Süpermen Dönüyor
Süpermen Dönüyor
aka Superman Returns aka Turkish Superman
1979
Written by Necdet Tok
Directed by Kunt Tulgar
Superman may have returned once again this past summer, but now he won’t leave, and he’s picking a fight with Batman! What a jerk! I guess we’ll just have to deal with his Turkish twin brother, who was more of a precursor to the most recent adaptation of Superman than we ever could have guessed! Be prepared for amazement, because Süpermen dönüyor is amazing. It’s pure pop culture reappropriation, done with less money that would buy a gallon of gas. And that is at 1979 gas prices! But enthusiasm for Superman is evident, and Superman fully fits in with Turkish pop cinema’s love of superior manly men who punch the crap out of dozens of evil doers without getting a scratch. You could argue that Superman is weaker, having gained his powers via his alien birthright. But the Turkish men are all awesome while being Turkish, and Superman’s ease of fit into the role shows that immigration and assimilation works just as well for Turkish Superman’s origins as it does for the American one. The subconscious parallel is strong, and speaks of Superman’s universal appeal across the globe.
Confession time, this review was originally written over 9 years ago, back before TarsTarkas.NET even used a CMS and I hand-coded every page in (awful) html. The review was terrible (even for then) and I never got around to fixing it fully, returning to it every two years or so, and rewatching Süpermen dönüyor in the process. I’ve seen it unsubtitled on VHS tape, unsubtitled on a DVDR I made of said tape, and subtitled on the amazing DVD from Omar Films. I watched it before there was an American film called Superman Returns, and I’ve watched it after Man of Steel came and left theaters. This review has been rewritten so much that none of the original version remains. The most interesting change was the reaction to Turkish Superman killing people in the wake of what happens in Man of Steel. I’m still against it, but now we know that Zach Snyder stole everything from Turkish Superman! It is time for this pigeon to take flight, time for the review to show the world that it is a super being! Time for Superman to return!
I told you this would happen if you didn’t stop wanking!
Superman is a member of the proud club of US properties that got their very own Turkish productions that were “inspired” by the originals. In this case, “inspired” means “directly copied”. Superman is among the most-copied foriegn properties by Turkey. While Turkey is not the only country to use Superman in unauthorized ways, it was the most prolific, with an impressive output of films both easily found and missing and presumed destroyed.
There was a series of “Superman” films where he is called Super Adam, and only occasionally wore a costume loosely (and I mean loosely!) based on the US costume. 1971’s Süper Adam, and 1972’s Süper Adam Kadınlar Arasında and Süper Adam İstanbul’da. The 1972 film Süpermen Geliyor (Superman Is Coming) and the 1976 film Süpermen Fantoma’ya Karsi (Superman vs. The Phantom) both appear to be lost, though lost Turkish films have resurfaced before.
These posters are all you’re going to get for Süpermen Fantoma’ya Karsi unless someone finds reels in their garage
Let us not forget 1979’s other Turkish Superman film, the softcore comedy Süper Selami. But in non-smut Supermanish films, the Superman-inspired (and Three Fantastic Supermen-inspired) Çılgın Kız ve Üç Süper Adam (3 Supermen and a Mad Girl) also came from Turkey in 1973. Turkey producers (and Cüneyt Arkın for one entry!) were also involved in two of the Three Fantastic Supermen films – Three Supermen vs The Godfather and 3 Supermen at the Olympics. The most recent Superman-ish Turkish film is 2012’s SuperTurk!
This was the second film directed by Kunt Tulgar (the first was 1974’s Tarzan Korkusuz Adam – Tarzan the Mighty Man ) Another notable film in his resume is the Turkish martial arts flick Ejderin İntikamı (Revenge of the Dragon) Kunt Tulgar has gained fame in the West due to his name having an unfortunate other meaning in English.
Süpermen dönüyor is an amazing film, and while not being the best Turkish pop cinema entry (that would be Dunyayi Kurtaran Adam!), it is definitely top 5, and is essential viewing for cult cinema fans.
Until you get rebooted in 3 years…
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Superman never should have supported the French royalists…
Read more…
Categories: Movie Reviews, Ugly Tags: Esref Kolçak, Güngör Bayrak, Kunt Tulgar, Necdet Tok, Nejat Özbek, super heroes, Superman, Tayfun Demir, Turkey, Turkish Remakes, Turkish Super Heroes, Yildirim Gencer
Kizil Maske (1968 Dir. – Çetin Inanç)
Kizil Maske
aka The Red Mask aka Turkish Phantom
1968 SinemaTurk Link
Directed by Çetin Inanç
The Phantom was pretty much the first costumed super hero to have a daily strip in the newspapers. Created by Lee Falk in 1936, the strip continues yet today. The Phantom’s base of operations is the Skull Cave located in the African nation of Bangalla. The Phantom passes down his mantel from father to son for several generations. There is a 1943 serial, which is probably the inspiration for these films, as well as an unofficial follow-up The Adventures of Captain Africa, which was originally going to be a Phantom serial until it was discovered they didn’t have the rights anymore! Check your contracts before you pour money into a project. This is your tip of the day. More information on The Phantom can be found on the internet, maybe you should Google it or something. This isn’t a website that gives you stuff on a silver platter, it is TarsTarkas.NET!
Okay, fine, here is some more Phantom Phacts for you: The Phantom was created by Lee Falk after the success of Mandrake the Magician (who also appeared unauthorized in a Turkish film where he fought Kilink: Mandrake Killing’e Karsi), Falk continued to work on the strip (with brief interruptions) until his death in 1999. The Phantom was the first superhero to not have his pupils show up when wearing a mask. The Phantom operates out of the Skull Cave, and all the previous Phantoms are buried there. Never leave a Phantom behind is their motto. Semper Phantom. The Phantom has three helpers, a mountain wolf called Devil, a horse named Hero, and a trained falcon named Fraka, who must love Battlestar Galactica. He also has dolphins, but dolphins are only good as bonus meat in tuna cans. The current Phantom is #21. The Phantom has two rings, one on each hand. One ring is used to mark his friends, while the second marks his enemies (marks made by punching the enemy in the face!) I am not sure how the friend ring marks work, but I am guessing not the same way.
There are three Turkish versions of the Phantom, two of which are entitled Kizil Maske and came out in 1968. If you think that is confusing, just remember that most of this information I had to decipher from articles written in Turkish! This is the first Kizil Maske, and the other 1968 one is sometimes designated Kizil Maske 2 or Kizil Maske (2). The second film seems to be made to try to bite off the first one, in some sort of Antz/A Bug’s Life or Deep Impact/Armageddon contest. The third Kizil Maske movie is KIZIL MASKE’NIN INTIKAMI (The Phantom’s Revenge), which came out in 1971. As the third movie has little to no information about it anywhere, I cannot say if it is directly related to either of the originals. If you have a copy, send it to me, because that will save me a lot of time looking for it. We are all about being lazy here at TarsTarkas.NET.
This entry was produced, directed, and written by Çetin Inanç, the protege of Yilmaz Atadeniz (who gave world the Kilink films.) Inanc went on to produce a whole ton of Turkish films, both craptacularly awesome superhero fair like this, and more modern stuff that includes violent action films. Kizil Maske translates to Red Mask, in case you were wondering. Remember how in old serials fights would break out all the time randomly, and last like five minutes? That’s pretty much this film. Long fights, lots of manly action, and Turkish men being men. No subtitles, either, because who needs those? At TarsTarkas.NET, we don’t need no stinkin’ subtitles! It is not like you need a flow chart to follow the plot: The bad dudes are bad, and the Phantom punches them for an hour or so. The end.
Let’s meet our exciting cast:
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Kilink Istanbul’da
Kilink Istanbul’da
aka Kilink in Istanbul
1967
Starring (best guesses here)
Yildirim Gencer as Kilink (Killing)
Irfan Atasoy as Shazem
Muzaffer Tema as Prof. Cemil (Professor Lucy)
Mine Soley as Bespectacled Blonde Babe Assistant
??? as Turkish Grandpa Al Lewis
Directed by Yilmaz Atadeniz
Looks like an old serial chopped up and combined in movie form. It doesn’t even have an ending! There was supposed to be a whole series of these starring Kilink or Killing. In this one he’s evil, but he’s more of an anti-hero. Maybe I can track one of the others down sometime soon. This one itself took me three years trekking in uncharted Asian rain forests searching for a lost Temple of the Hubatonga tribe, only to have my guide Hadji betray me and sell me for a couple of magic beans to a cannibal witch, from who I stole this video during my escape. (Ebay, $8)
Categories: Movie Reviews, Ugly Tags: Irfan Atasoy, Kilink, Mine Soley, Muzaffer Tema, Shazem, super heroes, Turkey, Turkish Super Heroes, We don't need no stinking subtitles, Yildirim Gencer
