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Hit List William Lustig

Hit List (Review)

Hit List

Hit List William Lustig
1989
Story by Aubrey K. Rattan
Screenplay by John F. Goff, Peter Brosnan, Josh Becker, and Scott Spiegel
Directed by William Lustig

Hit List William Lustig
Hit List takes the vague premise of Vigilante, but heavily rewrites it for late-80s/early-90s direct to video action. It’s less dirty and gritty, with more wise guy quips and an optimistic tone. But shades of Lustig’s themes are there. The system is still broken, criminals are running free and they can’t be contained by the courts, and our heroes will have to step in and do what the system won’t. Hit List was made for Cinetel Films, best known here for their constant stream of SyFy flicks. Lustig had previously made Relentless for them, which had become one of the top-grossing DTV films of 1989 and even had a limited theatrical run.

Hit List has another amazing cast – Lance Henricksen, Rip Torn, Jere Burns, Charles Napier, Harold Sylvester. Weirdly, the success of the film being funded rested entirely on getting Jan-Michael Vincent to play the lead. Also weirdly, according to William Lustig, Jan-Michael Vincent was often drunk on set, Lustig joking that Vincent could barely stand up straight for many shots. The script was rewritten several times, including reworkings by uncredited writers Josh Becker and Scott Spiegel.
Hit List William Lustig
I saw Hit List at the Yerba Buena Center for the Arts in their Bay Area Now 7 program, under the Invasion of the Cinemaniacs! heading, specifically the part curated by Jesse Hawthorne Ficks of Midnite for Maniacs, who hosted two William Lustig triple features (a sextuple feature?) spread across two days. Hit List screened after Maniac and Vigilante, while the next night was all three Maniac Cop films. William Lustig himself was in attendance, and did some entertaining Q and As. Lustig is very charismatic and shared stories about filming and some of the actors/producers of his films. I’ve included some of what he mentioned in the reviews.

The supporting cast and the stunts are the things to focus on for Hit List, because everything else just doesn’t work right. Lance Henriksen is just amazing as the crazed hired assassin Chris Caleek, who also is a women’s shoe salesman (a deadly Al Bundy?) That tidbit makes Harold Sylvester’s appearance more fun, as he was a regular in later seasons on Married With Children as Al’s coworker Griff. Henriksen spends his undercover time wearing gigantic glasses and flirting with old ladies, but quickly switches gears to firing guns and having a mean look on his face. He also sports a huge tattoo across his back.
Hit List William Lustig

Brittany Murphy Story Lifetime

With The Brittany Murphy Story, Lifetime breaks out the tin foil!

The Brittany Murphy Story is Lifetime’s latest biopic of a dead celebrity who died tragically young, and thankfully for them, wasn’t a singer so there won’t be a court battle about music rights! But I do have one question about the synopsis…

Brittany Murphy was only 32 years old when she died…but how? Drugs? Poison? As tabloid reporters pounce on her home, Brittany’s husband Simon Monjack and her mother Sharon blame Hollywood for Brittany’s death. How did this shining star from New Jersey who soared to instant fame in Clueless end up marrying a man who was known for swindling women and spiral into a life of anti-depressants? This is the true story of how Brittany’s Hollywood dream turned into a nightmare.

Poison? Are they going to insinuate that Brittany Murphy was murdered? Because I remember that conspiracy theory, and if it makes it to Lifetime it will make this film completely insane! They already look to be turning Simon Monjack into a villain, and if he becomes a mad poisoner, this will be hilarious and possibly lawsuit-inducing. So I hope it’s crazy, as that makes things so much more entertaining.

Starring Amanda Fuller as Brittany Murphy, Sherilyn Fenn as Sharon Murphy, Eric Petersen as Simon Monjack, Adam Hagenbuch as Ashton Kutcher, and Amy Davidson as someone that the imdb didn’t bother to list.

That’s right, someone is playing Ashton Kutcher! On Lifetime!

The Brittany Murphy Story is directed by Joe Menendez (3 Holiday Tails, the sequel to A Golden Christmas). Writers Peter Hunziker and Cynthia Riddle both worked on the cartoon series RoboCop: Alpha Commando!

The Brittany Murphy Story airs September 6th on Lifetime!

via Lifetime

Brittany Murphy Story Lifetime

Vigilante William Lustig

Vigilante (Review)

Vigilante

Vigilante William Lustig
1983
Written by Richard Vetere
Directed by William Lustig

Vigilante William Lustig
William Lustig does Death Wish with Vigilante! Vigilante follows a reoccurring Lustig motif, namely the entire system is corrupt and things can only get accomplished when you take matters into your own hands. Vigilante is the most extreme example, but the entire Maniac Cop series works under the premise the corrupt system framed the Maniac Cop, and even Hit List features police unable to protect people or legally bring powerful mobsters to justice. Vigilante says that what you can’t trust the cops and courts to do, you can trust guns and fellow angry citizens to carry out.

I saw Vigilante at the Yerba Buena Center for the Arts in their Bay Area Now 7 program, under the Invasion of the Cinemaniacs! heading, specifically the part curated by Jesse Hawthorne Ficks of Midnite for Maniacs, who hosted two William Lustig triple features (a sextuple feature?) spread across two days. Vigilante screened between Maniac and Hit List, while the next night was all three Maniac Cop films. William Lustig himself was in attendance, and did some entertaining Q and As. Lustig is very charismatic and shared stories about filming and some of the actors/producers of his films. I’ve included some of what he mentioned in the reviews.
Vigilante William Lustig
Eddie Marino (Robert Forster) was just a normal good working man with a family, until his family is violently attacked and destroyed by a mad gang. The cops are unable to bring more than one member to trial (citing lack of evidence), and the trial quickly goes south due to corrupt lawyers and judges forcing plea deals, meaning the gang leader gets a whole two year suspended sentence for assault and murder of a young child. When Marino is rightly outraged over this, he’s the one tossed in jail for contempt.
Vigilante William Lustig

Maniac William Lustig

Maniac (Review)

Maniac

Maniac William Lustig
1980
Story by Joe Spinell
Screenplay by Joe Spinell and C.A. Rosenberg
Directed by William Lustig

Maniac William Lustig
Maniac is an infamous film, a violent slasher that is almost entirely focused on the killer. The film faced criticism upon release due to violence against women, but became a hit and has gone on to become a genre classic. The film is far more complicated than just a simple slasher film. Co-written by and starring Joe Spinell, Maniac is disturbing, but well-crafted and delivers suspense and terror in a way modern horror has shifted away from.

I saw Maniac at the Yerba Buena Center for the Arts (yes, Maniac was screened at a museum!) in their Bay Area Now 7 program, under the Invasion of the Cinemaniacs! heading, specifically the part curated by Jesse Hawthorne Ficks of Midnite for Maniacs, who hosted two William Lustig triple features (a sextuple feature?) spread across two days. Maniac screened with Vigilante and Hit List, while the next night was all three Maniac Cop films. William Lustig himself was in attendance, and did some entertaining Q and As. Lustig is very charismatic and shared stories about filming and some of the actors/producers of his films. I’ve included some of what he mentioned in the reviews. What I like about screenings like this is I would probably never just watch Maniac on my own. Horror/slasher films aren’t really my bag, but to see it as part of a screening group like this makes it just fit in. Watching film is all about expanding your horizons, because you never know what you will discover when you leave your comfort zones. I try to follow that philosophy at TarsTarkas.NET, hence part of why we cover such a diverse range of global cinema.
Maniac William Lustig
Maniac follows Frank Zito as he embarks on a crusade of terror in the streets of New York City, stalking and slaying women, then scalping them and dressing mannequins up in their clothes, with the scalps nailed to the heads. Much of the film is Frank following the various women and the ladies responding in terror, the tension building as their attempts to escape become dashed again and again. In between we see Frank breaking down in his apartment, conflicted by his compulsion, but unable to do anything to stop it. Frank has issues about his abusive dead mother. In a conversation with photographer Anna D’Antoni (Caroline Munro) in the film’s loose plot narrative, Frank talks about photos as a way to preserve the women forever. Frank’s talks with Anna are about as normal as he gets, but the facade can’t last long and soon he’s breaking down and hallucinating his dead mother is attacking him in a graveyard. Frank’s demons are his ultimate undoing, his destructive force turning upon himself.
Maniac William Lustig

RiffTrax Godzilla

Godzilla – RiffTrax Live Trip Report!

RiffTrax Godzilla
March of Godzilla 2014

I live in a world where I have gone to see 1998’s Godzilla in theaters twice ON PURPOSE! And in between the two showings, I saw a different American Godzilla movie also called Godzilla that was actually good and actually had Godzilla in it! Strange how life works. The original Godzilla viewing back in 98 was on opening weekend, where I convinced all my friends to go and was pretty excited, hoping that this would be another Independence Day-style awesome action film that I would end up seeing three times in the theater (like ID4). But it turned out to be terrible and I still get friends bemoaning that I dragged them to see Godzilla to this day. Godzilla took a lot of flack, from Godzilla looking like an Iguana mutating into Jay Leno to everything else about the film because it’s completely garbage at all levels. Bad acting from some of the leads, Matthew Broderick not being an action star, zero strong female characters, strange director vendettas, confusing action sequences, indiscriminate destruction by the US military, clown college Jurassic Park breaking out in the last third of the film, and CGI that hasn’t aged well. Some CGI was dodgy then, including any scene where we are very very close to Godzilla’s skin (it’s like they didn’t make a high textured skin surface to use for those shots!) or any scene with Godzilla in the water (just embarrassing!)

Godzilla led to a legacy of shame, but in shame there is often great potential. Potential being Godzilla would make a great potential RiffTrax! Thus, a Kickstarter was born. (Disclosure: I meant to donate to this Kickstarter, but I forgot! D’oh!) The Kickstarter was successful enough, they not only got the funds for Godzilla, but they reached the stretch goal of Anaconda as well (out October 30th, more details in a later post!)

As addressed by one of the preshow slides, the most memorable Godzilla quote isn’t even from the film, but from the Taco Bell Dog saying “Here Lizard Lizard Lizard” in commercials. That’s just good commentary.

Some of the preshow slides were awesome, (though a few fell flat). The kaiju nerdy ones were hilarious, but no one in the theater I was at seemed to get them. Also, the theater was more empty than it’s been recently at the RiffTrax events, I don’t know if it was Godzilla scaring them off or what, but that’s how it was.

The length of the film meant we had no time for shorts and little time for banter before the movie, though they did debut their new opening animation, which was cool if a bit long. The riffs were largely on point and hilarious, though there were some sound mixing problems, especially in the first 10-15 minutes, that left a few jokes unheard over the noise of the film. I guess I’ll have to wait for the mp3, though that will mean watching Godzilla yet again (NOOOOOOOOO!!!!!!!!) My favorite riffs included how no one likes Echo 3, the Muppets Take Manhattan riff, and the frustration at Emmerich’s coffee and Ebert vendettas. Any time the riffers went all French was also hilarious. Most of the lack of enjoyment stems from the film itself, not the commentary. I would rate it in one of the top five RiffTrax Live events, though that may just be because I’m biased towards giant monster films. That’s forgiving the technical problems.

Speaking of technical problems, the show I was at had the fire alarm go off in the middle of it! This stopped the film, but it was a false alarm so we sat and waited for ten minutes until they could restart the show. I was worried we’d miss a bit, but they rewound so we ended up seeing a few minutes over again, and I got a free pass at the end. I even found a nickel on BART, which means I turned a profit for the night. Finally, Godzilla pays off!

Justice League Crisis on Two Earths

Justice League: Crisis on Two Earths (Review)

Justice League: Crisis on Two Earths

Justice League Crisis on Two Earths
2010
Written by Dwayne McDuffie
Directed by Sam Liu and Lauren Montgomery

Justice League Crisis on Two Earths
A popular science fiction trope is heroes who are evil, villains who are good. From alternate universe to just same universe doubles, this phenomenon appears again and again, often involving goatees. Justice League: Crisis on Two Earths continues the tradition, by utilizing the long-lived Crime Syndicate that has survived several decades of DC comics reboots and remixes. Instead of getting caught up in having characters face their dark side, the evil twins are just the setting for a tale of good versus evil that accelerates into the ultimate stakes, thanks to Owlman’s secret plan.

Justice League: Crisis on Two Earths is an Easter egg hunter’s dream. There are so many alternate versions of DC Comics characters that you need a flow chart to figure them all out. Add to that several of them being not only evil mirrors, but references to other non-comic characters and you will spend each viewing discovering something new. It’s one of the better DC animated films, getting the characters correct The setting in the alternate Earth allows for much more crazy stuff
Justice League Crisis on Two Earths
We open with Lex Luthor and the Joker breaking into a secure vault. But hey, Joker is called Jester, and the two are breaking into the vault of murderous criminals. One sacrifice later, and Lex Luthor is the only hero left in a world of villains. So he warps away to our world (I’ll be referring to the DC Universe as our world, because it’s just easier), with is stuffed full of heroes like an overripe pinata.

On their planet, the Crime Syndicate is free to do whatever they want, due to a combination of fear and bribes. They only don’t kill the leaders and take over the planet due to fears of retaliatory nuclear strikes. But they’re working on their own bomb that can potentially destroy anywhere on the planet, which will tip the balance in their favor. Only a few brave souls stand up to them, as most who try don’t live to stand again.
Justice League Crisis on Two Earths