Abominable Snowman
Abominable Snowman
aka Deadly Descent
2013
Written by Nathan Atkins
Directed by Marko Makilaakso
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Hey, guys, funny joke, now let me in!
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A group of mountain climbers learn that sometimes the mountain climbs you, even if it isn’t in Soviet Russia and also “the mountain climbs you” is a metaphor for huge abominable snowmen that eat you. Sure, that joke makes no sense, but who gives a crap, we got a gigantic abominable snowman eating people, making sense is for losers!
Proud SyFy vets UFO International drop this tale of man vs. beast (Originally titled Deadly Descent), which follows a similar structure as most of the creature features, so it’s all down to details. While not being a bad example, Abominable Snowman is by the numbers, it does what it does and that’s what we got. The things to distinguish it from other creature features is not the monster, but the vast amount of skiing and snowboarding.
Every character is either active military, a vet, or going into the military. This means they drop military terms like candy at a parade. They’re also all experience mountaineers and skiers thanks to the nearby slopes, so those hobby terms are used all the time as well. I’m not experience enough at mountaineering and skiing to know if they were making sense or blabbing a bunch of nonsense, but I shall give them some leeway here. The military aspect defines the characters. They’re trapped in a small town, the only way out is to go into the army and see the world. Everyone’s friends join up, and the only jobs left is bartending for the broken vets who return. A main character Brian suffers from PTSD, as does at least one of the supporting cast. Adrian Paul’s helicopter pilot character returned from war an empty man and got into substance abuse troubles. Other characters argue about whether to reenlist, how it will disrupt their lives vs. the potential benefits and ability to do something interesting. It’s an evenhanded approach that doesn’t take sides, just shows reality. The variety of military characters as opposed to the usually cliche military nut is what I liked best about Abominable Snowman.
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Hi, we’re yetis, but usually we disguise ourselves as ellipses!
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Director Marko Makilaakso helmed War of the Dead, which ran out of money and sat on a shelf for years. I haven’t seen it. Beyond that, he’s done a lot of documentary work. Writer Nathan Atkins also wrote Super Tanker and Cold Fusion, but before all this he angered a bunch of people who like a terrible movie too much when he wrote the DTV sequel, S. Darko.
The biggest disappointment is that the monster CGI just a few simple repeated movements, and beyond that we rarely see the creatures. As someone who likes lots of monster shots and shots of monsters doing things, this was disappointing. Beyond that, this ski route has seen a lot of snow bunnies slide down it. So in the end, the needle moves back to average but not terrible.
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I should’ve had a V8!
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Categories: Movies, Ugly Tags: Adrian Paul, Bigfoot, CGI trainwreck, Chuck Campbell, Elizabeth Croft, Lauren O'Neil, Marko Makilaakso, Nathan Atkins, Nicholas Boulton, Sam Cassidy, SciFi Channel, Sean Teale, SyFy, Zara Dimitrova
Tasmanian Devils
Tasmanian Devils
2013
Written by Brook Durham
Directed by Zach Lipovsky
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Inspector Mom is now Ranger Mom!
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What if the Tasmanian Devil from the Bugs Bunny cartoons was a SyFy killer movie animal? Well, that’s not going to happen, so enjoy the next best thing, a group of supernatural real Tasmanian devils that attack a group of base jumpers and park rangers. And let’s throw in a flip-flopping gender politics theme for good measure! Thus we have Tasmanian Devils, the best movie about supernatural killer Tasmanian Devils ever! Unfortunately, due to the weird flip-flop the aforementioned gender politics thing takes, Tasmanian Devils gets the fun sucked out of it, and manages to finish as just your average SyFy flick. A shame, because there are some really good things about it. If only they had keep this pot on the stove a few minutes longer…
Dancia McKellar’s Alex is a female park ranger who becomes the defacto voice of authority when all the other rangers are slaughtered. Despite that event, in general her ideas are pretty good and her knowledge of Tasmanian devil habits and aboriginal folklore are assets to survival. But some of the basejumpers (mainly Anderson, a character who is used to being in control and having the answers himself) doesn’t listen to her and does things that work against what is best for survival because he thinks his ideas will work. They just end up in tragedy, and Alex begins to look like the golden child of knowing how to survive a horror film. She even saves a male character named Jayne (and a prior scene points out that both characters have names of the opposite genders!) But by the end of the film, Alex has suddenly become weak and helpless, needing Jayne’s protection and ideas to figure out a way to finally kill the last Supertaz. This sudden shift is strange to say the least, and makes me wonder if there wasn’t some script-flipping schenanigans going on.
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Dental plan! Supertaz needs braces!
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Alex is afraid of heights because when she was a child, her brother fell out of a high tree they both were in and died. She says in this confession that she feels guilt that she couldn’t save her brother and vowed to not get into a situation like that again. But it takes so many deaths to get to the realization that she is in the situation that is comes too late. She’s been constantly being the one to save people while working against characters doing dumb things. And instead of overcoming the obstacles and finding a way to get her and Jayne out alive, she doesn’t. Jayne, who at this point would be acting as the surrogate brother, figures out what to do to save the day. In addition, besides being a nice guy who thinks Alex knows what she’s talking about, Jayne hasn’t really come up with solutions to prior problems. His sudden inspiration is out of character. A bad conclusion to what would have been more fun.
The characters Walsh and Lisbon are developed more than Jayne. If anything, Walsh was the coolest character in the film, an awesome cop who both really loved Lisbon but also did stupid things occasionally. Their deaths impact the film by sucking much of the charisma out of it, which takes a further hit when Dancia McKellar’s Alex goes all wimpy. I wanted so hard to like Tasmanian Devils, but it made it too difficult. Instead we get a pretty by the numbers SyFy flick, complete with require references to Jurassic Park.
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I’m about to publish my mathmatical theorem on burning your butt!
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Tasmanian Devils is also pretty darn gory, which is cool. More blood for the blood god! The Tasmanian blood god! Writer Brook Durham wrote the fun SyFy flicks Showdown at Area 51 and Mammoth, while director Zach Lipovsky is an effects artist who occasionally dabbles in directing, though this looks like his first SyFy feature.
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The best ET shot ever.
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Categories: Movies, Ugly Tags: Brook Durham, CGI trainwreck, Danica McKellar, Kenneth Mitchell, Mike Dopud, Rekha Sharma, Roger Cross, SciFi Channel, SyFy, Terry Chen, totally not Jurassic Park, Zach Lipovsky
Chupacabra vs. the Alamo
Chupacabra vs. the Alamo
2013
Story by Peter Sullivan and Jeffrey Schenck
Written by Peter Sullivan
Directed by Terry Ingram
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That’s what you get for not having a basement!
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Chupacabra vs. The Alamo retells the battle of the Alamo with a modern twist. And has an ending that might enrage certain people with an unhealthy Texas obsession, which gives it bonus points in my book. There is also Erik Estrada gunning down chupacabras while getting over his wife’s death and reconnecting with his distant children. But mostly chupacabras.
It’s one of the few horror films with a largely Latino-American cast. Spanish is sprinkled in in levels not unusual for a border town or a town with a lot of migrant workers. Both most of the police characters and most of the gang members are Latino, giving a wide slice of personalities.
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Do you think Larry Wilcox could deal with these chupacabras? Please!
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Chupacabra vs. The Alamo is nto afraid to address issues of modern border life, from drug smuggling to Mexican gang violence to illegal immigration to the lack of concern in government response. You can easily see some symbolism in the invading immigrant chupacabras attacking heroes holed up at the Alamo on Cinco de Mayo. But inside the heroes are mostly Latino, and they’re fighting to save their homes. The chupacabras are not illegal immigrants, but crazed gang violence, represented in the monstrous form it deserves to be regarded as. Agent Carlos’s son Tommy spent time in jail for bombing a Mexican drug lord (actually for possessing explosives because they didn’t have proof he killed the man), but it’s revealed he did it to prevent the drug lord from killing more innocent people like his gang war was doing. The mix of ethnicities shows that everyone must come together.
Instead of the classic chupacabra image from witness descriptions that loos sort of like an alien grey with claws and spikes, we get a chupacabra based on those dead “chupacabras” that make the news every few years, which are really just foxes and dogs with mange. Thus, the fierce creatures tearing everyone apart are played by tiny dogs. If you ever wondered what would happen if the cast of Beverly Hills Chihuahua went feral and started chomping necks, now you can find out! As you can imagine, it makes the attack scenes range from ridiculous to ridonkulous.
This movie loves green-screening Erik Estrada on a motorcycle! Why not have the star of CHiPs driving around on a bike for most of the film? If you can, you must! Despite the craziness of the title and premise, some of the action sequences are pretty cool. Notably, Erik Estrada running through a high school blasting chupacabras with a shotgun. The ending also takes some guts, especially since it was filmed with the cooperation of the Alamo. The film knows it’s roots and gives us some winking nods to more famous genre films. Though symptomatic of many of the problems that plague SyFy’s low-budget creature features, there is an energy and fun with Chupacabra vs. the Alamo that makes up for it. The important thing for these films is to be fun and entertaining, and Chupacabra vs. the Alamo definitely is.
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I’ll be chupacaback!
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Director Terry Ingram is a veteran of genre films and shows, such as Ice Road Terror, the SyFy Ice Truckers vs. Monsters movie, as well as some episodes of Relic Hunter and Honey I Shrunk The Kids: The TV Show. Writer Peter Sullivan took a break from writing all his The Dog Who Saved… scripts to give us this masterpiece about dogs gone bad (He also wrote Christmas Twister!)
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Your mother was a hamster and your father smelt of elderberries!
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Categories: Movies, Ugly Tags: Anja Savcic, CGI trainwreck, David Nykl, Erik Estrada, Jeffrey Schenck, Jorge Vargas, Julia Benson, Nicole Muñoz, Peter Sullivan, SciFi Channel, SyFy, Terry Ingram, Vanesa Tomasino
Flying Monkeys
Flying Monkeys
2013
Written by Silvero Gouris
Directed by Robert Grasmere
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What did you say about my stinking paws???
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Flying Monkeys is a perfect example of a SyFy flick. It’s got a swarm of ridiculous creatures, lots of bloody death, bad CGI, and random acting talent. Released to cash in on Oz: The Great and Powerful, Flying Monkeys wedges in two small Oz references, but then goes on its own direction in what may be one of the most liberal SyFy films ever.
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This monkey is a curse to all it touches…it was in Hangover 2!
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Does Flying Monkeys promote exotic animals as pets, or is it a warning against them? Without being preachy, Flying Monkeys shows that exotic animals are smuggled into the US, are sold by a gun-packing jerk, and can cause horrible ecological damage and death when introduced to a new ecosystem. Also that they slaughter and devour entire towns full of random people, just like kudzu does!
Even more crazy, Flying Monkeys has a commentary on gun control! Flying Monkeys is anti-gun. If the flying monkeys (actually a Chinese mythological creature called a hsigo) are killed, they just turn into two hsigos. They can only be killed by special weapons blessed by the Emperor of China. Guns just make things worse, though they may cause a brief way to escape, they ultimately just increase the problem. Characters disparage how everyone in the US has a gun, because it makes the effort to kill the hsigos that much harder. Hsigos are like Gremlins, except they reproduce thanks to violent gun culture instead of water. Expand this out to how gun violence can create more gun violence, and Flying Monkeys is suddenly drawing a line in the sand.
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First we catch the monkey, then I argue with it about post-Baum Oz books and which should be considered canon, until it dies of boredom!
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There is also a throwaway bit about how Skippy the flying monkey leader doesn’t kill Joan because she’s nice to him in monkey form. The hunters are shocked at this, stating because no one has ever been kind to a hsigo, ever. Then they go to kill him anyway, though this suggests that maybe, just maybe, the killer monkeys could be rehabilitated.
As we declared long ago, Type A SyFy films feature one (or a small number) of invincible creatures that slaughter everyone. Type B SyFy films (which Flying Monkeys is an example of) feature a whole swarm of creatures that slaughter everyone, but the creatures have a weakness in that they have a Queen-type creature that if killed, they all die. Type C SyFy films feature a whole swarm of killable creatures that slaughter everyone, with no leader creature. I’ve since added Type D SyFy flicks, which is when creatures battle each other, though those films can also fit in with any of the prior three types.
The hsigo of Chinese mythology (from what little I’ve found on them in English) are actually helper animals, winged monkeys with human faces. Their depiction in Flying Monkeys seems largely invented. The creatures are played by a mix of real monkeys, CGI, and gloved monster hands used for closeup shots. But let’s not forget the greatest thing of all, FLYING MONKEY VISION!
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Rainbow Heart: The sign of a true killer
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Delicious!
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Categories: Movies, Ugly Tags: Alvin Chon, Boni Yanagisawa, CGI trainwreck, Electra Avellan, Lee Nguyen, mad monkey time, Maika Monroe, Robert Grasmere, SciFi Channel, Silvero Gouris, SyFy, Tyler Forrest, Vincent Ventresca
Aladdin and the Death Lamp
Aladdin and the Death Lamp
2012
Written by Joe Morganella, Angela Mancuso, and Kevin Commins
Directed by Mario Azzopardi
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Mister Aladdin Sir…BAAAAAAARRRRFFFF!!!
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With the thematic elements of a heroic swashbuckling adventure in a faraway land, Aladdin and the Death Lamp swoops in and turns out to be an entertaining monster flick. Aladdin and the Death Lamp’s heroes are treasure hunters, the stakes are huge, and the evil monster runs around killing people regardless. Aladdin and the Death Lamp uses the plot to help keep the budget low, the treasure hunting lets them run around empty sets that don’t require a lot of extras running around to make it realistic. The quests keep you following along the story instead of questioning the plot direction. And everyone looks like they’re enjoying themselves, which is always fun.
Much as I liked how scenery chewing everyone was in Pegasus vs. Chimera, Aladdin and the Death Lamp has the opposite flavor, with all of the heroes playing their roles earnestly and seriously. This also works, and makes Aladdin and the Death Lamp a better film. And it helps that there is an evil guy being ridiculously evil as well. Aladdin is the most heroic man who ever lived, Khalil is the wisest man who ever lived, Shifa will deliver lines about nobility that would make you groan if they were delivered any less earnestly, Luca plays off his charmy and tempted halves well, and Sharira would threaten his own mother with death if she tried to ground him.
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I’m a Death Eater! And now that Voldemort is back, we’re in charge!
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The main problem is the unevenness of the monster. The Jinn is specifically stated to be trying to open a portal to let all the other Jinn into our world to cause trouble. But it’s also slaved to a lamp and must grant the wishes of the owner. And it also grants wishes to random people. And it is supposed to do so in an effort to kill the people by their own wishes, in a “careful what you wish for” type lesson. But the Jinn also just straight up murders people. All of these things sort of loose the focus of the monster’s motivation. And that is very important to me, a weirdo.
It’s an age of danger because it’s the age of Jinns!! Science and logic is ruled by magic. It’s the age of Insane Clown Posse??? Fucking magnets, I knew they’d cause trouble! Each of the heroes has a different element symbol: Earth, Wind, Water, Fire. But there is no Bruce Willis or Milla Jovovich running around. Only evil Genies!
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You don’t want to know what word you say on You Can’t Do That on Television to make this happen!
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I’m not worthless! And I don’t have fleas!
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Categories: Bad, Movies Tags: Angela Mancuso, CGI trainwreck, Darren Shahlavi, Eugene Clark, George Ghali, Joe Morganella, Kandyse McClure, Kevin Commins, Mario Azzopardi, Mif, Noam Jenkins, SciFi Channel, Suresh John, Tig Fong
