Detective Dee and the Mystery of the Phantom Flame
Detective Dee and the Mystery of the Phantom Flame
aka Di Renjie

2010![]()
Directed by Tsui Hark

What they say: This is Tsui Hark’s best film in years, it’s one of the best films of 2010, Tsui Hark, Tsui Hark, Tsui Hark!
What you really need to know: Andy Lau gets into a kung fu fight with CGI deer.

Do you like yo-yos? Yo-yos go up and down, and so does Detective Dee. Some sequences in Detective Dee and the Mystery of the Phantom Flame are awesome, but other parts of the film are embarrassing and make you wonder why people were lavishing praise upon it.

If you’ve read any book on Hong Kong cinema that came out in the 90′s (which is when most of the books started appearing in the US), then you remember every single one had chapters on Tsui Hark. Tsui Hark was one of the Hong Kong New Wave directors that shook the industry to the core, and helped modernize Hong Kong film. Many of his earlier films are classics, though he had a few misfires. But even as the industry changed, Tsui Hark has seemed incapable of making film that is watchable since the mid-90′s. Those Jean-Claude Van Damme films were terrible, the Zu Warriors redux was boredom, and Seven Swords is a film so long that no one has ever gotten to the end of it. Despite all the technological achievements, Tsui Hark just wasn’t making good films anymore, and no amount of technology can change that. While Detective Dee isn’t a great film, it is at least the most watchable Tsui film since Black Mask, and something you should eventually get around to watching. You know, when it’s raining outside or something.

With Tsui Hark in the director’s chair, we are at least assured the film will look good, and it does. The cinematography is top notch. Elaborate CGI effects are needed to create ancient Chinese cities, palaces, giant Buddha statues, and underground meeting places – some are more believable than others, but you always know you are looking at a bunch of 1′s and 0′s in picture form. We do give props to action director Sammo Hung, as the actions sequences are the best parts of the film.

The stylized elements Tsui loves sometimes help the film, and sometimes hurt. As the opening scrawl is stylized to appear and disappear in wisps of smoke (which is nice), but a problem is the crawl is Star Warsian in length. In fact, the long text openings of Reefer Madness and Alone in the Dark are brought to mind. We are forced to read like half a sentence at a time, and have to wait for each piece one by one. It is what I like to call “annoying”.


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Categories: Movies, Ugly Tags: Andy Lau Tak-Wah, Carina Lau Ka-Ling, CGI trainwreck, Deng Chao, Hong Kong, Li Bing-Bing, Richard Ng Yiu-Hon, Sammo Hung, Tony Leung Ka-Fai, Tsui Hark
Future Cops
Future Cops
aka Chao ji xue xiao ba wang

1993![]()
Directed by Wong Jing

They’re cops from the future, FUTURE COPS! Actually, these future cops look a lot like characters from Street Fighter 2, because they are! This is a film loosely based on the manga adaptation of Street Fighter, and great liberties were taken with some of the characters and the story. Granted, this is a Wong Jing film (writer of Naked Weapon, director of My Kung Fu Sweetheart) so it will be pretty silly regardless. Street Fighter characters would return again in Wong Jing’s City Hunter, based on a different manga and starring Jackie Chan, who becomes Chun Li at one point there. For this encounter, I went to help from others to organize just who is who in the movie, as I was not a big player of Street Fighter games. Mortal Kombat, yes. So besides a vague knowledge that some creepy guys are obsessed with Chun Li and her high kicks in skirts, I knew little to nothing about the characters before beginning. Thanks to my girlfriend and Wikipedia, I was able to piece together most of the characters. Wong Jing took many liberties, including changing most of the names, flipping people from hero to villain and vice versa, and throwing in a few random things just because he’s Wong Jing. There is also a parade of famous Hong Kong celebrities, too many to list in this paragraph, we will deal with them in the lengthy Roll Call section. This would be like taking the Oceans 11 casts and putting them in a Super Smash Brothers movie. Future Cops is full of wild action, crazy stunts, and zany antics. And it is a whole lot of fun! So sit right back and prepare, this video game don’t need extra quarters or furious button smashing, it is on autopilot!


The Future Cops:
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The villains (Future Rascals):
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The People of 1993:
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Categories: Bad, Movies Tags: Aaron Kwok Fu-Sing, Andy Hui Chi-On, Andy Lau Tak-Wah, Billy Chow Bei-Lei, Charlie Yeung Choi-Nei, Chingmy Yau Suk-Ching, Dicky Cheung Wai-Kin, Ekin Cheng Yee-Kin, Hong Kong, Jacky Cheung Hok-Yau, Ken Lo Wai-Kwong, King-Tan Yuen, Richard Ng Yiu-Hon, Simon Yam Tat-Wah, Video game movie, William Tuan Wai Lun, Winnie Lau Siu-Wai, Wong Jing





























