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Komodo vs. Cobra

Komodo vs. Cobra (Review)

Komodo vs. Cobra


2005
Starring
Michelle Borth as Susan Richardson
Jerri Manthey as Sandra Crescent
Glori-Anne Gilbert as Darla
Ryan McTavish as Jerry
Ted Monte as Ted
Chris Neville as Lerner
Michael Paré as Mike
Jay Richardson as Dr. Richardson
Renee Talbert as Carrie
Delpano Wills as Marsden
Directed by Jim Wynorski

Komodo vs. Cobra!!! KvC!! Giant komodo vs. a giant cobra. This should be a winner! In the name of Boa vs. Python, another fun SciFi Channel monster vs monster film. But what should easily be a winner can often become a chore as cheapness conspires to clutch a loser of a film from the jaws of winningness. What else do you expect when your director is Jim Wynorski and it doesn’t involve naked chicks? Having nothing to do with either Curse of the Komodo or King Cobra, despite Wynorski’s work on CotK, this film tries to set itself in an independent universe. That’s the excuse, then, for making this film 95% identical to CotK. Many of the same major scene reenact themselves, many of the same sets are reused, and at least four actors and the director/writer are the same. This is akin to just taking the CotK film and adding a King Cobra wandering around digitally added to the background in a few scenes and calling it a new movie. Oh, our title characters fight, all right. At the very end of the movie, for about two minutes. That’s it. Despite them saying repeatedly that there are many giant cobras and giant komodo, we don’t even get a hint that they fight each other except one small scene in the flashbacks where they hiss a lot. This isn’t like Naked Lunch, where no one ate a lunch while naked, this is SciFi Channel, we want a damn monster fight. And this movie which promises a monster fight in it’s title is determined to deny us what we so desperately desire. In the end, all it does is tick you off. Really tick you off. Freaking tick you off. Tick you of like a MoFo! GARRRRRRRGGGGHHH!!!

The movie opens promising enough. Three people are running through the jungle of a tropical isle. It’s Dr. Richardson, his daughter Susan, and a third man we’ll call Orson Welles, because he was The Third Man. Their running is useless, because they are cut off by Johnny Komodo. Johnny Komodo looks a little different from CotK, he’s got a more dinosaur-shaped head. He’s just as immune to bullets, as none of the ones fired seem to have any effect on him. Johnny Komodo shows that the Jim Wynorski watched Jurassic Park, as komodo can now not see you unless you move, like the T-Rex. Orson Welles runs off, which attracts Johnny Komodo and he chomps down on Orson Welles. Dr. Richardson and Susan escape then and set up shop by a lake, looking around for a bit, until Johnny Cobra emerges from the lake, and has Dr. Richardson chops for dinner. Now Susan is all alone…

Fatal Contact Bird Flu

Fatal Contact: Bird Flu in America (Review)

Fatal Contact: Bird Flu in America


2006
Starring
Stacy Keach as Secretary Reed
Justina Machado as Nurse Alma
Joely Richardson as Dr. Iris Varnack
Scott Cohen as Virginia Governor Mike Newsome
Directed by Richard Pearce

OH MY GOD WE’RE ALL GONNA DIE!!! RUN!! RUN FOR YOUR LIFE! WE’RE ALL GONNA DIE!! It’s the birds! Instead of killing us with their evil bird powers, they’re killing us with their evil bird diseases! The dastardly birds will not be stopped, as they give us a true-to-life Captain Tripps, the H5N1 Bird Flu mutated to human infectious! As the latest made for TV movie for ABC tells us, WE’RE ALL GONNA DIE!!! There is no escape….from birds!!!

Starting out with the opening of all openings, a warining informing us that bird flu from the H5N1 has already been found in 48 countries and killed 125 people. The film is careful to tell us that this is a “What if” scenario. Because anyone just tuning in might think a badly acted TV movie is in reality a real-time TV show called Survivor: Flu or something. Instead of conjuring up such images such as “What if the Punisher became Captain America?” or “What if Spiderman joined the Fantastic Four?” we get instead “What if everything bad happened, then suddenly everything good, because we’re America, and then suddenly WE ALL DIED??” The opening credits show Canadian geese-looking birds flying around and getting picked up on radar. Why on radar? Probably because several of them have computer graphics indicating that they are carriers of H5N1, which large size is easily picked up on radar. Scramble the fighters and shoot them all down! Come on, Iceman! Cowboy and Maverick got your back. We can’t have Goose on this mission, because we’re killing geese, and he’s dead.

The Promise

The Promise (Review)

The Promise

aka Wu ji

2005
Starring
Jang Dong-Kun as Kunlun
Hiroyuki Sanada as General Guangming
Cecilia Cheung as Princess Qingcheng
Nicholas Tse as Duke Wuhuan
Liu Ye as Snow Wolf (Ghost Wolf)
Chen Hong as Goddess Manshen
Qian Cheng as The Emperor
Directed by Chen Kaige

Chen Kaige brings you the most expensive film in Chinese history, with a budget of 282,572,490 Yuan ($35 Million.) Does this increase in budget bring us a film far superior to many to exit China? The answer is sadly no. What should be an outstanding film with beautiful images instead becomes an example in mediocrity, a living example that more money does not make a better film, something that Hollywood should be learning for the past 10 years, but somehow isn’t picking up. The Promise reminds me of the lyrics of Linkin Park’s In The End: “I tried so hard and got so far, but in the end it doesn’t even matter.” Now before I scare all of you off with more Linkin Park lyrics, let me explain myself. This movie tries to be a great Chinese epic, and tries to be a beautiful film, and tries to be an international success. But in the end, all of that is for naught, because the film isn’t well written. The main weakness is with the story, and following that, the special effects the story tried to portray. I’m used to bad CGI in films, but in something that’s supposed to be a beautiful epic the results are jarring, looking cartoonish and pulling you out of the fantasy element into the world of Bugs Bunny.

Godzilla's Revenge

Godzilla’s Revenge (Review)

Godzilla’s Revenge

aka All Monsters Attack aka Godzilla-Minya-Gabara: All Monsters Attack! aka Gojira-Minira-Gabara: Oru kaiju daishingeki

1969

Starring
Tomonori Yazaki as Ichiro Miki
Eisei Amamoto as Toy Consultant Shinpei Inami
Sachio Sakai as Bank Robber Senbayashi
Kazuo Suzuki as Bank Robber Okuda
Kenji Sahara as Ichiro’s Father
Machiko Naka as Ichiro’s Mother
Shigeki Ishida as The Landlord
Directed by Ishiro Honda

SUPER SCARY SATURDAY! BOOOoooOOOoooOOOooOOOOooOOO! Once again, Super Scary Saturday will be our guide through the world of Godzilla! This is the greatest Super Scary Saturday intro of them all! It’s only ironic that it’s on one of the worst Godzilla movies of them all! It’s got stock footage, more stock footage, annoying kids in short shorts, even more stock footage, even more annoying kids in short shorts, and oddly enough was one of my favorite G films as a kid, probably because this movie is marketed for kids (though I suspect the Super Scary Saturday intro also helped.) The stock shots of Godzilla are pulled from several films, so you see Godzilla’s head change shape a few times. We got our grubby paws on the Japanese version as well as the American TV dub, so we’ll be contrasting both as we go along. It’s the same storyline, but there are a few key differences, most notably, the kid in the Japanese version is about twenty times less annoying! He’s almost respectable! It’s amazing. Minya famously talks in this film, and shrinks down in size to have chats with little Ichiro, the Boy of Monster Island. Speaking of Monster Island, this film was the immediate follow-up to Destroy All Monsters, where all the monsters were living on Monsterland, but from this movie forward they all live on Monster Island. Also, Destroy All Monsters took place in the far off future of 1999, while this film is set back in 1969. So either Monster Island becomes Monsterland, or Monsterland is another name for Monster Island, possibly due to Monster Island being really a peninsula.


I hope I didn’t bore you off with that over-analysis there. It’s time to not care about technicalities anymore, as we’re going to be visiting the mind of an 11 year old boy, his monster playmates, a crazy toy inventor, two bumbling master thieves, and two bullies named Gabara! All of this hosted by Al Lewis, Grandpa Munster himself! It’s the last March of Godzilla film until the next March of Godzilla (ignore that this is May and we’re still putting up films) and the last Super Scary Saturday film I have on tape. So let’s Celebrate, Celebrate, Super Station TBS! And bring on Super Scary Saturday!

After the famous Super Scary Saturday commercial scares it’s way by again, we get the opening. “It’s Me, Grandpa!” we get our familiar greeting as Grandpa Munster awaits us sitting in the Super Scary Saturday theater. He’s excited to have us there: “Do I have a treat for you! This is better than having your own Red Cross Blood Bank franchise!” It sure is. Grandpa Munster rules! Grandpa continues: “You heard of Wrestlemania? Well, we have MONSTERmania!” It’s Godzilla vs. All Comers!

Grandpa then jumps to Crazed Grandpa Announcer Don King mode to promote the upcoming fight! Behind him at the podium are cartoons of Godzilla and Gabara, Godzilla in a wrestling suit giving his pointing finger, and Gabara doing his hair! We cut to Gabara for his view of the upcoming fight, and his Godzilla-taunting, which I will transcribe in it’s entirety for your reading pleasure: “Listen up you giant water lizard! I’m the prettiest monster and the meanest Godzilla. You’re going to get the shock of your life when you step on the Monster Island with me, Gabara, the giant cat from Monstermania! I’m the one, the only, the true world champion!”


Godzilla vs Gigan

Godzilla vs. Gigan (Review)

Godzilla vs. Gigan

aka Chikyû kogeki meirei: Gojira tai Gaigan

1972

Starring
Hiroshi Ishikawa as Gengo Kotaka
Yuriko Hishimi as Tomoko Tomoe
Minoru Takashima as Shosaku Takasugi
Tomoko Umeda as Machiko Shima
Toshiaki Nishizawa as Kubota, Head of Children’s Land
Zan Fujita as Fumio Sudo
Kunio Murai as Takashi Shima
Directed by Jun Fukuda

Godzilla Freakin’ Talks!!!?!?!?! What the Monkey Slurm???

Excuse me, let me start again….

Before Godzilla vs. Megalon, Gigan fought Godzilla in his own headlining movie, Godzilla vs. Gigan! Actually, that isn’t exciting enough to warrant the exclamation point, but I’ll keep it in as it’s too much a bother to hit the back button. GvsG is amazingly similar to GvsM in monster fight style, as they both mirror the 2 vs. 2 scenario. We have Godzilla teaming up with another staple, Anguirus, to take on the Dastardly Duo, Gigan and King Ghidrah. Wait, King Ghidrah is working with people now? He first showed up headlining his own film, Ghidrah (or Ghidorah), and it took the combined might of Godzilla, Mothra, and Rodan to take him down. Ghidrah later reappears in the very next film, Godzilla vs. Monster Zero, and just Godzilla and Rodan take him down. For Destroy All Monsters, Ghidorah seemed to return to superpowered mode, as it took half a dozen or so monsters to make him pay. Now, we see how far the King has fallen, that he’s teaming up with an upstart, the buzzsaw-chested Gigan. Gigan (as discussed in the GvsM recap)is a cylon-looking freakshow. He’s got a beetle-shaped head, can fly, has huge hooks for hands (must make peeing hard) and a rarely used buzzsaw in his chest. Gigan’s single eye glows red, red with hate, hate for all things Godzilla. Unfortunately for him, but fortunately for us, Godzilla flows with far much more hate. Or is it love? After all, at this point Godzilla is a good guy. So it’s love. Yeah, love. Godzilla’s pal Anguirus makes his first appearance besides a bad cameo of stock shots on this site. Anguirus is based on an Anklyosaur, from back in the days when you didn’t need to be shooting lasers or energy beams or buzzsaw chests to be a cool monster. He’s from the second Godzilla film, which was released here as Gigantis, the Fire Monster but is now properly called Godzilla Raids Again. Godzilla’s suit here looks just plain awful, and in some of the scenes, you can see the arms are worn ragged, with pieces nearly falling off. As I only have the English version, that’s what will be reviewed, though the few differences will be highlighted as we hit them.

The plot involves two Godzilla staples, alien invasions and environmentalism. Space Cockroaches (spoiler!) invade disguised as humans, with a nasty plan that shows they failed to watch the dozen other films where aliens invaded, only to be beaten by Godzilla. Does the universe have no collective memory? Also, why are aliens always invading Earth, with the amazing plan of destroying it by one or two solitary monsters? At least in Final Wars they had dozens of monsters, but it’s still very inefficient. Enough of logic, it’s time to get this bug’s nest humming. Gigan. Anguirus. King Ghidrah. Godzilla!

Godzilla vs Megalon

Godzilla vs. Megalon (Review)

Godzilla vs. Megalon

aka Gojira tai Megaro

1973

Starring
Katsuhiko Sasaki as Inventor Goro Ibuki
Hiroyuki Kawase as Rokuro ‘Roku-chan’ Ibuki (Rock Salt)
Yutaka Hayashi as Hiroshi Jinkawa (Rex Dart- Eskimo Spy)
Robert Dunham as Emperor Antonio of Seatopia
Kotaro Tomita as Lead Seatopian Agent (Oscar Wilde)
Wolf Otsuki as Seatopian Agent (Rasputin)

From the magic land of Japan we get the epic story of a robot and his giant lizard friend as they defend the world from a giant cockroach and a big beetle. Yes, Godzilla is back, and this time, he’s teamed up with his greatest companion, Jet Jaguar. Now this is generally considered one of the worst of the series (in fact, of all the different series) and there is a strong argument for that honor. The lack of budget is apparent throughout the film, from the lack of extras, to the reuse of stock shots from many prior films, to the shoddy costumes for the monsters and Seatopians. The worst offender is the character of Rokuro, aka Roku-chan, or what we’ll be calling him in this review, Rock Salt. Every time his name is called, it sounds like they’re just saying “Rock Salt!” so there we go. (MST3K referred to him as “Roxanne” in their airing.) Rock Salt is the worst instance of a “Kenny” in a Godzilla film. Kennies are named after the many different Kennies from the Gamera series of films, in which each movie had a different annoying kid named Kenny who seemed to have higher security clearance than the highest generals in Japan. Kennies are also known to wear shorts so tiny they’d cover more skin if they didn’t wear pants at all. Kenny’s main job is to give kids a movie representation of themselves to bring them into the film. Unfortunately for us, anyone over 9 realizes Kennies are annoying. Rock Salt is one of the most annoying Kennies to emerge from Japan. He’s dubbed by a woman who does male child voices by just whining in a baby’s voice. The screeching heard every time Rock Salt opens his filthy mouth is enough to grate your ears so you’ll rip them off. Rock Salt lives with two men, one of who is called his “brother,” named Goro. The fact that Goro is over twenty years older than Rock Salt, yet no other parents are around, is oddly suspicious, especially since the only other parental figure is fellow male Hiroshi Jinkawa. No one calls him Hiroshi Jinkawa at any point in the film, and MST3K dubbed him Rex Dart, Eskimo Spy; and so he shall be called here as well.


Enough of the human characters, we’ll go into them in more detail later, let’s get to the whole reason we watch these films, the monsters. The Daikaiju. The Big Boys. We know the headliner, Big G himself, Godzilla. We got us a brand new Godzilla suit for this film, which makes him look like a frog. As the current kid-friendly trend made Godzilla’s eyes get bigger and bigger, we see the extreme right here. If you’re nostalgic for some of the older suits and face designs, you’re in luck, and the liberal use of older footage gives us the Godzilla vs. Gigan suit, as well as the suits from Godzilla vs. the Sea Monster and Destroy All Monsters. Teaming up with Godzilla is the reason this film was made, Jet Jaguar. Jet Jaguar, in addition to having an awesome name, is a robot with special powers. He has the ability to think for himself, evasion sensors so he’ll always get out of your way (props to dumb dialogue), punch-card powered programming, and the ability to program himself to change his height. Not by any build in means, he just magically grows big or shrinks depending on what the script calls for. More on that as it happens, let’s look at the villains. The evil headliner is Megalon, making his movie debut. This was the first in a series of one movies Megalon is featured in in his quest to destroy Godzilla. That puts him on equal footing with Jet Jaguar, as they’re both one-hit wonders. Megalon is a giant cockroach. He has the magical power of shooting lightning from his star shaped antenna on his head (a singular antenna) and can spit red bricks that explode upon impact. Megalon’s most far out feature is what cements him in the dredges of G-History: Drill Hands. Yes, each hand of Megalon is half a drill. No thumbs, no claws, no use of any kind, but drills. Maybe Japan had an irrational fear of the Chrysler Building during the early seventies. He’s joined by Gigan, who’s returning from the previous film, both because the costume was still in good condition, and because that allows to use a good chunk of the previous film’s fight between Godzilla and Gigan. After this, Gigan won’t be seen again until Godzilla Final Wars (and his second form in that movie makes him look even more silly.) Gigan is a beetle-looking freak with a single red glowing eye, like old school cylons from Battlestar Galactica, minus the ping pong action. Gigan has hooks for hands, making his only slightly less useless than Megalon’s.


So we know our characters, we know our monsters, we know our potential pitfalls, let’s get this party started!