Tag Archives: Patrick Tse Yin

Tai Chi Hero

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Tai Chi Hero

aka 太極Ⅱ：英雄崛起 aka Tai Chi 2: The Hero Rises

2012
Written by Chang Chia-Lu and Cheng Hsiao-Tse
Directed by Stephen Fung Tak-Lun

Tai Chi Hero
How do I pee in this thing???

While Tai Chi Zero spent most of it’s running time setting up an Eastern tradition vs. Western modernism dichotomy that clashed with the very editing processes used to make Tai Chi Zero visually entertaining if nothing more than fluff, Tai Chi Hero tries a different tact. A method of uniting the different aspects of not only the film series, but of the culture clashes and personal clashes. The film is all about reconciliation, reunion, and combining into a greater whole. A balanced whole between the yin and yang, which is a part of the philosophy of tai chi.

Tai Chi Hero
Suddenly the movie goes all Forrest Gump!

There are still lots of plot lines to resolve, since the last film didn’t bother to finish anything up. And don’t expect everything to get resolved this time, either, though at least most of the problems are solved. At the last minute. Tai Chi Hero‘s attempts to have more of a story feels better, but conflicts with the flashy editing and choreography that was the only charm of the first part. So while being a better film on the whole, Tai Chi Hero manages to disappoint in the area that gained it fame, while not making enough up in the other aspects. Instead of the parts balancing together into a better whole, instead we just a big confusing mess, which defeats the whole message of the film! This is where Homer Simpson would say “D’oh!”

If you see one Tai Chi -ero movie, make it Hero, but seriously consider grabbing something else. Make it a balanced viewing where you also watch a decent film.

Tai Chi Hero
Rah rah, ah ah ahh
Roma, Roma ma ah
GaGa, Ou lala

Yang Lu Chan/The Freak (Jayden Yuan Xiao-Chao) – The hero from our last film is marrying into the Chen clan so all his tendon’s aren’t ripped out. And also to learn the kung fu he needs to survive. And to help save his home. And also because he loves Chen Yu Niang.
Chen Yu Niang (AngelaBaby) – Daughter of Master Chen Chang Xing, marries Yang Lu Chan despite not loving him nor wanting to be tied down with the responsibility, but Yang Lu Chan will prove himself over time. Helps him achieve balance.
Chen Chang Xing (Tony Leung Ka-Fai) – Master of the Chen clan and Chen Village. His strictness has caused family problems which are brought up again during a plot against Chen Village. Manages to play roles of both the wise elder and the antagonist of one of the minor heroes, before achieving redemption and thus, balance.
Chen Zai Yang (William Fung Shiu-Fung) – Oldest son of Chen Chang Xing, who was run out of town do to his preference of technology over martial arts. He returned in a complicated plot and eventually tries to redeem himself. His wife Jin Yun Er is a capable woman and partner despite being mute.
Fang Zi Jing (Eddie Peng Yu-Yan) – The villain returns with a complicated plot of revenge against Chen village involving working and bribing his way to getting an East India Company funded army to blow the crap out of the town. Which he does, and probably killed dozens of people, so I guess he sort of gets revenge even though he’s stopped.
Tai Chi Hero
More clockworks than A Clockwork Orange!

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Spy With My Face (Review)

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Spy With My Face

aka Black Rose vs. Black Rose aka Hei mei gui yu hei mei gui aka 黑玫瑰與黑玫瑰

1966
Directed by Chor Yuen
Written by Poon Faan
Spy With My Face
The sequel to 1965’s Black Rose has a greatly expanded scope, as the Chan sisters go from being champions of the poor to outright superheroes who take down a sinister secret gang intent on robbing jewelry from all over the city. The James Bond influence is very heavy, as there are a lot of gadgets, microbombs, disguises, and hidden identities. The film also has what sounds like an original score that is rather well done as well (and also Bond influenced).
Spy With My Face
The review of Black Rose has miniprofiles of Nam Hung, Connie Chan, Patrick Tse, and Chor Yuen, so we don’t have to do it here! Hooray for laziness! We also have the overviews of the Jane Bond genre and other interesting links there so we don’t have to link it again here. Spy With My Face is notable because this film was where Connie Chan eclipsed Nam Hung and became a bona fide Hong Kong superstar.

Spy With My Face
A color print does survive in the HKFA vault, but the VCD release is a black and white dub probably made for TV. This sucks, because it would be great to see all the funky colors. At this point in time Cantonese cinema was on the decline as the Shaw Brothers were becoming the standard with their high production values and massive use of color. Shaw was also putting out their own spy films at this time, some with female leads as well.

Once again we have no subtitles, but TarsTarkas.NET doesn’t need no stinking subtitles! And the wife translated about half of the film before deciding it was time for bed, so the rest I just followed along the story as best I could. It all works out fine.

Spy With My Face

Chan Mei-Yi (Nam Hung) – The older Chan sister, who is freed from the constant attention of rich bachelors because she spends the whole film helping her friend Cheung. Is Black Rose along with her younger sister.
Chan Mei-Ling (Connie Chan Po-Chu) – The younger Chan sister who is sassy and tough. She doesn’t put up with bad guys’ crap and would just as soon beat the tar out of them as look at them.
Black Rose (Nam Hung and Connie Chan Po-Chu) – Black Rose moves up from Robin Hood thief to gangbuster as the Black Roses save an entire city from an evil criminal element while saving their friend at the same time. Remember, it is only good to steal if you steal from those who deserve to lose it.
Cheung Man Fu (Patrick Tse Yin) – Insurance investigator and subject of Chan Mei-Yi’s attraction. Gets himself caught up in a nasty situation and replaced with an evil duplicate.
Gold Boss (Cheung Wood-Yau) – All my wife could translate of his name was Gold _____ – so we will call him Gold Boss. If he doesn’t like it, he can get bent. Gold Boss runs the secret society that kidnaps Cheung to rob all sorts of rich people. He’s also a refugee from a Mexican Wrestling film. Cheung Wood-Yau was in film for almost thirty years at this point, and only made a few more films before retiring in 1969 (with one later appearance in 1980’s Duel of Death.)
Fake Cheung Man Fu / #1 (Patrick Tse Yin) – Fake Cheung is the most worthless gang member on the team. Had he not undergone surgery to look like Cheung he would be #0 as he would have been fired. Was saving your job really worth the pain? Despite looking like Cheung, he totally doesn’t act like Cheung at all and dresses in dark shirts and sunglasses in order to look like a gangster, thus keeping his innocent insurance investigator cover. Fake Cheung is not the sharpest of tacks.
#2 (Fung Ngai) – The mute gang member. Only a mute guy would put up with being named #2, because that means you can’t hear him complain! Fung Ngai also played #1 in fellow 1966 spy film The Golden Buddha. Among his many other film appearances is Come Drink With Me.
#3 (Wong Hon) – The nerdy gang member who is fourth in charge and has confidence problems. Wong Hon was a Chor Yuen regular, appearing as a policeman in Black Rose, a doctor in Intimate Confessions of a Chinese Courtesan, and many other Chor Yuen films.

Spy With My Face
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Black Rose (Review)

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Black Rose

aka Hei mei gui aka 黑玫瑰

1965
Directed by Chor Yuen
Written by Hoh Bik-Gin
Black Rose
Welcome to a trip to some classic Cantonese cinema. Not only are we going to review Black Rose, but we’ll be hitting the sequel, The Spy With My Face, as well as one entry from the 1990’s, and an eventual rewrite of our review of Protege De La Rose Noire. Yes, that previous sentence will get edited as the other reviews appear here. Eventually. Maybe.

Black Rose was basically the beginning of the Jane Bond films. It did not start the strong female character/super hero genre, but popularized it to the point where Black Rose is known as the standard bearer of the genre. This blog entry going over some of the wonderful films featured on the SoftFilm blog features a cornucopia of films with strong female leads.

Connie Chan Po-Chu was born in 1947 and is the daughter of two Beijing opera stars (Chan Fei-nung and Kung Fan-hung) She was not only trained in classical opera style (specializing in male roles) but also trained in both Southern and Northern martial arts styles. Connie made her film debut in 1959’s The Scout Master, and became a breakout star in the 1960s. Her last film was 1972’s The Lizard (also her only film for Shaw Brothers and one of the few that still survives in color, The Spy With My Face was filmed in color even if it doesn’t seem to have survived that way.)

Black Rose
Unlike her fellow teen queen Josephine Siao, Connie Chan stepped out of the limelight after her retirement, though she does emerge from time to time in stage presentations on TV (much to the excitement of my in-laws, who spend a frightenly long time trying to capture just her performance from a TV special onto a DVDR despite barely knowing how to turn the computer on.) More information on Connie Chan can be found on Movie Fan Princess. The site is run by duriandave of SoftFilm, who also supplied me with the vcds used to review the two Black Rose films. Check her out in action in Lady Black Cat and The Furious Buddha’s Palm.
Black Rose
Nam Hung was born as Su Manmei. Her mother and sister were also stage actresses, but I don’t think they were in films. The stage name Nam Hung means “fame of the south”. She began stage performing in 1950 and moved to films in 1953. She set up the Rose Film Company in 1962 with future husband Chor Yuen (also the director of this film) She starred in many Chor Yuen and Chan Wan films, and was a coproducer of Black Rose and its sequel. She was also in the original House of 72 Tenants, which was remade and then both inspired Steve Chow’s Kung Fu Hustle. Nam Hung moved to tv in 1976.

Director Chor Yuen was born in 1934 as Cheung Bo-kin, the son of Cheung Wood-yau, a Cantonese cinema actor. After studying chemistry in college, Chor Yuen joined the cinema world, first as a screenwriter (under pen name Chun Yu) and then worked as assistant director to Chun Kim. His directorial debut was The Natural Son in 1959. He helmed all sorts of films over the years. Notable films include 1963’s Tear-laden Rose, 1968’s Winter Love, and 1968’s Young, Pregnant and Unmarried, a comedy capitalizing on the youth craze in Hong Kong (also starring Connie Chan). Chor Yuen joined Cathay in 1969 and started focusing on wuxia films. Then he moved to Shaw Brothers in 1971. Intimate Confessions of a Chinese Courtesan was one of his films there (he later remade it as Lust For Love Of A Chinese Courtesan) Besides the Rose Film Company with Nam Hung, Chor Yuen formed his own company Ligao Film in 1985
Black Rose

Patrick Tse Yin is probably best known to Western film fans as the evil guy in Shaolin Soccer, but he was a huge star in Cantonese film in the 1960s and is a pretty cool dude and leading man. But for people like me who were first exposed to him playing a jerk, we will always have that image stuck in the back of our minds when we see him play good guys. Patrick Tse Yin is the father of Nicholas Tse (seen here with his wife Cecilia Cheung in The Promise.)

The Black Rose series of films goes like so: The 1960’s had the first two entries, Black Rose and The Spy With My Face/Who is That Rose? in 1966. Then there was nothing until a revival in the 1990’s with homage films that are basically love stories to 1950s and 1960s Cantonese cinema. There are three films in this set, 1992’s 92 Legendary La Rose Noire (written and directed by Jeff Lau), 1993’s Rose, Rose, I Love You (directed by Jacky Pang and produced by Jeff Lau), and 1997’s Black Rose 2 (directed by Jeff Lau and Corey Yuen Kwai). The series was recently revived as a vehicle for the pop duo The Twins in 2004 for Protege de la Rose Noire. I doubt there will be any direct sequels to this due to the whole Edison Chen sex photo scandals which enveloped Twin Gillian Chung in its tentacles when she showed up naked online. Teresa Mo was the Black Rose in Protege, continuing the loose connections between the films (she was one of the apprentice Roses in 92 Legendary La Rose Noire.)

The VCDs we watched were without English subtitles, but we don’t need no stinking subtitles! And my lovely wife translated. So take that, not released on DVD film!
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