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Tears of the Black Tiger (Review)

Tears of the Black Tiger

aka Fah talai jone aka ฟ้าทะลายโจร

2000
Written and directed by Wisit Sasanatieng

Tears of the Black Tiger was one of those films that you’d hear about for years, buzz would be awesome, but it was impossible to find a copy. Between the Weinsteins sitting on their version (which they then drastically cut) and other international versions also being edited, the only real way to see it was via imported Thai DVD. But Tears of the Black Tiger is well worth the effort to track down, and thanks to the internet being much more developed than in 2000, it is also easier to locate copies to buy of the uncut version.

Wisit Sasanatieng wanted to do an homage to the films he loved, the 1950s and 1960s Thai films. As we learned from our travels through the Insee Daeng films (Awasan Insee Daeng, Jao Insee, Insee Thong, Insee Payong, Insee Daeng 2010), older Thai films have a color saturation that make them look unique. TotBT is both a tribute to the local flavor drama stories, and the action films featuring bandits. Set in post-World War 2 rural Thailand and featuring the bandit gangs that were a reality at the time (as also detailed in the Awasan Insee Daeng review), Tears of the Black Tiger has the look of an old west film, but it is unlike any western seen before. The vivid colors, painted backgrounds, and homages to stage productions make every frame a work of art. The editing is just the right mix of quick cuts versus longer scenes that it feels a part of the film.

TotBT is just so different from what else is out there, it is a perfect example of why people fall in love with cinema. While I think my recent foray into the Insee Daeng films helped give me more appreciation of older Thai films, I would have liked Tears of the Black Tiger no matter when I saw it. I’m only sorry I didn’t watch it sooner. TotBT excels with neat cinematography and sets, from the painted backgrounds and color coded rooms with pastels everywhere, to the random poetry and songs to play us through scenes. Thought he pace can seem to drag at times, even that isn’t much of a problem and it is similar to slower paced Thai films from the era it is emulating.

Dum (Chartchai Ngamsan) – Dum is a crack shot and never misses. He’s called Black Tiger (Dum means black, and the gang is the Tigers), hence the English title of the film. Lover of Rumpoey despite their different cultural backgrounds. Chartchai Ngamsan also appears in The Brutal River.
Rumpoey Rajasena (Stella Malucchi) – Rumpoey’s dad is the provincial governor, and she’s engaged to Captain Kumjorn despite loving Dum since childhood. Her life is a series of tragedies. Stella Malucchi is Italian-Columbian, but was raised in Thailand. She was deathly ill for months and lost a leg, but has recovered well.
Fai (Sombat Metanee) – The big gang boss, leader of the Tigers gang. doesn’t take any crap from swarms of police officers that try to kill him and his gang. But he also avenges the death of his friends. Sombat Metanee has been in Thai film since 1960, was frequently cast with Mitr Chaibancha, and became a top leading man after Chaibancha’s death. He eventually became known for villain roles, and has even been elected to office.
Mahesuan (Supakorn Kitsuwon) – Fai’s former right hand man and main rival to Dum, the new right hand man. Raises his eyebrow more than Mr. Spock! Supakorn Kitsuwon teamed with Chartchai Ngamsan before in Sasanatieng’s Dang Bireley’s and Young Gangsters (1997). He is also in 2008’s Rambo.
Captain Kumjorn (Arawat Ruangvuth) – Bland police captain dedicated to wiping out bandits, and also getting engaged to women who don’t love him. And he’s a jerk!


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Posted by Tars Tarkas - May 26, 2011 at 11:00 pm

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