Hey, it’s about time I put up a new wall of links. In fact, I had so many that I had saved in various drafts I combined several together for this entry, and will get a separate entry that is links to cool posts on movie blogs later in the week. Learn from me and finish your articles! But let’s get on with the show…
**An awesome graphic about gender inequality in film. Especially relevant since this is the first time in forty years a female-lead movie was tops at the box office.
**Can it be December already so I can watch the new Jiang Wen movie? Gone with the Bullets (一步之遙) will be the followup to Let the Bullets Fly, which was spectacularly awesome. Jiang stars along with Ge You, Shu Qi, Wang Zhiwen, Wen Zhang, and Zhou Yun, and the plot involves a beauty pageant.
**In yet another short gets optioned into a feature film news, Beyond has been optioned by SyFy. Beyond was created by Raphael Rogers, who wrote and directed it on a budget of $1000. Beyond is about a woman who can teleport across space and time, and is the last of her family.
You can watch Beyond here, it is less than 9 minutes long.
**Everyone’s favorite mobile game that’s just the opening scene of Raiders of the Lost Ark will hit the big screen, where hopefully it will be more than just 90 minutes of the opening scene of Raiders of the Lost Ark. Temple Run becomes the latest of small scale games to get a movie option (preceded by Angry Birds), thanks to Warner Bros., who are increasingly desperate to find a new franchise to milk. Speaking of which, I need to rewatch Raiders of the Lost Ark….
**South African thriller iNumber Number will get an American remake by Universal. No word yet on if writer/director Donovan Marsh will be involved. iNumber Number is about an honest cop who goes bad after being cheated out of a promotion. Soon he has bigger problems when the gang he robs wants revenge.
**I am very excited about the Flawed Dogs animated movie, based on the books by Berkeley Breathed, specifically The Shocking Raid on Westminster.
**Nickelodeon will bring us a film called Boogeymen, where a kid teams with the Boogeyman to investigate paranormal activity. I guess it’s sort of like that old Fred Savage movie Little Monsters, except they do Scooby-Doo stuff instead of just act silly. Boogeymen is based on a pitch from John Sullivan, and Howard Deutch will direct. Howard Deutch directed Pretty in Pink and several random sequels: The Odd Couple 2, Grumpier Old Men, and The Whole Ten Yards
**I’ve been arguing this for years, nice to see it getting some actual attention. It is possible you are made up of more than one genome, due to absorbing other genomes in the womb. It’s a type of chimerism that turns out to be a lot less rare than previously thought.
**The MPAA, RIAA, and various ISPs have come up with their own “downloading is bad” school curriculum for California. A bit of advice: unless this crap is on the state exams, no teacher is going to bother. Though I wouldn’t put it past one of those “charter” schools after the MPAA gives them a sizable donation. Because they’re greedy cesspools.
**The awesome story of young Russian WWII heroine Zinaida Portnova
**Explore hundreds of old movie magazines for free thanks to Lantern/The Media History Digital Library! Say goodbye to your free time!
**After the Cinema of Disgust – A close reading of the renegade New Wave of Tamil Cinema
**Remember in The Wizard of Oz when Scarecrow had a gun?
**The Great Lester proves even a dummy can go to jail!
Journey to the West: Conquering the Demons
aka 大話西遊之三藏付魔 aka Xi you xiang mo pian
Written by Stephen Chow Sing-Chi
Directed by Stephen Chow Sing-Chi and Derek Kwok Chi-Kin
Stephen Chow makes his triumphant return behind the camera for Journey to the West: Conquering the Demons! While early trailers played up the comedic aspects, Journey to the West: Conquering the Demons is thematically very different from what you would expect. It is mainly a horror comedy with romance elements. A sort of prequelized tale to the Journey to the West mythos, with the usual liberties and elements of true love and wackiness sprinkled in.
Stephen Chow spent most of the time since CJ7 running his own company (including work on the CJ7 cartoon) and randomly getting attached and unattached to various Hollywood projects. Even with this return to directing, Chow did not appear in front of the camera, despite rumors to the contrary. Those rumors have even started for the eventual sequel, of which I don’t think work has even begun. Whatever Stephen Chow wants to do is fine by me, because despite the flaws in Journey to the West 2013, it is still a marked improvement over a lot of the boring big budget garbage coming out of Chinese cinema lately.
Chow’s usage of actors with nonstandard physical appearances is still happening, the look of the background actors becoming as much of their role as their actions. There is even a sort of comment on the usual lack of problems with a woman getting hit by a man in Hong Kong comedies. Everyone freaks out when it looks like Shu Qi is about to get smacked by Monk Chen, and of course she then beats up the guy who almost hit her.
Chow’s fantasy retake is unconnected to the prior A Chinese Odyssey films, and is stylistically very different. The depiction of Monkey King is more of a mean-spirited animal than a practical joker, but again this is before he became “reformed”. But don’t fret, the classic songs from the original Chow films still show up in unexpected ways.
The true main character is the Monk Chen Xuan-zang (more commonly known as Tripitaka), here just beginning his monkhood service as a demon hunter. Chen Xuan-zang follows a particular philosophy where there is good in everyone, even demons, and he doesn’t set out to kill the monsters. His travels cause him to repeatedly cross paths with professional demon hunter Duan, who ruthlessly stops her targets with magic flying rings she wears as a bracelet.
Soon their continual meetings is revealed to be more than just an accident, as Duan chases after Chen Xuan-zang in an attempt to get him to marry her so she can settle down. The Monk is adamant in his devotion to his faith, dismissing romance as “Lesser Love” and he is following “Greater Love”. But despite the problems, their paths continue to merge, leading to drama when the Monkey King is unleashed.
The different portrayals of Monkey King by Huang Bo and then some guy in makeup are a great example of building a complex character. Monkey King appears as a friendly, grateful guy who is convinced to help to try to regain some cosmic karma. But he’s far more than that, and soon the demeanor changes as his plan for freedom falls into place. Monkey King is then a wild animal in a costume, basically a cartoon character, who then has a big cartoon violence fight with several demon hunting champions, each with their own ridiculous powers. The kindly grey Huang Bo would not work in these action sequences, just as the monkey costume version would not be believable as a captured and tormented soul yearning for freedom.
Chow’s borrowing of other properties takes a turn to the lazy here when various scenes are lifted wholesale
most notably an action cinematic that is swiped directly from the Asura’s Wrath video games. Other characters are takes on some classic wuxia characters through history, including one called Almighty Foot, who is basically Sek Kin from The Furious Buddha’s Palm, right down to the identical foot growing sequence (even the music and foot growing sound effects are borrowed!) but with a bit of CGI enhancement. Heck, even the concept of a prequel-style movie with Tripitaka in a love story was done before (by Jeff Lau, in A Chinese Tall Tale!)
All is forgiven thanks to Prince Important, who is Law Chi-Cheung doing a ridiculous impression of Stephen Chow. He plays him sickly and carted around by four “beauties” – older women who talk back at everything Prince Important tries to do to look cool.
Journey to the West‘s biggest problem is it needed an editor. The pacing in any Stephen Chow flick is always off, but here it also rather long. Certain comedic scenes could have been cut down without losing anything important, and making the film tighter as a whole. While not as original as I could have wanted, and prone to meandering off on random topics, Journey to the West: Conquering the Demons was still a joy to watch, and hopefully helps give a needed kick to the seat of Chinese big budget cinema to bring more to the table than the blandness. Anything that ups the game is always welcome.