Terror of Mechagodzilla

aka Mekagojira no gyakushu aka メカゴジラの逆襲

1975

Written by Yukiko Takayama
Directed by Ishiro Honda

Titanosaurus, DirectTV pioneer

Terror of Mechagodzilla is a direct followup to the previous film, Godzilla vs. Mechagodzilla. It’s also the final film of the Showa era, one of the few films to show direct continuity that would be used more in the Heisei films, and the final Godzilla work of some G-legends, Ishiro Honda and Akihiko Hirata. It also bombed horribly, helping lead to a decade-long absence of Godzilla in film form. Overall, Terror of Mechagodzilla is a mixed bag. The action sequences are some of the most violent and explosive of the older films, but they’re obviously trying to compensate from the lower budget (many scenes suddenly end up in the countryside) and the hectic explosions loose their danger after the 1 millionth giant boom.

Being a little mermaid sure is boring…

Ishiro Honda doesn’t sleep on the job, making up for the lower filming budget with some neat visual stylizing. A flashback to Professor Mafune’s descent into madness is shown via sepia-toned photographs while narration explains. Katsura’s lament that Titanosaurus is to be used as a murderous weapon is juxtaposed with other alien-controlled kaiju from prior films played on a quad-screen shot. Godzilla’s first appearance is one of the better introduction scenes in his history.

The alien command center is in some Trekker guy’s basement?

While Godzilla vs. Mechagodzilla showed a trend towards more serious, Terror of Mechagodzilla straddled the edge of serious and silly. The action sequences were more destructive, but the alien villains were more comic book. The cyborg daughter is played for tragedy, but it is obvious from the beginning that it will end in a downer and we’re just running through the steps until the final act. I am willing to accept that some of the sillier aspects are unintentional, such as the alien helmets or the complete lack of concern for hunting down the aliens by Interpol even after they’ve been spotted multiple times in the same area. But I can’t deny that I feel it is there, and it clouds Terror of Mechagodzilla in a way that the prior film did not have.

Titanosaurus was tragically hit by a meteor during the filming of this scene…

メカゴジラの逆襲 (translation: Counterattack of Mechagodzilla) was first released in the US in theaters in 1978 under the title The Terror of Godzilla. The US rights were held by Henry Saperstein, who sold Bob Conn Enterprises the film rights, but also released the movie itself on TV in 1978 as Terror of Mechagodzilla. This cut is credited to UPA Productions of America, and features an additional six minutes of scenes taken from other Godzilla films and narrated to serve as an introduction to Godzilla (this sequence is detailed below), the only think cut was a brief shot of Katsura’s fake breasts during a surgery scene. By the mid-1980s, there was a new cut on tv that featured many of the violent scenes cut down, as well as not having the opening narration. There are some that say this was the theatrical cut, though I don’t know why the theater cut would have removed the violence when that seems more of a tv cut thing to do. That cut was the most widely available for decades, including the original version I saw before I got a tape of the original cut. I have still not seen the restored DVD, hence the screenshots are either from the old VHS tape or the earlier DVD.

For some reason, the humans won’t take us serious!

And as March of Godzilla 2012 continues, let’s get us to the Roll Call!

Akira Ichinose (Katsuhiko Sasaki) – Marine Biologist at the Ocean Exploitation Institute, which somehow qualifies him to have equal police rights as the rest of Interpol when he works with them to track down the mysterious dinosaur. Falls in love with a cyborg despite her repeated attempts to brush him off. Katsura Mafune (Tomoko Ai) – Daughter of the famous Professor Mafune, who went mad. She covers for her father, telling the world he is dead. In reality, he is in league with the space aliens and is using his discovery, Titanosaurus, and his ability to control animals, against mankind for spurning him and his ideas. Katsura was rebuilt as a cyborg after she was injured in an experiment, and becomes more robotic the more the aliens due to her. Tomoko Ai went on to do a string of Nikkuatsu films. Dr. Shinzo Mafune (Akihiko Hirata) – Akikhiko Hirata plays yet another mad scientist, except this one doesn’t have an eyepatch, he’s got crazy old man hair, mustache, and eyebrows. He hates mankind because they made fun of him. Good thing he doesn’t read YouTube comments, Dr. Mafune would explode with rage. Explode, I tell you! He teams with the aliens. Interpol Agent Jiro Murakoshi (Katsumasa Uchida) – The main cop who is sort of in the film, though often the film forgets he’s there as it focuses more on Ichinose. But he occasionally shows up to save the day and to save Ichinose. Alien Leader Mugal (Goro Mutsumi) – The new leader of the space aliens from the previous film. Mugal sounds like a name for a Gremlin or something. The greatest tragedy of Terror of Mechagodzilla is that the aliens never revert back to gorilla form. Godzilla (Toru Kawai) – The biggest G of them all! Mechagodzilla (Ise Mori) – Picked up from the ocean floor and rebuilt with human slaves, Mechagodzilla is back to fight his fleshy foe. And now he’s controlled by a cyborg lady! And he has some sort of head under his head! It’s all weird, but not enough to keep him from being turned into scrap metal. Titanosaurus (Katsumi Nimiamoto) – Titanosaurus is a peaceful dinosaur used by an arrogant made scientist and aliens to attack humans, and is then brutally murdered by Godzilla for his crime of being brainwashed. Some people are really into Titanosaurus! If you are Japanese, you call him Chitanosaurusu. Rumor has it that Titanosaurus was originally supposed to be two smaller creatures called the Titans that fuse together to create Titanosaurus. This idea seems to have been recycled into Godzilla vs. King Ghidorah.

G is for Godzooky, that’s good enough for me!

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