Tag Archives: Hong Kong

Showdown at the Equator (Review)

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Showdown at the Equator

aka 過江龍獨闖虎穴 aka Guo jiang long du chuang hu xue
Showdown at the Equator
1978
Written and directed by Gwan Jing-Leung

Showdown at the Equator

Trashing restaurants is soooooo boring!


It’s a kung fu cop action flick from the late 1970s, so you know it will be full screen and dubbed terribly. The characters will be wearing outfits that make fashion police commit suicide, and the plot will only occasionally make sense. Throw in scenes that are just there for excuses for more fights and characters whose names change depending on who is talking, and you got yourself a movie. Just don’t hurt yourself getting down to the funky theme song. Because it’s the only thing that’s funky.

Showdown at the Equator is about gangs that extort protection money out of small business owners, and the cops that are bringing them down. The film doesn’t bother to tell us certain characters are cops (though it’s easy to deduce), and spends a long time putting together the reason why the plan is so complicated. But Showdown at the Equator does have a more unconventional final battle sequence, the characters that end up fighting aren’t quite the matchups you think they’ll be.

Showdown at the Equator

Peter Tork!


As part of the massive deluge of kung fu films pumped out to feed the overseas demand, Showdown at the Equator packs in a lot of action, even if it doesn’t make any sense. The action it does well, the choreography pretty decent for a film obviously made in a hurry with little money for fancy rigs or setups. It’s got that small budget charm that you get from picking a random martial arts vhs from the video store (if your store was cool enough to have a martial arts section!) I enjoy these films, but I recognize what they are, that they aren’t for everyone, and that Showdown at the Equator has a lot of problems that keeps it from being a film anyone remembers anything about. Good thing I took notes!
Showdown at the Equator

Herbie, NOOOO!!!


Chen Wan Tu-Lei (Nora Miao Ke-Hsiu) – Daughter of a restaurant owner who is targeted by the extortion gangs. She knows enough martial arts thanks to her nunchucks that she can fight back some when the gang trashes their place.
Yu Wang-Yeung (Larry Lee Gam-Kwan) – A drunk that helps the Chen family rebuild their restaurant multiple times thanks to stacks of cash he has with no explanation. He’s really an undercover cop trying to bring down the gang by infiltrating it by being an awesome fighter. Of course Chen Wan falls for him.
Chen Chung (Yiu Ping) – Restaurant owner and father of Chen Wan Tu-Lei. Tries to be friendly with the extortion gang, but they trash his place regardless. Mr. Chen Chung is sometimes called Ching Chung depending on who is speaking.
Li Shung (Bruce Leung Siu-Lung) – An undercover informant for cops who is exposed halfway through the film. He barely crosses paths with Yu Wang-Yeung except during the final fight.
Steven (Lo Lieh) – The head of the gang, the cops don’t even know who he is until most of the way through the film. Despite being in charge of the gang, he overseas almost all of their illegal activities, which lets him discover when the cops are closing in.

Showdown at the Equator

How dare they think this isn’t a real stadium!


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Temptress of a Thousand Faces

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Temptress of a Thousand Faces

aka 千面魔女 aka Qian mian mo nu aka Temptress of 1000 Faces
Temptress of 1000 Faces
1969
Written by Song Jin
Directed by Jeng Cheong-Woh
Temptress of 1000 Faces
This sexy Shaw Brothers crime caper has influences from the classic female-lead action films of yore, the 1960s Jane Bond films, James Bond, Eurospy, and even Fantomas! Temptress of a Thousand Faces meshes these sources all together into a terrific crime caper. One of those films where there are master thieves who can be anywhere and disguised as anyone. Even your mom! Okay, probably not your mom. Or is that just what they want you to think? You better call your mom an make sure, just in case. It’s the old master of disguise story, but with no need to worry about people being turtlely enough to join the turtle club. Because none of them are! Freaking lack of turtle love in Temptress of a Thousand Faces…

The big switch is this time the thief is a woman. The thief being female throws the entire police force for a loop, as everyone is looking for a male master thief. I’m not sure why, almost every crime shown involves women, maybe the police have all taken stupid pills. It’s girl power, but only sort of. Of course, only another woman can take her down. Further continuing the gender bending, the police officer hero is the female Ji Ying, while her boyfriend Yuk Dat plays the Torchy Blane role of reporter who is on the case. But unlike Torchy, Yuk Dat doesn’t contribute to the solving of the case, just becoming yet another chess piece to be played by the mastermind and the detective.
Temptress of 1000 Faces
Temptress of a Thousand Faces was discussed before during our Infernal Brains episode covering the Jane Bond films. If you prefer your reviews in audio format, that’s your best bet, along with a whole history of the genre that won’t be repeated here. But if you love things written down, then feel free to read on! Or just look at the pretty pictures. Either way, hopefully you are convinced enough to track down a copy, because you will not be disappointed!
Temptress of 1000 Faces

Ji Ying (Tina Chin Fei) – Police office who is tired of all this Temptress of 1000 Faces crap and directly challenges her. Which turns out to be a big mistake. The only bigger mistake is when Temptress makes destroying Ji Ying’s life personal instead of just killing her. Ji Ying is a fierce fighter and crack shot, and often is fighting while in her underwear because stuff like that just happens in Temptress of a Thousand Faces.
Yuk Dat (Chan Leung ) – Journalist boyfriend of Ji Ying. While the media influence on Temptress is a theme, Yuk Dat is less of a driver and more of a cog in the machine, something that makes his character less important. In fact, it’s hard to remember much in particular about him.
Molly (Pat Ting Hung) – Newspaper reporter and photographer, and a major female character who doesn’t seem to fit in anywhere in the grand schemes of the regular characters.
Temptress (It is a mystery…) – Who could this mysterious female villain with a thousand faces be? It is a mystery, a mystery that only a mystery movie could solve. Luckily, this is a mystery movie, so expect it to be solved by the end of the movie!

Temptress of 1000 Faces
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Na Cha and the Seven Devils

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Na Cha and the Seven Devils

aka 梅山收七怪 aka Mei shan shou qi guai aka Na Cha and the 7 Devils
Na Cha Seven Devils
1973
Written by ???
Directed by Yamanouchi Tetsuya

Na Cha Seven Devils

Here’s your disco inferno!


Who would have thought that a movie about a bunch of animal demons running amok, including a huge fire breathing dragon in sequences directed by Yamanouchi Tetsuya, would turn out to be so boring? Obviously anyone who has had prior experience with movies where flying kids battle monsters! At TarsTarkas.NET, we have dealt with a lot of them! Though most of those are Taiwanese, Na Cha and the Seven Devils comes from the illustrious Shaw Brothers studios. It’s the second of two Na Cha films that were made at the same time by Yamanouchi Tetsuya, featuring many of the same cast (they even reuse at least one human character as the grandson of his character from the first film!), and one of several Na Cha films, a character from a classic Chinese tale.

A quick Na Cha primer: Na Cha is that kid with the flaming circles around his feet that let him fly. Sometimes his name is translated Nezha or Na Zha. He’s based on Chinese mythology that probably has roots in Hinduism. Na Cha shows up in Journey to the West and has a stream of television and film appearances.

Na Cha and the Seven Devils seems like it would be an idea kids film, just let them watch the special effects while mom and dad go get hammered..I mean, go do chores. But there is an awful lot of boob grabbing. It’s oddly sensual (though in a clumsy sensual way), and Shaw was ranking up the sexy in the early 70s. It does seem way out of place for what goes on in the rest of the film.

The look of Na Cha and the Seven Devils comes from art director Mutsuo Mikimi, who has a pedigree of doing effects on Message from Space, Goke, Body Snatcher from Hell, and Super Infra-Man. Director Yamanouchi Tetsuya was making a brief foray out of Japan, but he also has a kaiju pedigree thanks to films like The Magic Serpent and 1969’s Akakage. Doi Michiyoshi is also listed as a director on the HKMDB, but not on the actual film and I can’t find any further information.

The biggest gripe with Na Cha and the Seven Devils is that Na Cha and his immortal buddies cause all these problems on Earth, then they send only three of them to deal with the problems. Meanwhile, hundreds of people die! Sorry, folks, you are all being slaughtered to teach Na Cha responsibility! The main trouble is there is a magic peach tree that only blooms every 1000 years, and then the peaches take 1000 years to ripen. And it’s about time for those babies to pop. There are 8 this year that are destined to be a gift to the Queen Mother by order of the Jade Emperor.

Na Cha is unaware of all this, and just sees a tree with a bunch of peaches, and Na Cha wants to eat them peaches. So he climbs up the tree and grabs on, accidentally causing the other 7 to fall. Because they are at Mt. Kunlu – which is between Heaven and the Mortal World, the peaches fall through the clouds to Earth. Where they are promptly found by animals, that eat them and become superpowered Devils themed on whatever animal they were.

Na Cha Seven Devils

See my vest, see my vest, made from real gorilla chest!


Now, Na Cha did cause the original problem, but he also wasn’t told not to eat the peaches, and as someone who has done their fair share of gardening (and has peach trees in the back yard!), I know for a fact peaches will be falling off the tree regardless of Na Cha shaking the branches or not, which means a few would have dropped down below anyways. Which means the immortals should have hung a few baskets to catch these valuable and dangerous peaches!

After the peaches are found to be missing, an edict comes down on high from the Jade Emperor to solve this problem in 10 days! So the group of immortals decide to just send Na Cha by his lonesome. It’s only when his two older brothers Jincha and Mucha beg to go along that the party is increased. But still, everyone else just stays around Mt. Kunlu and laments their fate and probably going to get squashed by an angry Jade Emperor soon. Lazy, lazy people who deserve it for not bothering to help solve the problem.

Na Cha Seven Devils

I’ll use this to contact Sauron!


Na Cha (Yau Lung) – The Third Prince, he who killed the dragon and brought the rain and did other stuff that was either in the other movie or is a mishmash of his legend. His dad is General Li, and his two older brothers are Jincha and Mucha. I’ve never realized until now that Na Cha is the prototype for all those annoying flying children movies that Taiwan kept pumping out. Na Cha is also annoying and flies!
Yang Jian (Ngok Yeung) – That legendary triclops who pops up from time to time in Chinese fantasy films. Notable here for popping up out of the blue and owning Celestial Dog!
Eagle Devil (???) – An eagle that eats a magic peach, becomes a devil, and decides to steal children for food!
Rat Devil (Ngai Chi-Wong) – A rat that eats a magic peach, becomes a devil, and begins chomping down on dozens of innocent people.
White Horse Devil (Chen Hung-Lieh) – A white horse that eats a magic peach, becomes a devil, and immediately declares he’ll make the village send him a lass every day!
Frog Devil (Aai Dung-Gwa) – A frog that eats a magic peach, becomes a devil, and starts trying to get it on with random human women.
Monkey Devil (???) – A monkey that eats a magic peach, becomes a devil, and starts trying to become a beautiful seductress or something. I’m not really sure what her endgame was.
Dragon Devil (Law Bun) – A huge dragon that eats a magic peach, becomes a Red Hair Devil, but still has plenty of time to burn villages and do other dragon stuff.
Fox Devil (Tina Chin Fei) – A fox that eats a magic peach, becomes a devil, and starts seducing all sorts of random guys just because she can.

Na Cha Seven Devils

I will be the Superior Spiderman!


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The Bride with White Hair 2

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The Bride with White Hair 2

aka 白髮魔女2 aka Bai fa mo nu zhuan II
Bride with White Hair Part 2
1993
Written by Raymond To Kwok-Wai, David Wu Dai-Wai, and Ronny Yu Yan-Tai
Directed by David Wu Dai-Wai
Bride with White Hair Part 2
When last we left our star-crossed lovers, everyone except them was totally dead! Also Lien Ni Chang hated Cho Yi Hang, her hair having turned white upon his betrayal of her trust, and she went on a total killing spree ending. With The Bride with White Hair Part 2, it’s now ten years later, and Lien Ni Chang has turned the killing spree into an art form. She has been hunting down and killing all members of the Eight United Clans, her vengeance focused on anything that reminds her of her scorned lover. Ni Chang has set up a fortress filled with female warriors, and they often dish out punishment on men, an extension of her hatred.

While Part 1 focused on Cho Yi Hang as the main character, Part 2 features Lien Ni Chang as the member of the couple who gets the major role, though as an antagonist. The focus of the story is on a different pair of lovers, offering a parallel to the love story from the prior film. There is a greater amount of side characters with stories, which hints as the clan and political intrigue from the wuxia serials the tale originates from.

The prior film featured a love that ended in accidental betrayal, here the ending has a reconsiliatory tone, but there is a price to be paid for the actions done. The two films are united by the lovers and completes the story, ending in the somber but touching way tragic romance tales often do.
Bride with White Hair Part 2
The Bride with White Hair Part 2 is noticeably less cinematic than it’s predecessor. While Part 1 would have huge energetic scenes with lots of characters and action happening (be it an insane cult orgy or a choreographed battle), Part 2 is smaller scale, with a limited amount of scenes involving a large number of choreographed elements. This adds touches of a more personal tone which reflects on the love stories, but it also reveals the smaller budget and smaller skill set of the director. Instead of Ronny Yu, the assistant director of Part 1, David Wu Dai-Wai, steps into the chair. Yu was still involved in the writing and producing, so it is not clear how much of the change in elements is the fault of Wu vs. Yu, but the result is an inferior product. This doesn’t mean a bad product, far from it, but while Part 1 was exceptional, Part 2 becomes just another good film. For some reason the aspect ratio is also different from Part 1, but with Hong Kong DVDs it is sometimes a mystery as to why films are presented the way they are.

Lien Ni Chang has clearly become the villain. In the ensuing years, she has become more like her insane adoptive conjoined twin parents than comfortable, She often breaks out in insane laughter when doing evil deeds, a mirror of the female half of Chi Wu Shuang. She’s formed a cult of her own, all females who hate men and are prepared to violently destroy any male that crosses their path. There is even an initiation ritual that is packed with religious symbolism. Lien Ni Chang at times channels a cartoonish man-hater. Characters openly declare that all men should die. The women have only male servants – musicians and bathers – who always seem to end up dead before the scene ends. Lien Ni Chang becomes more fleshed out as the story progresses. Beyond her great hatred of men, there is still an underlying pain and longing for Cho, even Chen Yuen Yuen(Ruth Winona Tao) sees it (and hates it!) A hint of a lesbian romance between Lien Ni Chang and her assistant Chen Yuen Yuen is summarily rejected by Ni Chang. Many of her army of killer women have past stories of lovers betraying them and selling them into sex slavery, so it’s hard to not feel sympathy for women who are finally freed from bondage and given tools to strike back against their oppressors.
Bride with White Hair Part 2
At the opposite extremes, several of the male rebel characters spend all their time insulting the women, implying all they need is a real man. The weird feminist and antifeminist straw man arguments that pepper some of the scenes give it a strange flavor. The contempt of some of the male characters for the killer women in light of the women’s pasts come off a chauvinistic, even though those women are killing their families. The annoying and goofy Liu (Richard Sun Kwok-Ho, character also called Green in some subtitles) is a huge jerk, but also sympathetic due to his quick wits to save his friends and regret that he never took his kung fu training seriously enough to be an effective enough fighter to help his family. He went from a character I dismissed as simple cannon fodder to something more. Good films will go beyond the typical black and white of right and wrongs, and the multi-layered characters are some of the strongest features of Part 2.

Warning, spoilers below the fold!

Lien Ni Chang (Brigitte Lin Ching-Hsia) – Having turned white and gaining super-powered hair, Lien Ni Chang and kept herself busy by killing everyone connected to the 8 United Clans, and most men in general. She has an army of women and a base headquarters. But there is a hint of something missing in her heart. Hmmmm…
Fung Chun Kit (Sunny Chan Kam-Hung) – The last of the Wu Tangs and new husband, except his wife is kidnapped by Lien Ni Chang and brainwashed! Don’t worry, he’ll lead a ragtag group of leftover kids who haven’t been killed (yet!) on a rescue mission.
Lyre (Joey Man Yee-Man) – Wife of Kit, but abducted and initiated into the She-Ra Men Haters Club. She subscribes to their ideology shockingly easily.
Ling Moon Yee (Christy Chung Lai-Tai) – Tomboy martial arts student who likes Kit, though is not the kind of person to settle down for just anyone. Her character is pretty cool, and doesn’t get enough screentime.
Yip But Chow (Lee Heung-Kam) – Nicknamed Granny, she’s sent to help the students of the clans (as the elders are too busy being lazy and arguing to hunt down Lien themselves!) and shows that someone can have white hair and not be a killer. Suffers the fate of most wise mentor characters. Lee Heung-Kam has been in hundreds of films since her debut in 1956 (including the original Story of the White-Haired Demon Girl!) and was still making appearances as recently as 2012. Shockingly she is only on TarsTarkas.NET in All’s Well Ends Well 2011, but we suspect she’ll pop up again sooner than later!
Cho Yi Hang (Leslie Cheung Kwok-Wing) – He spends most of the film guarding the magic flower off camera, only to show up at the very end.

Bride with White Hair Part 2
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The Bride with White Hair

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The Bride with White Hair

aka 白髮魔女傳 aka Bai fa mo nu zhuan
The Bride with White Hair
1993
Written by Elsa Tang Bik-Yin, Lam Kee-To, David Wu Dai-Wai, and Ronny Yu Yan-Tai
Directed by Ronny Yu Yan-Tai
The Bride with White Hair
The Bride With White Hair films are classic wuxia tales from an era when Hong Kong cinema was undergoing its latest periodic resurgence. They’re one of a pack of films that helped hook people like me into becoming Hong Kong cinema fans for life, and Part 1 is one of the best films from 90s Hong Kong period. The frenetic pace, heartfelt romance, and sorrowful endings propel it to the top. The sequel picks up a lot of the story threads but goes in its own direction (and will be discussed in its own review), but is necessary to see the conclusion of the tale begun in The Bride With White Hair.

Lien Ni Chang and the rest of the characters originated in the serialized wuxia novel 白髮魔女傳 (Baifa Monü Zhuan) by Liang Yusheng (published between 1957-58). Each filmed version of the tale borrows different elements from the source, using it to tell their own tale. While Pearl Cheung Ling’s Wolf Devil Woman goes in the direction of energetic insanity to create a tale of revenge, The Bride With White Hair films go with a love story with an ultimately tragic ending (though still romantic.) I have not seen the 1950s Cantonese version (the three parts of which may or may not still even exist!) The character surfaced again in The Forbidden Kingdom, has been the subject of several television serials, and will be getting a new big budget film version in 2014 (which will hopefully break the trend of big budget Chinese cinema being boring and empty despite the effects!)
The Bride with White Hair
The story of the Bride with White Hair is famous enough that images of a man-hating white haired woman, with her prehensile hair used as a weapon, has become an iconic imagery in wuxia. The original stories contain all sorts of clan intrigue, palace conspiracies, regicides, and bandits with a mix of historical and jianghu characters. The simplification of the tale to turn it into a passable movie is understandable, though I’m sure there are purists upset that yet another adaptation isn’t true enough to the original tale. Every version of the tale I have seen has strayed drastically from the source, using it as a springboard to tell their own interpretation based on what elements stood out to them. Ronny Yu Yan-Tai saw is as a tragic romance, and the two films are united by their shared love dynamic.

The Bride With White Hair is packed with great action sequences, with plenty of wirework and sword battles. The set design in particular is well done, the madness of the Supreme Cult displayed by the decoration of the headquarters and the writhing and dancing pandemonium that mirrors the extremeness of the twin Chi Wu Shuang. Chi Wu Shuang are presented at times in extreme angles and odd closeups, while their makeup and costumes enhance their feeling of wrongness. It is no mistake the villains are so beyond evil, without their influence, Lien Ni Chang would lose sympathy upon her transformation and eventual turn as villain in the sequel.
The Bride with White Hair
The love tale begins after it ends (or at least as it ends at the end of this film), with Cho Yi Hang guarding the magic flower as he waits a decade for it to bloom, in the midst of a never-ending blizzard atop a mountain. A group of soldiers working for the Emperor arrive, demanding the flower to save the Emperor himself. Cho kills them all, and the leader’s dying breath asks who could be more important than the emperor.

Cho narrates that he has a woman in his heart, and the film drifts into a the flashback…

Cho Yi Hang (Leslie Cheung Kwok-Wing) – The proud chosen successor to the leadership of Wu Tang Clan, Cho Yi Hang is almost too righteous, causing trouble with his acts to protect the weak. He grows disillusioned with the politics of governments and martial clans, and meeting Lien gives him the excuse he needs to run off. But fate does not have that future in store for him.
Lien Ni Chang (Brigitte Lin Ching-Hsia) – An orphan raised by wolves, and then adopted into an evil cult where Lien was trained as their best killer. She was never given a name until Cho Yi Hang. His betrayal of her trust causes her to completely flip out.
Chi Wu Shuang (Francis Ng Chun-Yu) – Lord of the Supreme Cult. Part of a conjoined twin pair with his sister, who mocks everything he does in her fits of hysteria. The male Chi Wu Shuang enjoys slaughter, and aspires to be a grand mastermind. But none of his plans and schemes have won him the heart of the wolf girl, who he adopted as a child and raised to be a killer.
Chi Wu Shuang (Elaine Lui Siu-Ling) – Sister pair of the Lord of the Supreme Cult. While her brother takes on more of a leadership aura, the female Chi Wu Shuang is more mad, finding everything darkly amusing and not hesitating to cut anyone down with insults, even her favorite target, her brother. The manic insanity is an outstanding performance. Elaine Lui Siu-Ling starred in several of the girls with guns films, including the breakthrough that launched the imitators, Angels

The Bride with White Hair
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Zu: The Warriors from the Magic Mountain

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Zu: The Warriors from the Magic Mountain

aka 新蜀山劍俠 aka Xin shu shan jian ke
Zu Warriors From Magic Mountain
1983
Written by Shui Chung-Yuet and Sze-To Cheuk-Hon
Directed by Tsui Hark
Zu Warriors From Magic Mountain
My life having gone through the binge period of renting blurry Hong Kong VHS second generation dubs with hard to read subtitles from locally owned video stores in the 90s, Zu: The Warriors from the Magic Mountain is one of those films that unleashes giant waves of nostalgia. Despite the bad conditions it was being viewed under, the energy and effects magics caused it to rise above the masses. I’ve since seen it on first generation VHS, vcd, and DVD, each time being a fun experience as an idealistic young fighter is caught in the world of wuxia masters, who turn out to have just as many problems as the normal folk (only their problems are a million times more dangerous!) With Tsui Hark’s direction (and choreography work done by Corey Yuen Kwai, Yuen Biao, Fung Hak-On, and Mang Hoi), Zu is visually distinctive. The choreography and effects jumpstarted the look of modern Hong Kong film from the 1980s, while the color and humorous tone helped distinguish it from the Shaw Brothers films that it often shared rental store space with.

The effects look a bit dated now, flying people on obvious wires, old school makeup effects, and cartoon lasers zapping around. But a lot of the practical effects still look nice, and the pulsating monster seems more dangerous as a jiggling puppet than it would as just a bunch of lifeless CGI. The effects were pushed to show that Hong Kong could produce films on par with Star Wars and other early 80s effects-laden films from Hollywood. While I don’t think they quite match the talent, much is accomplished on what is obviously an insanely smaller budget (and Hong Kong effects would develop much further thanks to experience from producing films like this one!)
Zu Warriors From Magic Mountain
Despite the effects, much of the film is character driven. Dik Ming Kei’s endless idealism, Ding Yan’s tough exterior hiding a lonesome and good man, Yat Jan being a royal screw up, and the Ice Queen being the total opposite of her name when it comes to Ding Yan. It’s Moon Lee’s first major role, she would go on to be a major player in the Girls with Guns films of the late 80s/early 90s. Brigitte Lin began her domination as a martial arts queen that would ripen with Swordsman II and The Bride with White Hair.

The energy of Zu: The Warriors from the Magic Mountain is infectious, it covers so much that we’re sprinting from concept to concept. Despite that, the basic story is simple to follow. They even stop to remind everyone that it is just good vs. evil!
Zu Warriors From Magic Mountain

Dik Ming Kei (Yuen Biao) – A former scout turned man fed up with war, who then gets entangled in drama in the martial world. He will become involved on a quest to literally save the planet. Through it all, his optimism and hope for the future becomes almost as powerful a weapon as the martial art skills he learns along the way.
Ding Yan (Adam Cheng Siu-Chow) – Ding Yan of Nam-Hoi, a lone martial fighter who fights against evil and lives a solitary life. Ding Yan is proud and stern, but he’s also loyal to his friends.
Yat Jan (Mang Hoi) – The student of Hiu Yu, a goofy klutz who doesn’t feel he is worthy to carry on the legacy of the Kwan-Leung school. Needs a healthy dose of confidence. Wears a turtle shell on his back.
Hiu Yu (Norman Chu Siu-Keung) – Leader of Kwan-Leun school and trains his student, Yat Jan. Is called Heaven’s Blade. Poisoned early in the film, requiring the help of the Ice Queen.
Ice Queen (Brigitte Lin Ching-Hsia) – the Lady lives in her secluded palace and has the power to heal those injured by supernatural means. But it also costs her much energy to heal them, and she usually decides to heal or not to heal based on fate, things ouside her control. Her isolation is argued to cause her to be cold, but she does have humanity in her (as evidenced by her interactions with Ding Yan)
Ice Queen’s Guard (Moon Lee Choi-Fung) – One of the guards of Ice Queen’s palace, she is tricked by Dik Ming Kei and Hiu Yu when they embarass her to try to get past. She gets revenge on them by embarrassing them much more, and is the only member of Ice Queen’s crew to escape her palace. She joins the heroes on their quest as she has nowhere else to go.
Chang Mei (Sammo Hung Kam-Bo) – Founder of Ngo-Mei School and fighter against evil. He holds the big villain at bay for 49 days with only a mirror and his eyebrows, surviving only with the hope the dopey goofs he sent on the quest to save the planet actually get their act together.

Zu Warriors From Magic Mountain
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