Who are the Battle Beasts? Let’s get to know each and every one personally!
Series 1, Part II!
Special Thanks:
White Leo’s Site
Beastformers.com
Master List (Aratak’s Plastic Warriors)
Who are the Battle Beasts? Let’s get to know each and every one personally!
Series 1, Part II!
Special Thanks:
White Leo’s Site
Beastformers.com
Master List (Aratak’s Plastic Warriors)
aka Ye maan bei kup
2006
Starring
Cecilia Cheung as Phoenix Shangguan Lingfeng
Yuen Qiu as Mom
Yuen Wah as Dad
Wong Yat-Fei as Principal
Leo Ku as Dragon
Sammy Leung as Kiddie Kim
Hui Siu-Hung as Lincoln Lam
Ma Shuchao as White Eyebrows
Wong Jing as Uncle Itchiban
Directed by Wong Jing
Wong Jing directs another campy action-fest, and manages to score a hit. A send-up of kung fu films, Cecilia Cheung stars as the daughter of two kung fu masters, who learns the skills herself, but must fit into the modern world. Of course, we have an evil kung fu master, school rivalries, a guy in a falcon suit, and love to deal with. The parents are played by Kung Fu Hustle‘s own odd couple, Yuen Qiu and Yuen Wah. They seem to be making a good living acting together, besides this, they also have starred in two Kung Fu Mahjong films together. We also get a crop of campy actors mixed with many established actors, and even Wong Jing himself as Uncle Itchiban. For some reason this film rings better than most of Wong Jing’s recent fair, probably due to the cast working together well enough that you don’t notice when it drags. The gags flow fast, for the most part, and for once the campiness of Hong Kong cinema works out for the best. Though I’s still prefer that Hong Kong put out more stronger fair (and it has been trying recently), camp like this makes the wait between good films bearable.
We start in the distant past of 20 years ago. A young girl sees two people flying past the moon and rushes to tell her parents. Her parents are the smiling Yuen Wah and Yuen Qiu, who both tell her she’s seeing things. They are the Landlords from Kung Fu Hustle. Yuen Wah has been making films for 35 years, having the ability to duplicate the martial arts styles of many people. This let him be Bruce Lee’s double for a while. Yuen Qiu was an actress for a short time in the 1970’s before retiring, only to return after Steve Chow begged her to take the role of the Landlady in Kung Fu Hustle, and has since then done well for herself in the film industry. Their daughter is named Phoenix, and later a teenage Phoenix is awakened by storms, and a large snake and cat are loose in the house. These animals are really Kung Fu villains, who have arrived to kill her parents, which you should realize by now are really Martial Arts masters. They save her and have a neat fight with the villains, who morph from animal to person a few times during the battle (though we could always use more morphing shots.) Snake Man and Cat Girl are eventually taken down, with Phoenix aiding by slipping up some poles so Cat Girl can’t grip. Phoenix is eager to learn Kung Fu, and her parents are more than happy to tell her she’s old enough to go to Mount Hiu and learn. This is amazingly coincidental that she discovered their secret on the very day she became old enough to get lessons herself! Okay, it’s amazingly cheesy. But this is a cheesy film, so we’ll take it at what it is. Next thing we know, we’re hang gliding over Mount Hui as Phoenix looks down and sees all the Martial Artists training, including a girl in scarlet with pigtails who has a determined look on her face. She’s the main rival, Rouge, who will compete with Phoenix to be the best of the best. This is apparent when she doesn’t return Phoenix’s wave. So, if you ever want to hide that you are a villain, be friendly, it’s what politicians do all the time, as well as John Wayne Gacy, though I’d say anyone fooled by his clown costume deserves it. Clowns are evil, and always will be evil. Deal with it.
Who are the Battle Beasts? Let’s get to know each and every one personally!
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Special Thanks:
White Leo’s Site
Beastformers.com
Master List (Aratak’s Plastic Warriors)
aka Teufelscamp der verlorenen Frauen aka The Angel and the Beasts aka Triangle of Lust
1977
Starring
Patricia Adriani as Susan Murphy
Bárbara Rey as Sophie
José Antonio Ceinos as Beardo
Miguel Ángel Godó
Manu as ???
Eric Wedekind as ???
José Luis Alexandre
Directed by Hubert Frank
From Germany we get a piece of cinema trash known by many names. Terrifying Confessions of a Captive Woman. The Angel and the Beasts. Triangle of Lust. They are all one and the same. And that same is exploitation junk. Luckily, the movie throws us a bone by delivering more full frontal nudity than you can shake a stick at. Even two sticks. I’d even go so far as to say you could shake 7 1/4 sticks at the full frontal nudity in this movie and still require more shaking. Plus, there is violence, biker gangs, airplanes, and an ending to confuse the bejesus out of you. Thanks to the wonders of dubbing, we get characters totally overacting, under acting, and sounding bored during dramatic moments. There is also a few lines that are so over the top they’re back down on the bottom again. It all combines to an odd combination, which fails to work on many levels. If there was no nudity, this would be one of the worst films of all time. Only because it’s specifically designed to be full of nudity is it safe for human eye consumption. Even then, it’s best to take it in doses, as a full amount could give you a lethal brain hemorrhage. TarsTarkas.NET will not be held responsible for any loss of brain cells after viewing the movie. Sit back, relax, and experience the ride, from the safety shield of the Recap Machine, as we warn you and future generations of the dangers of Terrifying Confessions of a Captive Woman.
The story of a woman who refuses to wear clothes and the couple she terrorizes begins during the opening credits. That’s basically what is presented, as a nice old rich couple is going about their day when a mirror is reflected into their condo. It’s being shined by their neighbor, a firm young early-twenties brunette who can’t be bothered to wear clothes. She’s actress Patricia Adriani, and is playing Susan Murphy, though we will never be told her name and I only got it from the back of a VHS cover. Most of these characters have no names, and IMDB is no help. Her clever plan to shine light into her neighbors’ condo seems to be paying off, as they are familiar with her shenanigans. Susan signs the number “three” in a subtle message to meet her at three. I hired a crack team of codebreakers to give you that information. They took a break from NSA spying on you, so hopefully we don’t get a terrorist attack in the next week or so. Tom is the name of the old man, he looks like Salvadore Dali bred with Pete Postlethwaite and created the ultimate 55 year old rich Italian. His wife disapproves of his method of meeting Susan. I guess Susan is too dense to notice that being blaringly obvious that you are communicating with a rich Italian guy isn’t the height of subtlety. The wife wants Susan out of the picture, and as she seems to be running the life of Tom, that’s what she’ll get.
2005
Starring
Michelle Borth as Susan Richardson
Jerri Manthey as Sandra Crescent
Glori-Anne Gilbert as Darla
Ryan McTavish as Jerry
Ted Monte as Ted
Chris Neville as Lerner
Michael Paré as Mike
Jay Richardson as Dr. Richardson
Renee Talbert as Carrie
Delpano Wills as Marsden
Directed by Jim Wynorski
Komodo vs. Cobra!!! KvC!! Giant komodo vs. a giant cobra. This should be a winner! In the name of Boa vs. Python, another fun SciFi Channel monster vs monster film. But what should easily be a winner can often become a chore as cheapness conspires to clutch a loser of a film from the jaws of winningness. What else do you expect when your director is Jim Wynorski and it doesn’t involve naked chicks? Having nothing to do with either Curse of the Komodo or King Cobra, despite Wynorski’s work on CotK, this film tries to set itself in an independent universe. That’s the excuse, then, for making this film 95% identical to CotK. Many of the same major scene reenact themselves, many of the same sets are reused, and at least four actors and the director/writer are the same. This is akin to just taking the CotK film and adding a King Cobra wandering around digitally added to the background in a few scenes and calling it a new movie. Oh, our title characters fight, all right. At the very end of the movie, for about two minutes. That’s it. Despite them saying repeatedly that there are many giant cobras and giant komodo, we don’t even get a hint that they fight each other except one small scene in the flashbacks where they hiss a lot. This isn’t like Naked Lunch, where no one ate a lunch while naked, this is SciFi Channel, we want a damn monster fight. And this movie which promises a monster fight in it’s title is determined to deny us what we so desperately desire. In the end, all it does is tick you off. Really tick you off. Freaking tick you off. Tick you of like a MoFo! GARRRRRRRGGGGHHH!!!
The movie opens promising enough. Three people are running through the jungle of a tropical isle. It’s Dr. Richardson, his daughter Susan, and a third man we’ll call Orson Welles, because he was The Third Man. Their running is useless, because they are cut off by Johnny Komodo. Johnny Komodo looks a little different from CotK, he’s got a more dinosaur-shaped head. He’s just as immune to bullets, as none of the ones fired seem to have any effect on him. Johnny Komodo shows that the Jim Wynorski watched Jurassic Park, as komodo can now not see you unless you move, like the T-Rex. Orson Welles runs off, which attracts Johnny Komodo and he chomps down on Orson Welles. Dr. Richardson and Susan escape then and set up shop by a lake, looking around for a bit, until Johnny Cobra emerges from the lake, and has Dr. Richardson chops for dinner. Now Susan is all alone…
2006
Starring
Stacy Keach as Secretary Reed
Justina Machado as Nurse Alma
Joely Richardson as Dr. Iris Varnack
Scott Cohen as Virginia Governor Mike Newsome
Directed by Richard Pearce
OH MY GOD WE’RE ALL GONNA DIE!!! RUN!! RUN FOR YOUR LIFE! WE’RE ALL GONNA DIE!! It’s the birds! Instead of killing us with their evil bird powers, they’re killing us with their evil bird diseases! The dastardly birds will not be stopped, as they give us a true-to-life Captain Tripps, the H5N1 Bird Flu mutated to human infectious! As the latest made for TV movie for ABC tells us, WE’RE ALL GONNA DIE!!! There is no escape….from birds!!!
Starting out with the opening of all openings, a warining informing us that bird flu from the H5N1 has already been found in 48 countries and killed 125 people. The film is careful to tell us that this is a “What if” scenario. Because anyone just tuning in might think a badly acted TV movie is in reality a real-time TV show called Survivor: Flu or something. Instead of conjuring up such images such as “What if the Punisher became Captain America?” or “What if Spiderman joined the Fantastic Four?” we get instead “What if everything bad happened, then suddenly everything good, because we’re America, and then suddenly WE ALL DIED??” The opening credits show Canadian geese-looking birds flying around and getting picked up on radar. Why on radar? Probably because several of them have computer graphics indicating that they are carriers of H5N1, which large size is easily picked up on radar. Scramble the fighters and shoot them all down! Come on, Iceman! Cowboy and Maverick got your back. We can’t have Goose on this mission, because we’re killing geese, and he’s dead.