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Camp

Camp (Review)

Camp


2008
Directed by Abdel-Aziz Hashad
Written by Hytham Wahid


Egypt has a rich cinematic history that crumbled away in the early 1970s due to the nationalization of the film industry (which began in the mid-60s) and the cinema entered a period of decay that produced few quality films. There has been a small resurgence in the past few years as a number of indie directors spring up, revitalizing some of the magic of the Golden Age. As Camp is the product of a first time director who is considered part of the new wave of filmmaking, we’re going to skip the history lessons and jump into this modern Egyptian film.

Camp is a slasher film, and it is true to its slasher film roots in that a whole group of young people are ruthlessly slaughtered by a masked killer. It follows a lot of US slasher film tropes, from the killer popping up from all over the place to the killer killing people without being noticed. And we can’t have a horror movie if women don’t fall down while running from a killer. Camp is so similar to the American films it imitates, it actually detracts from the film, making it less of an Egyptian film and more of a slasher film similar to what you would find in any direct to DVD horror section. The kills are not particularly innovative and the film seems to exist just to show that Egypt can make films just as good as the US. This is director Abdel-Aziz Hashad’s first film, but he has gone on to make several more.

It is obvious that writer Hytham Wahid is a big horror buff. In interviews (sadly, the interview link disappeared after the 2011 Egyptian revolution) Wahid refutes claims that this is the first Egyptian horror film, mentioning other titles such as Yassin Ismail Yassin and Mohamed Shebl’s 1983 film Anyab (Fangs) starring singers Ahmed Adaweya and Aly El-Haggar as bloodsucking vampires, and 2006’s Ouija. Wahid talks a lot about the suspense of Camp, he seems to be less about the kills and more about the buildup. At TarsTarkas.NET, we don’t need no stinking subtitles, but they might have helped in picking up some of the suspense. I did have a good time trying to guess who the killer was, and I picked wrong.

Preppy Guy (Ayman Refai) – The main male character, as he spends the most time on camera. Most of his time on camera is in either a sweater or a racing uniform. Who wears a racing uniform on vacation? Ayman Refai (or Ayman El Refaey) is a singer in Egypt.
Frosted Hair (Hani Salama) – Frosted Hair is a ladies man. To import that fact on us, various female characters give him gazes throughout the film, of love, hate, or disgust. Hani Salama (sometimes Hani San’e Allah) also starred in the Egyptian movie Ouija.
Yamin (Mohamed El-Khola’y) – Yamin is so cool, he’s ice cold. Yamin is also mourning a dead girlfriend named Sheki, who died shortly after the flashback in the beginning and she comes to speak to him as a ghost later. Mohamed El-Khola’y also starred in the Egyptian movie Ouija.
Kevin (???) – Kevin is the nerdy guy who wears a kung fu shirt at some point, and carries around a gorilla mask. Because, who doesn’t? I couldn’t figure out who played him, but suspect the actor’s name is Mohammed Atef.
Nancy (Yasmine Gamal) – Preppy Guy’s girlfriend, and that’s about all the characterization she gets until she cheats on him and then is quickly killed by The Killer.
Selene (Amira Hani) – Selene spends most of her time being disapproving of the others, watching over her younger sister that she brought along for some reason, and acting all emo. Amira Hani acted in the TV series El Amma Nour, but of course you were aware of that fact.
Yasmin (Reem Helal) – At time it sounds like they’re calling her Yassanem, but as that isn’t a real name we went with Yasmin. Reem Helal was first runner-up at the Miss Egypt 2006, this is Reem Helal’s first film role.
The Killer (It is a mystery) – He’s a killer who kills people. Which one of the characters is this guy? Watch the film and find out! Or PayPal me $10 and I’ll tell you.

Drive Angry

Drive Angry (Review)

Drive Angry


2011
Directed by Patrick Lussier
Written by Patrick Lussier and Todd Farmer


Get ready to Drive! Angry! 3D! Except I saw it in 2D because that’s how my TV works. And after testing a 3D TV at the store, we’ll continue to stay 2D forever. But enough of my complaining, let’s get to Drive Angry, a film that is totally awesome in a bad movie spectacular sort of way. Drive Angry knows that it is ridiculous, and it just goes with it.

When Drive Angry 3D was announced, the title alone was enough to say that the movie will be dumb fun, but the biggest concern was if the movie could live up to the dumb fun promised. There have been plenty of films that were built up and ended up being less than promised, and at this point as a jaded cult movie watcher, it takes more that a ridiculous title to impress me. That said, Drive Angry was entertaining and I quite enjoyed myself.

Milton (Nicolas Cage) – Milton throws down the gauntlet for reclaiming the name Milton as a badass and not a stapler-craving, squirrel-watching pyromaniac. Nic Cage doesn’t oversell this role, allowing the viewer to focus more on the action.
Piper (Amber Heard) – Piper is the unconventional tough female main character, who is more of a surrogate daughter than a love interest for Milton, thankfully making Drive Angry less creepy than your standard Woody Allen movie. That’s something we can all aspire to. Piper doesn’t take crap from nobody, even her cheating boyfriend or wacko cult leaders.
The Accountant (William Fichtner) – Who knew being an accountant was so exciting? It’s almost enough to make me want to delve deep into tax laws. Not really. William Fichtner is awesome and for a long time I thought he looked like the Muppet Digit from The Jim Henson Hour.
Jonah King (Billy Burke) – Creeper cult leader who has a thing for sacrificing babies to open portals to hell. Except this time he picked the wrong baby. A baby whose grandpappy is Nic Cage, and Nic Cage barely needs an excuse to bust outta Hell to kill cult leaders.

Dara Singh

Infernal Brains Podcast – Episode 06 – Dara Singh

In this episode, Tars and Todd sing the praises of Singh, Dara Sing, the manliest man of them all. Be a man and find all about how Dara Singh fights King Kong, cow dinosaurs, lizard puppets, 50 men at once, cyclops, Medusas, magic dwarfs, Moon men, Martians, space rhinos, stalker girlfriends, cardboard robots, and evil comic relief sidekicks.

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Movies discussed include:
King Kong (1962)
Samson
Hercules
Trip to Moon
Thief of Baghdad

Prior Infernal Brains:
Taiwanese Giant Monster Films Part 1
Taiwanese Giant Monster Films Part 2
Polly Shang Kuan
Turkish Pop Cinema Part 1
Turkish Pop Cinema Part 2

Out of the Dark (Review)

Out of the Dark

aka Wui wan yeh

1995
Written and directed by Jeff Lau Chun-Wai
Out of the Dark
Stephen Chow is known as one of the funniest people to come out of the Hong Kong film industry. His films have become favorites around the globe and he has legions of fans. Chow’s mo lei tau films cross all sorts of genres, from spies to action to historical to gambling to sports. People argue over which of his films are the best. But one film that rarely is brought up is Out of the Dark, and here at TarsTarkas.NET we believe that is a crime. In fact, I’ve come to the conclusion that Out of the Dark is my favorite Stephen Chow film. But it isn’t a non-stop wacky film, it’s a comedy that’s also a pretty spooky ghost film with a very high body count. Most of the look, costumes, and even a few character names are ganked from Besson’s Leon: The Professional. Heck, there’s even a plant! Director Jeff Lau previously directed several ghost movies, and Chow in the Chinese Odyssey flicks. He moved on to Metallic Attraction: Kung Fu Cyborg among other films.
Out of the Dark
Out of the Dark doesn’t fit the mold of the normal mo lei tau films, it spends time transcending the genre of wackiness while simultaneously embracing it (yes, that’s possible!) Out of the Dark shows much of the genius later captured by Kung Fu Hustle as a mo lei tau that is more. But instead of following a hero arc, we instead follow a group of people caught up in the sins of an evil family and their revenges from beyond the grave. There are kids brandishing knives, creepy old ladies, possessions, and the one man crazy enough to not be scared of this crap. Someone’s gotta bust ghosts and take up where Lam Ching-Ying left off! So let’s get our Dark on!
Out of the Dark

Leon (Stephen Chow Sing-Chi) – He’s Leon, he’s nuts, he ain’t afraid of no ghosts! Leon can defeat the forces of darkness thanks to his superior will and superior insanity. Leon takes the security team under his wing, attempting to save them from the wrath of poltergeists.
Qun (Karen Mok Man-Wai) – A girl at the crossroads who stumbles across Leon and is instantly smitten. Qun has what it takes to follow Leon into the abyss. Qun is sometimes subtitled as Kwan. Karen Mok later dealt with ghosts in Haunted Office, and also appeared in Task Force.
Tieh Dan (Wong Yat-Fei ) – A suicidal security officer due to his wife running off during the beginning of the film. Spends most of the first 1/3rd trying to kill himself, and the last 2/3rd fighting for his life.
Lily (himself) – Leon’s flower that can see ghosts. This is not the first time a plant has gotten a credit in Roll Call.

Out of the Dark

Tears of the Black Tiger (Review)

Tears of the Black Tiger

aka Fah talai jone aka ฟ้าทะลายโจร

2000
Written and directed by Wisit Sasanatieng

Tears of the Black Tiger was one of those films that you’d hear about for years, buzz would be awesome, but it was impossible to find a copy. Between the Weinsteins sitting on their version (which they then drastically cut) and other international versions also being edited, the only real way to see it was via imported Thai DVD. But Tears of the Black Tiger is well worth the effort to track down, and thanks to the internet being much more developed than in 2000, it is also easier to locate copies to buy of the uncut version.

Wisit Sasanatieng wanted to do an homage to the films he loved, the 1950s and 1960s Thai films. As we learned from our travels through the Insee Daeng films (Awasan Insee Daeng, Jao Insee, Insee Thong, Insee Payong, Insee Daeng 2010), older Thai films have a color saturation that make them look unique. TotBT is both a tribute to the local flavor drama stories, and the action films featuring bandits. Set in post-World War 2 rural Thailand and featuring the bandit gangs that were a reality at the time (as also detailed in the Awasan Insee Daeng review), Tears of the Black Tiger has the look of an old west film, but it is unlike any western seen before. The vivid colors, painted backgrounds, and homages to stage productions make every frame a work of art. The editing is just the right mix of quick cuts versus longer scenes that it feels a part of the film.

TotBT is just so different from what else is out there, it is a perfect example of why people fall in love with cinema. While I think my recent foray into the Insee Daeng films helped give me more appreciation of older Thai films, I would have liked Tears of the Black Tiger no matter when I saw it. I’m only sorry I didn’t watch it sooner. TotBT excels with neat cinematography and sets, from the painted backgrounds and color coded rooms with pastels everywhere, to the random poetry and songs to play us through scenes. Thought he pace can seem to drag at times, even that isn’t much of a problem and it is similar to slower paced Thai films from the era it is emulating.

Dum (Chartchai Ngamsan) – Dum is a crack shot and never misses. He’s called Black Tiger (Dum means black, and the gang is the Tigers), hence the English title of the film. Lover of Rumpoey despite their different cultural backgrounds. Chartchai Ngamsan also appears in The Brutal River.
Rumpoey Rajasena (Stella Malucchi) – Rumpoey’s dad is the provincial governor, and she’s engaged to Captain Kumjorn despite loving Dum since childhood. Her life is a series of tragedies. Stella Malucchi is Italian-Columbian, but was raised in Thailand. She was deathly ill for months and lost a leg, but has recovered well.
Fai (Sombat Metanee) – The big gang boss, leader of the Tigers gang. doesn’t take any crap from swarms of police officers that try to kill him and his gang. But he also avenges the death of his friends. Sombat Metanee has been in Thai film since 1960, was frequently cast with Mitr Chaibancha, and became a top leading man after Chaibancha’s death. He eventually became known for villain roles, and has even been elected to office.
Mahesuan (Supakorn Kitsuwon) – Fai’s former right hand man and main rival to Dum, the new right hand man. Raises his eyebrow more than Mr. Spock! Supakorn Kitsuwon teamed with Chartchai Ngamsan before in Sasanatieng’s Dang Bireley’s and Young Gangsters (1997). He is also in 2008’s Rambo.
Captain Kumjorn (Arawat Ruangvuth) – Bland police captain dedicated to wiping out bandits, and also getting engaged to women who don’t love him. And he’s a jerk!

Insee Daeng

Insee Daeng (Review)

Insee Daeng

aka Red Eagle

2010
Directed by Wisit Sasanatieng

Insee Daeng is a tragedy. Because it sucks, not because sad things happen in the film. It’s just terrible. An action flick with no heart, things just happen, you don’t care about any of the characters. It’s too busy trying to look cool to be cool. Insee Daeng is forcing me to rewrite my long-standing rule that The Matrix ruined cinema. The Matrix is so 1999. This is a new decade, and there is a new film that will cast a shadow over terrible action flicks for the next ten years as they attempt to emulate, but fail to duplicate the story and characterizations that made the film great beyond the effects. That is The Dark Knight, who shines over Insee Daeng like a batsymbol over some city with a hero who dresses as a bat in it.

Did we really need a brooding Insee Daeng? Wasn’t part of the reason we loved him because he was so jolly as he was blowing away bad guys? Mitr Chaibancha had presence, he would never be hanging out in an ice room feeling sorry for himself. He’d be so cool any room he entered became an ice room, and he’s so hot the ice would instantly melt. The freezing/melting ice is the Quantum Mitr Factor. It is an impossible standard that we can’t expect Insee Daeng to meet with its Insee Daeng, but it doesn’t even try.


Rome Rittikrai (Ananda Everingham) – Rome Rittikrai is just your average former special forces veteren who became a secret vigilante hero to clean up his country. Instead of being a lovable drunk like old school Rome, he’s a morphine addict thanks to a bullet in his brain
Insee Daeng (Ananda Everingham) – He’s Red Eagle, and that’s red enough for me!
Vasana Tienpradap (Yarinda Bunnag) – Vasana has a doctorate in geology and comes from a rich family, but devotes her time to helping those in need. She is the ex-fiancee of Prime Minister Direk Damrongprapa, and current love interest for Insee Daeng/Rome. Yarinda Bunnag is on Twitter and her sister makes cooking YouTube videos!
Black Devil (???) – It is a mystery who he is. A mystery you will solve before he even appears in the film. He isn’t Victor von Doom, so cut out that thinking right now!
Detective Chart Wuttikrai (Wannasingh Prasertkul) – He vows he’s gonna catch Insee Daeng, and he does…for like 1/8th of a second!
Chantaranantukam Singh (Jonathan Hallman) – Chart’s new partner is the strong silent type who also does heroic stuff to save kids. And he has to listen to Chart blather on all day long.
Matulee (various) – These guys are the secret society that decide what brand of toilet paper you use. Single-ply for you! Also they hate Insee Daeng.