances, but not while he’s flying!
Alev (Güngör Bayrak) – The Lois Lane character is played by Güngör Bayrak. She does the traditional roles of being the damsel in distress that Superman has to save, falling in love with Superman but not Clark, as well as constantly getting in the way of the villain. As seems to be the case with most Turkish actresses in the 60s and 70s, Güngör Bayrak posed for some risque pictures, thus equivilencing herself with Margot Kidder, who was in Playboy in 1975.
Ekrem (Yildirim Gencer) – The Lex Luthor character wants kryptonite to use in a ray that will transform metal into other metals, so he can make lots of gold! Also, the ray will create a weapon against Superman, just for kicks. Ekrem is a reputable scientist, and you’d think he could easily get a hold of the formula from his friend without all sorts of evil schemes, but you’d be wrong! Ekrem is played by Yildirim Gencer, who starred in at least 197 films and died in 2005. We’ve seen him here before, but not his face. For he was…Kilink!!!
Professor Çetinel (Esref Kolçak) – Professor Çetinel (Hetin in the subtitles) is that famous scientist who discovered the formula for Kryptonite after finding a meteor containing it, thus becoming a target of mysterious villains lead by his trusted scientific colleague, Ekrim. He wants to use Kryptonite as an unlimited power supply. Is the father of Alev.
Haydar (Nejat Özbek) – Ekrem’s most prominent henchman, causes trouble for Alev and Superman on more than one occasion before he meets his untimely demise. Don’t be a henchman, folks!

Süpermen Dönüyor Turkish Superman

Superman never should have supported the French royalists…


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Posted by Tars Tarkas - December 8, 2013 at 3:56 pm

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Cango Korkusuz Adam (Review)

Cango Korkusuz Adam

aka Django vs. Kilink aka Cango Ölüm Süvarisi / Korkusuz Adam

1967
Written by Recep Ekicigil
Directed by Remzi Jöntürk

Scene guest directed by the director of Battlefield Earth!

Remember last month when this site and Die, Danger, Die, Die, Kill! both reviewed a long-lost Turkish Kilink film that suddenly became found? Well, it’s deja vu all over again because here’s ANOTHER double lost Killink review! Cango Korkusuz Adam. This time, Killink travels to the Old West where he’s trying to take over valuable land with a gold mine on it, and terrorizing the adjoining town. Sadly for Killink, the nephew of the man he kills to get the land shows up and is so cowboy that even a guy dressed in a skeleton costume and a cowboy hat can’t stand a chance, because he become Django! Or as he’s called in Turkish, Cango! Neither name is Rango, though, so don’t get too excited.

More lost Killink films??!!

Cango Korkusuz Adam is another flick that was unavailable, except for the fact it showed up on TV! Oddly enough, the print used looks pretty tore up and like the tape it was playing on was getting a bit long in the tooth. As it was shown without subtitles, two enterprising young dudes made some custom subtitles which are very good (except they confuse the words for niece and nephew, leading to a lot of talk about McLan’s niece Cango. And as this is a Turkish film, the only soundtrack is a stolen soundtrack.

This is the worst production of Pirates of the Penzance I’ve ever seen!

Cango Korkusuz Adam turns out to be a pretty okay old western that just happens to have Killink as a villain. It’s like an oater/comic book mashup. You could easily see this as an old 1930s western, or even an episode of Gunsmoke! Chiko is pretty much Festus and Cango is close to Matt Dillon. We even have Rozita as Miss Kitty!

Nothing says tough Western saloon like kitten posters on the wall!

Cango/Tom (Tunç Oral) – You see, he’s Cango, not Django, so send back those copyright lawyers! Tom is the nephew of a murdered landowner come to get revenge on his family’s killer. To do so he becomes a gunfighting badass mofo! And also dresses in black and doesn’t talk much. You get the good and the bad.
Chiko (Yilmaz Köksal) – Local quack pharmacist turned sheriff when he gets caught in the middle of all the turf wars going on. Becomes Cango’s ally.
Rozita (Figen Say) – Local saloon owner and dancing girl, was on the payroll of the bad guys, but her love for Chiko turns her straight. And ticks off the bad guys even more!
Killink/Death Cavalier (Oktar Durukan) – How can Killink time travel? It must be magic! It is just proof that there will always be a Killink somewhere, ready to be evil or slightly less evil. This Killink is dressed in a cowboy costume with hat and six-shooter and cape over his iconic skeleton costume.
Jack (Yavuz Karakaş) – A one-eyed lieutenant of Killink who is crazy insane and gets joy out of torturing his own men as well as the good guys.
The Dog (Himself) – Killink has a dog (a bull mastiff) and also a fondness for chopping off the hands of people who fail him, which are fed to the dog. As Killink doesn’t seem to be a ladies man in this film, this dog is the only real companionship he has.
Damn Red Ryder BB gun…

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Posted by Tars Tarkas - April 16, 2012 at 12:11 am

Categories: Movie Reviews, Ugly   Tags: , , , , , , , , ,

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