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Godzilla – 2014 (Review)

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Godzilla

Godzilla 2014
2014
Story by Dave Callaham
Screenplay by Max Borenstein
Directed by Gareth Edwards
March of Godzilla 2014
Godzilla 2014
We were all a little apprehensive when we learned that there would be a second American Godzilla movie. After all, once bitten, twice shy. And while the memories of Matthew Broderick battling a preggers dinosaur that loves fish while things go all Jurassic Park are scarred in memories forever, Gareth Edwards brought American Godzilla movies full circle into actually good. Godzilla is big, fights monsters, has atomic breath, isn’t taken out like a punk, and becomes a realized character despite being a CGI construct. He’s the real deal. Just saying that makes me so happy I had to recalibrate my breakdown of the film because it does have its flaws. Nothing that we haven’t seen before in major tentpole films, but I’m not above pointing them out again and again.

I had my problems with Gareth Edwards, I found Monsters interesting when it had anything to do with monsters, and not when it had anything to do with people. Edwards brings his monster affinity to full load with Godzilla, the monsters are just so huge, so out of scale, that people are just running around trying to survive beneath their feet. The sheer enormity is a stark contrast to how helpless everyone is when the creatures are around.
Godzilla 2014
Edwards trades two hours of monster destruction porn for an array of different effects of the destruction, from news clips to destructive aftermaths to monsters fighting it out in the background while humans run for their lives. But there is plenty of fighting going on during the climactic scenes set in San Francisco. They play tribute to the monster fights of old, but allow at CGI Godzilla to do a few moves that wouldn’t quite work with people in suits. Overall, the fight sequences are fun, but the meat of the monster appearances are just showing them so huge and destructive, and the people struggling to survive. The sequences with the monsters on rampage become a mix of giant monster, horror, and nature run amok all rolled up into one, and pulled off perfectly.

Gareth Edwards still has problems making interesting people, but he’s compensated by using incredibly awesome actors who turn those people interesting despite what they are given. Bryan Cranston is amazing as the obsessive dad who jumbles from one tragedy to another. Aaron Taylor-Johnson had good chemistry with Elizabeth Olsen (which will be important as they’re siblings in Avengers 2!), but when by himself just became a less charming Channing Tatum. Moments like when he was suddenly guarding a shoehorned in random Japanese kid gave him more depth than all his running around while covered in dirt scenes combined.

Godzilla here is part of a large conspiracy to cover up that there are large monsters in the world, and he’s the apex predator. The problem is when the other ones start popping up, because they begin destroying cities and causing all sorts of destruction. Things can no longer be hidden away, and soon Godzilla leaves his Pacific Atoll to destroy these new idiots. No one challenges the king.
Godzilla 2014
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Godzilla 2014 main trailer

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[adrotate banner=”1″]The full trailer for the 2014 American Godzilla flick has blazed across the net, and I like it more than the teaser, which was just some people skydiving and a brief monster shot. Brief monster shots are here as well, but we got a whole lot of other stuff and things look interesting. If that will translate into a cool film remains to be seen, but I am liking what I see, and for the first time in a long time I’m getting more confident about Godzilla.

From what we know is that there was a Godzilla in 1954, atomic tests in the Pacific were really secret attempts to kill it, and at least one Godzilla-looking thing is dead and a giant skeleton, giving scenes a weird Alien vibe as suited people look at the giant skeleton. Which is cool. Government cover ups (why anyone thinks gigantic monsters can be covered up by the government I will never know) and cities being smashed come next, along with a bunch of armed forces doing things.

Not all of the brief monster shots are of Godzilla, at least one foot/toe is distinctly NOT Big G, and there is another claw that doesn’t look right, either. Even the updated synopsis mentions creatures, plural, so hopefully there is plenty of hot monster on monster action. In that they fight, but if they want to go all kaiju porno, I’m afraid I’ll have to choose that moment to run home screaming to hide under the sheets.

I like the giant monster symbol on the big bomb, I like the neat cinematography of the island scenes, and I hope we follow the science team around more than the military guys. The only danger is this gets too serious and doesn’t get any fun. The original Gojira is very serious in tone, it is a classic and is one of the main inspirations for this remake. But we’re smack dab in the middle of an onslaught of movies that are far too serious and dark, even of franchises that historically aren’t. I’m not saying Godzilla should be doing floating kicks and high-fiving Jet Jaguar, but I would like some fun in my giant monster destruction movie please. Thanks.

Here’s hoping this rules, we’ll find out in May!

An epic rebirth to Toho’s iconic Godzilla, this spectacular adventure, from Warner Bros. Pictures and Legendary Pictures, pits the world’s most famous monster against malevolent creatures who, bolstered by humanity’s scientific arrogance, threaten our very existence.

Gareth Edwards directs “Godzilla,” which stars Aaron Taylor-Johnson (“Kick-Ass”), Oscar® nominee Ken Watanabe (“The Last Samurai,” “Inception”), Elizabeth Olsen (“Martha Marcy May Marlene”), Oscar® winner Juliette Binoche (“The English Patient,” “Cosmopolis”), and Sally Hawkins (“Blue Jasmine”), with Oscar® nominee David Strathairn (“Good Night, and Good Luck.,” “The Bourne Legacy”) and Bryan Cranston (“Argo,” TV’s “Breaking Bad”).

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Akira Takarada will be in Legendary's Godzilla!

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Akira Takarada Gareth Edwards Godzilla
[adrotate banner=”1″]It has been revealed via Twitter that Akira Takarada will be in the new Legendary Picture’s Godzilla film! If you don’t know how Akira Takarada is, then you must not have paid attention to the many many Godzilla films he was in, most notably the original Gojira, as well as the last Godzilla film, Final Wars. Takarada’s scene was completed on the first day of filming, and director Gareth Edwards has said it will help thematically connect the new film to the original Godzilla films.

The new Godzilla film releases May 16, 2014, and stars Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, David Strathairn, and everyone’s favorite, Bryan Cranston.

via SocialNewsDaily

Argo

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Argo


2012
Written by Chris Terrio (screenplay) and Joshuah Bearman (article)
Directed by Ben Affleck

Worst. Pin the Tail on the Donkey. Ever.

The story of how the CIA created a fake science fiction movie as a cover in order to rescue Iranian hostages is a story that has become legend in the world of internet movie discussions. Over the years, the story became repeated and linked to again and again, building as articles and books sprang up to be linked to, blowing the minds of movie fans new to the tale each time it appeared. It’s one of those true life things that is impossible to make up, as it sounds too far fetched to be real. But it is real, and it’s so real it has passed on to legend. Like all good legends, someone made a movie about it!

Argo is both the name of the fake CIA movie and the name of this film. History comes alive as we enter the world of 1979-1980. From the old school three bar Warners production logo to the final scene of thousands of dollars of vintage toys, we are in the past. There is a very quick comic book history lesson of Iran’s history up to 1979, followed by vintage news reports of US/Iranian tensions that will be sprinkled throughout the film to show the building tension between both sides. It is interesting how the US/Iranian tensions are still relevant now over 30 years later, the same basic issues and anger are present.

Too busy being awesome to listen to the haters

Cast members become unrecognizable beneath their period haircuts and clothing, make up applied to best ape their real world counterparts. The fashions, the cars, Tom Brokaw with black hair, typewriters, everyone smoking everywhere, the Hollywood sign in ruins, it’s all there. Events I only have the faintest recall of due to my other priorities of being in the terrible twos.

But the film is more than a picture of the past. The cast is solid. Affleck put together a powerhouse ensemble of great actors. They blend into the roles.

We open just as the Shah has been overthrown, people are rioting in the streets as revolution runs rampant. The US embassy is besieged both inside from people wanting visas out, to the mob outside yelling at the gates. But they come over the top, storming the compound and capturing everyone. Six US employees manage to escape and hide out, eventually settling at the home of the Canadian ambassador. The Iranians don’t know anyone is missing, yet. But there is no easy way to get them out. So it’s time to come up with some plans.

Tony Mendez (Ben Affleck) – CIA agent and expert in disguise. Comes up with the crazy plan that’s just so out there it might work. Sadly this is also a case of white-washing, as Tony Mendez is Latino.
Jack O’Donnell (Bryan Cranston) – Mendez’s boss and supporter, helps deal with the levels of bureaucracy in Washington. Can think fast on his feet while stuff is hitting the fan.
John Chambers (John Goodman) – Academy Award winner John Chambers is one of the best makeup artists in the world. He also does some jobs on the side for the CIA. Which is the connection they need to bring him on for the most important job of his life.
Lester Siegel (Alan Arkin) – Hollywood producer brought in to help set up the fake movie and production company. I don’t think he is a real person, as Robert Sidell was the main person helping John Chambers, but Arkin is great as the washed up producer even if it is fantasy.
This is how Hollywood really works.

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John Carter (Review)

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John Carter

aka John Carter of Mars

2012
Written by Andrew Stanton, Mark Andrews, and Michael Chabon
Directed by Andrew Stanton
John Carter of Mars
As you might expect, I’m a rather big fan of Edgar Rice Burroughs and his Barsoom stories. I have the whole series in old out of print volumes culled from bookstores across the country. I have many other Burroughs books and other pulp novels. I have the Guide to Barsoom and some other books where Martians show up, and some of the old Marvel comics. You might say I like this crazy fantasy stuff. So, yes, I was excited that we were finally getting our big screen Barsoom film. Then it got renamed John Carter.
John Carter of Mars
After 100 years, A Princess of Mars is finally coming to the big screen (if you ignore Asylum’s DTV Princess of Mars…) as John Carter. John Carter. No “Of Mars”, no “A Princess of Mars”, no nothing. Add to that all the other abysmal marketing Disney did for the film, and suddenly the rumors that this will be the biggest box office bomb in the history of the planet and the red planet as well started to spring up. “Whatever,” I said, because I’ll let the movie speak for itself. And the movie has finally spoken. And it’s good. Not excellent, but good. Good enough that John Carter (of Mars, dammit!) should be doing better at the box office than it is tracking. Good enough that the naysayers were wrong, even if John Carter (of Mars, dammit!) does lose a lot of money, it is not because John Carter (of Mars, dammit!) failed.

That is not to say there isn’t any problems. There are. Some are pretty big. But I’ll get to most of them. But a simple review like this right after watching on opening night doesn’t do John Carter (of Mars, dammit!) justice, so rest assured there will be another, longer, super detailed, mega-ultra-hyper-giga-supreme-double-secret-comprehensive review once John Carter (of Mars, dammit!) is on DVD and I can screencap and watch a bajillion times to my heart’s content.
John Carter of Mars

John Carter (Taylor Kitsch) – The fighting man of Mars with the super jumping powers and the getting into everyone’s business powers. I will say making John Carter a reluctant hero is boring, that’s been overplayed since the 90s. And capitalizing it with him having a dead wife and kid just makes it even more boring. None of that junk is in the book, John Carter is just a dude who fights. No one needs a giant backstory. I didn’t start this website because a movie killed my family, sometimes things just are.
Dejah Thoris (Lynn Collins) – Now, I did not like what they did with John Carter, but I did like what they did with Dejah Thoris, making her a much stronger female character who still has the poise and confidence of a princess, even if she does human things from time to time. She’s also not afraid to fight for her country, the Dejah Thoris of the books does not fight at all and is more of a proud trophy that half the planet is trying to kidnap and marry.
Tars Tarkas (Willem Dafoe) – Jeddak of the Tharks and the guy who finds John Carter after he gets his ass to Mars. Helps Carter in order to help his secret daughter, Sola.
Sola (Samantha Morton) – Thark female assigned to care for John Carter, is treated as a screw up by the evil woman Sarjoka. Is unaware that Tars Tarkas is her father.
Woola (CGI) – Martian dog assigned to keep watch on John Carter, instead becoming his loyal companion. Woola’s best scene (and one of the more charming scenes in the film) is when he’s first introduced, as it both gives us a look at his character and is entertaining as well.
Matai Shang (Mark Strong) – The leader of the Holy Therns aka White Martians aka the bad guys. While not originally in the original book (Matai and his buddies show up in books 2 and 3) he’s here causing trouble to make a bigger, more cohesive arc between a planned trilogy. Matai Shang and his ilk are more technologically advanced than in the books and have a far more sinister origin and goal.

John Carter of Mars
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