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Buddha’s Palm (Part 3)

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Buddha’s Palm (Part 3)

aka 如來神掌(三集) aka The Young Swordsman Lung Kim Fei Part 3 aka 如來神掌(三集大結局)

1964HKMDB Link
Written by Sze-To On
Story by Shangguan Hong
Directed by Ling Yun
Buddha's Palm
It’s a whole new chapter in the Buddha’s Palm saga as Part 3 takes us into new intrigue and adventures. A joyous celebration becomes a tragedy when murder is the special guest. Lung Kim-fei and his new bride Kau Yuk-wah must find out who killed Suen. The rest of the crew is also searching for answers, and we run across arrogant martial arts masters and evil jerks causing trouble. But most excitedly, there is a brand new monster!
Buddha's Palm
Buddha’s Palm (Part 3) goes more into the details of the world we were introduced to in Part 1 and Part 2. We meet some new schools, and find out that part of the reason there are so many problems in the martial world is a mix of rash accusations and arrogant school heads. Of course, everyone stopping to chat around some tea doesn’t make good cinema. Unless you’re really good at writing dialogue…
Buddha's Palm
Once again, the effects and monster costumes are what make the Buddha’s Palm films. Though we only get one new monster, there are a lot of new martial arts effects – waves, blasts, explosions, giant bells. The increase in effects in Parts 3 and 4 is very evident. Once again, there are not subtitles, but at TarsTarkas.NET, we don’t need no stinking subtitles!
Buddha's Palm

Lung Kim-fei (Walter Tso Tat-Wah) – The Buddha’s Palm hero is set to be wed, but an untimely murder ruins everything, including his honeymoon! Now he has to hunt down murderers.
Kau Yuk-wah (Yu So-Chau) – Kung fu sister whose marriage is marred by the murder of her matriarch. Spends her time with Lung hunting down clues. They are much more polite about accusing everyone they meet of murder than her sister’s group.
Kau Yuk-kuen (Patricia Lam Fung) – Kau Yuk-wah’s younger sister who sets out to find out what happened to her matriarch. Is kidnapped twice during this film. Also finds the most best clues. And causes the most trouble with people who aren’t keen on being accused of killing people.
Master Ku Hon-wan (Ling Mung) – Is gone for most of the film, but returns to Earth to find out about the murder and surmises who is responsible rather quickly. But it may be the death of him…
Condor (Man in suit) – Master Ku Hon-wan’s magic condor is still giving rides and rescuing people!
But Ku (Ko Lo-Chuen) – The helmsman of the Cheung Lei Sect doesn’t let a murder investigation stop him from loudly yelling before he enters a room.
Luk Yu (Kwan Hoi-San) – Friend of the Kau sisters, a guy who gets captured a lot and Lung Kim-fei keeps saving. Does he get captured in this movie? Yes!
Suen Bik-ling (Yung Yuk-Yi) – Matriarch of the Kau’s clan. No longer hides her disfigured face, which is beginning to heal. Is murdered by a mysterious weapon, and much of the film is spent trying to figure out who did it.
Auyeung Ho (Siu Chung-Kwan) – A jerk guy who bullied Lung, and now pals around with the Three Devils. He’s graduated to being more evil than before!
Ten Thousand-hand Lohan (???) – Just a guy who can identify rare weapons, which makes him a target of friends and foes. Gets foed. Despite having ten thousand hands, this is one Lohan who never goes to jail!
Three Devils (Cheung Seng-Fai, Hoh Siu-Hung, Lee Sau-Kei) – Three evil dudes who conspire to cause trouble in the land of kung fu while solidifying their power.
Lau Piu-piu (Chan Wai-Yue) – The helmswoman of Heavenly Fragrance Sect, she’s initially suspected of Suen Bik-ling’s murder, but is cleared when she claims to be a sworn sister of Suen.

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Buddha’s Palm (Part 2)

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Buddha’s Palm (Part 2)

aka 如來神掌(二集) aka The Young Swordsman Lung Kim Fei Part 2 aka 如來神掌(下集大結局)

1964HKMDB Link
Written by Sze-To On
Story by Shangguan Hong
Directed by Ling Yun
Buddha's Palm
Buddha’s Palm Part 2, the adventure continues! When last we left our intrepid travelers, Lung Kim-fei had helped recover dragonroot to restore the sight of Suen. The first thing she sees when she regains her sight is his uniform, the same uniform as his sifu, Master Ku Hon-wan the Wicked God of Fiery Cloud and enemy of Suen. So she blasts Lung in the chest!
Buddha's Palm
This edition is unique in it is the only one of the Buddha’s Palm series that does not have the iconic opening credits sequence of Lung Kim-fei shooting palm blasts at a Buddha painting every ten seconds. But don’t fear, it will return for the next two parts of Buddha’s Palm. Part 2 finishes the story began in Part 1, while Parts 3 and 4 are their own story. Some of the monster costumes from the prior film return, along with a new surprise.
Buddha's Palm
Burdened by the story, there is less quest adventuring going on, and more of running and fighting adventuring. The next two chapters will attempt to balance the questing and the fighting, but for now we got a stream of action sequences. The plot is largely propelled by Suen’s anger, while Master Ku is given a moment to act all cocky like his character’s back story is supposed to be. But oddly enough, that saves the day. So the lesson is to be cocky, but explain yourself? Sure, whatever Buddha’s Palm!
Buddha's Palm

Lung Kim-fei (Walter Tso Tat-Wah) – This zero became a hero and got blasted in the chest for it! Luckily he’s saved by Kau Yuk-wah and his friends until things are set into motion and clans prepare to battle, unless Lung Kim-fei helps bring peace.
Kau Yuk-wah (Yu So-Chau) – Kung fu sister who falls for Lung Kim-fei and tries to save him. Spends part of the film racked with guilt when she thinks her sister died. Helps Lung rescue Luk Yu and then tries to help calm down the feuding clans.
Kau Yuk-kuen (Patricia Lam Fung) – Kau Yuk-wah’s younger sister who is believed killed early in the film, but is actually rescued by Master Ku and trained in the Buddha’s Palm Technique. Her being saved and welcomed helps calm the feud between Master Ku and Master Suen.
Master Ku Hon-wan (Ling Mung) – The Wicked God of Fiery Cloud, his sight was recently restored by Lung. Trains Kau Yuk-kuen in the Buddha’s Palm technique after Condor saves her.
Condor (Man in suit) – Master Ku Hon-wan’s magic condor who saves people all the time. And you can ride him!
But Ku (Ko Lo-Chuen) – The helmsman of the Cheung Lei Sect. Always announces himself via incredibly loud offscreen yelling. Helps rescue Lung and tries to calm the clan feuding that’s going on.
Luk Yu (Kwan Hoi-San) – Friend of the Kau sisters, a guy who gets kidnapped a lot and Lung Kim-fei keeps saving. Does he get kidnapped in this movie? Yes!
Suen Bik-ling (Yung Yuk-Yi) – Matriarch of the Kau’s clan. Was blinded in duel with Master Ku Hon-wan long ago, and just regained her sight. Wears a mask to hide her disfigured face. Is willing to start a war to get revenge on Master Ku.
Auyeung Ho (Siu Chung-Kwan) – A jerk guy who bullied Lung, but not he gets shown up by the kung fu trained Lung. So suck it, bully!
Auyeung Ho’s wife (???) – Auyeung Ho’s wife, she gets to watch her jerk husband be humiliated…again!

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Buddha’s Palm (Part 1)

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Buddha’s Palm (Part 1)

aka 如來神掌(上集) aka The Young Swordsman Lung Kim-fei Part 1

1964HKMDB Link
Written by Sze-To On
Story by Shangguan Hong
Directed by Ling Yun
Buddha's Palm
In Kung Fu Hustle, Bruce Leung’s The Beast character’s name translates to Dark God of the Fire Clouds. While that name is awesome in it’s own right, it’s also borrowed from Buddha’s Palm (and the pulp wuxia serials that Buddha’s Palm is based on.) That is an example of the lasting influence the Buddha’s Palm films have had on Hong Kong entertainment, particularly wuxia and martial arts cinema.
Buddha's Palm
Though far far far from the first wuxia pian tale to be translated to the screen, the Buddha’s Palm series heavily influenced later films with the fantasy effects and memorable tales. Having seen about a dozen of the old black and white Cantonese wuxia films, I can say that the Buddha’s Palm series just feels bigger than the others. It’s like Star Wars compared to one of the cash in scifi flicks that finished out the 70s. Though some of the later wuxia films attempted to be as creative, they didn’t have the resources available to compete, and soon the whole deal was eclipsed by Shaw.

For some of this background information, I am handicapped by the lack of information in English about wuxia tales and their authors. So some of this is conjecture, and may be inaccurate. Feel free to drop some knowledge on me if things are wrong. That’s how we all learn.
Buddha's Palm
The tale is largely taken from two sources – Taiwanese author Liu Canyang’s Heavenly Buddha Palm (天佛掌) and Cantonese author Shangguan Hong’s Thousand Buddhas’ Fist. The general plot seems borrowed from Liu’s tale, while the characters are from Shangguan Hong’s stories (and he is the name listed in the credits.) Thousand Buddhas’ Fist was serialized in Ming Pao Daily, which was the place to be a serialized wuxia tale. It was founded by Louis Cha Leung-yung, better known to wuxia story lovers as Jin Yong (the author of the Condor Trilogy) How much the movies’ “borrowing” from Liu was legitimate, I cannot say, as there do not seem to be translations of the stories available. Some of the original stories have been adapted into comic novels.
Buddha's Palm
The Buddha’s Palm films work because they are a grand adventure. There are battles, but there are also a enormous amount of special effects. One of the memorable features are the hand-drawn effects as characters blast away at each other, or control rings and chains and beams that battle in the air. Art director Lo Ki-Ping was the man responsible for the look of the series and most of the hand-painted effects. He also designed the various monster costumes that help spice up Buddha’s Palm. While obviously men in suits, they have a level of B-movie appeal that lame CGI creatures will never match. The effects action enhances the choreography done by action director Simon Yuen Siu-Tin.
Buddha's Palm
Series director Ling Yun went on to direct the three followups The Furious Buddha’s Palm (1965), Buddhist Spiritual Palm (1968), and Buddhist Spiritual Palm Returned (1968). The latter two feature a largely new cast. The Buddha’s Palm franchise was updated in 1982 with Shaw Brother’s Buddha’s Palm, and there has been at least two television series based on the stories. Kung Fu vs. Acrobatic was also a detailed love letter to this series and similar films. With the current trend of remaking everything, I would not be surprised if someone dusted off the Buddha’s Palm tales to bring back to the big screen.
Buddha's Palm
The wonderful DVD set comes complete with no English subtitles. But here at TarsTarkas.NET, we don’t need no stinking subtitles! Some character names I used are taken from synopses that may or may not be a good translation. But that just adds to the fun!
Buddha's Palm

Lung Kim-fei (Walter Tso Tat-Wah) – A scarred loser largely abandoned and mocked by his former master and fellow martial arts students. Until one day he’s rescued and trained by Master Ku to learn the Buddha’s Palm technique! Now this zero has become a hero!
Kau Yuk-wah (Yu So-Chau) – Kung fu sister who gets involved in the intrigue with Lung Kim-fei and his Master. She soon is also getting involved romantically with Lung Kim-fei. But first he has to save her and her sister a few times.
Kau Yuk-kuen (Patricia Lam Fung) – Kau Yuk-wah’s younger sister who often does more brash and brave deeds, partially because she’s just a more do-it-yourself person and partially to help her sister.
Master Ku Hon-wan (Ling Mung) – The Wicked God of Fiery Cloud who lives high in the mountains. Long ago, Master Ku slaughtered the heads of many martial arts schools during a sparring match, and has since lived in seclusion with his loyal servant, Condor. He was blinded in a duel with Suen Bik-ling long ago. Trains Lung Kim-fei in the Buddha’s Palm technique after Condor saves him.
Condor (Man in suit) – Master Ku Hon-wan’s magic condor that you can ride and knows kung fu.
But Ku (Ko Lo-Chuen) – The helmsman of the Cheung Lei Sect. Always announces himself via incredibly loud offscreen yelling. He teaches Lung the invincible Seven Spinning Gash after the two become friends via randomly encountering each other in the forest.
Luk Yu (Kwan Hoi-San) – A guy who gets kidnapped a lot and Kau Yuk-kuen and Lung Kim-fei keeps saving. He’s not really introduced, he’s just suddenly a main character after Kau Yuk-kuen stumbles across the first of his many kidnappings.
Suen Bik-ling (Yung Yuk-Yi) – Matriarch of the Kau’s clan and the grandmother to the sisters. Is called the Capricious Flying Ring. Was blinded in duel with Ku Hon-wan long ago. Wears a mask to hide her disfigured face. Is full of rage and thirst for vengeance.
Auyeung Ho (Siu Chung-Kwan) – A jerk guy who bullies Lung. He’s married to the woman who scarred Lung’s face.
Auyeung Ho’s wife (???) – Auyeung Ho’s wife, a kung fu student who scarred Lung’s face and then joins in on the mocking of him.

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Shab Neshini Dar Jahanam

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Shab Neshini Dar Jahanam

aka A Party In Hell

1958
Written by Mehdi Maysaghieh
Directed by Samuel Khachikian and Mushegh Sarvarian

When you think Iranian cinema, what comes to mind for most people are art house movies that are considered critical masterpieces. Now, this may be true for most Iranian cinema exported post-revolution, but Iran has had a prolific and diverse cinema industry for over 100 years. Even the current crop of films produced for the domestic audience is completely different from the art house films (many of which are not even screened in Iran!) And like any thriving film community, excellent and influential directors will helm pictures that are now considered genre films. So we’re going to take a trip back to the 50s and 60s, when Iranian cinema was at one of its creative peaks. Around this time, the box office was beginning to fill up with thriller pictures that would become a fad before being replaced by melodramas as the next big thing. Western influences in storytelling and editing became more apparent, especially films directed by Samuel Khachikian, one of the directors of Shab Neshini Dar Jahanam (A Party in Hell).
The reason Shab Neshini Dar Jahanam gains our attention is the highly detailed and energetic fantasy sequence that makes up the last third of the film. Our hero wanders through Hell to learn important life lessons on not being a greedy jerk, and in doing so encounters wonderful sets, costumes, and historical figures. The wild underworld filled with angels, devils, tribesmen, dancers, Caesars, Hitler, Napoleon, Genghis Khan, snake ladies, giant monsters, a Satan Computer, and rock and roll, is a creative and entertaining feast. The use of movement and music flow together to create an energy that brings the film to life. Needless to say, I enjoyed A Party in Hell.

Two directors are credited in some database, others only list Samuel Khachikian. So let’s talk about him first. Khachikian was one of the most popular and influential directors in Iranian history. He was also a prolific writer and editor. Khachikian’s directing career started with 1953’s Return, and he went on to direct forty films. Many of his pictures would be classified as genre pictures, trending towards thriller and noir elements, with several featuring horror elements. His successful suspense pictures earned him the nickname “Iranian Hitchcock.”

Some of his better known films are Khodahafez Tehran (Goodbye Tehran, 1966), Faryade nimeshab (The Midnight Terror, 1961), Delhoreh (Anxiety, 1962), and Chahar-rahe havades (The Crossroad of Events, 1955). Shab Neshini Dar Jahanam/A Party in Hell was entered into the 8th Berlin International Film Festival. Khachikian was Iranian-Armenian, and his original films were first shown within the community before expanded to all of Iran. Khachikian is also known for creating the first trailer for an Iranian film, his second feature, A Girl from Shiraz (1954).

Many of Khachikian’s films deal with class issues. His first film Return was a drama where a servant boy and the spoiled son from the family her works for compete over the affections of a young lady. He returned to the class themes with his third film, Crossroads of Incidents (1955), that also featured criminal scenes that got him praise. This continued into 1957’s A Storm in Our Town, a thriller that began his comparisons to Hitchcock. Khachikian would deny the influence, instead citing the stories from his father about the Armenian genocide as inspiration for the psychological thriller elements. Khachikian’s most well-known films were produced in the 60s, by the 1970s popular cinema had moved towards elements outside his comfort zone, leading to less distinctive work.

After the revolution, Khachikian’s output slowed considerably. 1985’s Eagles was one of the the first war films made by Iran, and was the highest grossing film up to that time. He wasn’t allowed to make another film until 1990’s Herald, a religious movie he made to placate Islamic cultural ministers (Khachikian was Christian.) Khachikian died in 2001, but his family legacy lives on through his son, director Edwin Khachikian, and his grandson, editor Ara H. Keshishian.

Mushegh Sarvarian was the original director, but for reasons I was unable to figure out, he left the production, causing the producers to scramble and hire on Khachikian. Sometimes known as Mushegh Soruri, the Iranian/Armenian director helmed a few other films, Mahtabe khoonin (aka The Bloody Moonlight, 1956), Haji Jabbar dar Paris (aka Mr. Jabbar in Paris, 1961), and Shahname akharesh khoshe (1966). I am pretty sure Haji Jabbar dar Paris is a loose sequel, with Ezzatollah Vosoogh reprising the role of Haji Jabbar. There isn’t that much information out there about Mushegh Sarvarian in English. If I were to guess, I would say Mushegh Sarvarian directed the more comedic elements of A Party in Hell and Samuel Khachikian directed the effects-laden portions.

Aside from the actors I’ve identified, I’ve found the cast list containing Roomina, Parkhideh, Rahim Rohshanian, Hooshang Morahdi, Akbar Khajavi, Ebrahim Bahgheri, Mehdi Raisfirooz, Berenji, Sobhani, and Zarandi. I don’t know who is who, beyond suspecting Roomina is Parvin.

Haji Jabbar (Ezzatollah Vosoogh) – A greedy jerk who is in need of getting an A Christmas Carol-style life evaluation! And don’t ask him about his old man makeup!
Ahmad (Reza Arham Sadr) – Haji’s assistant who has a secret life playing music at nightclubs. Reza Arham Sadr was called a master comedy performer, he made his name in comedic plays for years. Shab Neshini Dar Jahanam was his first film role. Though he appeared in a handful of other movies, Sadr moved back to his first love, the theater. After the revolution, many of his older plays were banned and he was considered undignified by cultural officials. He died in 2008 at age 85.
Parvin (???) – Haji Jabbar’s daughter. She wants to be free to marry her cousin, but Haji only sees her as a tool to get more money by marrying her to a rich guy. This upsets her, for reasons you might understand.
Parvin’s Cousin (???) – Not sure of his name, but he’s in love with Parvin, and Haji won’t let him marry her as he’s marrying her off to the highest bidder! So let’s whip out the musical instruments and be sad!


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Alien Lightning Dragon (Review)

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Alien Lightning Dragon

aka 외계 번개용 aka Oegye beongye yong aka Alien Thunder Dragon 2

1988
Written and directed by Bang Sun-deok

You can smell the toxic fumes decades later…

It’s Wacky Korean Kiddie Flick Time! Today’s installment is the fabulous alien rock star women kidnapping children to turn into frozen popsicle dinners. Alien Lightning Dragon is filled with the usual Korean kiddie film tropes: “funny” fat guys, animated tokusatsu action sequences, annoying children, copyright infringement, and ridiculous costumes.

At TarsTarkas.NET, we know what we’re getting into when we delve into a Korean kiddie flick. And we also know that these films are barely watched by anyone, and deservedly so. But they are fun to gawk at, even if they are one of the worst cinematic genres on the planet.

Oh, honey, that’s not how you put on eyeshadow…

Gangs of space goons lead by rejects from the Jem and the Holograms cartoon invade various schoolyards and day care centers, kidnapping children and creepy adults who are playing children. The kids are destined to become dinner, and no one seems to care except a rag tag group of heroes and relatives of kidnapped children. Luckily, they also find a good Jem reject and her Alien Lightning Dragon megazord/costume/robot/whatever that can fight these space cases and save the day.

If this is a direct rip off of an actual property, then I feel sorry for whatever property it originally is. But what we get looks so generic and bad that I wouldn’t be surprised if this was all original and written just to reuse sets and costumes that are churned out on a production line, as there are literally dozens and dozens of these kid flicks.

The town had insulted Spider and Renegade, so they had to pay. Berry lead the charge, as always, and by sunrise every home was a burnt out cinder. Maple Falls never recovered.

Alien Lightning Dragon is an in name only sequel to Alien Thunder Dragon, made one year after the original. It looks like the only thing that made it to the sequel was the dragon costume and the animation. Like many of these films, there were cheap toy tie-ins and other merchandise, though most of it (except for a Making Of book) looks like it is based on the original film. The first film features a cadre of evil space ladies, and this sequel also features evil space ladies, so they at least aped the formula.

Wait a second…. This film has a secret underground compound where children are kidnapped? Is this a North Korean allegory? Do the wild flashy costumes of the evil space women mirror Kim Jong-il’s love of flashy Hollywood? Is Alien Lightning Dragon something larger than it appears at first? Probably not, but you never know…

Forget the Jem jokes, it’s time for some Go-Bot jokes!

Here at TarsTarkas.NET, we don’t need no stinking subtitles, and it’s not like knowing what the heck is going on would have made this film any less stupid. So enjoy the made up names, they’re probably better than the real ones. Even reading a synopsis I found only answers some questions:

Aliens are kidnapping the children of earth to use as frozen food. Kyung-ah and Hyung-cho use the Spirit Robots to go rescue them. Kyung-ah’s team finds the children, Hun and Young-mi, who are toys for the alien princess. But the alien queen finds out and is furious. She ends up capturing Kyung-ah’s team as well. At this, Prof. Min, Princess Aran, Yong, and Dung-bo recharge Lightening Dragon’s energy and go to rescue the children. A fight between the Dragon and the queen’s men is inevitable. Just as Lightening Dragon is nearly conquered, Dung-bo and the children blow their harmonicas. The queen who wanted to conquer earth is touched by the music and she repents all her past evil deeds.

The synopsis seems to think some minor characters are the real stars, and the main characters are barely mentioned.

We’re gonna track down Jerrica Benton and take her out!

Goofy Hero Guy (Jeon Young-rok) – The hero who keeps trying to save the day and also does some random pratfalls. According to the synopsis, he is Dung-bo. Jeon Young-rok is a famous singer, and his daughters are also in singing groups.
Crazy Mad Scientist (???) – Crazy mad scientist who finds Good Jem and the Alien Lightning Dragon, then fixes them both up so they can fight the Evil Jems. According to the synopsis his name is Professor Min.
Bald Goofy Guy (Cho Chun) – A goofy child care center employee who is drafted into the battle against the invading aliens when they attack his center. According to the synopsis, his name is Yong. Cho Chun appeared in more of these Korean Kiddie flicks than is probably healthy.
Good Jem (???) – The heroic good controller of the Alien Lightning Dragon, and also spends her time unconscious in the woods. According to the synopsis, her name is Princess Aran
Alien Lightning Dragon (???) – Good Jem’s costume/device/dragon that she controls and uses to fight the forces of evil.
Rescue Girls (???) – Two girls who wander around with a robot in search of their missing younger children. Despite being random kids, are more competent that all the heroes except the Professor. Judging by the plot synopsis, the girls are named Kyung-ah and Hyung-cho and their missing siblings are Hun and Young-mi. Carry a robot with them.
Their Robot (???) – The robot that the Rescue Girls carry around with them, who gives them information and clues and orders. According to the synopsis, the robot is a Spirit Robot, but the synopsis refers to them in the plural even though there is only one.
Queen Jem (???) – Leader of the evil alien invaders, who is very hungry for frozen children.
Jem Jr. (???) – Believe it or not, Jem Jr. is a girl and is the daughter of Queen Jem, and gets two kids as pets. Being close to the children makes Jem Jr. realize humans shouldn’t be eaten.
Bad Guy Goons (???) – The evil troops of the invading space women! Dumb as a box of rocks. Have very long tongues.
Looks like these films have a bigger body count than I thought!

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Yusei Oji – Kyofu no Uchusen (Review)

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Yusei Oji – Kyofu no Uchusen

aka 遊星王子 – 恐怖の宇宙船 aka Planet Prince – The Terrifying Spaceship

1959
Written by Masaru Igami
Screenplay by Shin Morita
Directed by Eijiro Wakabayashi

TERRIFYING!! Oh, wait wrong spaceship…

We have reached the end of our Prince of Space journey (for now!) with the final installment of the Prince of Space film series, Yusei Oji – Kyofu no Uchusen (Planet Prince – The Terrifying Spaceship). Like Yusei Oji, they were edited and combined into a single film for western audiences called Prince of Space, which is one of the greatest movies ever made. Yusei Oji was released on May 19th, 1959, and Yusei Oji – Kyofu no Uchusen followed a six whole days later on May 25th. Prince of Space is the greatest hero to help mankind, and he does so because it’s the right thing to do. And the chicks! Just kidding, there are no chicks. Sorry, Prince.

Planet Prince Knights

Exclusive shot of the Game of Thrones story arc from TV's Prince of Space!


And one day, we’ll get a hold of his tv series and share it with the world. Until then, we must be content with the films. Because we’re awesome, here is a picture of actor Joji Oka, aka Phantom of Krankor, sans makeup! And another Prince of Space comic book cover!
Joji Oka Dragnet Girl

Joji Oka younger and without the Phantom of Krankor makeup

Planet Prince comic

An alternative helmet design for Planet Prince

Yusei Oji – Kyofu no Uchusen features the same opening, but with the different title! Who needs creativity when you have Prince of Space, famed Starman ripoff??? The action largely follows what we saw in the US in the last half of Prince of Space, with a few differences and cuts for pacing sake. Like some unimportant side characters get the heave-ho. Good riddance! But they’re all here. In their full glory. Important boring newspaper characters.

Planet Krankor is filled with pervs!

Planet Prince (Tatsuo Umemiya) – Prince of Space is totally one of them hero type guys who does heroic stuff.
Dr. Maki (Ushio Akashi) – Dr. Maki has more screen time in this adventure as he is kidnapped, but he does act like a moron until he’s saved by Prince of Space!
Ginsei no Maboroshi Taishi (Joji Oka) – Despite being dead, Ambassador Phantom of the Silver Star is alive and well. That’s what happens when you are a rich jerk!
Ginsei-jin (Various) – The Silver Star People are Phantom’s jerk soldiers
Bannin (???) – Bannin means Guardian, so that’s why the Guardian is called Bannin. Now you have learned Japanese. Time to go to Japan. Book your flight now.
That’s what happens when you use a cheap mechanic!

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