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Godzilla island story arc 1
InBad, Movie Reviews

Godzilla Island – Story Arc 1

April 5, 2008By

Godzilla Island – Story Arc 1


1997

Directed by Shun Mizutani

Godzilla has several TV shows throughout his history. In this year’s March of Godzilla, we will be cataloging one such show, Godzilla Island. Godzilla Island was a series of three minute episodes that ran from October 6, 1997, until September 30, 1998. 256 episodes were created, using a combination of toys and stock footage to bring the characters to life. Throw in some characters acting in front of a blue screen and a basketball-shaped annoying robot, and you got Godzilla Island in a nutshell. One advantage to the toymation approach of monster effects is it allows the appearance of all sorts of kaiju from all over G-history. Multiple Jet Jaguars! All sorts of one-shot characters pop up over the course of the series. But as this was created around 1997, no one from the Millennium series of films is present.

Set in the year 2097, where most kaiju live on an island in the Pacific Ocean. Godzilla Island. I guess, I’m not sure if they give it an actual name, since they speak this Japanese language all the time. Anyway, Godzilla Island soon becomes a center of activity for alien invasions left and right. Aliens being the evil Xilien aliens, as seen in Godzilla vs. Monster Zero. The one individual seen even dresses like them, although she doesn’t follow the contention that all females of the species look identical to Kumi Mizuno. Godzilla Island is governed by the Godzilla-Guard, aka G-Guard, which is staffed by one guy and a robot. The G-Guard Commander is less than capable in dealing with invading monsters and aliens, but luckily he is joined by mysterious young girl Torema, who has a powerful space ship and psychic powers.

According to the credits, the series was directed by Shun Mizutani and written by Takahiko Masuda. With music by The Edge. I guess U2’s The Edge, unless there is another The Edge running around, in which case I must bang my head on the desk. We’ll run through the episodes in order broken up by story arcs. Some stories are only a few episodes long, and some last close to twenty. Each episode ends with “tsuzuku” which basically means “to be continued.” So tsuzuku will be our catchphrase of the series. If you missed this paragraph you’ll probably be very confused, as we will probably type tsuzuku more than Godzilla in these articles.

The action is brought to life with toys. It is toymation at it’s finest, almost a decade before Robot Chicken. This allows for lots of monsters to be in lots of shows, lots of monster fights that we would never see otherwise, and lots of new versions of monsters. Plus the fact they had a deal with Bandai Toys to produce lots of exclusive toys for the show didn’t hurt. Come to think of it this is more of a blatant commercial for toys than the He-Man cartoon! But first let’s meet the human actors who will be appearing in most of the episodes:

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Godzilla Mothra Tokyo SOS
InMovie Reviews, Ugly

Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S. (Review)

April 9, 2007By

Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S.

aka Gojira tai Mosura tai Mekagojira: Tokyo S.O.S.

2003

Starring
Noboru Kaneko as Yoshito Chujo
Miho Yoshioka as Pilot Azusa Kisaragi
Mitsuki Koga as Mechagodzilla Pilot Kyosuke Akiba
Hiroshi Koizumi as Dr. Shinichi Chujo
Akira Nakao as Prime Minister Hayato Igarashi
Koichi Ueda as General Dobashi
Koh Takasugi as Colonel Togashi
Masami Nagasawa as Shobijin (Twin Fairy)
Chihiro Otsuka as Shobijin (Twin Fairy)
Directed by Masaaki Tezuka

March of Godzilla 2 soldiers on with the sequel to Godzilla X Mechagodzilla, Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S.! This time, Mothra has been thrown into the mix, main characters have been ceremoniously and unceremoniously dumped, while suddenly the movie goes all sanctity of life on us. It comes out of left field, but before we know it we’re getting pelted from every direction. If we can ignore the message, underneath it all we have a pretty entertaining Godzilla film, much better than its predecessor. In addition to Mothra making a reappearance, we also get a reappearance from Hiroshi Koizumi! He reprises his role of Dr. Shinichi Chujo that he did in the original Mothra back in 1961. Having met Mr. Koizumi about two years ago, I remember he said he was happy that he could reprise an older role, and was proud of his appearances in Godzilla films. The best part is this follows the continuity of this film series, for in this reality Godzilla never attacked Japan again after 1954 until he reappeared in 1998. However, monsters such as Mothra and the Gargantuas plagued Japan, so they created Special Forces to deal with them. Thus the Mothra movie happened, and so did Dr. Shinichi Chujo. Hiroshi Koizumi has been seen here numerous times: Godzilla vs. Mothra, Ghidrah the Three-Headed Monster, and Gigantis, the Fire Monster.

This is the second to last Millennium Series Godzilla film, and currently the second to last Godzilla film, period. Rumors abound a low-budget IMAX Godzilla film might happen, but officially Toho has shut down Godzilla for the time being, to renew interest. Until that day, we have to make due with what already exists, a huge library of films, and many TV appearances (some of which we are hard at work tracking down.) Such a horrible predicament!

As stated before, this is a direct sequel to the previous year’s Godzilla X Mechagodzilla, making it the second direct sequel to a Mechagodzilla film (third if you count the fact that the second original Mechagodzilla movie was part of a continuous series of films.) Needless to say, Mechagodzilla must have a good agent who is meticulous with the sequel clause. It always does him good. Mechagodzilla is again built by humans to fight Godzilla in the previous film, and is being repaired after major damage suffered in the fight. He has a few new tricks, and loses an old one due to funding cuts. Funding cuts, the essence of action films! This is also the only Godzilla movie I remember that makes a big deal about rebuilding efforts being stalled, as much of Tokyo where they fought before is still in ruins. The rest of the city is fine, and ripe to be destroyed in the next battle. Who will emerge victorious? Will Godzilla be stopped? Why do the Shobijin dislike Mechagodzilla? Will some dumb girl carry a plant around like a baby? Will the female lead be a depressed ice queen? Will the lame spirituality subplot tank the film? These questions and more can be answered in Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S.!

Godzilla X Mechagodzilla
InMovie Reviews, Ugly

Godzilla X Mechagodzilla (Review)

April 2, 2007By

Godzilla X Mechagodzilla

aka Gojira tai Mekagojira

2002

Starring
Yumiko Shaku as Akane Yashiro
Shin Takuma as Tokumitsu Yuhara
Kana Onodera as Sara Yuhara
Koh Takasugi as Colonel Togashi
Yusuke Tomoi as 2nd Lieutenant Hayama
Kumi Mizuno as Prime Minister Machiko Tsuge
Akira Nakao as Prime Minister Hayato Igarashi
Jun’ichi Mizuno as 1st Lieutenant Sekine
Directed by Masaaki Tezuka

Godzilla continues his rampage, as the Millennium series continues its run on TarsTarkas.NET for March of Godzilla 2. This time, history is rewritten again, as we go to another alternate reality where Godzilla again never returned after his death for 45 years. Derivations abound, a new anti-Godzilla force is introduced, and this movie trumps everything by getting a direct sequel. It also gives us a new and improved Mechagodzilla, making the third version of that creature. Like the second version, this Mechagodzilla is built to fight Godzilla by humans, but has some noticeable differences. You see, he’s built on the bones of the original Godzilla, which weren’t vaporized by the oxygen destroyer as previously shown in the original script. I guess they just floated a few feet off camera or something during one of those bubble fade outs (or the convenient excuse: alternate reality.) Anyway, so that makes Mechagodzilla a bio-robot. Now, it is odd that this film got a direct sequel, as the human characters are some of the least interesting in a while. Some of them don’t even appear in the next installment, making you wonder what the heck happened. Well, not that much, since they aren’t that interesting. Drum that up with an unsatisfying conclusion, and you got some sort of messy Godzilla flick that only marginally entertains, at least until the title monsters actually start fighting. Both before and after, it’s a bumpy ride.

After the success of Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack, Toho was set to just redo popular monsters. As one of the most popular and classic monsters was the robotic double of Godzilla, here he is. And so we got the third movie entitled Gojira tai Mekagojira. But it’s cool, as instead they renamed it Godzilla X Mechagodzilla for the US. You see, the X makes all the difference. The prior Gojira tai Mekagojira was simply titled Godzilla vs. Mechagodzilla 2, despite the fact it was unrelated to the original Godzilla vs. Mechagodzilla. Terror of Mechagodzilla is the sequel to the first, making this all confusing. All those facts and titles making your head spin? Well, that’s funny, because the original Mechagodzilla spun his head as a weapon and….

Okay, enough of that, let’s focus on THIS movie. Problems or not, it is what is playing in the DVD player. So we are stuck with it. We seem to get that a lot here. Maybe I should fix the DVD player, so it stops playing stupid movies….Nah, then how would I update the site? In addition to the Japanese version, we also got the English dub, which makes some of the characters sound over-dramatic, and still uses the Kiryu name. The clips will be from that version, so you don’t have to read subtitles. But before the movie, we must meet the cast!

Godzilla Mothra King Ghidorah
InMovie Reviews, Ugly

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (Review)

March 26, 2007By

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack

aka Gojira, Mosura, Kingu Gidora: Daikaiju sokogeki

2001

Starring
Chiharu Niyama as Yuri Tachibana
Ryudo Uzaki as Admiral Taizo Tachibana
Masahiro Kobayashi as Teruaki Takeda
Shiro Sano as Haruki Kadokura
Eisei Amamoto (Hideyo Amamoto) as Professor Hirotoshi Isayama the Prophet
Mizuho Yoshida as Godzilla/Gojira
Akira Ohashi as King Ghidorah
Rie Ota as Baragon
Directed by Shusuke Kaneko

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack aka GMK aka Gojira, Mosura, Kingu Gidora: Daikaiju sokogeki aka Godzilla, Mothra, King Ghidorah: The Giant Monsters’ General Offensive (the literal title) has a reputation of being one of the better entries in the series. This couldn’t be further from the truth. GMK is one of the worst entries, in my opinion THE worst film of the whole series. Biollante? Megalon? The Smog Monster? They are three Citizen Kanes compared to GMK. Director Shusuke Kaneko became famous for making the highly regarded modern Gamera films, and was given a chance to make a Godzilla film. His original concept would have been far superior, but Toho screwed around with his monster choices, and that combined with stylistic touches I don’t really care for ended up melting into a nasty soup of disflavor. We shall go over some of the origins of the film before we get to the story, and deal with the problems in their appropriate areas.

Godzilla X Varan, Baragon and Anguilus: Giant Monsters All-Out Attack would have been a neat film. It would have eliminated one of my major criticisms of this film, the complete role reversals of several established monsters. It also would have provided a reappearance of Varan after many years (last seen briefly as a ratty costume in Destroy All Monsters), Anguirus returning (who hadn’t been seen since Godzilla vs. Mechagodzilla), and Baragon (who made it into the final film.) Varan was actually director Shusuke Kaneko’s favorite monster, but he ended up keeping Baragon in the final product, and changing Ghidorah’s face to resemble the old Varan costume. Also, rumor is the Gotengo from Atragon would have also appeared (it ended up reappearing in Godzilla: Final Wars, alongside Anguirus) and lots of maser tanks (the tanks with the satellite dishes that shoot lasers.) But as Varan and Baragon were not box office bankable, something Toho was more worried about after the failures of Godzilla 2000 and Godzilla vs. Megaguirus; and after Kaneko’s own friends had no idea who Anguirus and Varan were (I don’t know if they knew who Baragon was) he decided to drop them in favor of the pushed by the studio King Ghidrah and Mothra. This provided a small wrinkle storywise. Okay, a huge wrinkle. The plot of the film is about Godzilla attacking, being the souls of the dead from World War 2 out for revenge. Japan would then be defended by three guardian creatures, which were weaker than Godzilla but teamed up their power. Since Mothra and King Ghidrah can both hold their own against Big G, they had to modify them a bit to make them smaller and weaker looking. Also, that meant Ghidrah was a hero for the first time ever, something I do NOT agree with. The monsters end up not being much of team players, with only Mothra doing things to help anyone else.

So now Godzilla, instead of being treated like a force of nature, is now a malevolent force of destruction. He doesn’t even have pupils anymore, to give him a more sinister look. I kind of find that annoying, but it fits in with the intended storyline, so I let it go. He also has a hunched back and pot belly, which is a tad harder to let go. Hit the gym, Big G! As a film in the Millennium series, it is free to rewrite continuity however it sees fit. Still, some things shouldn’t change, like character allegiances. The success of the film prompted Toho to continue making a few more G films, so some good came out of it. Just because I like it the least doesn’t mean I won’t watch it, but when given a choice between chocolate and chocolate with peanut butter, you take the C&PB every time. Plus, I lied earlier, this cannot be the worst Godzilla film, as thanks to this and Godzilla Final Wars, the American Godzilla is now part of the canon, making it the worst film. Hopefully some enterprising young student makes their own fan film of Godzilla X Varan, Baragon and Anguilus: Giant Monsters All-Out Attack, with which we can live on vicariously until Toho decides to start pumping out more Big G films again.

Grandpa Al Lewis
InBad, Movie Reviews

Godzilla vs. Mothra (Review)

April 28, 2006By

Godzilla vs. Mothra

aka Godzilla vs. the Thing aka Mosura tai Gojira

1964

Starring
Akira Takarada as News Reporter Ichiro Sakai
Yuriko Hoshi as News Photographer Junko ‘Yoka’ Nakanishi
Hiroshi Koizumi as Professor Miura
Yu Fujiki as Reporter Jiro Nakamura (with egg and frying pan)
Emi Ito as Shobijin (Twin Fairy)
Yumi Ito as Shobijin (Twin Fairy)
Yoshifumi Tajima as Kumayama
Kenji Sahara as Banzo Torahata

Super Scary Saturday is in the HOOOOOOOOOOOOOOOOOOOUSE! Not House, MD, your house! Our house! It’s a very very very fine house, with two cats in the yard… Seriously, it’s time once again for a Godzilla movie, as March of Godzilla heads to the penultimate recap, and it’s a Super Scary Saturday version once again, as Grandpa Munster is there to guide us through! This time Godzilla is fighting Mothra in a battle that is battle-ish. Or something. This is pre-good guy Godzilla. Godzilla is still bad, still stomping the people for a pastime. In this version, they ramp up his lizardness, redesigning his head to make him more lizard-looking and more sinister-looking. Mothra makes her first appearance since her own movie, and the Twin Shobijin fairies played by the Peanuts are along for the ride. This is the American dub, complete with a scene filmed only for the US version.



Super! Scary! Saturday! It’s Super Scary Saturday, in case you missed the dozen other times I mentioned it and the big pictures. Grandpa Munster opens singing Zippity do dah! before beginning the standard “It’s me, Grandpa!” Grandpa walks in, with a baseball glove in hand, suddenly stops in his tracks! He says “What is this?” All of his friends are lounging around sleeping and being lazy. Slim the Skeleton is lying down flat on his back. Grandpa tells him to “shake a leg” and he does.

Next up, Grandpa asks mannequin Deadra if she’s going to spend all day filing her nails, which are ten penny nails which she is filing down with a metal file. Explaining this pun takes all the life out of it. Grandpa skips over Fang, who’s also sleeping but just woke up, to see Igor the bat asleep on his bed. Grandpa says Igor was more fun during the Black Plague! “Actually, the Black Plague was a lot of laughs…” Finally, Grandpa says the group needs to “shape up or ship out!” Grandpa will introduce….Grandpa-cise! What’s Grandpa-cise? We’ll find out in the next host segment. Until then, it’s time for the main show…Godzilla vs. Mothra!!!


We open in a storm, like so many Godzilla films. Well, at least Godzilla vs. the Sea Monster. Instead of wrecking a boat, we gets lots of shots of model sets being blown over. It’s like Hurricane Katrina, Japanese Model Version! Look out, Newu Oreansu! Actually, it’s Hurricane Abe, as the dialogue will tell us later. Areas of Japan are ruined, and Reporter Ichiro Sakai and his rookie photographer Junko Nakanishi arrive to survey the scene. Ichiro Sakai is played by Godzilla favorite Akira Takarada, who starred both in the first Gojira all the way to the last one (but not all of them in between.) Photographer Junko Nakanishi is played by actress Yuriko Hoshi, who will be playing almost the same role in the next film Ghidrah, except as a stronger woman character. She doesn’t return to the world of Big G until 2000’s Godzilla X Megaguirus. Her character has the nickname Yoka, so that’s what we’ll be calling her in the synopsis. Reporter Sakai has made some enemies, most notably the loudmouth mayor of the coastal city that was trashed by the hurricane. He boasts that their development project will be on schedule despite what Sakai wrote, thanks to their industrial-strength water pumps. Mr. Loudmouth Mayor fails to reveal how much these things cost, or why he’s wasting money on that instead of providing aid relief. I’d like to think that in the US he’d get run out on a rail, but we still have 99% of the Katrina idiots in charge, so we’d probably give him a medal as people starve.


Ghidorah
InBad, Movie Reviews

Ghidrah, the Three-Headed Monster (Review)

April 7, 2006By

Ghidrah, the Three-Headed Monster

aka San daikaiju: Chikyu saidai no kessen

1964

Starring
Yosuke Natsuki as Detective Shindo
Yuriko Hoshi as Naoko Shindo
Hiroshi Koizumi as Professor Miura
Akiko Wakabayashi as Mas Selina Salno, Princess of Sergina
Emi Ito as Shobijin (Twin Fairy)
Yumi Ito as Shobijin (Twin Fairy)
Takashi Shimura as Dr. Tsukamoto
Akihiko Hirata as Chief Detective Okita
Hisaya Ito as Malmess, Chief Assassin
Ikio Sawamura as Honest Fisherman
Kenji Sahara as Editor in Chief Kanamaki
Directed by Ishiro Honda

It’s a Special Edition of Ghidrah – The Three-headed Monster! From the depths of the 1980’s comes a flash from the past, TBS Superstation’s Super Scary Saturday! Yes! Back when TBS would show monster movies every Saturday morning, hosted by none other than Grandpa Al Lewis, from The Munsters! Several select movies from the Godzilla series still survive with the Grandpa Al Lewis hosting on VHS tapes of mine. As they were part of the experience when I saw some of these for the first time as a tyke, I am including them in the recaps for March of Godzilla so you, too, can join in the experience. This is the first one of the series to be on TarsTarkas.NET, so it will get the most introduction.


The actual film is Ghidrah – The Three-headed Monster, a classic in the Godzilla series. This film introduced the most notable monster villain in the history of the G-series. It also features the first monster team-up against a greater monster force, as well as Rodan and Godzilla’s first meeting, and the introduction to the theme Godzilla saving Earth from greater threats. Mothra, Rodan, and Godzilla were Toho’s big three, and this star-powered film set a large standard for films that later entries in the series couldn’t match. Films directly following this one still came off great, but by the Showa-series’ later years, the Godzilla formula had gotten pretty stale. In keeping with theme, we’ll call those the “Jet Jaguar years.”


The Super Scary Saturday Logo Commercial plays, with graphics of various monsters, aliens, and ugly people flying by as the words “Super”, “Scary”, and “Saturday” float by in red. Finally, after a buzz by the 1950’s War of the Worlds‘s Martian craft, we get a scream, followed by the conclusion “Super Scary Saturday” graphic, as the TBS theme plays. This jumps us right into Grandpa, who opens with his line “It’s me, Grandpa!” which he seemed to say every week. This week, it’s light on the skits, as Grandpa digs through dusty old film reels, searching for this week’s film. We get some lame jokes on the caliber of “Heaven Can Wait. Believe me, it can wait, it can wait, it can wait, it can wait, it can wait, it can wait!” We get to our film, promised as “One of the monstrous tag team battles of all time!” and “This creature is living proof three heads are better than one!” Grandpa rattles off all the monsters that will soon be stomping across the screen, then remarks “If I had a dollar for every monster in this film, I’d have more money than Transylvania T&T!”

I love Grandpa.

Grandpa sits in his movie set, the one next to him always empty (only two seats) because it’s the seat for you, the viewer at home. “Roll it, Igor!” he shouts, to the often unseen Igor (I can’t remember if he ever shows up, but I have some more of these on tape, so maybe he does pop in on one.) and the movie begins…


Ghidrah The Three Headed Monster!

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