RIP Skinemax!?!

Skinemax died of a broken heart.  Also rabies.  But mostly the broken heart.

Skinemax died of a broken heart. Also rabies. But mostly the broken heart.


Skinemax might be going the way of the dinosaur! Cinemax, that premium network best known for being the place to find late night softcore films, is getting a bit of a rebranding. As far as HBO president of programming Michael Lombardo is concerned, the Skinemax label will be done away with thanks to a plethora of original series. He even wants to terminate the nickname permanently!

Cinemax has seen an increase in original programming lately – including cool series Strike Back, Banshee, and The Girl’s Guide to Depravity. More are on the way, and it’s all part of a push by HBO to define Cinemax with its own brand. Cinemax has basically not done anything, yet somehow still got a large audience. Whether this was due to the softcore programming or something else is not dealt with. But HBO wants to turn Cinemax into another cash cow, so out goes the softcore and in comes the original shows.

Later Lombardo does relent that there will probably still be a bit of softcore. Why there isn’t a dedicated softcore premium channel from Cinemax/HBO I do not know. Cinemax does have a huge selection of softcore on their VOD. With the decline of DVDs and video stores, and the rise of VOD, a lot of traditional movie markets are in flux. Just how things are going to shake out is unknown at this time, but if Cinemax stops buying as many softcore films, there probably just won’t be as many softcore films, because as far as I know, Cinemax is one of the biggest domestic markets (overseas is a whole different ball game!) Other premium channels do have their own collections of softcore, but Cinemax was by far the best known purveyor. The changing shape of watching movies has played havoc with how some studios get profits, and stories I’ve heard lean towards streaming as not guaranteeing anywhere near the old numbers through DVD presales. But things evolve so quickly now, a new way to earn lots of money might show up realtively quickly, and things will get turned on its ear again.

Luckily I still have a whole bag of DVRed softcore flicks I need to get around to writing reviews for, so even if Cinemax gets blasted into the sun, I’ll have some content. But who will weep if we don’t get any more Bikini Girls from the Lost Planet, Sexual Quest, or Birthday Sex? Me, I will weep. The best part of these articles are the commentors confused that people enjoy softcore films and don’t just want to watch hardcore porn. It’s almost as if they don’t realize that they are completely separate types of cinema. While a bunch of softcore is trash, there are many good softcore films being made that rival mainstream tv with plots and concepts. Some of the work of MRG has been amazing for what issues the films is dealing with in addition to having all the required sex sequences. That is not something I want to go away, and hopefully money and ratings will convince Cinemax to integrate things more and keep softcore healthy. The last thing we need is softcore producing nothing but films like Torchlight Pictures, which were 3 minutes of plot and 70 minutes of boring softcore scenes. Won’t somebody please think of the softcore?

via Variety

Girl vs Monster

Girl vs. Monster

Girl vs. Monster

Girl vs Monster
2012
Written by Annie DeYoung
Teleplay by Annie DeYoung and Ron McGee
Directed by Stuart Gillard

Girl vs Monster

This song goes out to all the Disney stars who didn’t have a meltdown.


Take a little bit from Hocus Pocus, a little bit from Ghostbusters, and a scandalously unused title, mix it all up, and out pops a kids vs ghosts adventure that deals with the nature of fear. Disney Channel Original Movie Girl vs. Monster features children standing against the fears that cripple and control their lives, preventing them from becoming their full potential. Of course, all these fears are just simple things represented by ghosts/monsters making fun of them, but to a teenager, that’s totally the worst thing ever. Sometimes, it’s the simple things that are the biggest problems.

The monsters/ghosts are technically manifestations of fear of the living, though they essentially act like ghosts as far as the plot is concerned. They haunt you in your lives, making you more scared, from which they grow their powers. Yeah, it’s a sort of weird Monsters Inc. thing going on, and it doesn’t really make much sense when you think about it too hard. In fact, the lead character Skylar Lewis’ fear monster is the queen evil witch Deimata, and because she’s been trapped for the past 15 years, Skylar knows no fear. Like Daredevil. But then Deimata is released and Skylar is suddenly afraid and the witch is looking to possess her soul. Like Ben Affleck.

The fear equation seems like it is some sort of statement about not having fear control your life. Skylar’s friends are all cowards of various degrees, thanks to their own monsters who haunt them, controlling their lives by making them to afraid to try much of anything. The handsome boy Skylar is crushing on knows no fear, thus he’s popular. Eventually, the scared kids learn to fight back, confronting and conquering their fears by bullying them in turn. Luckily, all their fears are easily deflected, and the ghosts that haunt them dumber than a wet bag of rocks, so the worm turns quickly. There is no real fear, no real horrors, no kids shocked so traumatically they desire to end their lives or live forever entombed in their own minds. This is an entirely fictitious representation of fear, which makes it ring hollow. I understand that they were trying to make a point, but they end up just making a blunt object. Yet blunt objects can still drive in nails.

Girl vs Monster

I have devoured all the scenery and will now work on the actors!


The squeaky clean world of Disney would never allow the horrors of reality to scar their channel and their audience of pre-tweens. Their Official Disney Kid Replicant Factory is hard at work churning out the next generation of clean upper-class California cool kids, all magically ethnically diverse yet having identical faces. This entry’s model is Oliva Hold, who looks the part so well it is as if Disney crafted her from the bodies of the failed earlier models. She’s joined by Brendan Meyer and Kerris Dorsey, who stand out for not fitting the normal Disney profiles, but they only deviate enough to be In Universe acceptable as the target of bullies. The love interest shares no such deviations, he’s Ryan Dean (Luke Benward), and not only is girl melting handsome, but also the leader of the bland rock band that everyone goes gaga for. And his character is saddled with a low-rent Sharpay from High School Musical as a girlfriend. Katherine McNamara rises above her role, but she has little to work with. Until she’s taken over by the evil Deimata, at which point things become cool for a brief period. McNamara is the break out star in my opinion, which is the correct opinion.

Skylar’s ultimate ambition is to sing with Ryan in his band, a chance she has, though the monsters come to ruin things. OMG, what will Skylar do if Ryan thinks she’s not the coolest girl in the universe? Probably just die.

None of this rich kid problems talk is really what Girl Vs. Monster should be remembered for. The simple fact is the villains make the story, and Deimata is a formidable opponent. Her looks and her story makes the Hocus Pocus comparison’s inevitable, so let’s just get it out of the way and say she doesn’t compare to the three sisters from that flick. Her character is different, as is her interactions with her two ghost pals, Anna Galvan as bitter old school marm Theadosia and Stefano Giulianetti as a creepy scarecrow Bobb (neither are credited with their names, I had to pull them from dialogue!) Just why those two work with her is a mystery, perhaps Deimata has great power and they like being around that. Or maybe they’re old friends and have been together for countless child hauntings. In any event, it’s lucky that the children they haunt are friends with Skylar. Or maybe its more than a coincidence. Maybe it’s destiny. Or maybe this whole thing was a setup by Skylar’s mom to teach her about her destiny as a monster hunter by putting the entire town in danger. Always bet on conspiracy!

Girl vs Monster

I’m here to audition for the new Mask reboot!


Skylar Lewis (Oliva Hold) – Daughter of Steve(Brian Palmero) and Julie(Jennifer Aspen), Skylar is unaware that she is the latest in a long line of monster hunters, and that her lack of fear is due to her fear monster being imprisoned. But all that changes one fateful Halloween. Like usual.
Sadie (Kerris Dorsey) – Skylar’s nerdy friend who is totally afraid of not doing well at school. I blame her parents, who are so horrible of parents they don’t even appear in this movie.
Henry (Brendan Meyer) – Skylar’s dorky male friend, completing her pair of unlikely friends. Everyone makes fun of Henry, because kids are jerks. We learned this from Cyberbu//y
Cobb (Adam Chambers) – Cobb works for for Skylar’s parents and is training to hunt monsters, which somehow involves dressing like a hipster. Helps clean up Skylar’s mess and tell her how to save the day after her parents get ganked.
Ryan Dean (Luke Benward) – Skylar’s cute boy crush, who plays in a band so there can be song tie-ins for additional digital download revenue for Disney. Expect the Avengers to also be in a band by the next movie. He’s hella popular, which is why he dates Myra Santelli instead of Skylar Lewis. Take that, Skylar!
Deimata (Tracy Dawson) – The very powerful leader of the local group of fear monsters that wants to possesses Skylar’s soul. It’s also implied she killed Skylar’s grandfather (or maybe was also his fear monster)
Theadosia (Anna Galvan) – A fear monster that manifests as an evil school marm and luckily is Sadie’s fear monster.
Bobb (Stefano Giulianetti) – A fear monster who manifests as a creepy scarecrow, becoming a literal straw man fallacy when his attempts to bully Henry are torn down.
Myra Santelli (Katherine McNamara) – Henry’s girlfriend, who is bad because she’s sort of snotty against Skylar after correctly deducing Skylar is trying to move in on her man. Gets injured emulating Skylar, then possessed by Deimata, at which point Katherine McNamara steals the film.
Girl vs Monster

Skylar, comin’ for YOU!

Sleepy Hollow Lesser Key Solomon

Sleepy Hollow S01E04 – “The Lesser Key of Solomon”

Sleepy Hollow Lesser Key Solomon

My precious!


Sleepy Hollow “The Lesser Key of Solomon”
Written by Damian Kindler
Directed by Paul Edwards
Sleepy Hollow Lesser Key Solomon

Marion, don’t look at it. Shut your eyes, Marion. Don’t look at it!


This was my favorite episode yet of Sleepy Hollow, it had a well-written reconnection of two family members that both loved each other but had very different goals and lives. There was also a conspiracy of evil Germans, historical WTFs, a mystery, police doing actual police work, crazy demonic stuff, and plenty of cute little scenes. If Sleepy Hollow keeps this quality up, it will be an amazing show.

Since last week, Sleepy Hollow has been renewed for a second season, which means there will be at least one more year of me staying up late at night on Mondays furiously typing notes as my family begs for attention and I scream “NO!” Yes, the title of the series is true, I will be sleepy and will be hollow from lack of interaction with loved ones. Kidding! Like most of my writing, it’s all done after everyone else is fast asleep thanks to the power of being an insomniac.

Sleepy Hollow Lesser Key Solomon

We’re totally doing this for Liberty and not because smashing stuff is fun!


Sleepy Hollow has taught us that the only Hessians we should ever trust are the Hessians with no Aggression as seen in the Bugs Bunny cartoons. There being a conspiracy cult of Hessians are great, because it allows Sleepy Hollow to have creepy German villains without making them cliched Nazis.
Sleepy Hollow Lesser Key Solomon

Beam me up, Scotty!

The Thing 31 Godzilla sunset

Avalanche Sharks go to all the best spring breaks!

Fangoria has the new trailers for Avalanche Sharks, a pseudo-sequel to Sand Sharks, except this time the shark can travel through snow instead of sand. As you can imagine, this crap is going straight to SyFy. Spring Break! WoOOoooOOO!!!

As we mentioned last time about Avalanche Sharks:

Director Scott Wheeler(Transmorphers: Fall of Man, Celebrity Sex Tape) gives us Avalanche Sharks! Yes, it is another movie about a shark in the snow:

Spring break in the mountains: snowboarding, beer, drunken co-eds in bikinis. As the yearly Bikini Ski Day party descends on a small mountain town, something lurks beneath the snow. When an unwitting rider causes an avalanche, it awakens a huge, menacing, pre-historic Snow Shark! With a newfound taste for human flesh, the Snow Shark picks off the snow bunnies mercilessly. Cut off from help by mountainous terrain and blinding snow, the local sheriff must make an unlikely alliance with a motley crew of snowboarders to take down the Snow Shark before the white hills run red with blood!

Avalanche Sharks stars a whole bunch of attractive ladies judging from the imdb pictures, though only Erika Jordan is familiar to me. Besides her, we got Emily Addison, Kate Nauta, Kelle Cantwell, Erin Ross, Mika Brooks, Nicole Helen, and Patrizia Cavaliere.

Avalanche Sharks

Spring Break! WOOOOoooOO!!

Avalanche Sharks

Spring Break? WOOOOoooOO!!

Avalanche Sharks

WOOOOoooOO!!!

Golden Bat

The Golden Bat

The Golden Bat

aka 黄金バット aka Ogon batto
Golden Bat
1966
Written by Susumu Takaku
Directed by Hajime Sato

Ogon Batto
The Golden Bat is one of the best movies of all time. The Golden Bat is one of the craziest movies of all time. The Golden Bat is one of the funnest movies of all time. The Golden Bat is the reason movies were invented. You will watch The Golden Bat, or he will beat the tar out of you with his cane, laughing all the while!

A dreamlike haze of crazy costumes and duplications and maniac villains and monsters, The Golden Bat drags the tokusatsu genre to a surreal edge, pushing the boundaries of what a sane child would accept as proper plot progression while making great use of the black and white cinematography to give a gothic noir flavor. Sinister characters get shadows cast over them unnoticed by the good heroes. The set design is a wild 60s psychedelic take on pulp science fiction while using the light and dark contrasts to make the alien seem alien. Director Hajime Sato would later go on to direct the Bava-esque Goke – Bodysnatcher From Hell. Sato can take a straight scenario and bend it into a warped world, He would later put this pulp science fiction experience to work as a television director on Captain Ultra, which also features crazy surreal aliens that would be right at home in The Golden Bat.
Golden Bat
Ogon Bat/Golden Bat was created in 1930 by writer Ichiro Suzuki and artist Takeo Nagamatsu for use in Kamishibai, a storytelling device where an entertainer would narrate a story for children as sequential wooden cards illustrate the exciting things that are happening. The Kamishibai merchant would make money by selling candy to the children who attend his shows. Kamishibai declined after World War 2, but a few story tellers still exist in tourist zones. The practice is said to date back to Buddhist monks in the 12th century, but the modern version used to entertain kids has it’s roots during the depression as a cheap way to entertain and make money.

Golden Bat is considered the first Japanese super hero due to these tales, and many more were created over the years (including adaptations of American heroes) Some of the art is collection in a few Kamishibai books, and slides are available for download on specialty Kamishibai sites. Ogon Batto would then appear in manga tales.
Golden Bat

Golden Bat made his first film appearance with 1950’s Ogon bat: Matenro no kaijin (Golden Bat: Frankenstein Skyscraper). After thisThe Golden Bat film, 1967 saw an anime series, and the last official film adaptation was 1972’s Ogon Batto ga yattekuru (Golden Bat Shows Up), where a fat and stupid Golden Bat does presumably unfunny things. Neither of the other two films are easily available for watching, probably due to the lack of Sonny Chiba. There is an unofficial Korean Golden Bat film called Yong Gu and the Golden Bat (영구와 황금박쥐 – 1992) which is one of those awful awful Korean children’s films that you should never watch.
Ogon Batto

Golden Bat (voice of Osamu Kobayashi, performer unknown) – Hero of Atlantis, Golden Bat took a nap because one day humanity would need him. It turns out they did, and thus he wakes up just in time to fight Nazo. Golden Bat beats people with his cane because that’s what cool people do.
Akira Kazahaya (Wataru Yamagawa) – Amateur astronomer who discovers that planet Icarus has gone off it’s course and will smash into the Earth. This is all you need to do to suddenly become invited to join the Pearl Research Institute and fight evil with science. Which Akira joins and does.
Bat (Himself) – Golden Bat’s bat, who lives as a pendant on Emily and acts as a calling device and spy for Golden Bat.
Nazo (Koji Sekiyama) – the self-proclaimed ruler of the universe, this four-eyed lunatic wants to destroy all other life in the universe so he will be the only life. Somehow that has given him followers who can’t put 2 and 2 together. Nazo’s latest target is the Earth. He hides out in his base, Nazo Tower, which can shoot lasers. Nazo can shoot lasers from his eyes and has a flying claw hand. In the pulp series, Dr. Erich Nazō (ナゾー) runs a crime syndicate based on world domination and wears a mask that resembles this alien form.
Keloid (Yoichi Numata) – Giggling maniac with a burnt face who likes torture. Is the chief goon of Nazo. At one point he impersonates Dr. Pearl. Yoichi Numata also appears in Female Prisoner #701 Scorpion and the first two Ring movies.
Piranha (Keiko Kuni) – Female goon of Nazo who impersonates Naomi for an extended period in an attempt of sabotage. She fails and is killed by Nazo. Keiko Kuni appears in Female Prisoner #701 Scorpion
Jackal (Keiichi Kitagawa) – A wolf man complete with hairy uniform, he is more of a shock troop of Nazo.
Nazo’s goons (various) – Dressed in all black, these faceless goons are disposable troops sent in service of their evil master.

Ogon Batto

Godzilla Marvel 19 cover

Godzilla #19 (February 1979)


Godzilla Marvel 19

Godzilla: Violent Nudist


Godzilla #19 – With Dugan on the Docks! (February 1979)
Writer – Doug Moench
Penciler – Herb Trimpe
Editor – Archie Goodwin

When last we left Godzilla, he was tiny size and loose in New York City, having just defeated a rat in ultimate combat. But to reuse an obvious joke, Godzilla was drinking milk, and soon grew up to child size. Just the size that Godzilla and Robert and run around together like they’re pals. Thus the central premise of Godzilla #19. If you are completely lost with Marvel’s Godzilla, we have a Godzilla Marvel Splash Page.

Robert now has to lead the child-sized Godzilla through the city without being seen, to get to a safe zone before Godzilla grows any bigger. Needless to say, this is easier said than done.

The cops spot them and give a short chase. Robert realizes he has to disguise Godzilla, because New York City cops in the Marvel Universe are going to stop anyone who looks non-human.

Godzilla is now wearing a trench coat and hat while walking down the street. This disguise is one of those ridiculous disguises that Marvel heroes have traditionally worn that would fool nobody. This whole sequence reminds me of some panels of What The-?! #25:

What The 25

No one suspects!


This is 1970s New York City, so the pair are quickly mugged! You would think that muggers would known not to mug obvious superhumans in disguise, but apparently not. A quick shot of fire breath solves that problem.

It’s Godzilla War Journal all of a sudden up in here…

The Godzilla Squad is dejected, having found neither hide nor hair of Big G, and yet Rob and Godzilla walk right up to them. Godzilla whips off his disguise, this is the second time he does this (first was against the muggers) and it seems someone really liked that idea.

Godzilla then grows to seven feet high as Dum Dum and Gabe attempt to capture him. At one point Godzilla hits Dum Dum and the sound effect is “SPAM”!

Godzilla then wanders away, because that’s what Godzilla does best in this series. Of course, Godzilla will continue to grow and be loose in New York City, and that won’t sit well with some Marvel Heroes, as we shall see next issue…

Godzilla Marvel 19

A Knights Tale 2: A Godzilla’s Tale