Tag Archives: Jun Tsugita

Dead Sushi

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Dead Sushi

aka デッド寿司 aka Deddo Sushi
Dead Sushi
2012
Written by Noboru Iguchi, Makiko Iguchi, and Jun Tsugita
Directed by Noboru Iguchi

Dead Sushi

Summing up Dead Sushi in one picture!


Dead Sushi combines two of my favorite things from low budget Japanese cinema – Rina Takeda and Noboru Iguchi! While I wish these two combined to make something amazing, Dead Sushi turns out to just be above average. While certainly a lot better than either of the prior Iguchi and Takeda films I have seen (Zombie Ass and Kunoichi), Dead Sushi suffers from trying to be too many things. Sure, it’s got zombies, killer sushi, and face kicking, but there is also a big lecture on the proper way to make, eat, and appreciate sushi. Dead Sushi takes as much from Jiro Dreams of Sushi as it does from Machine Girl or High-Kick Girl! Unfortunately, they drag the movie down to a more average range.
Dead Sushi

Finally a movie that isn’t afraid to spit the truth!


The two main attractions to Dead Sushi are the gore effects and the choreography. First – the gore effects are okay, but not so different from what we’ve seen before. The humor comes from the instigators of this gore, living sushi pieces that talk gibberish and fly through the air, skeletonizing people. After the gimmick wears off, Dead Sushi gives us zombies to allow for some actual fighting against something other than CGI and puppets. While zombies are overused and boring (despite these zombies spitting up rice!), the occasional fights against CGI sushi have their fun, and remind me of Birdemic.
Dead Sushi

Why you should never eat cheap take-out rice!


The choreography is less disappointing, and is what you should seek out Dead Sushi for. Rina Takeda’s Keiko is a sushi apprentice to her father, the sushi chef skills giving her karate skills because that’s just how it works. There is some kicking and punching of sushi pieces out of the air, and later some battles against ineffectual zombies. Dead Sushi then shakes things up with Kentaro Shimazu running around with a giant fish head and a gianter axe to battle Rina Takeda, while the one good piece of sushi – Eggy – does battle with a giant CGI sushi battleship. The fights keep you entertained, whoever the stunt guy for Kentaro Shimazu is matches well with Rina Takeda’s moves, giving us nice fighting to entertain the people. Bread and circuses. Or Sushi and Zombies.
Dead Sushi

Shaming the shameless


Keiko (Rina Takeda) – Daughter of a great sushi master, who is angry that she was a girl and thus inferior at making sushi. She runs away in anger, taking a job as a hostess at a hotel. The years of practice at making sushi has honed her skills at fighting, and also given her admirable sushi skills that are recognized by Mr. Sawada. Keiko is also known to lecture on proper sushi etiquette, showing she was paying attention to all her father’s teachings.
Yamada (Kentaro Shimazu) – What seems to be just a homeless guy is actually the former head of new medicine development at Komatsu Pharmaceutical, the company that comes to dine at the hotel for their famous sushi. His project on bringing dead sea life back to life was cancelled, but not without the side effects of turning him into a zombie lord, and he unleashes the infection at the hotel. Evolves into a fishhead form.
Nosaka (Takamasa Suga) – A good guy who isn’t that good, secretly knows what’s going on as the whole outbreak is part of his own sick experiments for Komatsu Pharmaceutical. But the worm will turn…
Yumi Hanamaki (Asami Sugiura) – Hostess at the hotel who worked hard to gain her position, and also married the new owner. Is cheating on her husband Mr. Hanamaki (Takashi Nishina) with arrogant sushi chef Tsuchida.
Mr. Sawada (???) – Nice guy at work, was an arrogant sushi chef at the inn until he accidentally stabbed his wife and became knifephobic.
Eggy (himself) – an egg sushi that is spurned by all the seafood-based sushi, Eggy turns good and uses his acid egg juice squirting ability to aid Keiko and Mr. Sawada.

Dead Sushi

Better than the movie Battleship!


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Zombie Ass: Toilet of the Dead

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Zombie Ass: Toilet of the Dead

aka ゾンビアス Zonbiasu

2011
Written by Noboru Iguchi, Ao Murata, and Jun Tsugita
Story by Tadayoshi Kubo
Directed by Noboru Iguchi

Zombie Ass Toilet of the Dead
The horrible secret of Bush’s Baked Beans…

While normally a fan of the Japanese ultra-gore films and Noboru Iguchin in general, Zombie Ass: Toilet of the Dead ends up sucking ass! What is should be a bunch of fun and ridiculous scenes instead gets bogged down by far too much melodrama, and the replacement of poo for the blood splatter scenes. Which isn’t done in a creative way, and instead rely on the fact that there is lots of poo around for the laughs. Poo may be funny in concept, but in practice it gets boring really fast. While other films like Helldriver and Mutant Girls Squad mix their films with a greater theme, Zombie Ass fails to successfully do that, either. There is a vague theme of bullying that rarely comes in to play, and doesn’t parallel with the zombie tapeworm invasion tale going on. The obvious subtext of body image is barely addressed and would have resulted in a much better film. The ending battle with a flying girl versus a monster is nothing we haven’t seen before, either. It took four people to write something so bland!

Zombie Ass Toilet of the Dead
Funnily enough, this method of transportation has begun to catch on in crowded Tokyo

Zombie Ass‘s few pluses include the design of the tapeworm parasites, they have a brain on them that make them look like the creatures from Fiend Without a Face. I do not know how intentional this homage is, but I hope it was very. I will also score a point for the final monster looking like a sock puppet Jar Jar Binks, because that effect is bad enough it became funny. But besides that, I do not need a heroine who is sad all the time because she didn’t bother to save her bullied sister, nor every other character either being horrible or dating someone horrible. Most of the cast are the type of people who die first or second in a movie, and it was annoying seeing them continue to live beyond their expiration date. I was rooting for the poo to drown them!

Zombie Ass Toilet of the Dead
Meesa mutant butt zombie, okeyday!

Even the appearance by regulars Asami Sugiura, Demo Tanaka, Yuya Ishikawa, and gratuitous nudity don’t save Zombie Ass from going down the drain. You’re gonna want to flush this load as soon as it’s dropped off at the pool. This film doesn’t have much to go on, and this is no smear campaign. Zombie Ass could be more Charmin, and that’s the bottom line. Despite the brown-nosing, Zombie Ass is only a #2. You might want to log off now, these puns sure are on a roll!

Megumi (Arisa Nakamura) – Our heroine. Her younger sister Ai died due to bullying, and Megumi was unable to act to stop it. So now she studies karate all day to be strong to make up for failing to save her sister. She’s also very introspective.
Aya (Mayu Sugano) – Megumi’s good girl friend, and the only non-annoying character in the film. So you know she’s going to die. She’s dating scuzzy guy Take, whose main hobby is cheating on her with other girls.
Maki (Asana Mamoru) – Megumi’s controlling and vain friend, whose idea it is to go find some tapeworms so she can look thinner. Has no problem with getting it on with Aya’s boyfriend. Is entitled and spoiled, the perfect host for the Queen Parasite. Asana Mamoru is a Gravure model also known as Asana Kouno.
Sachi (???) – Young sick daughter of the mad scientist who is raising the tapeworms and feeding them to her to help keep her leukemia in remission. Is deranged and has a fondness for knives and for killing people. Can communicate with the Nekurogedoro due to the large amount of their chemicals in her body.
Sachi’s Dad (Kentaro Shimazu) – Sachi’s mad father who set up this crazed scheme to help her live longer. Cares about nothing but having his daughter live longer, no matter how many lives it costs.
Queen Nekurogedoro (A puppet) – The boss of the mutant parasite tapeworms dubbed nekurogedoro, the Queen resides inside of Maki until such time that she pops free to battle Megumi. Can fly, and teams up with Sachi. This puppet is my favorite part of the film. Yep.
Zombie Ass Toilet of the Dead
Okay, Star Wars Prequel Abomination, I got the cure!

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Horny House of Horror (Review)

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Horny House of Horror

aka Fasshon heru aka Fashion Hell

2010
Directed and written by Jun Tsugita

How many different ways are there to film girls chomping off a guy’s johnson while keeping thing interesting? Well, Horny House of Horror has an answer to that, and the answer is “not enough.” As we’ve seen time and time again the past few years, Japan has become a great exporter of films that fit a genre of ridiculous gore – The Machine Girl, RoboGeisha, Vampire Girl vs. Frankenstein Girl, Mutant Girls Squad, Gothic & Lolita Psycho – are all examples that TarsTarkas.NET has taken the time to view. And I admit that I think some of those films are rather good, in a WTF fashion, and I’m even shocked that the genre has lasted as long as it has without getting on my nerves. But when you get enough of something, parts of it will be crappy, and with Horny House of Horror is that part.

Up until the last third of the movie, the majority of the blood on display is arterial spray gushing out of the crotches of three unfortunate men. The rest is talking. And talking. And anticipating. At this point in the genre’s life, it is too late to try to do a slow buildup to the crazy, we’ve gotten to the point where we need a constant stream of crazy violence, much like the sprays of blood desired.

With a pedigree including writer/director Jun Tsugita (Mutant Girls Squad), and gore effects by Yoshihiro Nishimura (Tokyo Gore Police, Vampire Girl vs. Frankenstein Girl, and many more), this seemed like it would be a treat. Even some of the familiar cast members from Sushi Typhoon films pop up. But things just don’t go together right. And though the film gets around the banishment of full frontal nudity in Japan by using black circles over the severed and non-severed dongs, the limited freedom isn’t incorporated in a way that takes full advantage of the effect. It’s simply an afterthought, not part of the film itself. Though a small point, it is indicative of how much of the film doesn’t go together well.

The opening 16mm slideshow strip of a guy going to a sex massage club on the way home from work was rather nice – it is probably my favrite part of the film as a whole, and made me expect that things would be good throughout. But shadows of the strip remind me of my reading of Tokyo Vice by Jake Adelstein, which will sour you on the sex industry in Japan like nothing else will. We jump into our first victim, whose gets is wang rolled into a sushi roll that is promptly chomped by his working girl as he screams helplessly and blood reddens the world.

So let’s meet the cast!

Nagisa (Saori Hara) – This sushi-loving masseuse is the newest filly in the herd. She’s also the most reluctant. Saori Hara is an AV star who also does a good deal of softcore flicks. Oddly enough, she’s also in Deep Sea Monster Reigo, as well as 3-D Sex and Zen: Extreme Ecstasy. Back when she was Mai Nanami, I commented that she hadn’t done much of anything. Now she’s done much of everyone!
Nonoko (Asami Sugiura) – The most experienced working girl and the most jaded. Truly enjoys her job, even if it is apparent she hates herself and everyone else. Lesbionic with Kaori Asami is also an AV star, but her biggest fame is appearing in all the Noboru Iguchi and friends ridiculous gore films such as The Machine Girl, RoboGeisha, Mutant Girls Squad, Gothic & Lolita Psycho.
Kaori (Mint Suzuki) – Kaori is the new girl in the club, forced into a life of selling her body after her parents died to care for her younger siblings. But not is all as it seems with her. Mint Suzuki is an AV star whose films you can probably find with a quick Google search.
Nakazu (Yuya Ishikawa) – Nakazu is going to get married to his lovely girl Misa, thus his friends drag him out to have sex with some random chicks! He’s not that into it. Then things get interesting… Yuya Ishikawa is a familiar site in these ridiculous gore films, popping up inThe Machine Girl (plus the short sequel), RoboGeisha, and Gothic & Lolita Psycho.
Uno (Toushi Yanagi) – Uno is no slouch in picking women to have sex with in sex clubs. He’s also a karate master out of nowhere!
Toshida (Wani Kansai) – The bald member of the crew, fancies himself and expert in the ways of sex parlors. Too bad he isn’t an expert in not getting a boner!


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