The new Godzilla film releases May 16, 2014, and stars Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, David Strathairn, and everyone’s favorite, Bryan Cranston.
via SocialNewsDaily
The new Godzilla film releases May 16, 2014, and stars Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, David Strathairn, and everyone’s favorite, Bryan Cranston.
via SocialNewsDaily
First the good news. Tim Kelly at CHUD has confirmed the following through a webinar from Warner Bros. promotion department:
**The film will feature more than one monster, confirming that two new monsters will also be wreaking havoc – this in addition to the big guy.
**Warner Bros. made it clear that their interpretation of the material “follows the story of a solider” and is “way different” than the Toho Godzilla films.
Two brand new monsters is awesome. Also it’s good if they stay away from the mechs for at least one movie so they don’t look too much like Pacific Rim. Frank Darabont is currently rewriting the script, but like Tim Kelly said, the information above is being presented by the studio, so it will likely end up in the final draft of the film when it begins filming later this year. As far as I know, the release date is still set for May 16, 2014.
However, THR is reporting Legendary is suing to dump Dan Lin, Roy Lee and Doug Davison from their producers credits, claiming they aren’t doing enough to qualify as being credited. As you can imagine, the trio are not happy about the loss of credit and the loss of a big payday, and are threatening to countersue and get a restraining order to halt production until the mess is sorted out.
aka Mekagojira no gyakushu aka メカゴジラの逆襲
1975
Written by Yukiko Takayama
Directed by Ishiro Honda
Titanosaurus, DirectTV pioneer
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Terror of Mechagodzilla is a direct followup to the previous film, Godzilla vs. Mechagodzilla. It’s also the final film of the Showa era, one of the few films to show direct continuity that would be used more in the Heisei films, and the final Godzilla work of some G-legends, Ishiro Honda and Akihiko Hirata. It also bombed horribly, helping lead to a decade-long absence of Godzilla in film form. Overall, Terror of Mechagodzilla is a mixed bag. The action sequences are some of the most violent and explosive of the older films, but they’re obviously trying to compensate from the lower budget (many scenes suddenly end up in the countryside) and the hectic explosions loose their danger after the 1 millionth giant boom.
Being a little mermaid sure is boring…
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Ishiro Honda doesn’t sleep on the job, making up for the lower filming budget with some neat visual stylizing. A flashback to Professor Mafune’s descent into madness is shown via sepia-toned photographs while narration explains. Katsura’s lament that Titanosaurus is to be used as a murderous weapon is juxtaposed with other alien-controlled kaiju from prior films played on a quad-screen shot. Godzilla’s first appearance is one of the better introduction scenes in his history.
The alien command center is in some Trekker guy’s basement?
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While Godzilla vs. Mechagodzilla showed a trend towards more serious, Terror of Mechagodzilla straddled the edge of serious and silly. The action sequences were more destructive, but the alien villains were more comic book. The cyborg daughter is played for tragedy, but it is obvious from the beginning that it will end in a downer and we’re just running through the steps until the final act. I am willing to accept that some of the sillier aspects are unintentional, such as the alien helmets or the complete lack of concern for hunting down the aliens by Interpol even after they’ve been spotted multiple times in the same area. But I can’t deny that I feel it is there, and it clouds Terror of Mechagodzilla in a way that the prior film did not have.
Titanosaurus was tragically hit by a meteor during the filming of this scene…
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メカゴジラの逆襲 (translation: Counterattack of Mechagodzilla) was first released in the US in theaters in 1978 under the title The Terror of Godzilla. The US rights were held by Henry Saperstein, who sold Bob Conn Enterprises the film rights, but also released the movie itself on TV in 1978 as Terror of Mechagodzilla. This cut is credited to UPA Productions of America, and features an additional six minutes of scenes taken from other Godzilla films and narrated to serve as an introduction to Godzilla (this sequence is detailed below), the only think cut was a brief shot of Katsura’s fake breasts during a surgery scene. By the mid-1980s, there was a new cut on tv that featured many of the violent scenes cut down, as well as not having the opening narration. There are some that say this was the theatrical cut, though I don’t know why the theater cut would have removed the violence when that seems more of a tv cut thing to do. That cut was the most widely available for decades, including the original version I saw before I got a tape of the original cut. I have still not seen the restored DVD, hence the screenshots are either from the old VHS tape or the earlier DVD.
For some reason, the humans won’t take us serious!
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And as March of Godzilla 2012 continues, let’s get us to the Roll Call!
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G is for Godzooky, that’s good enough for me!
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aka Gojira Tai Mekagojira aka ゴジラ対メカゴジラ
1974
Written by Jun Fukuda, Masami Fukushima, Shinichi Sekizawa, and Hiroyasu Yamamura
Directed by Jun Fukuda
Godzilla, if you take him out of his original package, he’s only going to be worth half as much!
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It’s Godzilla time once again at TarsTarkas.NET, as March of Godzilla 2012 continues into April and stomps right up to the fabulous Godzilla vs. Mechagodzilla! Yes, Godzilla fights his metal double, other monsters run around and help, and we find out what happens when damn dirty apes get their hand on robot parts!
Godzilla vs. Mechagodzilla was one of my favorite Godzilla flicks growing up. I vividly remember buying the VHS tape with my own money (as the film was never shown on TV in my area) and the tape box had an awesome painting of Godzilla fighting Mechagodzilla. King Caesar was nowhere to be found on the cover, which did sort of make me sad. But the film totally made up for that, and this tape spent many days grinding away in the vcr, almost as much as my copies of Godzilla’s Revenge and King Kong vs. Godzilla (both taped off of tv the way nature intended!)
There are some who call me…Tim!
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Godzilla vs. Mechagodzilla is a classic Godzilla film and helps trend the trajectory of Godzilla films upwards from the children’s level entertainment Big G had been stuck in. While there is still a largely kid-safe feel to Godzilla vs. Mechagodzilla, there are signs of the audience being treated as more mature. Sprays of arterial blood, torture, human characters being blown away onscreen…all things you would be hard-pressed to see with Jet Jaguar running around. Of course, the same year Godzilla vs. Mechagodzilla was released, Godzilla was still running around with Zone Fighter violently murdering monsters to the delight of children across Japan. So maybe things aren’t so much mature as they are just bigger budgeted.
They had commercials for energy drinks in 1974 Japan?
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Godzilla vs. Mechagodzilla succeeds partially because the villain is memorable. It is inevitable if a series goes on long enough that evil doubles will show up. Toho even had their King Kong fight his own mechanical double early on, and it is about time Godzilla got into the mix. It also helps that Mechagodzilla just looks cool. He bristles with weapons and is a danger to the good monsters of Earth. Mechagodzilla worked so well as an adversary to Godzilla, he was later reimagined as a weapon to fight Godzilla in both the Heisei and Millennium film series. But here he is pure evil, a killing machine first seen as a disguised Godzilla brutally injuring Anguirus, one of Godzilla’s best buds. We know things aren’t right, the roar is different, Godzilla is mean. Mechagodzilla is fooling no one except the dopes who actually live in this movie world.
There are some weird contradictions in Godzilla vs. Mechagodzilla. Most notably, Godzilla himself is an allegory about nuclear weapons and destruction, the hubris and violence. But now things get flipped and instead Godzilla is part of a prophecy of ancient Japan, to defend Japan against a technological monster bent on destruction, with the help of a monster that resembles classical Japanese artwork of a lion/dog. Godzilla is now part of the spiritual order of things, a protector spirit to help save Japan and the world. Just ignore all those films where he kill thousands. Godzilla does not escape his role as hero that has been cast upon him by the later films, and instead is integrated more as something that has always been meant to be a hero. His violent origin is hinted at in the film, when the characters sigh that “Of course Godzilla will be the monster to destroy the world…” but that is quickly thrown aside once the truth is revealed. This is probably the seed of how Godzilla would be treated later in the Heisei and Millennium series, as a force of nature and less of an evil or good monster. It is certainly an improvement over his prior films, where he’d be called in to go beat up the monster of the year.
Planet of the Herpes!
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A change of direction was needed, as this was the 20th Anniversary film for the Godzilla franchise and something special should happen. It was also the last Godzilla film directed by Jun Fukuda, the man who helmed many of the films during Godzilla’s descent into children’s hero (and a few episodes of the Zone Fighter series!) Though he would still direct The War in Space and ESPy if you need some more Japanese scifi to track down.
By the time it showed up in the US in 1977, Cinema Shares International (who purchased the distribution rights) had renamed it Godzilla vs. Bionic Monster. That ticked off Universal, who said the title was too close to their TV show The Bionic Woman. Although laughable, Cinema Shares went the easy route and just retitled the film Godzilla vs. Cosmic Monster. By the time it showed up on VHS tape, the Godzilla vs. Mechagodzilla name was reattached. And though I could drag out my old VHS copy from storage, instead take some remastered DVD action!
No matter how often they redesign the dollar coin, it will never catch on…
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Now hold still and pretend there aren’t wires attached to you!
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Godzilla
The Tricephalon Monster
18 Soldiers
18 Civilians
2 Jeeps
2 Tanks
3 Civilian Vehicles
2 Jet Fighters
1 Ambulance
1 Automobile
1 Police Car
1 Shell Firing Battleship
1 22″ x 28″ Diorama
1 30′ x 30″ vinyl playsheet
1 Bridge
Yes, this is a set that has fleeing civilians! In fact, this is the only monster related bunch of toys that I know of that features civilians and victims besides the B-Movie Victims toys set from a few years ago. Godzilla is free to stomp on everything and beat up that Tricephalon guy, because, he just should! Take that, Tricephalon! As far as I know, Tricephalon Monster hasn’t been used again in anything, probably because he belongs to HB Toys, who probably didn’t get the rights for King Ghidorah as Toho likes to charge buckets of money for each monster. Other one-shot monsters show up in both the Marvel comics for Godzilla and the Godzilla cartoon where Godzooky was allowed to run free. Damn you, Godzooky!
HG Toys also made a set of Godzilla puzzles featuring the same artwork as on the Godzilla vs the Tricephalon Monster box.