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Godzilla Island Story Arc 4
InBad, Movie Reviews

Godzilla Island – Story Arc 4

April 15, 2008By

Godzilla Island – Story Arc 4


1997

Directed by Shun Mizutani

Godzilla has several TV shows throughout his history. In this year’s March of Godzilla, we will be cataloging one such show, Godzilla Island. Godzilla Island was a series of three minute episodes that ran from October 6, 1997, until September 30, 1998. 256 episodes were created, using a combination of toys and stock footage to bring the characters to life. Throw in some characters acting in front of a blue screen and a basketball-shaped annoying robot, and you got Godzilla Island in a nutshell. One advantage to the toymation approach of monster effects is it allows the appearance of all sorts of kaiju from all over G-history. Multiple Jet Jaguars! All sorts of one-shot characters pop up over the course of the series. But as this was created around 1997, no one from the Millennium series of films is present.

Set in the year 2097, where most kaiju live on an island in the Pacific Ocean. Godzilla Island. I guess, I’m not sure if they give it an actual name, since they speak this Japanese language all the time. Anyway, Godzilla Island soon becomes a center of activity for alien invasions left and right. Aliens being the evil Xilien aliens, as seen in Godzilla vs. Monster Zero. The one individual seen even dresses like them, although she doesn’t follow the contention that all females of the species look identical to Kumi Mizuno. Godzilla Island is governed by the Godzilla-Guard, aka G-Guard, which is staffed by one guy and a robot. The G-Guard Commander is less than capable in dealing with invading monsters and aliens, but luckily he is joined by mysterious young girl Torema, who has a powerful space ship and psychic powers.

According to the credits, the series was directed by Shun Mizutani and written by Takahiko Masuda. With music by The Edge. I guess U2’s The Edge, unless there is another The Edge running around, in which case I must bang my head on the desk. We’ll run through the episodes in order broken up by story arcs. Some stories are only a few episodes long, and some last close to twenty. Each episode ends with “tsuzuku” which basically means “to be continued.” So tsuzuku will be our catchphrase of the series. If you missed this paragraph you’ll probably be very confused, as we will probably type tsuzuku more than Godzilla in these articles.

Podcast: Play in new window | Download

Godzilla Island Story Arc 3
InBad, Movie Reviews

Godzilla Island – Story Arc 3

April 10, 2008By

Godzilla Island – Story Arc 3


1997

Directed by Shun Mizutani

Godzilla has several TV shows throughout his history. In this year’s March of Godzilla, we will be cataloging one such show, Godzilla Island. Godzilla Island was a series of three minute episodes that ran from October 6, 1997, until September 30, 1998. 256 episodes were created, using a combination of toys and stock footage to bring the characters to life. Throw in some characters acting in front of a blue screen and a basketball-shaped annoying robot, and you got Godzilla Island in a nutshell. One advantage to the toymation approach of monster effects is it allows the appearance of all sorts of kaiju from all over G-history. Multiple Jet Jaguars! All sorts of one-shot characters pop up over the course of the series. But as this was created around 1997, no one from the Millennium series of films is present.

Set in the year 2097, where most kaiju live on an island in the Pacific Ocean. Godzilla Island. I guess, I’m not sure if they give it an actual name, since they speak this Japanese language all the time. Anyway, Godzilla Island soon becomes a center of activity for alien invasions left and right. Aliens being the evil Xilien aliens, as seen in Godzilla vs. Monster Zero. The one individual seen even dresses like them, although she doesn’t follow the contention that all females of the species look identical to Kumi Mizuno. Godzilla Island is governed by the Godzilla-Guard, aka G-Guard, which is staffed by one guy and a robot. The G-Guard Commander is less than capable in dealing with invading monsters and aliens, but luckily he is joined by mysterious young girl Torema, who has a powerful space ship and psychic powers.

According to the credits, the series was directed by Shun Mizutani and written by Takahiko Masuda. With music by The Edge. I guess U2’s The Edge, unless there is another The Edge running around, in which case I must bang my head on the desk. We’ll run through the episodes in order broken up by story arcs. Some stories are only a few episodes long, and some last close to twenty. Each episode ends with “tsuzuku” which basically means “to be continued.” So tsuzuku will be our catchphrase of the series. If you missed this paragraph you’ll probably be very confused, as we will probably type tsuzuku more than Godzilla in these articles.

Podcast: Play in new window | Download

Ultra Q Manda
InTelevision Reviews

Ultra Q – Episodes 5 and 6 (Review)

July 20, 2007By

Ultra Q Episodes 5 and 6

Pegila Has Come! and Grow! Turtle

1966
Episode 5 Pegila Has Come! directed by Samaji Nonagase
Episode 6 Grow! Turtle directed by Harunosuke Nakagawa

Once again we dip into the world of Ultra Q, the Japanese TV series. A precursor to the Ultraman series, Ultra Q features many giant monsters that our plucky heroes have to deal with. Previously we have gone over Episodes 1 and 2, and then Episodes 3 and 4. Now we tackle the next two episodes! In addition to the 28 episodes of Ultra Q, a movie was produced in 1990 titledUltra Q: Star of Legend. A follow up series aired in 2004 entitled Ultra Q: Dark Fantasy as well as a radio drama called Ultra Q club (episode guide here.)

Tsuburaya Productions Co. created the TV series, which started to air in 1966. Before it became Ultra Q, however, it was known as Unbalance. As it became less Twilight Zone and more monsters, the name turned out to be a problem, but luckily a sports move called the Ultra C was gaining popularity, and thus Ultra Q was coined. Several artifacts of the original concept remain, including the very Twilight Zone-ish main title theme, as well as a narrator (but one used less frequently.) Several episodes would be somewhat independent stories that barely featured the main characters, and still other episodes would have ambiguous endings.

Thanks to recent Region 2 DVD release, these shows are now available to a whole new generation. However, they aren’t available to me in their entirety, as there are no English subtitles! But that’s where making up what we don’t understand comes in. Plot synopses and visual clues help us get the gist of the episodes, but the subtle parts we are just winging. That actually makes the show a bit better, as if we found out something was lamer than we though we might not like it as much. We don’t need no stinking subtitles!


Main Characters:

Jun Manjome (Kenji Sahara) – A pilot for Hoshikawa Aviation and an avid science fiction fan/writer, which causes him to investigate monsters and discover most of the beasts on the show. Actor Kenji Sahara had a marvelous kaiju career dating from the original Gojira all the way to Godzilla Final Wars.
Yuriko Edogawa (Hiroko Sakurai) – Female Newspaper Photographer for the Daily News who takes photos of all the horrible monsters that Jun managed to encounter. Hiroko Sakurai went on to star in the sequel series, Ultraman, as Akiko Fuji, as well as many other Ultraman series as various characters.
Ippei Togawa (Yasuhiko Saijo) – Assistant pilot for Hoshikawa Aviation with Jun, and the show’s comic relief. According to the Internet, actor Yasuhiko Saijo used to own a coffee shop in Kagurazaka. He had roles in Gorath, in Son of Godzilla as Suzuki, and in Godzilla vs. Gigan as a henchman.
Daily News Editor Seki (Yoshifumi Tajima) – Yuriko’s boss, sends her on the assignments to photograph monsters, but is not adverse to getting the scoop on his own. Not in either of these episodes.
Dr Ichinotani (Ureo Egawa) – After not being in the first two episodes, Dr. Ichinotani makes his first appearances here. Originally he was to serve as the Rod Sterling-type narrator, but when the show was refocused to be less Twilight Zone he became the wizened Professor who helps the heroes deal with the random rampaging monsters. Looks like a Japanese Wilford Brimley. Not in either of these episodes.

Ultra Q episode 3
InTelevision Reviews

Ultra Q – Episodes 3 and 4 (Review)

May 14, 2007By

Ultra Q Episodes 3 and 4

The Gift from Space and The Mammoth Flower

1966
Episode 3 The Gift from Space directed by Hajime Tsuburaya
Episode 4 The Mammoth Flower directed by Koji Kajita

Once again we dip into the world of Ultra Q, the Japanese TV series. A precursor to the Ultraman series, Ultra Q features many giant monsters that our plucky heroes have to deal with. Previously we have gone over the first two episodes, and now we deal with episodes 3 and 4. In addition to the 28 episodes of Ultra Q, a movie was produced in 1990 titledUltra Q: Star of Legend. A follow up series aired in 2004 titled Ultra Q: Dark Fantasy.

Tsuburaya Productions Co. created the TV series, which started to air in 1966. Before it became Ultra Q, however, it was known as Unbalance. As it became less Twilight Zone and more monsters, the name turned out to be a problem, but luckily a sports move called the Ultra C was gaining popularity, and thus Ultra Q was coined. Several artifacts of the original concept remain, including the very Twilight Zone-ish main title theme, as well as a narrator (but one used less frequently.) Several episodes would be somewhat independent stories that barely featured the main characters, and still other episodes would have ambiguous endings.

Thanks to recent Region 2 DVD release, these shows are now available to a whole new generation. However, they aren’t available to me in their entirety, as there are no English subtitles! But that’s where making up what we don’t understand comes in. Plot synopses and visual clues help us get the gist of the episodes, but the subtle parts we are just winging. That actually makes the show a bit better, as if we found out something was lamer than we though we might not like it as much. Such is the way of things.


Main Characters:

Jun Manjome (Kenji Sahara) – A pilot for Hoshikawa Aviation and an avid science fiction fan/writer, which causes him to investigate monsters and discover most of the beasts on the show. Actor Kenji Sahara had a marvelous kaiju career dating from the original Gojira all the way to Godzilla Final Wars.
Yuriko Edogawa (Hiroko Sakurai) – Female Newspaper Photographer for the Daily News who takes photos of all the horrible monsters that Jun managed to encounter. Hiroko Sakurai went on to star in the sequel series, Ultraman, as Akiko Fuji, as well as many other Ultraman series as various characters.
Ippei Togawa (Yasuhiko Saijo) – Assistant pilot for Hoshikawa Aviation with Jun, and the show’s comic relief. According to the Internet, actor Yasuhiko Saijo used to own a coffee shop in Kagurazaka. He had roles in Gorath, in Son of Godzilla as Suzuki, and in Godzilla vs. Gigan as a henchman.
Daily News Editor Seki (Yoshifumi Tajima) – Yuriko’s boss, sends her on the assignments to photograph monsters, but is not adverse to getting the scoop on his own.
Dr Ichinotani (Ureo Egawa) – After not being in the first two episodes, Dr. Ichinotani makes his first appearances here. Originally he was to serve as the Rod Sterling-type narrator, but when the show was refocused to be less Twilight Zone he became the wizened Professor who helps the heroes deal with the random rampaging monsters. Looks like a Japanese Wilford Brimley.

The main cast list is done, so we jump into the episodes!
Episode 3: The Gift from Space

Episode three of Ultra Q gives us a new main character and the most Twilight Zone ending so far. But it is still a solid episode, and the monster from Mars Natnegon has become one of the signature monsters from the series. This episode also is the first involving aliens in the Ultra-universe, who will turn out to be very pesky indeed with their constant monster attacks. Stupid aliens! I shake my fist at you! Invade some other planet for once. I hear Neptune is nice, or Krankor. First the guest cast, and then let’s get started with the episode.

Gigantis
InBad, Movie Reviews

Gigantis, the Fire Monster (Review)

March 1, 2007By

Gigantis, the Fire Monster

aka Godzilla Raids Again aka Gojira no gyakushuu

1955

We start out the second March of Godzilla with the second Godzilla movie, Godzilla Raids Again! Or Gigantis, the Fire Monster, as it is known in the US. What a mess the American version of this film is. A complete an utter destruction of cinema. The Japanese version suffering from some of the faults of films of the time, but the American distributors just completely butcher the entire film. Most noticeably, Godzilla is not called Godzilla, but instead Gigantis. Now, he is technically not the original Godzilla, they make reference to the fact Godzilla Number One was disintegrated in Tokyo Bay. This new Godzilla is his brother, Marvin Godzilla, and he is actually the Godzilla that the next several movies in the series follow, as they are loosely connected. But in America, they just called him “Gigantis” because of reasons mentioned later. Joining Godzilla is the first fellow daikaiju, a creature named Anguirus. He’s loosely based on Ankylosaurs, and has a shell armored with many spikes all over his back. Crawling on four legs, Anguirus was stylistically different from Godzilla and made a good contrast for a first foe. Later monsters would get beam weapons, wings, multiple forms, but Anguirus fights with just one thing: guts!

There are some familiar faces in this film as well. Most notably, main character Shoichi Tsukioka is played by Hiroshi Koizumi, who has been previously seen here in Godzilla vs. Mothra and Ghidrah, playing Dr. Miura. I’ve met Hiroshi Koizumi, which I also mention each time he pops up in a Godzilla movie. Another big name is Takashi Shimura, playing Dr. Yemane, who he also played in the original Godzilla. He is probably best known for Seven Samurai or other Kurosawa films. Another Kurosawa veteran is Minoru Chiaki, who was another of the Seven Samurai, and here plays fellow pilot Kobayashi. All Godzilla movies need a girl, and actress Setsuko Wakayama makes her only Godzilla series appearance as Hidemi Yamaji. Directing this time is Motoyoshi Oda, who is also making his only appearance in G-history.

Both the US and Japanese versions will get reviewed simultaneously here. This is made possible because the US version is not chopped out of order, but follows the same pathway. They both deviate from the set path, as the US distributors added and removed footage, sometimes seemingly at random. The most obvious aspect aside from the Gigantis name is that the US version has narration. Lots of narration. The entire film is narrated. Every second someone is not speaking, the narrator has to talk. The Japanese version has no narrator, so is full of long moments of no dialogue, and little to no sound as the score only drops in randomly. We will note that the US version was produced by Paul Schreibman, who has expressed regrets for ruining the movie so badly. He claims responsibility for renaming Godzilla, as it was his desire to make Americans think they were getting a new monster. Other problems we will experience along the way, including the education film that makes me think Paul Schreibman must be insane.

Godzilla's Revenge
InMovie Reviews, Ugly

Godzilla’s Revenge (Review)

May 10, 2006By

Godzilla’s Revenge

aka All Monsters Attack aka Godzilla-Minya-Gabara: All Monsters Attack! aka Gojira-Minira-Gabara: Oru kaiju daishingeki

1969

Starring
Tomonori Yazaki as Ichiro Miki
Eisei Amamoto as Toy Consultant Shinpei Inami
Sachio Sakai as Bank Robber Senbayashi
Kazuo Suzuki as Bank Robber Okuda
Kenji Sahara as Ichiro’s Father
Machiko Naka as Ichiro’s Mother
Shigeki Ishida as The Landlord
Directed by Ishiro Honda

SUPER SCARY SATURDAY! BOOOoooOOOoooOOOooOOOOooOOO! Once again, Super Scary Saturday will be our guide through the world of Godzilla! This is the greatest Super Scary Saturday intro of them all! It’s only ironic that it’s on one of the worst Godzilla movies of them all! It’s got stock footage, more stock footage, annoying kids in short shorts, even more stock footage, even more annoying kids in short shorts, and oddly enough was one of my favorite G films as a kid, probably because this movie is marketed for kids (though I suspect the Super Scary Saturday intro also helped.) The stock shots of Godzilla are pulled from several films, so you see Godzilla’s head change shape a few times. We got our grubby paws on the Japanese version as well as the American TV dub, so we’ll be contrasting both as we go along. It’s the same storyline, but there are a few key differences, most notably, the kid in the Japanese version is about twenty times less annoying! He’s almost respectable! It’s amazing. Minya famously talks in this film, and shrinks down in size to have chats with little Ichiro, the Boy of Monster Island. Speaking of Monster Island, this film was the immediate follow-up to Destroy All Monsters, where all the monsters were living on Monsterland, but from this movie forward they all live on Monster Island. Also, Destroy All Monsters took place in the far off future of 1999, while this film is set back in 1969. So either Monster Island becomes Monsterland, or Monsterland is another name for Monster Island, possibly due to Monster Island being really a peninsula.


I hope I didn’t bore you off with that over-analysis there. It’s time to not care about technicalities anymore, as we’re going to be visiting the mind of an 11 year old boy, his monster playmates, a crazy toy inventor, two bumbling master thieves, and two bullies named Gabara! All of this hosted by Al Lewis, Grandpa Munster himself! It’s the last March of Godzilla film until the next March of Godzilla (ignore that this is May and we’re still putting up films) and the last Super Scary Saturday film I have on tape. So let’s Celebrate, Celebrate, Super Station TBS! And bring on Super Scary Saturday!

After the famous Super Scary Saturday commercial scares it’s way by again, we get the opening. “It’s Me, Grandpa!” we get our familiar greeting as Grandpa Munster awaits us sitting in the Super Scary Saturday theater. He’s excited to have us there: “Do I have a treat for you! This is better than having your own Red Cross Blood Bank franchise!” It sure is. Grandpa Munster rules! Grandpa continues: “You heard of Wrestlemania? Well, we have MONSTERmania!” It’s Godzilla vs. All Comers!

Grandpa then jumps to Crazed Grandpa Announcer Don King mode to promote the upcoming fight! Behind him at the podium are cartoons of Godzilla and Gabara, Godzilla in a wrestling suit giving his pointing finger, and Gabara doing his hair! We cut to Gabara for his view of the upcoming fight, and his Godzilla-taunting, which I will transcribe in it’s entirety for your reading pleasure: “Listen up you giant water lizard! I’m the prettiest monster and the meanest Godzilla. You’re going to get the shock of your life when you step on the Monster Island with me, Gabara, the giant cat from Monstermania! I’m the one, the only, the true world champion!”


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