Get your ironic smug idiocy on with Last Ounce of Courage!

Directly quoting from the above video complete with many typos:

“Last Ounce of Courage,” is an intergenerational story of a grieving father inspired by his grandson to take a stand for faith and freedom against a tide of apathy and vanishing liberty. Against a backdrop of military conflict abroad and domestic wars against freedom, a highly-decorated combat veteran is reminded that we best honor our fallen heroes by not holding too loosely what they gave their all to defend. Alongside fellow citizens of courage, faith and integrity, he champions the cherished principles we the people hold dear.
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Starring Marshall Teague (“Roadhouse,” “The Rock” and “Armageddon”) as small-town mayor Bob Revere, “Last Ounce of Courage” uses the vehicle of a public religious display to ignite a spark and lights

a fire under a community that honors its American values, but has tired of fighting the “American Civil Liberties Organization” (ACLO) over the very rights guaranteed them by the Constitution. Former NFL great Fred Williamson (“Black Caesar”) ably plays the villain in the film as the head of the ACLO.

Encouraged by his grandson, played by Hunter Gomez (“National Treasure”), and his wife Dottie, played by Academy Award nominee Jennifer O‟Neill (“Summer of ‟42”), Bob finally takes a stand for his beliefs and revives his townspeople‟s latent patriotism. Leading the younger generation to join in and make a difference is Bob‟s young neighbor, Maddie Rogers, played by Jenna Boyd (“Sisterhood of the Traveling Pants”), who comically hijacks the town‟s annual generic school pageant.

The film is being produced by Veritas Entertainment, under the leadership of Kevin McAfee (“Beyond the Gates of Splendor,” “The End of the Spear”) and Steve Griffin (former CEO at Nest Entertainment and EMI/Chordant), both of whom have a passion for creating and reaching audiences with entertainment products centered around the character values that undergird family, faith and freedom.

Yes, it’s a Christian film that’s unironically a hypocritical piece of garbage standing against everything it attempts to be standing for because the real agenda is the complete opposite of what it states. It’s pure propaganda. The hero is a mayor whose son sacrificed his life fighting overseas in Afghanistan against religious extremists. This so inspires the mayor that he honors his son’s sacrifice by becoming a religious extremist. Okay. Sure, but it’s totally different because they’re different religions! Check out how easily the mayor owns the lawyer from the ACLU…I mean, the ACLO, as neither of them seem to have any idea what is actually in the Constitution! That lawyer guy never knew what he was messing with, a small town mayor!

Of course, it doesn’t matter how ridiculous this looks, it’s not made for mainstream audiences. It’s specifically designed for the hardcore Christian right, the group of people who make me ashamed to be a Christian. People who would be all for the exact same rules that the Taliban wants, except word search “Allah” and replace with “God”. This built in audience has probably already given this film a return on investment. It’s sort of weird that there is now an entire genre of Evil Lawyer versus Good Christian films, what with Christmas with a Capital C from last year. We even had lawyers suing the Devil for Suing the Devil! If I were to speculate, I’d guess this odd lawyer fascination is a response to losing a lot of court cases, and the proliferation of crackpot legal theories on rightwing boards, like those sovereign citizen weirdos or the Birthers. It’s scary out there, and it’s only going to get more crazy after they lose in November.

And be sure to check out the official “Patriot Day” screenings on September 11th. So tasteful you’ll be spitting out the toxic waste.

Remember, you’re not a real patriot unless you have a giant American flag on your motorcycle and children sacrificed to our military industrial complex.

Official site

Last Ounce of Courage

The Kick

The Kick

aka 더 킥 aka วอนโดนเตะ!!

2011
Story by Prachya Pinkaew
Screenplay by Lee Jong-suk Lee
Directed by Prachya Pinkaew


Thai and Korean co-production The Kick shot on people’s radar for two reasons: Director Prachya Pinkaew, and Jija Yanin having a supporting role in the film. That’s all that was reported, and for the longest time it was hard to tell what kind of role Jija even had in the flick. Well, time has passed, and now The Kick is available on DVD and we can see Jija has a substantial supporting role in the last 2/3rds of the flick and participates in several fight scenes. There is also plenty of other action from the Korean actors, but the film does drag at points due to pacing and humor issues. It is far from Prachya Pinkaew’s best work. It’s almost another Jakkalan, though it does give us an interesting Korean/Thai hybrid film, something I don’t think there are too many examples of.

Though I thought I wouldn’t care about the Korean family, they began to grow on me (except for the young kid!) and even though they spend a good amount of time yelling at each other, they also come together to deal with bigger threats. Each family member has a different martial arts move skill, and the fights jump from solo to various pairings to group fighting. Unfortunately due to the amount of characters we rotate through the scenes quickly when all hell is breaking loose. The fight scenes in the last 20 minutes are great, but they also make the prior 90 minutes look terrible. I wish it had been more consistent on the choreography. In fact, I’d probably suggest just skipping until the end for most casual fans and people who don’t like putting up with nonsense.

Prachya Pinkaew has become a household name in martial arts film fan circles, with Ong-Bak, Tom-Yum-Goong, and Chocolate under his belt, and several upcoming films that look to be awesome as well. Several of the stars are members of the Korean Tigers tae kwon do group.

Moon (Cho Jae-hyun) – Father of the clan who is dealing with his own family issues and expectations while trying to raise his own children and instill similar values on them. Cho Jae-hyun headlines many Kim Ki-duk films. He’s also somewhere in Love So Divine
Yoon (Yea Ji-won) – Mom of the family who uses her skills for cooking. Most of her fights are comedic in nature.
Tae Yang (Taejoo) – Older son of the family and aspiring dancer. His dad is not too fond of his dancing dreams, even though Tae Yang incorporates the martial arts in his dancing. Often runs into trouble for some reason, he just must have awful luck. Taejoo sometimes is credited as Na Tae-joo.
Tae Mi (K Kim) – The lone daughter who plays soccer with the tae kwon do skills she learned from her father. Usually runs across her brother getting into random trouble. K Kim is also known as Kim Kyung-suk, she is a World Tae kwon do champion
Wawa (Jeeja Yanin) – Niece of zoo owner and friend of the family Mum, and the girl Tae Yang tries to impress. Has mad skills. See more Jija in Chocolate, Raging Phoenix, and Jakkalan.

Sifl & Olly are BACK!!

Sifl Olly Asteroids
If you are crescent fresh like me, you watched Sifl & Olly all the freaking time on MTV and even taped episodes to wear out your vcr rewatching. But eventually MTV decided that having good shows was not a priority and canned Silf & Olly, replacing them with Real World Gets Herpes or something. I don’t know. But just as Beavis and Butthead can rise from the grave, so can Sifl & Olly. And they are, except now as a web series! And they’ll do real reviews of fake video games. Because, why the crap not!?

Here is the promo:

And grab yourself some pie and watch the first episode, as Sifl and Olly demo some Kinetic games for the Zeus 720:

Silf & Olly on Twitter

Duelist (Review)

Duelist

aka 형사 aka Hyeongsa

2005
Written by Lee Myung-se and Lee Hae-kyeong
Based on the comic by Bang Hak-ki
Directed by Lee Myung-se


Stylish visuals and Ha Ji-won can’t save Duelist from the horrors of mediocrity. They try so hard! But close only counts with horseshoes and hand grenades. Duelist suffers a few too many flaws to for me to recommend it, though I can appreciate the type of film it was trying to be. It’s an anachronistic tale of ancient detectives working against an attempted coup plotted against the Korean king, complete with stylized visuals that will remind you of MTV editing. But it’s actually a film about two people connecting, people on opposite sides of a conflict. And the tragedy that results. This is a Korean film, after all!

As longtime readers (all 3 of you) know, I’m a sucker for crazy visualizations in film. Especially when they’re integrated so well into the film they become indispensable. Parts of Duelist achieve this goal. But other parts do not, the visuals become a distraction at best, and a problem at worst. There are lots of scenes that transition not by normal cuts, but instead by the camera sweeping into the new scene and the old scene becomes the new. That was neat. I wasn’t so keen on the montages that features a lot of scenes fading in and out, but parts never fully fading in, just imprinting on the scene. It seemed more like the film was trying to remind us of what the characters were feeling and thinking about, even though we should know just by virtue of paying attention.

Duelist takes its music queues from throughout the world and throughout time, so European circus tunes and classic Korean music are both used to set whatever mood is needed. Even the noises of crowds cheering are dubbed in despite a lack of such crowds, to make us know that an action is worth our admiration.

The action scenes work well when it’s limited to two combatants, but the larger battle sequences don’t feature the drama and intimacy of the film’s duels (and the intimacy isn’t helped by the larger sequences featuring lots of overhead shots of crowds instead of shots in the battles. Lee Myung-se does his preferred smaller fights with a mix of slow-motion and sped-up choreography, which both shows off the dueling as a loving slow dance, and as a wild and furious clash of emotions. The duels often aren’t about fighting, but have a larger emotional meaning.

Duelist comes from a time when Korean cinema was riding high, atop the world. But that horse was getting tired, and the world is ever-spinning. Bearing that in mind, I still judge Duelist against its contemporary films and the quality of the work that was being released at the time. Duelist does not measure up. Were it released today, it would be regarded as a mini-masterpiece. But in the middle of the shuffle of some of the greatest cinema to come out of the peninsula, Duelist barely registers.

Detective Namsoon (Ha Ji-won) – Rookie detective who is focused on her mission to the point of not thinking of her own safety. Skilled with weapons and headstrong. She also makes the sassy faces that Ha Ji-won is known for. Ha Ji-won’s other films on TarsTarkas.NET include Sex is Zero, Love So Divine, and Sector 7.
Gu Janggon (Kang Dong-won) – The person of interest for the investigation about the coup and the assistant to Minister Song. He acts like so many long haired aloof anime/manga heroes that female characters fall for (this IS based on a comic book!), so of course Detective Namsoon falls for him, and he falls back. But, duty, honor, all that garbage. See Kang Dong-won as non-anime in Too Beautiful To Lie
Detective Ahn (Ahn Sung-gi) – Namsoon’s brash and drunken mentor, is sort of looked down on despite the fact everyone acknowledges he’s a great detective.
Minister Song Pil-joon (Song Young-chang) – A totally not suspicious evil military minister.

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Now here are unrelated Kaiju Sesame Street toys for no reason!:
Kaiju Sesame Street

Age of the Hobbits synopsis

The Asylum’s filmed in Cambodia mockbuster Age of the Hobbits has advanced to the point that a plot synopsis and actors have appeared on their official site.

In an age long ago, the last village of clever, peace-loving Hobbits is attacked and enslaved by the Java Men, komodo-worshiping, dragon-riding cannibals. Now the young Hobbit Goben, along with his father and sister, must seek help from the “giants” (human hunters) to find the Javas’ lair and rescue the last surviving Hobbits, Goben’s mother among them. In their quest to destroy the Javas, the heroic partnership of humans and Hobbits will transform both species forever.

From the sound of it, they’re incorporating a lot of details from various homonid species. The Hobbits are the so-called real Hobbits, Homo floresiensis. The Java Men also take their name from a Homo erectus subspecies colloquially called Java Man (Homo erectus erectus) The Komodo mentions means the whole thing is set in the Indonesian region, where Java Man and the Flores Man are both found. So this is basically Quest for Fire meets Willow meets Caravan of Courage. Which I like. Christopher Judge (Stargate), Bai Ling (all sorts of awesome stuff), and Sun Korng (I have no idea) are attached. Joseph Lawson directed, he actually did digital work on the LOTR trilogy, as well as directing Nazis at the Center of the Earth. Writer Eric Forsberg wrote the entertaining Arachnoquake. This means Age of the Hobbits could be pretty good. Just don’t be boring, that’s all I ask!

Homo floresiensis

Actual photo of Bai Ling


pic via