Tag Archives: Sammo Hung

Hapkido (Review)

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Hapkido

aka 合氣道 aka He qi dao aka Hap Ki Do aka Lady Kung Fu
Hapkido 合氣道
1972
Written by Yan Ho
Directed by Feng Huang
Hapkido 合氣道
When you need villains for your martial arts movie, the Japanese are very handy. Not only did the Japanese actually do a bunch of bad stuff that seems only cartoon supervillains would do, but depicting them doing so helps stir up nationalistic feelings and potentially increases your box office bang. Thus martial arts schools are the setting for rebellion against Japanese occupiers in Hapkido, and Angela Mao Ying is more than capable of beating the snot out of all sorts of Japanese jerks.

Hapkido is one of Angela Mao’s earliest films for Golden Harvest. You can still see legacies of the Shaw Brothers influence, from the Golden Harvest logo having a strangely familiar shape to the film being advertised in “Dyaliscope”, whatever the heck that is!
Hapkido 合氣道
We start out in 1934 Japanese-occupied Seoul, where three Chinese students are studying Hapkido before harassment by Japanese occupiers cause them need to return to China, but that also means they can open a Hapkido school in China. Just as Japan now controls Korea, Japanese influence in China is not something to be ignored, their impending invasion of the whole country means their people act arrogant and criminally. The watchword for Hapkido is “forbearance”, which works fine except when the Japanese are assaulting innocent people and Sammo Hung’s character has a wicked temper. Then it gets put on the wayside while people get punched.
Hapkido 合氣道

Yu Ying (Angela Mao Ying) – Hapkido student who just wants to set up a school and teach everyone Hapkido, except the Japanese have other ideas. So it’s time to kick those ideas out of their heads and also kick many other parts of their bodies to get them to go away!
Fan Wei (Sammo Hung Kam-Bo) – Hot-headed Hapkido student who constantly gets into fights and causes trouble for his friends. But he also just happens to be around whenever the Japanese are doing something evil, so he also has very bad luck.
Kao Chung (Carter Wong Ka-Tat) – Hapkido student who tries to calm down all the trouble happening only to get a brutal beatdown to emphasize how the Japanese school is beyond reason.

Hapkido 合氣道
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She Shoots Straight (Review)

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She Shoots Straight

aka 皇家女將 aka Huang jia nu jiang aka Lethal Lady
She Shoot Straight
1990
Written by Yuen Gai-Chi and Barry Wong Ping-Yiu
Directed by Corey Yuen Kwai
She Shoot Straight
An underloved classic, She Shoots Straight gives us a healthy dose of female fighting action that will satisfy even demanding Hong Kong Action Cinema junkies, as well as throwing in family drama and even a few funny scenes. Corey Yuen helms and shows off his action movie chops that have kept him producing cool cinema for decades.

Despite the awesome fights, She Shoots Straight failed to do well at the box office and has gone down in history as a failure. Despite the effort of many cult film fans and bloggers, it remains relatively obscure, lacking a lead who is one of the better known Girls with Guns actresses. It deserves a larger audience, the fight sequences are brutal and well choreographed, and several of the supporting actresses are legends of Hong Kong cinema. An English dub exists, but it is terrible, so avoid it like the plague.
She Shoot Straight
Joyce Godenzi is a former Miss Hong Kong (1984), whose big break in the acting world was 1987’s Easter Condors, directed by her future husband Sammo Hung. Mixed Australian and Chinese, it is even mentioned in the film. Her Eurasian ancestry and accusations of being a homewrecker (Sammo Hung was married when they met) may have had a hand in her disappearing from the spotlight. This is one of several films Hung put together for her.

Agnes Aurelio is an American-born body building champion, and I’ve seen her claimed to be the daughter of former President of the Philippines (though I can’t figure out which one, so take that with a grain of salt!) She apparently makes a fleeting appearance in JFK(!!), which gives her a Kevin Bacon number of 1.

Tang Pik-Wan plays the Huang family matriarch. A classic Hong Kong actress with credits dating back to 1950, She Shoots Straight would be among her last work, passing away in 1991. Her credits largely consist of opera or comedic roles, and she had a long career on television serials as well.
She Shoot Straight
With Carina Lau and Sandra Ng as sisters, the Huang family is well represented with legendary actresses and 1980s hairstyles. Rounding out the four sisters are Angile Leung and Sarah Lee (who is somehow Loletta Lee’s sister!), who are short on lines thanks to the already huge cast. Sammo Hung pops up as an adopted member of the Huang family who is also a cop. Yuen Wah is almost unrecognizable as the Vietnamese gang leader. His hair style and nerdy glasses hide the ruthless individual beneath who cares for nothing except his own family and revenge, innocents be damned.

The action sequences are solid, opening with Mina Kao showing her stuff saving a diplomat. There is a lot of leaping through windows and shooting while flying in the air. There is also a huge body count, with not only villains but many police and innocent people getting killed and maimed as the fights continue. The villains are presented as a force of pure destruction, the cops can only hope that they’ve brought enough men and ammo to slow them down and contain them. The final fight is classic, and the assault on the cargo ship is filled with some awesome moments of butt kicking. Ignoring the family drama, the action alone is enough to bump this up to classic territory.
She Shoot Straight

Inspector Mina Kao (Joyce Godenzi) – Decorated police inspector headed for a high ranking position. Also a new bride of a husband feeling pressure not only to carry on the family line, but because she’ll soon outrank him. A tough cop who gets results.
Huang Chia-Ling (Carina Lau Ka-Ling) – Hot-headed sister-in-law of Mina, doesn’t like her one bit. Her anger issues endangers a mission, then help lead her into a trap that she’s saved from at the cost of her brother. Forms a bond with Mina after that event.
Mrs. Huang (Tang Pik-Wan) – Matriarch of the Huang family, was the wife of a cop and saw her four daughters and one son become cops.
Inspector Huang Tsung-Pao (Tony Leung Ka-Fai) – The only son of a three-generation police family. You might as well call him Inspector Dead Meat, because he’s way too nice to survive. And that’s not just an opinion, it happens.
Huang Chia-Ju (Sandra Ng Kwun-Yu) – While a more minor character, Sandra Ng is a welcome sight as another of Tsung-Pao’s sisters who is involved in a few of the action scenes.
Yuen Hua (Yuen Wah) – Vietnamese refugee who is a veteran of guerrilla warfare, came to Hong Kong to cause trouble and rob for money. Life is cheap to Yuen Hua, except that of his family. Leaves a bloody trail at all of his crime spots.
Yuen Ying (Agnes Aurelio) – Sister of Yuen Hua and a huge body builder and fighter. Just as ruthless as her brother, and more perceptive about the police. Has a big fight scene with Mina Kao.

She Shoot Straight
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Zu: The Warriors from the Magic Mountain

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Zu: The Warriors from the Magic Mountain

aka 新蜀山劍俠 aka Xin shu shan jian ke
Zu Warriors From Magic Mountain
1983
Written by Shui Chung-Yuet and Sze-To Cheuk-Hon
Directed by Tsui Hark
Zu Warriors From Magic Mountain
My life having gone through the binge period of renting blurry Hong Kong VHS second generation dubs with hard to read subtitles from locally owned video stores in the 90s, Zu: The Warriors from the Magic Mountain is one of those films that unleashes giant waves of nostalgia. Despite the bad conditions it was being viewed under, the energy and effects magics caused it to rise above the masses. I’ve since seen it on first generation VHS, vcd, and DVD, each time being a fun experience as an idealistic young fighter is caught in the world of wuxia masters, who turn out to have just as many problems as the normal folk (only their problems are a million times more dangerous!) With Tsui Hark’s direction (and choreography work done by Corey Yuen Kwai, Yuen Biao, Fung Hak-On, and Mang Hoi), Zu is visually distinctive. The choreography and effects jumpstarted the look of modern Hong Kong film from the 1980s, while the color and humorous tone helped distinguish it from the Shaw Brothers films that it often shared rental store space with.

The effects look a bit dated now, flying people on obvious wires, old school makeup effects, and cartoon lasers zapping around. But a lot of the practical effects still look nice, and the pulsating monster seems more dangerous as a jiggling puppet than it would as just a bunch of lifeless CGI. The effects were pushed to show that Hong Kong could produce films on par with Star Wars and other early 80s effects-laden films from Hollywood. While I don’t think they quite match the talent, much is accomplished on what is obviously an insanely smaller budget (and Hong Kong effects would develop much further thanks to experience from producing films like this one!)
Zu Warriors From Magic Mountain
Despite the effects, much of the film is character driven. Dik Ming Kei’s endless idealism, Ding Yan’s tough exterior hiding a lonesome and good man, Yat Jan being a royal screw up, and the Ice Queen being the total opposite of her name when it comes to Ding Yan. It’s Moon Lee’s first major role, she would go on to be a major player in the Girls with Guns films of the late 80s/early 90s. Brigitte Lin began her domination as a martial arts queen that would ripen with Swordsman II and The Bride with White Hair.

The energy of Zu: The Warriors from the Magic Mountain is infectious, it covers so much that we’re sprinting from concept to concept. Despite that, the basic story is simple to follow. They even stop to remind everyone that it is just good vs. evil!
Zu Warriors From Magic Mountain

Dik Ming Kei (Yuen Biao) – A former scout turned man fed up with war, who then gets entangled in drama in the martial world. He will become involved on a quest to literally save the planet. Through it all, his optimism and hope for the future becomes almost as powerful a weapon as the martial art skills he learns along the way.
Ding Yan (Adam Cheng Siu-Chow) – Ding Yan of Nam-Hoi, a lone martial fighter who fights against evil and lives a solitary life. Ding Yan is proud and stern, but he’s also loyal to his friends.
Yat Jan (Mang Hoi) – The student of Hiu Yu, a goofy klutz who doesn’t feel he is worthy to carry on the legacy of the Kwan-Leung school. Needs a healthy dose of confidence. Wears a turtle shell on his back.
Hiu Yu (Norman Chu Siu-Keung) – Leader of Kwan-Leun school and trains his student, Yat Jan. Is called Heaven’s Blade. Poisoned early in the film, requiring the help of the Ice Queen.
Ice Queen (Brigitte Lin Ching-Hsia) – the Lady lives in her secluded palace and has the power to heal those injured by supernatural means. But it also costs her much energy to heal them, and she usually decides to heal or not to heal based on fate, things ouside her control. Her isolation is argued to cause her to be cold, but she does have humanity in her (as evidenced by her interactions with Ding Yan)
Ice Queen’s Guard (Moon Lee Choi-Fung) – One of the guards of Ice Queen’s palace, she is tricked by Dik Ming Kei and Hiu Yu when they embarass her to try to get past. She gets revenge on them by embarrassing them much more, and is the only member of Ice Queen’s crew to escape her palace. She joins the heroes on their quest as she has nowhere else to go.
Chang Mei (Sammo Hung Kam-Bo) – Founder of Ngo-Mei School and fighter against evil. He holds the big villain at bay for 49 days with only a mirror and his eyebrows, surviving only with the hope the dopey goofs he sent on the quest to save the planet actually get their act together.

Zu Warriors From Magic Mountain
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Princess & Seven Kung Fu Masters (笑功震武林) is pure Wong Jing

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Wong Jing is back again for the 100th time (okay, okay, 93rd time…) with Princess & Seven Kung Fu Masters (笑功震武林), a sort of kung fu Snow White but not really but also wacky weird stuff. With Sammo Hung as Sammo Hung, and also Sandra Ng Kwun-Yu, Ronald Cheng Chung-Kei, Eric Tsang Chi-Wai, Rose Chan Ka-Wun, Timmy Hung Tin-Ming, Natalie Meng Yao, Xie Na, Yuen Wah, Bruce Leung Siu-Lung, Wong Cho-Lam, and many more. It looks totally, totally…something. And because everything Hong Kong is Chinese now, it’s in Mandarin. Yeah.

The plot:

During the early years of the Republic era, in the North-East region of China, the people are suffering from the power struggle among the local Warlords, bandits, and Japanese invaders. Warlord Lam (Sammo Hung), is not a leader of great vision, but stands firm in his own beliefs. The only paradise within the region is ‘Lucky Town’, the one place where no one dared to attack as it was protected by the seven kung fu masters who have resided there. When young patriots, Yan Fang (Rose Chan) who disguised herself as a man, and Howard Luo (Dennis To), infiltrate Tiger’s Den at night trying to steal the code book fail in their mission and tries to run, only Yan survives and is rescued by Cheryl. Mistaking Yan as a man, Cheryl falls for Yan. She then brings Yan to Lucky Town and begs the Seven Masters to cure Yan. Cheryl and the Seven Masters are then told of the secret plan by the Japanese, and together, they resolve to fight against Tiger Den and save Warlord Lam.

Natalie Meng Yao

How dare you!

Shaolin Traitorous

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Shaolin Traitorous

aka 大太監 aka Traitorous

1976
Written by Cheung San-Yee
Directed by Sung Ting-Mei
Shaolin Traitorous
In the 1970s, the most dangerous occupation in Taiwan was being Polly Shang Kuan’s father in a movie. And once again, Shaolin Traitorous involves Polly playing a character that is avenging the deaths of her parents. But, shockingly enough, Polly isn’t the focus of the flick, it’s Carter Wong as Shang Yung, who survives the massacre of his family as a child and then trains at Shaolin Temple and eventually go get revenge.

Story wise, Shaolin Traitorous is a by-the-numbers revenge flick. But the choreography makes it rise a bit above the crowd. There is an obsession with array attacks, and there are multiple scenes with many guards stacked on top of each other in a huge human fence formation. Though fun to look at, I’ve never really understood how these attacks do anything except present a bigger target. But maybe that’s the trick…
Shaolin Traitorous
Aside from the many guards stacking, if you’ve seen one of these films, you know the score. If they’re your thing, then you will enjoy the crap out of Shaolin Traitorous. If you’re just seeking some kung fu thrills, it will do the trick. But it’s not going to be a film you rave to everyone about on Twitter.
Shaolin Traitorous

Shang Yung (Carter Wong Ka-Tat) – His parents were killed when he was but a lad, and after intense Shaolin training he’s back for revenge. Luckily the guy is so evil he wasn’t killed and didn’t die of natural causes in the meanwhile. Because that would be anti-climatic! Wears his slain mother’s bracelet as a necklace.
Hsiao Yun Erh/Tso Yun Lan (Polly Shang Kuan ) – Another victom of Tin Erh Keng wiping out her entire family, whe was even adopted by him (though randomly everyone thinks she’s a dude for a while, despite no disguise at all!) Now she wants revenge for her slain family.
Tin Erh Keng (Chang Yi) – Evil jerk whose favorite hobby is slaughtering all the members of a family except a young child who will then hunt him down for revenge. Eventually that hobby comes back to have consequences. Who knew???
First Head (Sammo Hung Kam-Bo) – Guard of East Gate who has a ridiculous name and he’s evil. EVIL!!!

Shaolin Traitorous
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When Taekwondo Strikes

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When Taekwondo Strikes

aka 跆拳震九州 aka Sting of the Dragon Masters aka Kickmaster aka Tai quan zhen jiu zhou

1973
Written by Gwak Il-ro and Chu Yu
Directed by Wong Fung
When Taekwondo Strikes
When martial arts movies are talked about, there is the practice by certain people of just labeling all martial arts films as kung fu films. Of course, fans of the genre know there are many different types of martial arts cinema, from kung fu to karate to taekwando to Pencak Silat to Muay Thai. And all of those have their own subgroups and subsubgroups, and films will mix styles, often as a selling point. For When Taekwondo Strikes, taekwondo is obviously the featured martial art, even Jhoon Rhee – “the father of American Taekwondo” – is one of the stars in his only film role. You can also spot Sammo Hung, Lam Ching-Ying, and Yuen Biao in the stunt teams, which is always a fun game with these older flicks.
When Taekwondo Strikes
When Taekwondo Strikes is one of hundreds of films that takes place during the Japanese Occupation, this time on the Korean peninsula. It also scores points for mention the use of Korean women as comfort women to the Japanese troops overseas, as the evil Bansan Karate School engages in this practice.
When Taekwondo Strikes
When Taekwondo Strikes features some great cinematography tricks that make it a far better film than just your random basher. The shots while the Japanese are threatening work great in establishing a mood. In the beginning, the Japanese men are shot from an upward angle, thus making them look more powerful and threatening. The Koreans who are victimized are shot at a downward angle, making them look weak. As the heroic Koreans get more brave and powerful, standing up to their oppressors, the shots become even. Eventually, the triumphant Koreans tower over their former oppressors as the camera angles reverse.

There is also a lot of religious imagery, especially crucifixion. Both the captured Father Louis and then the captured Li Jun Dong are both tied up in a crucifixion manner. In the beginning of the film, the Japanese chase a Korean who knows taekwondo (thus marking him as anti-Japanese) into a church run by Westerners. The priest will not talk, and when the Japanese slap one of his parishioners, he slowly turns his other cheek towards them.

Besides the cinematography, the fight choreography is well done, the battles being consistently entertaining and feeling furious and dangerous, even if Angela Mao is always in control. The Japanese villains are always presented as threatening, and even though they can be defeated they will not hesitate to harm the loved ones of anyone who dares resist them.
When Taekwondo Strikes

Huang Li Chen (Angela Mao Ying) – A Chinese who grew up in Seoul, works in her mom’s restaurant. But due to her sympathies with the Koreans who share the same fate of being invaded by the Japanese as her homeland, she gets caught up in the intrigue and fighting. Luckily, she’s more than skilled in the fighting department.
Li Jun Dong (Jhoon Rhee) – Gardener and secret resistance leader for Japanese occupied Korea. Jhoon Rhee was the father of American taekwondo, this looks like the only film he had a role in.
Mary (Ann Winton) – The niece of Father Louis and resistance fighter once the Japanese start hassling her uncle. Ann Winton was on of Jhoon Rhee’s followers who came with him to Hong Kong to make When Taekwondo Strikes. As far as I can tell, this was her sole movie role.
Jin Zheng Zhi (Carter Wong Ka-Tat) – Fellow resistance fighter who helps free Li Jun Dong. Is in a lot of the film but is surprisingly underdeveloped because he’s taking a backseat to Angela Mao and Jhoon Rhee.
Father Louis (Andre E. Morgan) – French missionary in Japanese-occupied Korea who stays to support his flock. Father Louis looks like George Lucas. In the subtitles, he’s called Father Lu Yi 

When Taekwondo Strikes
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