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Super Energetic Man

Super Energetic Man (Review)

Super Energetic Man

aka 戇豆豆追女仔
Super Energetic Man
1998HKMDB Link
Written by Johnny Lee Gwing-Gaai
Directed by Dung Do Cheung Mei

I’m off-brand Popeye the Sailor Man!

A bootleg Hong Kong version of Popeye? Yep, Super Energetic Man transplants Popeye to Hong Kong cinema, brings a good portion of cartoon violence, and then goes completely nuts! Super Energetic Man plays like it’s trying to be a Stephen Chow comedy: It’s got copious copyright “borrowing”, cartoonish violence, scenes that make little sense to fill out the mo lei tau, and Lee Kin-Yan. As a Popeye film, it barely qualifies, with much of the plot running off in random directions, sometimes not even involving any of the main characters. But it just qualifies enough on the rare occasions On Do-Do whips out a can of spinach, shoots it up in the air (the spinach being played by green confetti), munches it down dramatically, inflates his arms, and does superhuman deeds.

Super Energetic Man

Oh no!


The fake Popeye is named On Do-Do (Edmond Leung Hon-Man), and he’s a humble newbie lifeguard who mysteriously often dresses in a sailor suit. His first appearance is disrupting the complicated seduction plans of Captain Lorento (Elvis Tsui Kam-Kong), who throws rats at women who are in rafts, then “saves” them from fake sharks. This overly-complicated plan fails when On Do-Do tosses a skewer into the “shark”, and earning the unwanted gratitude of hot babe Maltese, who will spend most of the film chasing after him and declaring him her boyfriend. But On Do-Do’s heart belongs to another…

On Do-Do and Princess Lychee (Gigi Lai Chi) are in love, they met on the internet. In 1997. “But ours is internet love, I can’t retreat from it,” says On Do-Do. Also they’ve never sent photos to each other, so when they do meet, it is a mystery what each one looks like. But once they do meet, sparks fly, at least until the many many times someone comes in to disrupt their union. Princess Lychee is a real princess, from Kuwite, and because of her great beauty, many men have turned heel in obsession with stealing her away to make her their bride. Hence, her Uncle Pat spends the beginning of the film battling some random soldier who professes her love and tries to kidnap her (Lychee protests that she’s never even met him!) and later Captain Lorento and Mad Dragon also try to steal her away. With all these creepy dudes stalking after her, On Do-Do becomes the best guy in the country simply because he’s the only one who let’s her choose who she wants to date. Also he helps save her from the creeps who take her agency, which often makes up for the various lovers’ quarrels.

Super Energetic Man

So say we all!

A Chinese Odyssey Part Two – Cinderella

A Chinese Odyssey Part Two – Cinderella

aka 西遊記完結篇仙履奇緣 aka Sai yau gei: Daai git guk ji – Sin leui kei yun

1995
Written and directed by Jeff Lau Chun-Wai
A Chinese Odyssey Part Two - Cinderella
Thus continues the fairy tales and romantic adventures of a guy named Joker who is really Monkey King with A Chinese Odyssey Part Two – Cinderella. The sweeping action and epic timescope of the original is expanded on, while the extra time gives us a chance to get to know a few of the characters we saw little of in the first part. Don’t worry, there are generous amounts of ridiculous slapstick, special effects fights,

Part of the fun of these Hong Kong films is the varying quality of the copy that is used for DVDs. In this case, the copy has burnt in subtitles, which calls some characters slightly different names than in Part 1. I’ve done my best to try to rectify the situation, but welcome to planet reality. If you missed the review of A Chinese Odyssey Part One – Pandora’s Box, it is here.
A Chinese Odyssey Part Two - Cinderella
Even more fun, the plot of Part Two is vastly more complicated, and is rendered further difficult because several characters switch bodies in the second half. And yet, despite the zaniness, it works, as actors get more to do and the danger of repetitiveness is staved off for a while. While a tale as large as this can run the risk of becoming far too long, the brisk pace prevents fatigue from setting in. Some reviews I read thought this section was confusing and ruined the film, but I see it more as helping things from getting too stale. And if you try to follow things too logically, your brain will explode, as the timeline gets completely disrupted by all the time travel. Let’s just say there is probably a reality where King Bull opens a casino in Hill Valley…

The lovers on the roof scene at the end has become an iconic shot that is instantly recognized by people who haven’t even seen the movie in years. It’s also one of my favorite moments in Hong Kong cinema, because the whole thing is perfect. The closure of the lovers story, the chance for Monkey King to talk one last time to the woman he loved but cannot love, the looks of the torn emotions of the two characters on the roof, the look back as Monkey King walks away, and especially the music, all making a perfect storm of awesome.
A Chinese Odyssey Part Two - Cinderella
The tales of destined true love that endures lots of hardships and doesn’t usually end in happy endings are common themes in the works of both Lau and Chow. This time they even have characters literally speaking to the heart to learn the heart’s desire and true love. Another common thread in Steve Chow’s films is him having a whole host of women who fall for him. It’s good to be the king! Add to that to his reputation as a playboy and how different the women are in some of Chow’s later films, and you get the feeling there is some sort of hangup about women. But that’s a whole article to itself.

The Chinese Odyssey films would end up becoming so beloved that attempts would be made to recapture the magic. Lau would return with A Chinese Odyssey 2002, and try again with A Chinese Tall Tale, and then Yet Another Pandora’s Box. While each of those films have their own merits, none of them achieve the level of special significance that the originals did. Chow also used the nostalgia of these films to excite everyone with his return to directing for Journey to the West: Conquering the Demons, though that film is so tonally different that they are only connected by the true love theme. Several other adaptations of Journey to the West are in the pipeline, the popularity of the stories will ensure their retelling for generations. Some will attempt to be creative and unique, while others will rely on the past and be lazy and derivative. We may one day see a challenger to the throne, but for now, it is time to hail to the Monkey King, baby!
A Chinese Odyssey Part Two - Cinderella

Joker/Monkey King (Stephen Chow Sing-Chi) – Joker is trapped in the past and realizes he is also Monkey King. But his whole thoughts are based on trying to get back to the future to be with his love Jing Jing. Except now this new lady Lin Zixia is insisting that he is her true love. And Monkey King’s old friends and foes show up, leading to a confrontation between powers.
Lin Zixia/Lin Qingxia/Purple/Spider Web Immortal (Athena Chu Yun) – Lin Zixia escaped from Heaven to find her true love, along with her twin sister Lin Qingxia. This gets confusing as they are in same body, Qingxia comes out at night and is the crazy one. Zixia looking for a lover who can pull out her magic sword from its sheath, proving that he is the one. This has so much sexual innuendo going on they might as well just have done it XXX style to be more subtle! Zixia is called Purple in most references to this film, but not in the subtitles of the version I have.
Longevity Monk (Law Kar-Ying) – Thanks to time travel monkey shines, Longevity Monk is still around and is very annoying. That’s his super power. He’s also targeted for becoming dinner, and is fond of singing song by The Platters.
Pigsy/Assistant Master (Ng Man-Tat) – Ng Man-Tat spends most of this film as Pigsy, underneath the pig mask (though for a good chunk of the film he’s bodyswapped!) Is usually with Sandy trying to follow Joker to find out what he’s up to this time.
Sandy/Blind Bing (Johnnie Kong Yeuk-Sing) – Last member of the Journey to the West crew, as is tradition he doesn’t do much except be around Pigsy as Monkey King does his thing. Is the level-headed one of the trio.
King Bull (Luk Shu-Ming) – Villain who captures Longevity Monk to eat, desires Joker to marry his sister to get rid of her, and wants to marry Lin Zixia so he can have a mistress. Something his wife Iron Fan Princess does not approve of.
Miss Xiang Xiang (???) – King Bull’s sister who is set up to wed Monkey King, though Monkey King just agrees to it to try to recapture the Pandora’s Box to escape this time.
Iron Fan Princess (Ada Choi Siu-Fan) – King Bull’s wife, who is none too pleased that he’s off trying to collect mistresses. But that doesn’t stop her from chasing after Joker/Monkey King, who was her former lover.
Jing Jing/Boney M of Spider Devil (Karen Mok Man-Wai) – Jing Jing shows up 500 years in the past, having not studied under Spider Web Immortal for all that time and with no memory of her love affair with Joker, as it hadn’t happened yet.
Spider Woman (Yammie Lam Kit-Ying) – If one of the two sisters shows up, you know the other one will, and as soon as she figures out who Joker is and that he can lead her to Longevity Monk, all bets are off!

A Chinese Odyssey Part Two - Cinderella

A Chinese Odyssey Part One – Pandora’s Box

A Chinese Odyssey Part One – Pandora’s Box

aka 西遊記101回月光寶盒 aka Sai yau gei: Dai yat baak ling yat wui ji – Yut gwong bou haap

1995
Written and directed by Jeff Lau Chun-Wai
A Chinese Odyssey Part One - Pandora's Box
Stephen Chow and Jeff Lau’s classic masterpiece, the A Chinese Odyssey films are among the most important cinema to come out of Hong Kong. And I don’t just say that because I love the films. A combination of many factors at just the right time collide and create a lightning in a bottle event that films have been attempting to repeat ever since.

The Chinese Odyssey flicks are a mish-mash of classic literature is melded with Jeff Lau’s love of hugely complex plots with dozens of characters and love stories through reincarnation, combined with Chow’s singular wit, fast talking, and physical comedy making cinematic bliss. A classic tomb is hijacked and reworked into a sprawling tale that still uses much of general mythology of its source.
A Chinese Odyssey Part One - Pandora's Box
The complex plot and phone book of characters (with most of the headliners playing dual roles) does not help with an easy description, but the basic idea is Monkey King has been punished and trapped for 500 years. In the interim, he was reincarnated as a local head of a gang of thieves, a group largely incompetent and filled with lovable losers. Now named Joker, he runs the gang as they dress fierce to claim control of the area. His chief lieutenants are Assistant Master and Blind Bing, who we also know as Journey to the West characters Pigsy and Sandy.

The actual world of Journey to the West has not stopped during this time, so there are still creatures searching for Tripitaka/The Longevity Monk to devour his flesh, and they plan to use Monkey King to find him. Of course, they first have to find the Monkey King, only knowing where he was imprisoned. Those who knew Monkey King recognize him in Joker on sight, despite Joker’s insistence that he is no one special. Regardless, he gets dragged into a world of spider demons, ghost ladies, bull men, giant goddesses, and reincarnated characters.

Despite the large amount of plot going on, the films aren’t adverse to just stopping for a while to let Stephen Chow do his thing. Which is a wise decision, because the comedy is great! The physical comedy transcends all languages and cultures, while many of Chow’s zingers manage to produce laughs despite terrible subtitle translations. It’s a testament to just how good things are when it overcomes some of the usual stumbling blocks.
A Chinese Odyssey Part One - Pandora's Box
Monkey King is historically a defiant character, he stands against the forces of Heaven and against anyone who stands in his way. His adventures feature a lot of visits to fantastic lands and fighting gods and demons. Pandora’s Box brings him down to a more human level, which is even a point in the sequel, as his human emotions are what must be shed to continue on his journey, even though in these films he falls in love repeatedly. That’s called conflict, people!

While Joker doesn’t remember anything Monkey King did, he gets involved in the consequences of Monkey King’s various shenanigans. In the course of Joker’s lying and double lies and triple lies to get out of trouble, he ends up connecting with someone Monkey King hurt as well as dealing with Monkey King and Longevity Monk’s enemies, the huge crowd of characters who want to eat the Longevity Monk’s flesh.

Monkey King ruined the marriage of Jing Jing, and then left her waiting alone. A hard lesson in not trusting Monkey King to do anything right, but thanks to Joker being Monkey King, Jing Jing is able to confront the person who messed up her love life, and Joker is able to make a sort of amends as he falls for Jing Jing. Due to even more convoluted plot development, Jing Jing is poisoned, Joker is imprisoned attempting to get her the cure, and she believes he abandoned her and tries to kill herself, though is saved by King Bull.

The reprieve is temporary, as later she does kill herself amidst a battle in the middle of the Cave of the Silken Web after thinking Joker betrayed her. Joker is then desperately attempting to go back in time just in time to save her, but keeps being just too late. If you think repeatedly watching someone kill themselves can’t be funny, then here is a way to change your mind.
A Chinese Odyssey Part One - Pandora's Box
The Chinese Odyssey films have gone on to be cult classics, and are one of the first Hong Kong films I saw back in the days of getting movies from the one cool video store. Luckily for me, a roommate had vcd versions, which I managed to watch just after watching Black Mask – thus Karen Mok became a reoccurring theme in Hong Kong cinema for me, and eventually an avatar I use in many locations online. The films themselves were just so unlike anything I had seen to that point, only some of the Hong Kong films I had watched at that point had fantasy elements. At that point I was totally unfamiliar with the Journey to the West story, so everything was new to me. So while Bruce Lee and Jackie Chan may have been my gateway drugs into Hong Kong cinema, Stephen Chow became the chocolate-covered crack that kept me coming back. And decades later things are very different, the films still remain and still entertain. Thanks to the internet, many are just a few clicks away. Gone are the days of wandering through the “Foreign” section hoping for anything new, but the films I saw then – Chinese Odyssey, Drunken Master, A Chinese Ghost Story, Hard Boiled, many others – will always have that nostalgic feeling.

A Chinese Odyssey is ultimately about love. The gags and costumes and violence is all dressing for a tale about love. Not about finding love, but about love itself. Love that is destined. Love of a master and a disciple. Love that is joyful. The pain of love, and of love lost. Of love and duty, of casting love aside, or taking chances for love. Even the final ending pushes this home. The dealing with love of all types and not just romantic love expands the universal appeal, reaching audiences who don’t respond to just your average romance tale.

As we shall see with Part 2, one love can just be a stepping stone to your true love. But even then other things may be destined for you. Life can be funny that way…
A Chinese Odyssey Part One - Pandora's Box
But let’s first knock out the Roll Call for A Chinese Odyssey Part One – Pandora’s Box, and the drop a huge plot recap and discussion! Because that’s how we roll…

Joker/Monkey King (Stephen Chow Sing-Chi) – Joker is just your average leader of a gang of thieve who is also unknowingly an immortal trickster monkey. I can’t tell you how many times that has happened to me! Joker then gets involved in all sorts of supernatural shenanigans as the truth of his past begins to come out. Check out our takes on Out of the Dark and Kung Fu Hustle for more Chow fun!
Spider Woman (Yammie Lam Kit-Ying) – Spider woman who arrives to hunt down the Legacy Monk to consume his flesh and become immortal. Usually takes the form of a beautiful woman, but becomes a spider at night. Is a great fighter and can hypnotize and poison enemies.
Jing Jing/Boney M of Spider Devil (Karen Mok Man-Wai) – Companion to Spider Woman, both are deciples of Spider Web Immortal. She was (or was to be) married to Chilian Devil, but that was ruined by Monkey King when he seduced her, then ran off because that’s what Monkey King does. She becomes a ghost zombie in the full moon, though can be stopped by kiss.
Assistant Master/Pigsy (Ng Man-Tat) – Joker’s second in command who then becomes hypnotized by Spider Woman and forced to spy for her side. Eventually accidentally fathers a child with her. Is also the mortal form of Pigsy, though he doesn’t realize it for most of the film.
Longevity Monk (Law Kar-Ying) – Monkey King’s master who sacrifices his life in exchange for Monkey King, who is then imprisoned for 500 years. But the Longevity Monk will be reborn, and Monkey King will be released, and that will cause great excitement in the world of the supernatural.
Blindy/Sandy (Johnnie Kong Yeuk-Sing) – Joker’s third in command, who also happens to be the reincarnation of Sandy, though he is also unaware of who he is. Is the whiny comic relief character.
King Bull (Luk Shu-Ming) – Local tough boss of all the cows and cow demons, who also wants to eat the Longevity Monk’s flesh, so he comes in to cause trouble.
Spider Web Immortal (Athena Chu Yun) – This mysterious woman shows up at the very end of the film as Joker is trapped in the distant past. Could she be a main character in Part 2? Of course!

A Chinese Odyssey Part One - Pandora's Box

33D Invader

The 33D Invader (Review)

The 33D Invader

aka The Fruit Is Ripe 33D aka 蜜桃成熟時33D aka Mi Tao Cheng Shu Shi 33D

2011
Directed by Cash Chin Man-Kei

33D Invader is like a 1990s Hong Kong Cat III comedy time traveled to 2011 and unleashed itself on the public. And because time travel plays a part in the plot of 33D Invader, perhaps that was the subtle message they were going for. The male characters are direct out of an 80s American sex film. We have the Nice Guy (Lawrence), the Nerd (Danson), the Fat Guy (Stephen), and the Other Guy who has no real personality but is there to fill out the group (Felix). The female characters range from blank slate to blank slate to blank slate with slightly bigger boobs. And though we’re given a quick introduction to them, it is hard to remember which one is loose and which one is a virgin when they’re all running around naked. Only Future and Jeana get any sort of personality, even Xucker No. 2 is nothing but a generic villain.

Granted, the audience isn’t people who care about the plot, it is people who care about seeing naked girls be naked.

It is hard to determine exactly what is going on, because 33D Invader is all over the map. Every sex scene is completely different in tone, from the sensual and erotic, to the rough and filthy, to the rape rape rape, to the gross, to the woman on woman, to the man drugged for sex by a woman, to the guy is so gross you want to hit fast-forward.

33D Invader was originally called The Fruit Is Ripe 33D, betraying its namesake origins as the next The Fruit is Ripe film. Like almost all of the prior films, it has nothing to do with any of the others and was given a namechange makeover. The first film was 1993’s Crazy Love, which featured Loletta Lee being naked. 1997 gave us the second film in the series, which was given the English title The Fruit Is Swelling. It featured Jane Chung Chun as a character named Peach who was given the Big treatment and grew up overnight in a universe where everyone seems to have sex at the drop of the hat. By 1999, they just literally translated the Chinese title of the next sequel, and thus we had The Fruit is Ripe 3, which was confusing for people like me who saw that at the video store (while renting everything in the Hong Kong section) and wondered where the other two parts were, not knowing that I’d already seen them (as there was little information available on Hong Kong film at this point.) The third film features actress Jay Fong Ching as an angel named Peach who has come to Earth to help some loser with his love life, and many people are naked.

The 33D part of The 33D Invader is the lost promise of it being in 3D like 3D Sex and Zen, which at the time of announcement was pouring in the dough. But when The 33D Invader showed up in theaters, it was as flat as a pancake. Coincidentally, some of the actresses…

But let’s hit the cast, and then dive into the plot!

Future (Macy Wu Qing-Qing) – Future comes from the year 2046 and is here to save the human race by getting knocked up by the guy with the best genes. She just has to avoid alien rapists and horrible gened humans who might get her preggers first. Future has magic powers, which are just computer implants of the 2046 equivalent of the iPods. I did like that they pointed that out instead of trying to make her magical. This is model Macy Wu Qing-Qing’s first film
Lawrence (Chen Jyun-Yan) – Lawrence is our good guy with excellent genes who will soon become a deadbeat dad when he deposits sperm into Future’s vagina. Chen Jyun-Yan is a Taiwanese actor
Jeana (Akiho Yoshizawa) – Jeanna likes Lawrence, he sort of likes her, but he doesn’t love her. She becomes jealous of Future. Akiho Yoshizawa is a Japanese pornographic actress and is nicknamed AV Stephy, because she sort of looks like Stephy Tang. If you squint. A lot.
Xucker 1 (Kato Taka) – The lead alien sterilizing bastard Xucker No. 1 has followed Future to the past in order to rape the baby-making-ability out of her. Kato Taka is a Japanese porn star known as Goldfinger, and he is said to have appeared in over 5000 productions. You can buy replications of his hand to use for sexual activity if you want to.
Xucker 2 (Hsueh Ya-Wen) – The other evil time-traveling alien. I can find sadly absolutely no information about Hsueh Ya-Wen online.
Hawk (Law Kar-Ying) – Law Kar-Ying shows up for some reason playing Hawk the Bald Detective, which looks like some sort of throwback to old school Hong Kong cinema or something. I’m not sure what is going on here, but having a bald singing noir detective being forced into service of alien time travelers fits right in with everything else going on. Law Kar-Ying is also in Kung Fu Cyborg, Future X-Cops, and Adventure of The King.


Felix (Justin Cheung Kin-Seng), Stephen (Tsui Ho-Cheong), Danson (Andrew Kwok) – These three dudes spend the entire film trying to get it on with the three ladies below. They sort of succeed in the end.


Mia (Lee Ko-Chu), Ceci (Chen Chih-Ying), Jane (Monna Lam) – Jeanna’s roommates. Mia is the virgin, Ceci sleeps with anything that moves and gets naked all the time, Jane “has fierce mouth”, but no real personality. Lee Ko-Chu and Chen Chih-Ying are Taiwanese actresses, while Monna Lam is a Hong Kong model

The Sorcerer and the White Snake

The Legend of the White Snake lives again in movie form with the upcoming The Sorcerer and the White Snake (白蛇傳說), which hits theaters in China in September. The Legend of the White Snake is a story older than writing, and has been the basis for countless stories, books, operas, tv shows, and films. The version probably most familiar in the west is Tsui Hark’s 1993 Green Snake, with Maggie Cheung and Joey Wong. White Snake and Green Snake are two snakes that have taken human female form, and the basic story usually involves White Snake and a young scholar falling in love, until a monk comes along and throws White Snake into a well. Later versions sometimes change things to a more happy ending.

The Sorcerer and the White Snake has Jet Li as the Monk Fa Hai, and it will feature many martial arts battles. Eva Huang is White Snake, and Charlene Choi is Green Snake. The scholar Xu Xian is Raymond Lam, and the Monk’s understudy is played by Wen Zhang. Several others have been cast as various demon characters, including Jiang Wu as Turtle Devil, Vivian Hsu as Snow Goblin, Miriam Yeung as Rabbit Devil, Chapman To as Toad Monster and Lam Suet as Chicken Devil. So it will be a huge zoo of fairy monster people!

The Sorcerer and the White Snake has had a few English titles, originally Madame White Snake and then It’s Love. But It’s Love is a lame name, thus the distributor changed it to The Sorcerer and the White Snake to pull in Harry Potter fans. I’m kidding, they actually did it to get fans of the Sorcerer’s Apprentice franchise! But will it have the “mocha mocha” song? Because you need the “mocha mocha” song!

Ching Siu-tung (1987’s A Chinese Ghost Story) directs.

Trailer:

English subs trailer:

Effects work video:

Imagebomb:
Sorcerer and the White Snake
Sorcerer and the White Snake
Sorcerer and the White Snake Charlene Choi
Sorcerer and the White Snake
Sorcerer and the White Snake
Sorcerer and the White Snake
Sorcerer and the White Snake

via HKMDB

Adventure of the King

Adventure of the King (Review)

Adventure of the King


2010
Directed by Chung Shue Kai

Adventure of the King is way the hell better than Flirting Scholar 2. Why am I bringing that up? Because Flirting Scholar 2 was made along with Adventure of the King as part of the same group (Chinastar’s 5510 production plan – 5 years, 500 million yuan budget, 10 films), and is a sort of spinoff from Flirting Scholar 2 (which is a prequel to the Stephen Chow film Flirting Scholar) Adventure of the King is also an adaptation of the play The Matching of Dragon and Phoenix, which has been made into film several times, most recently as Chinese Odyssey 2002. So just imagine that Micheal Bay directed Romeo and Juliet and had Sam Witwicky wandering around going “No no no no no no no!” just because he wants to set classic plays in his universe.


Flirting Scholar 2 was absolutely awful. The worst films are bad comedies, because their entire reason for existing is to make us laugh. Failing at that becomes a big ball of sadness that can rarely be fixed by just going to town and mocking the film. Flirting Scholar 2 had no reason to exist except to make money off of dumb people who thought Stephen Chow would show up. He didn’t. It is basically a Hong Kong version of those Jim Carrey-less Jim Carrey movie sequels like Ace Ventura Jr., Dumb and Dumberer, and Son of the Mask. With that wonderful film as the opening movement of the 5510 plan, one would think that things would only go downhill from that low valley. How wrong I was!


Emperor Zhu Zhengde/Lee Siu-Lung (Richie Ren Xian-Qi) – He’s the emperor, and he had an adventure. And he’s also a king. King Emperor. Not one of them evil Emperors like in Star Wars. At least not in the film, maybe in real life he was a jerk, I don’t know, I wasn’t in China back in the day when he was in charge. While with amnesia, takes the name Lee Siu-Lung (aka Bruce Lee)
Phoenix (Barbie Hsu Hsi-Yuan) – Phoenix’s character a delight, constantly beating everyone with a whip and yelling. This is the first Barbie Hsu character that I didn’t find annoying or boring. Even her over the top crazy lady turn in Reign of Assassins pushed my patience.
Lord Sima The Royal Historian (Law Kar-Ying) – The Royal Historian’s job is to chronicle the life of Emperor Zhu Zhengde, and spends most of the film making proclamations and writing them down in his Royal Log. This is both annoying to everyone in the movie and hilarious to everyone watching the movie. Law Kar-Ying is in both Metallic Attraction: Kungfu Cyborg and Future X-Cops.
Commander Chen The Royal Bodyguard (Bruce Leung Siu-Lung) – When you bodyguard is Bruce Leung, you’re in pretty good hands.
Mr. McFortune (Wu Ma) – Kentacky Fried Chicken’s answer to Colonel Sanders is Mr. McFortune. Have you ever been to Kentacky? They really need a new decorator… Wu Ma’s been in film forever, and was recently seen here in Haunted House Elf.