Posts tagged "wuxia"

The White-Bone Sword Part 2 (Review)


The White-Bone Sword (Part 2)

aka 白骨陰陽劍(下集) aka The Yin Yang Blade aka Ingentious Swords, Part Two aka Bai gu yin yang jian, xia ji
White-boned Sword
1962HKMDB Link
Written by Sze-To On
Directed by Ling Yun

Dancing with the Trees never took off like Dancing with the Stars did…

The magic of The White-boned Sword continues with Part 2, which features slightly less monsters but slightly more martial intrigue. Which means the entry is less friendly for watching without subtitles. There is some nice sword fights, nice animated martial effects, and the return of the Tree Spirit. But there is also a bunch of people arguing, a pointless martial tournament, and weird pipe fighting that sounds cool but gets old really quick. A disappointing second entry, but the next two parts give us some more monsters so I’ll take this brief break in the fun.
White-boned Sword

Wong Tin-ho (Walter Tso Tat-wah) – Helping Luk Fong-fei and Black Girl train along with Wu Sheung-fung, but is drawn into more sword-related martial intrigue. Doesn’t really do much amazing stuff in this entry.
Wu Sheung-fung (Yu So Chow) – Still helping Wong Tin-ho train Luk Fong-fei and Black Girl, she proves her martial superiority early in this entry, and even tricks some of the dumbest villains in martial history.
Luk Fong-fei (Connie Chan Po-chu) – Daughter of a murdered family and training to get revenge, while also being a rebellious teen who sneaks out to do more martial arts stuff. Like teens do.
Pak Ha-mui aka Black Girl (Yip Wai-Ngai) – Daughter of a murdered mother and possessor of magic swords. She also is easily offended when you blame her for people being killed. She’s so over being part of a franchise and being responsible for magic swords
Vampire Lady (Kong Bo-Lin) – Vampire Lady is back in domino form. This is probably her weakest appearance in the series, but she makes up for it in the other entries.
Tree Spirit (Himself) – He’s dead but he’s back, because you can’t kill a spirit. Or at least a spirit that is connected to the sword via magic and it can summon him to fight evil.
Ghost Mother (Kam Ying-Lin) – The nefarious Ghost Mother returns, now teamed up with a new group of baddies who don’t give her any respect. She’s graduated from being the big bad to being the person killed by worse villains just to show how evil they are. At one point the synopsis calls her Blue Flower Ghostly Mother so that’s probably her full, legal name for you trivia buffs out there!
Pipe Guy (Chow Gat) – Part of a pipe-based martial sect who briefly orchestrates posession of the White-boned Swords before his group is easily tricked out of them. That must not be tobacco they are smoking in those pipes!
Sek Kin 2.0 (Sek Kin) – I never figured out what his character name was, but Sek Kin 2.0 keeps up the tradition and dies just like his identical twin brother did in Part 1. He works with the Five Element Taoists in a sword-snatching scheme that backfires because they are the villains and not the heroes in the story, you see. His name might be Three-hand Lohan Mak Tin-lung, which is a cool name but as I couldn’t prove it was him, it will go unassigned until I use it in a story I write years form now…
Old Devilish Eccentric (Ling Mung) – A mad wondering monk who is good and trains Black Girl after she runs off after fighting with Luk Fong-fei. The world needs more crazy martial guys who wander around and live in trees, so I support him 100%!

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Posted by Tars Tarkas - January 12, 2017 at 8:07 am

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The White-Bone Sword Part 1 (Review)


The White-Bone Sword (Part 1)

aka 白骨陰陽劍(上集) aka White-Boned Sword (Part 1) aka The Yin Yang Blade aka Ingentious Swords, Part One aka Bai Gu Yin Yang Jian, Shang Ji
White-Boned Sword
1962HKMDB Link
Written by Sze-To On
Directed by Ling Yun

White-Boned Sword
Break out the vintage machine because we’ve got some classic Cantonese fantasy wuxia for your entertainment. The White-Bone Sword dates from 1962, and is a four-part epic that features plenty of kung fu battles, along with lots of animated martial effects and three wonderful monsters to add to our Field Guide to Cantonese Fantasy Monsters and Creatures!

The White-Bone Sword (which also goes by a lot of names such as The Yin Yang Blade and Ingentious Swords, “Ingentious” isn’t even a real word so someone done goofed up the translation machine! The Chinese title 白骨陰陽劍 has “white bone” in the name so we’re going with The White-Bone Sword as the “real” English title) is based on a serial novel by Luk Yu featured in the newspaper Wah Sing Pao. I am guessing the story has the same name in the paper, but that wasn’t explicitly stated, so don’t take that as gospel. We’re going to call the sword the White-Bone Sword, but don’t be too shocked if a stray White-Boned Sword or two slips in.

The White-Bone Sword was the inaugural film series from Longway Movie Enterprise production company, which would make about six or seven other films before disappearing. It’s directed by Ling Yun (who would go on to direct the excellent Buddha’s Palm films!) and the scripts are by Sze-To On, who wrote over 250 Hong Kong movies and if you’re even a moderate fan of Hong Kong cinema you will have seen something he wrote. Basically, this is a great creative pedigree that helped produce an above average fantasy flick series that has some cool monsters and effects even as it suffers from some of the conventions of the day, such as a slower pace and weird filler spots. As usual with these rarities, there are no English subtitles, but at TarsTarkas.NET, we don’t need no stinking subtitles!
White-Boned Sword

Wong Tin-ho (Walter Tso Tat-wah) – Martial arts hero selected by his sifu to track down the White-Bone Sword along with Wu Sheung-fung. Ends up saving Luk Fong-fei and Black Girl again and again.
Wu Sheung-fung (Yu So Chow) – Martial arts heroine selected by her sifu to track down the White-Bone Sword along with Wong Tin-ho. Ends up saving Luk Fong-fei and Black Girl again and again.
Luk Fong-fei (Connie Chan Po-chu) – Daughter of a nice local dignitary until he’s murdered and their house is torched by Ghost Mother and her gang. Flees with Black Girl and her servant with the gang in pursuit until Wong Tin-ho and Wu Sheung-fung begin saving them.
Pak Ha-mui aka Black Girl (Yip Wai-Ngai) – Her mother Pak Ching-wah has a secret knife that can kill the Tree Spirit that guards the White-Bone Sword, but luckily she hid it by giving it to her daughter. Pak Ching-wah was murdered along with Luk Fong-fei’s father by the Ghost Mother gang, and Black Girl seeks revenge. Yip Wai-Ngai is sometimes called Yip Wai-yee.
Vampire Lady (Kong Bo-Lin) – Though we don’t know her real name, Vampire Lady was ubiquitous in the series and often saves the day after our heroes get in trouble bumbling into villains. She commands an army of hopping vampires with flag commands.
Tree Spirit (Himself) – A spirit who controls the weather, has a magic sword stuck in its body, and is outfitted with mouth sparklers!
Ghost Mother (Kam Ying-Lin) – A woman who uses a skull prop as a conduit to magical powers. She is the boss of Monk of Black Wind and Cheng Hang.
Monk of Black Wind and Cheng Hang (Sek Kin and Ho King-Fan) – One of them is played by Sek Kin, and the other is Ho King-Fan I don’t know which one is which, but as Monk of Black Wind has the cooler name and Sek Kin is the cooler guy, I’m assigning the roles that way. Both of them are thugs who work for Ghost Mother.
Animated Skeleton (Himself) – Ghost Mother sends this animated skeleton to attack the heroes. It can shoot animated flames from its mouth. Totally not a prop guy off camera waving a skeleton around on a string.

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Posted by Tars Tarkas - January 5, 2017 at 8:53 am

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The Heroic Trio (Review)


The Heroic Trio

aka 東方三俠 aka Dong Fang San Xia
The Heroic Trio 東方三俠
1993
Written by Sandy Shaw Lai-King
Directed by Johnnie To Kei-Fung

The Heroic Trio 東方三俠
Next up in Tars reviews classic examples of global cinema that he should have damn well reviewed years ago is The Heroic Trio. Instead of again explaining how this was one of the first couple of Hong Kong films I saw and how it cemented me into a lifelong fan of Hong Kong Action Cinema, I’ll just remind you with this sentence that dismisses the topic while reaffirming it.

Make no mistake, The Heroic Trio is an awesome and classic piece of Hong Kong cinema from the last golden age. Johnnie To directing before he became a film festival darling. The ever-amazing Anita Mui being the most glamorous and moral super hero imaginable. Maggie Cheung as the rebel outsider hero who never looks before she leaps, and whose antics cause worse problems than the ones she tries to solve. Michelle Yeoh as the conflicted hero forced to serve evil. Anthony Wong in a surprisingly restrained performance as an unhinged psychopath.
The Heroic Trio 東方三俠
The Heroic Trio both riffs on and celebrates the glamor of cinema. Characters can often be found posed while events are going down, an off screen fan conveniently nearby to make their hair flow in the wind. They go so far as to have Thief Catcher bring along fashion clothes for the women to wear after the job is done so they’ll look extra spectacular, and shots of the women all doing their model walk as Cantopop sings us out. The obvious Western influences are the Batman films from Burton, but there is a heavy Terminator vibe going on as well. For a more inward look, the vast amount of girls with guns films helped position female-driven action films as a good idea, and some of the set design look straight out of Zu: Warriors from Magic Mountain. At one point a character uses a flying guillotine! The mixmash of films and ideas is one of the factors that makes Hong Kong film so great for the fans. Director Johnnie To lets the mood build not just with the actresses and their poses and expressions, but with a heavy use of Cantopop on the soundtrack, with Anita Mui showing why she was a legendary singing star at every note.

Johnnie To isn’t one to shy away from political metaphors, and The Heroic Trio is no exception. As 1997 and the turnover to China loomed in the minds of every Hong Kong citizen, it naturally became reflected in film. One reason why “Evil Master” seeks out male children is that one will be destined to become the new Emperor of China, under Evil Master’s control. Thus a return to Chinese rule would be a return to the olden days of Emperors, throwing out democratic rule. Mainland China is hardly a beacon of democracy, but the parallel is there. The fear is torn down by empowered women with fashion sense, who preserve the free way of life.
The Heroic Trio 東方三俠
One of the problems with great looking HD releases of films is it makes the wires way more apparent than the second generation VHS tapes I first saw the films on. The Heroic Trio had some shots that you could see the wires on even then, but now things are far more obvious in giving away the magic. Still, someone going through and CGing out all the wires would lose some of the charm, so it’s time to learn to live with such things.

In short, The Heroic Trio is a fun action filled adventure that borrows the best elements of decades of Hong Kong and American cinema to create a new classic.
The Heroic Trio 東方三俠

Tung, The Wonder Woman (Anita Mui Yim-Fong) – The glamorous Wonder Woman is also Tung, the unassuming housewife of Inspector Lau. Remarkably capable, Wonder Woman is the gold standard of awesome in the super heroine world of Hong Kong. Armed with dart blades and a ribbon sword.
Ching, The Invisible Woman (Michelle Yeoh) – Ching was childhood friends with Tung when both were being trained by a good master, but Ching left, only to fall in with Evil Master (and was known as San during that time). Despite literally working for evil, Ching isn’t a bad person, and eventually flips sides. Is invisible due to an invisibility cloak designed by her boyfriend, who is slowly dying as he works on the cloak.
Chat, The Thief Catcher (Maggie Cheung Man-Yuk) – A motorcycle-driving, shotgun brandishing heroine who is not afraid to break out her boomerang knife on anyone. Bounty hunter who is trying to break into being a super hero for hire. Thief Catcher’s haphazard methods result in a lot of dangerous situations, with occasional tragic consequences. That Wonder Woman is so perfect at the super-heroine job just drives Thief Catcher batty. Was childhood friends with Ching when both were taught by Evil Master, but Chat fled after a few years.
Inspector Lau (Damian Lau Chung-Yan) – Loving husband of Tung, and top cop who works with Wonder Woman. And, yes, he’s not so stupid he doesn’t figure out who his wife really is.
Kau (Anthony Wong Chau-Sang) – Kau uses a flying guillotine when sent to kill wonder woman Anthony Wong was the go to guy for creepy in the 90s, and here he’s a slightly sanitized version of one of his gross characters from his many turns as Category III horror villains.
Evil Master (Yen Shi-Kwan) – When you are named Evil Master, you don’t really have a lot of choices in life on what to do for a living. Is looking for a new emperor for China, who he will control and thus rule China.

The Heroic Trio 東方三俠
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Posted by Tars Tarkas - June 1, 2014 at 12:18 pm

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The Bride with White Hair 2


The Bride with White Hair 2

aka 白髮魔女2 aka Bai fa mo nu zhuan II
Bride with White Hair Part 2
1993
Written by Raymond To Kwok-Wai, David Wu Dai-Wai, and Ronny Yu Yan-Tai
Directed by David Wu Dai-Wai

Bride with White Hair Part 2
When last we left our star-crossed lovers, everyone except them was totally dead! Also Lien Ni Chang hated Cho Yi Hang, her hair having turned white upon his betrayal of her trust, and she went on a total killing spree ending. With The Bride with White Hair Part 2, it’s now ten years later, and Lien Ni Chang has turned the killing spree into an art form. She has been hunting down and killing all members of the Eight United Clans, her vengeance focused on anything that reminds her of her scorned lover. Ni Chang has set up a fortress filled with female warriors, and they often dish out punishment on men, an extension of her hatred.

While Part 1 focused on Cho Yi Hang as the main character, Part 2 features Lien Ni Chang as the member of the couple who gets the major role, though as an antagonist. The focus of the story is on a different pair of lovers, offering a parallel to the love story from the prior film. There is a greater amount of side characters with stories, which hints as the clan and political intrigue from the wuxia serials the tale originates from.

The prior film featured a love that ended in accidental betrayal, here the ending has a reconsiliatory tone, but there is a price to be paid for the actions done. The two films are united by the lovers and completes the story, ending in the somber but touching way tragic romance tales often do.
Bride with White Hair Part 2
The Bride with White Hair Part 2 is noticeably less cinematic than it’s predecessor. While Part 1 would have huge energetic scenes with lots of characters and action happening (be it an insane cult orgy or a choreographed battle), Part 2 is smaller scale, with a limited amount of scenes involving a large number of choreographed elements. This adds touches of a more personal tone which reflects on the love stories, but it also reveals the smaller budget and smaller skill set of the director. Instead of Ronny Yu, the assistant director of Part 1, David Wu Dai-Wai, steps into the chair. Yu was still involved in the writing and producing, so it is not clear how much of the change in elements is the fault of Wu vs. Yu, but the result is an inferior product. This doesn’t mean a bad product, far from it, but while Part 1 was exceptional, Part 2 becomes just another good film. For some reason the aspect ratio is also different from Part 1, but with Hong Kong DVDs it is sometimes a mystery as to why films are presented the way they are.

Lien Ni Chang has clearly become the villain. In the ensuing years, she has become more like her insane adoptive conjoined twin parents than comfortable, She often breaks out in insane laughter when doing evil deeds, a mirror of the female half of Chi Wu Shuang. She’s formed a cult of her own, all females who hate men and are prepared to violently destroy any male that crosses their path. There is even an initiation ritual that is packed with religious symbolism. Lien Ni Chang at times channels a cartoonish man-hater. Characters openly declare that all men should die. The women have only male servants – musicians and bathers – who always seem to end up dead before the scene ends. Lien Ni Chang becomes more fleshed out as the story progresses. Beyond her great hatred of men, there is still an underlying pain and longing for Cho, even Chen Yuen Yuen(Ruth Winona Tao) sees it (and hates it!) A hint of a lesbian romance between Lien Ni Chang and her assistant Chen Yuen Yuen is summarily rejected by Ni Chang. Many of her army of killer women have past stories of lovers betraying them and selling them into sex slavery, so it’s hard to not feel sympathy for women who are finally freed from bondage and given tools to strike back against their oppressors.
Bride with White Hair Part 2
At the opposite extremes, several of the male rebel characters spend all their time insulting the women, implying all they need is a real man. The weird feminist and antifeminist straw man arguments that pepper some of the scenes give it a strange flavor. The contempt of some of the male characters for the killer women in light of the women’s pasts come off a chauvinistic, even though those women are killing their families. The annoying and goofy Liu (Richard Sun Kwok-Ho, character also called Green in some subtitles) is a huge jerk, but also sympathetic due to his quick wits to save his friends and regret that he never took his kung fu training seriously enough to be an effective enough fighter to help his family. He went from a character I dismissed as simple cannon fodder to something more. Good films will go beyond the typical black and white of right and wrongs, and the multi-layered characters are some of the strongest features of Part 2.

Warning, spoilers below the fold!

Lien Ni Chang (Brigitte Lin Ching-Hsia) – Having turned white and gaining super-powered hair, Lien Ni Chang and kept herself busy by killing everyone connected to the 8 United Clans, and most men in general. She has an army of women and a base headquarters. But there is a hint of something missing in her heart. Hmmmm…
Fung Chun Kit (Sunny Chan Kam-Hung) – The last of the Wu Tangs and new husband, except his wife is kidnapped by Lien Ni Chang and brainwashed! Don’t worry, he’ll lead a ragtag group of leftover kids who haven’t been killed (yet!) on a rescue mission.
Lyre (Joey Man Yee-Man) – Wife of Kit, but abducted and initiated into the She-Ra Men Haters Club. She subscribes to their ideology shockingly easily.
Ling Moon Yee (Christy Chung Lai-Tai) – Tomboy martial arts student who likes Kit, though is not the kind of person to settle down for just anyone. Her character is pretty cool, and doesn’t get enough screentime.
Yip But Chow (Lee Heung-Kam) – Nicknamed Granny, she’s sent to help the students of the clans (as the elders are too busy being lazy and arguing to hunt down Lien themselves!) and shows that someone can have white hair and not be a killer. Suffers the fate of most wise mentor characters. Lee Heung-Kam has been in hundreds of films since her debut in 1956 (including the original Story of the White-Haired Demon Girl!) and was still making appearances as recently as 2012. Shockingly she is only on TarsTarkas.NET in All’s Well Ends Well 2011, but we suspect she’ll pop up again sooner than later!
Cho Yi Hang (Leslie Cheung Kwok-Wing) – He spends most of the film guarding the magic flower off camera, only to show up at the very end.

Bride with White Hair Part 2
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Posted by Tars Tarkas - December 20, 2013 at 8:26 am

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The Bride with White Hair


The Bride with White Hair

aka 白髮魔女傳 aka Bai fa mo nu zhuan
The Bride with White Hair
1993
Written by Elsa Tang Bik-Yin, Lam Kee-To, David Wu Dai-Wai, and Ronny Yu Yan-Tai
Directed by Ronny Yu Yan-Tai

The Bride with White Hair
The Bride With White Hair films are classic wuxia tales from an era when Hong Kong cinema was undergoing its latest periodic resurgence. They’re one of a pack of films that helped hook people like me into becoming Hong Kong cinema fans for life, and Part 1 is one of the best films from 90s Hong Kong period. The frenetic pace, heartfelt romance, and sorrowful endings propel it to the top. The sequel picks up a lot of the story threads but goes in its own direction (and will be discussed in its own review), but is necessary to see the conclusion of the tale begun in The Bride With White Hair.

Lien Ni Chang and the rest of the characters originated in the serialized wuxia novel 白髮魔女傳 (Baifa Monü Zhuan) by Liang Yusheng (published between 1957-58). Each filmed version of the tale borrows different elements from the source, using it to tell their own tale. While Pearl Cheung Ling’s Wolf Devil Woman goes in the direction of energetic insanity to create a tale of revenge, The Bride With White Hair films go with a love story with an ultimately tragic ending (though still romantic.) I have not seen the 1950s Cantonese version (the three parts of which may or may not still even exist!) The character surfaced again in The Forbidden Kingdom, has been the subject of several television serials, and will be getting a new big budget film version in 2014 (which will hopefully break the trend of big budget Chinese cinema being boring and empty despite the effects!)
The Bride with White Hair
The story of the Bride with White Hair is famous enough that images of a man-hating white haired woman, with her prehensile hair used as a weapon, has become an iconic imagery in wuxia. The original stories contain all sorts of clan intrigue, palace conspiracies, regicides, and bandits with a mix of historical and jianghu characters. The simplification of the tale to turn it into a passable movie is understandable, though I’m sure there are purists upset that yet another adaptation isn’t true enough to the original tale. Every version of the tale I have seen has strayed drastically from the source, using it as a springboard to tell their own interpretation based on what elements stood out to them. Ronny Yu Yan-Tai saw is as a tragic romance, and the two films are united by their shared love dynamic.

The Bride With White Hair is packed with great action sequences, with plenty of wirework and sword battles. The set design in particular is well done, the madness of the Supreme Cult displayed by the decoration of the headquarters and the writhing and dancing pandemonium that mirrors the extremeness of the twin Chi Wu Shuang. Chi Wu Shuang are presented at times in extreme angles and odd closeups, while their makeup and costumes enhance their feeling of wrongness. It is no mistake the villains are so beyond evil, without their influence, Lien Ni Chang would lose sympathy upon her transformation and eventual turn as villain in the sequel.
The Bride with White Hair
The love tale begins after it ends (or at least as it ends at the end of this film), with Cho Yi Hang guarding the magic flower as he waits a decade for it to bloom, in the midst of a never-ending blizzard atop a mountain. A group of soldiers working for the Emperor arrive, demanding the flower to save the Emperor himself. Cho kills them all, and the leader’s dying breath asks who could be more important than the emperor.

Cho narrates that he has a woman in his heart, and the film drifts into a the flashback…

Cho Yi Hang (Leslie Cheung Kwok-Wing) – The proud chosen successor to the leadership of Wu Tang Clan, Cho Yi Hang is almost too righteous, causing trouble with his acts to protect the weak. He grows disillusioned with the politics of governments and martial clans, and meeting Lien gives him the excuse he needs to run off. But fate does not have that future in store for him.
Lien Ni Chang (Brigitte Lin Ching-Hsia) – An orphan raised by wolves, and then adopted into an evil cult where Lien was trained as their best killer. She was never given a name until Cho Yi Hang. His betrayal of her trust causes her to completely flip out.
Chi Wu Shuang (Francis Ng Chun-Yu) – Lord of the Supreme Cult. Part of a conjoined twin pair with his sister, who mocks everything he does in her fits of hysteria. The male Chi Wu Shuang enjoys slaughter, and aspires to be a grand mastermind. But none of his plans and schemes have won him the heart of the wolf girl, who he adopted as a child and raised to be a killer.
Chi Wu Shuang (Elaine Lui Siu-Ling) – Sister pair of the Lord of the Supreme Cult. While her brother takes on more of a leadership aura, the female Chi Wu Shuang is more mad, finding everything darkly amusing and not hesitating to cut anyone down with insults, even her favorite target, her brother. The manic insanity is an outstanding performance. Elaine Lui Siu-Ling starred in several of the girls with guns films, including the breakthrough that launched the imitators, Angels

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Posted by Tars Tarkas - December 19, 2013 at 8:18 am

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Zu: The Warriors from the Magic Mountain


Zu: The Warriors from the Magic Mountain

aka 新蜀山劍俠 aka Xin shu shan jian ke
Zu Warriors From Magic Mountain
1983
Written by Shui Chung-Yuet and Sze-To Cheuk-Hon
Directed by Tsui Hark

Zu Warriors From Magic Mountain
My life having gone through the binge period of renting blurry Hong Kong VHS second generation dubs with hard to read subtitles from locally owned video stores in the 90s, Zu: The Warriors from the Magic Mountain is one of those films that unleashes giant waves of nostalgia. Despite the bad conditions it was being viewed under, the energy and effects magics caused it to rise above the masses. I’ve since seen it on first generation VHS, vcd, and DVD, each time being a fun experience as an idealistic young fighter is caught in the world of wuxia masters, who turn out to have just as many problems as the normal folk (only their problems are a million times more dangerous!) With Tsui Hark’s direction (and choreography work done by Corey Yuen Kwai, Yuen Biao, Fung Hak-On, and Mang Hoi), Zu is visually distinctive. The choreography and effects jumpstarted the look of modern Hong Kong film from the 1980s, while the color and humorous tone helped distinguish it from the Shaw Brothers films that it often shared rental store space with.

The effects look a bit dated now, flying people on obvious wires, old school makeup effects, and cartoon lasers zapping around. But a lot of the practical effects still look nice, and the pulsating monster seems more dangerous as a jiggling puppet than it would as just a bunch of lifeless CGI. The effects were pushed to show that Hong Kong could produce films on par with Star Wars and other early 80s effects-laden films from Hollywood. While I don’t think they quite match the talent, much is accomplished on what is obviously an insanely smaller budget (and Hong Kong effects would develop much further thanks to experience from producing films like this one!)
Zu Warriors From Magic Mountain
Despite the effects, much of the film is character driven. Dik Ming Kei’s endless idealism, Ding Yan’s tough exterior hiding a lonesome and good man, Yat Jan being a royal screw up, and the Ice Queen being the total opposite of her name when it comes to Ding Yan. It’s Moon Lee’s first major role, she would go on to be a major player in the Girls with Guns films of the late 80s/early 90s. Brigitte Lin began her domination as a martial arts queen that would ripen with Swordsman II and The Bride with White Hair.

The energy of Zu: The Warriors from the Magic Mountain is infectious, it covers so much that we’re sprinting from concept to concept. Despite that, the basic story is simple to follow. They even stop to remind everyone that it is just good vs. evil!
Zu Warriors From Magic Mountain

Dik Ming Kei (Yuen Biao) – A former scout turned man fed up with war, who then gets entangled in drama in the martial world. He will become involved on a quest to literally save the planet. Through it all, his optimism and hope for the future becomes almost as powerful a weapon as the martial art skills he learns along the way.
Ding Yan (Adam Cheng Siu-Chow) – Ding Yan of Nam-Hoi, a lone martial fighter who fights against evil and lives a solitary life. Ding Yan is proud and stern, but he’s also loyal to his friends.
Yat Jan (Mang Hoi) – The student of Hiu Yu, a goofy klutz who doesn’t feel he is worthy to carry on the legacy of the Kwan-Leung school. Needs a healthy dose of confidence. Wears a turtle shell on his back.
Hiu Yu (Norman Chu Siu-Keung) – Leader of Kwan-Leun school and trains his student, Yat Jan. Is called Heaven’s Blade. Poisoned early in the film, requiring the help of the Ice Queen.
Ice Queen (Brigitte Lin Ching-Hsia) – the Lady lives in her secluded palace and has the power to heal those injured by supernatural means. But it also costs her much energy to heal them, and she usually decides to heal or not to heal based on fate, things ouside her control. Her isolation is argued to cause her to be cold, but she does have humanity in her (as evidenced by her interactions with Ding Yan)
Ice Queen’s Guard (Moon Lee Choi-Fung) – One of the guards of Ice Queen’s palace, she is tricked by Dik Ming Kei and Hiu Yu when they embarass her to try to get past. She gets revenge on them by embarrassing them much more, and is the only member of Ice Queen’s crew to escape her palace. She joins the heroes on their quest as she has nowhere else to go.
Chang Mei (Sammo Hung Kam-Bo) – Founder of Ngo-Mei School and fighter against evil. He holds the big villain at bay for 49 days with only a mirror and his eyebrows, surviving only with the hope the dopey goofs he sent on the quest to save the planet actually get their act together.

Zu Warriors From Magic Mountain
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Posted by Tars Tarkas - December 15, 2013 at 6:41 pm

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