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Boxer from Shantung (Review)

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Boxer from Shantung

aka 馬永貞 aka Ma Yong Zhen aka Ma Wing Jing aka Killer from Shantung
Boxer from Shantung 馬永貞
1972
Written by Chang Cheh and Ni Kuang
Directed by Chang Cheh and Pao Hsueh-Li
Boxer from Shantung 馬永貞
The rise of a gangster from nothing to boss who goes down in a violent orgy of death is one of those classic tales that gets told a lot in cinema. Boxer of Shantung is no exception on delivering the basic story. What Boxer of Shantung does do, is deliver the story in an entertaining fashion that makes you cheer for the hero, even as the trappings of power cause him to abandon some of his principals.

Boxer of Shantung is Chen Kuan-Tai’s first lead role, and he brings such an energy of pride to his laborer character Ma Yung Chen that you know he is going places. As a penniless worker, he argues against the innkeeper treating his fellow poors like second-class citizens. He refuses to do a demeaning job for insulting carriage drivers, nor does he accept charity from a fellow immigrant from Shantung who has gone on to do well. He decrees that he is going to be just as successful as him one day, and soon he gets a little territory, then goes punching his way for more. During his rise, Ma remembers his poor roots and chastises his men for shaking them down for money, choosing instead to target richer districts.
Boxer from Shantung 馬永貞
The trappings of power are dangerous, and when you play the game of thrones, you play for keeps, even if the game is being a local boss in olden China. Each move leads Ma Yung Chen increasingly in conflict with the Axe Gang, their champions and boss at first seeing him as a distraction to their main rival, Boss Tan Si (David Chiang Da-Wei), but eventually focusing on Ma Yung Chen with their entire gang army.

The action starts slow in Boxer from Shantung, but builds and build until the end, where Ma Yung Chen is battling the entire Axe Gang by himself. This slow burn action may have fallen out of favor in our ADD/hyperediting modern reality, but it still works for me. The fight scenes are worth waiting for, Chen Kuan-Tai is a powerful force, and the choreography incorporates all the random objects around the landscape into the melees. With each bump into the Axe Gang, Ma Yung Chen battles both more dangerous members and just plain more and more members of the Axe Gang.
Boxer from Shantung 馬永貞
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Showdown at the Equator (Review)

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Showdown at the Equator

aka 過江龍獨闖虎穴 aka Guo jiang long du chuang hu xue
Showdown at the Equator
1978
Written and directed by Gwan Jing-Leung

Showdown at the Equator

Trashing restaurants is soooooo boring!


It’s a kung fu cop action flick from the late 1970s, so you know it will be full screen and dubbed terribly. The characters will be wearing outfits that make fashion police commit suicide, and the plot will only occasionally make sense. Throw in scenes that are just there for excuses for more fights and characters whose names change depending on who is talking, and you got yourself a movie. Just don’t hurt yourself getting down to the funky theme song. Because it’s the only thing that’s funky.

Showdown at the Equator is about gangs that extort protection money out of small business owners, and the cops that are bringing them down. The film doesn’t bother to tell us certain characters are cops (though it’s easy to deduce), and spends a long time putting together the reason why the plan is so complicated. But Showdown at the Equator does have a more unconventional final battle sequence, the characters that end up fighting aren’t quite the matchups you think they’ll be.

Showdown at the Equator

Peter Tork!


As part of the massive deluge of kung fu films pumped out to feed the overseas demand, Showdown at the Equator packs in a lot of action, even if it doesn’t make any sense. The action it does well, the choreography pretty decent for a film obviously made in a hurry with little money for fancy rigs or setups. It’s got that small budget charm that you get from picking a random martial arts vhs from the video store (if your store was cool enough to have a martial arts section!) I enjoy these films, but I recognize what they are, that they aren’t for everyone, and that Showdown at the Equator has a lot of problems that keeps it from being a film anyone remembers anything about. Good thing I took notes!
Showdown at the Equator

Herbie, NOOOO!!!


Chen Wan Tu-Lei (Nora Miao Ke-Hsiu) – Daughter of a restaurant owner who is targeted by the extortion gangs. She knows enough martial arts thanks to her nunchucks that she can fight back some when the gang trashes their place.
Yu Wang-Yeung (Larry Lee Gam-Kwan) – A drunk that helps the Chen family rebuild their restaurant multiple times thanks to stacks of cash he has with no explanation. He’s really an undercover cop trying to bring down the gang by infiltrating it by being an awesome fighter. Of course Chen Wan falls for him.
Chen Chung (Yiu Ping) – Restaurant owner and father of Chen Wan Tu-Lei. Tries to be friendly with the extortion gang, but they trash his place regardless. Mr. Chen Chung is sometimes called Ching Chung depending on who is speaking.
Li Shung (Bruce Leung Siu-Lung) – An undercover informant for cops who is exposed halfway through the film. He barely crosses paths with Yu Wang-Yeung except during the final fight.
Steven (Lo Lieh) – The head of the gang, the cops don’t even know who he is until most of the way through the film. Despite being in charge of the gang, he overseas almost all of their illegal activities, which lets him discover when the cops are closing in.

Showdown at the Equator

How dare they think this isn’t a real stadium!


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Gold Button (Review)

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Gold Button

aka 金鈕扣

1966
Directed by Cheung Wai-Gwong
Gold Button
As the female-focused action films that later became collectively called Jane Bond films evolved, other studios quickly jumped into the action to capitalize on the Black Rose/Connie Chan mania. Besides the already reviews Dark Heroine Trilogy, another entry is Gold Button. Gold Button features mysterious star So Ching and shows off some of the James Bond spy influences that helped shape a good number of the Jane Bond films. We have such wonderful things as doomsday weapons, an all-powerful secret gang, female agents, gunfights, punching, gangs of girls in swimsuits, dozens of nameless henchmen, a masked boss of the evil gang, spy gadgets, a film named after a flower/characters named after a flower, and stolen theme music (including the James Bond theme!)
Gold Button

Things get a bit more sleazy than the female-audience targeted Connie and Josephine flicks. Fanny Fan is naked in the back, while female characters are forced to disrobe and threatened with rape, and we see undies tossed on the floor. But even the sleaze is held back, the women wear one-piece swimsuits instead of bikinis! I am not sure if Mingxing Film Company is imitating 1966’s Golden Buddha with the extra sexiness, or if these films began production before Golden Buddha and it is ramping up things for another reason. Gwan Jing-Leung did the stunt work, and Wong To produced.
Gold Button

So Ching displays not nearly as much charm as Connie Chan and Josephine Siao in her appearances in front of the camera, probably due to her not growing up while making movies like those two. But she does have that beauty contest winner appeal and serious tone (contrasted by Fanny Fan playing the sexpot here!) After making several Jane Bond type films and a few other pictures, So Ching seems to have dropped off the face of the Earth. So Ching, if you have ever returned to Earth, please let us know!
Gold Button

Fanny Fan Lai started acting in 1957 after winning that often entry point into Hong Kong cinema, a beauty contest. Acting under the name Wan Li-Hong in Shaw’s Cantonese division, she failed to achieve much success until she joined Shaw Brothers’s Mandarin division as Fanny Fan, and became a star with 1959’s The Pink Murder. She became known as a sexpot and bad girl, probably best for her role in The Golden Buddha. Her nickname was the Oriental Brigitte Bardot. She retired from film in 1969.

As you can probably guess from the craptacular images included in this review, Gold Button is not available on in any sort of format you can find acceptable. I scored this from a Hong Kong tv broadcast someone uploaded to a Chinese YouTube site, complete with the station’s squashed picture due to the widescreen not being anamorphic. The uploader took it upon himself to blur out the station logo, so the top right of the screencaps look like someone smeared vasoline all over them. There is also a small segment of the film missing, and the very small compression on YouKu means if I blew the images up any larger than I have, they’ll just look like a bunch of blurry squares. As there is little information on Gold Button out there, it is currently unknown of the three other films So Ching made that feature many of the same cast are also part of this series or their own thing. TarsTarkas.NET will let you know the second someone uploads squashed tv recordings of the film for us to gawk at and write lame jokes.
Gold Button

Miss Peony Pai No. 1 (So Ching) – Her full name mentioned in the subtitles is Miss Peony Pai No. 1. As there are other Pai No.s and other Miss Pais, I guess her real name is Peony? The character is as mysterious as anything else. Her character is engaged to Chief Lin and calls Miss Pai No. 2 her sister, though probably in a sisterhood sense and not blood sisters.
Miss Pai No. 2 (Fanny Fan Lai) – The sexpot member of the Pai crew who is kidnapped and replaced by a prototype from Mistress of 1000 Faces. Because her sexy double was sexy and sinful, Miss Pai No. 2’s character doesn’t live to the end of the film.
Chief Lin Wen-Tsu (Wu Fung) – The Interpol Chief ho just can’t seem to catch those rascally Devils Gang members. Luckily, he’s engaged to one of the hot spy babes his unit outsources, which is totally not a conflict of interest that should be investigated by higherups at Interpol. Actor Bowie Wu Fung was a leading man for decades in Cantonese film, and has popped up in Lady Black Cat and The Red Wolf
Yim Lam (Seung-Goon Yuk) – Interpol doesn’t outsource all their female talent, and officer Yim Lam is competent and confident enough to save the day and catch Interpol traitors.
Assistant Chief (Roy Chiao Hung) – I’m sure this guy is an honest cop and is in no way evil… Roy Chaio Hung also shows up in The Dark Heroine Muk Lan-Fa
Devils Gang Boss (It is a mystery…) – The villainous boss of the Devils Gang, who doesn’t get a cool name. He does get a cool costume, which looks like they stole it from a local high school band, gave him a cape and eyeless ski mask.
No. 2 (Fung Ngai) – Fung Ngai shows up again in a film as a villain’s henchman, like he did in Spy With My Face. He does get to lead for once in Lady in Black Cracks the Gates of Hell

Gold Button
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Lady in Black Cracks the Gate of Hell (Review)

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Lady in Black Cracks the Gate of Hell

aka The Hell’s Gate aka The Black Musketeer (part 3) aka 女黑俠威震地獄門

1966HKMDB Link
Directed by Law Chi

Lady in Black Cracks the Gate of Hell is different than the other two Dark Heroine Muk Lan-Fa films, because there is less Muk Lan-Fa in it. Sister Muk Sau-Jan takes much of the spotlight for the first half of the film. I don’t know if actress Suet Nei was busy (she had several other films out that year), or if the studio decided it wanted to focus more on Law Oi-Seung and try to make her a bigger star as well. If so, it didn’t quite work, as her film output never reached star levels and she faded away to obscurity, to be only mentioned by guys with websites.

Lady in Black Cracks the Gate of Hell is also different because it looks more low-rent. The scale seems smaller, the plot more confusing, the stakes are less severe, and the villain dies in one of the lamest (but realistic) ways ever. But it’s still some good Jane Bond. And worth tracking down if you’re into this sort of stuff. Once again, the only available formats is unsubtitled vcd or DVD. And as we all know, at TarsTarkas.net, we don’t need no stinking subtitles!

Muk Lan-Fa (Suet Nei) – Cracking the gates of Hell is child’s play for the Dark Heroine at this point. So let’s give her a real challenge: punching Cerberus through the gates of Hell in one punch. Dark Heroine Muk Lan-Fa has 24 hours to complete this task.
Muk Sau-Jan (Law Oi-Seung) – Dark Heroine’s sister spends most of the film starring in the film as Dark Heroine is MIA for a huge chunk of it. And then she gets kidnapped again and again and again. It’s crazy!
Ko Cheung (Kenneth Tsang Kong) – Ko Cheung is the cop with the mop. Wait, that makes no sense. And now I’ve screwed up this whole cast bio! Dang it. Move on to the next guy…
Sing Sam Long (Fung Ngai) – The Fat Bad Guy in charge of this latest gang, whose name I didn’t catch because it isn’t in the title nor do they have their own company letterhead. As a mastermind, he’s pretty lame, and he gets foiled rather easily and dies like a jerk. A jerk!


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Spy With My Face (Review)

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Spy With My Face

aka Black Rose vs. Black Rose aka Hei mei gui yu hei mei gui aka 黑玫瑰與黑玫瑰

1966
Directed by Chor Yuen
Written by Poon Faan
Spy With My Face
The sequel to 1965’s Black Rose has a greatly expanded scope, as the Chan sisters go from being champions of the poor to outright superheroes who take down a sinister secret gang intent on robbing jewelry from all over the city. The James Bond influence is very heavy, as there are a lot of gadgets, microbombs, disguises, and hidden identities. The film also has what sounds like an original score that is rather well done as well (and also Bond influenced).
Spy With My Face
The review of Black Rose has miniprofiles of Nam Hung, Connie Chan, Patrick Tse, and Chor Yuen, so we don’t have to do it here! Hooray for laziness! We also have the overviews of the Jane Bond genre and other interesting links there so we don’t have to link it again here. Spy With My Face is notable because this film was where Connie Chan eclipsed Nam Hung and became a bona fide Hong Kong superstar.

Spy With My Face
A color print does survive in the HKFA vault, but the VCD release is a black and white dub probably made for TV. This sucks, because it would be great to see all the funky colors. At this point in time Cantonese cinema was on the decline as the Shaw Brothers were becoming the standard with their high production values and massive use of color. Shaw was also putting out their own spy films at this time, some with female leads as well.

Once again we have no subtitles, but TarsTarkas.NET doesn’t need no stinking subtitles! And the wife translated about half of the film before deciding it was time for bed, so the rest I just followed along the story as best I could. It all works out fine.

Spy With My Face

Chan Mei-Yi (Nam Hung) – The older Chan sister, who is freed from the constant attention of rich bachelors because she spends the whole film helping her friend Cheung. Is Black Rose along with her younger sister.
Chan Mei-Ling (Connie Chan Po-Chu) – The younger Chan sister who is sassy and tough. She doesn’t put up with bad guys’ crap and would just as soon beat the tar out of them as look at them.
Black Rose (Nam Hung and Connie Chan Po-Chu) – Black Rose moves up from Robin Hood thief to gangbuster as the Black Roses save an entire city from an evil criminal element while saving their friend at the same time. Remember, it is only good to steal if you steal from those who deserve to lose it.
Cheung Man Fu (Patrick Tse Yin) – Insurance investigator and subject of Chan Mei-Yi’s attraction. Gets himself caught up in a nasty situation and replaced with an evil duplicate.
Gold Boss (Cheung Wood-Yau) – All my wife could translate of his name was Gold _____ – so we will call him Gold Boss. If he doesn’t like it, he can get bent. Gold Boss runs the secret society that kidnaps Cheung to rob all sorts of rich people. He’s also a refugee from a Mexican Wrestling film. Cheung Wood-Yau was in film for almost thirty years at this point, and only made a few more films before retiring in 1969 (with one later appearance in 1980’s Duel of Death.)
Fake Cheung Man Fu / #1 (Patrick Tse Yin) – Fake Cheung is the most worthless gang member on the team. Had he not undergone surgery to look like Cheung he would be #0 as he would have been fired. Was saving your job really worth the pain? Despite looking like Cheung, he totally doesn’t act like Cheung at all and dresses in dark shirts and sunglasses in order to look like a gangster, thus keeping his innocent insurance investigator cover. Fake Cheung is not the sharpest of tacks.
#2 (Fung Ngai) – The mute gang member. Only a mute guy would put up with being named #2, because that means you can’t hear him complain! Fung Ngai also played #1 in fellow 1966 spy film The Golden Buddha. Among his many other film appearances is Come Drink With Me.
#3 (Wong Hon) – The nerdy gang member who is fourth in charge and has confidence problems. Wong Hon was a Chor Yuen regular, appearing as a policeman in Black Rose, a doctor in Intimate Confessions of a Chinese Courtesan, and many other Chor Yuen films.

Spy With My Face
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