Sharknado 2: The Second One (Review)
Sharknado 2: The Second One
2014
Written by Thunder Levin
Directed by Anthony C. Ferrante
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How can the same shark happen to the same guy twice?
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The Sharknadoes are back and this time they’re taking on the Big Apple! But New Yorkers aren’t going to just stand by and let their city get destroyed by a bunch of shark-laced tornadoes. Thus the people fight back, and more importantly, returning Sharknado hero Fin leads the fight against the sharknadoes. With Sharknado 2: The Second One, Asylum and SyFy step back into the world of viral creature feature movies, and score a monster hit. Not only was this the highest SyFy original movie ever (with 3.9 million viewers), but it’s also entertaining and fun. The action is bigger and more consistent throughout the whole film, leading to less of the pacing problem that the original Sharknado faced.
Sharknado 2 edges its predecessor with more ridiculous stunts and better graphics. The money shots are given a high quality look to better make cool gifs. The well-paced action provides continual entertainment, beginning with a ridiculously awesome plane sequence that just keeps raising the stakes and the body count. The excuses to get people moving around felt more genuine than Sharknado‘s goal post moving search for family. Sharknado 2 has what is the best excuse for not being able to reach someone by cell phone I’ve seen in a movie (the guy shuts it off so he can spend quality time with his son and not be distracted by work! So much better than random “out of service” shots or just ignoring phones altogether.)
Fin Shepard (Ian Ziering) and his ex-wife April Wexler (Tara Reid), who he is now reconciling with, are on route to New York City, his hometown and where his sister and her family live. But the flight path is right through the latest forming sharknado, and soon the plane is a disasterpiece that Fin has to land himself. Things become a desperate struggle to get his family to safety and to save the city from the sharknadoes, while chomping death flies in the skies and rains down on the people. Only chainsaws, buzzsaw hands, swords, guns, freon tanks, and a host of celebrity cameos can save New York City from nature’s wrath!
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Categories: Movie Reviews, Ugly Tags: Al Roker, Andy Dick, Anthony C. Ferrante, Asylum, Billy Ray Cyrus, Biz Markie, Daymond John, Downtown Julie Brown, Ian Ziering, Jared Fogle, Judah Friedlander, Judd Hirsch, Kari Wuhrer, Kelly Osbourne, Kelly Ripa, Kurt Angle, Mark McGrath, Matt Lauer, Michael Gelman, Michael Strahan, Perez Hilton, Rachel True, Richard Kind, Robert Hays, Robert Klein, Sandra Denton, SciFi Channel, Sharknado, Stephanie Abrams, SyFy, Tara Reid, Thunder Levin, Tiffany Shepis, Vivica A. Fox, Wil Wheaton
The Big Year
The Big Year
2011
Directed by David Frankel
Written by Howard Franklin
The Big Year takes place in the world of birding, where obsessive fans of feathered friends spend their time watching and following birds. They learn the songs, know the species, and some can even imitate their favorite birds. And there is no greater glory in the world of birding than the Big Year, where a birder spends an entire year seeing as many bird species as possible.
Now, as a biologist, I’ve meet birders and can understand where they’re coming from, even if I have no desire to trek through swamps and snow to spot rare birds with pink feet. Myself, I’m perfectly fascinated by even the most common birds. Crows, starlings, mourning doves, all are cool in my book. Granted, the herons, egrets, and hawks I spy on the drive home are awesome as well. Maybe I am a secret birder…
The Big Year is ultimately about obsession. About a hobby, about love, about doing what you love but also living your life. It’s based on Mark Obmascik’s book The Big Year: A Tale of Man, Nature and Fowl Obsession, which I haven’t read. But I did get free tickets to an advanced screening, so once again, Tars sells out!
Brad Harris is ostensibly the main character, but in reality there are three main characters, three story arcs, three paths. All of the three main characters want to be the best, to win. but not all of them will win. Only one can be the best. And sometimes, the quest is only the beginning.
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