Tag Archives: martial arts

Shaolin Traitorous

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Shaolin Traitorous

aka 大太監 aka Traitorous

1976
Written by Cheung San-Yee
Directed by Sung Ting-Mei
Shaolin Traitorous
In the 1970s, the most dangerous occupation in Taiwan was being Polly Shang Kuan’s father in a movie. And once again, Shaolin Traitorous involves Polly playing a character that is avenging the deaths of her parents. But, shockingly enough, Polly isn’t the focus of the flick, it’s Carter Wong as Shang Yung, who survives the massacre of his family as a child and then trains at Shaolin Temple and eventually go get revenge.

Story wise, Shaolin Traitorous is a by-the-numbers revenge flick. But the choreography makes it rise a bit above the crowd. There is an obsession with array attacks, and there are multiple scenes with many guards stacked on top of each other in a huge human fence formation. Though fun to look at, I’ve never really understood how these attacks do anything except present a bigger target. But maybe that’s the trick…
Shaolin Traitorous
Aside from the many guards stacking, if you’ve seen one of these films, you know the score. If they’re your thing, then you will enjoy the crap out of Shaolin Traitorous. If you’re just seeking some kung fu thrills, it will do the trick. But it’s not going to be a film you rave to everyone about on Twitter.
Shaolin Traitorous

Shang Yung (Carter Wong Ka-Tat) – His parents were killed when he was but a lad, and after intense Shaolin training he’s back for revenge. Luckily the guy is so evil he wasn’t killed and didn’t die of natural causes in the meanwhile. Because that would be anti-climatic! Wears his slain mother’s bracelet as a necklace.
Hsiao Yun Erh/Tso Yun Lan (Polly Shang Kuan ) – Another victom of Tin Erh Keng wiping out her entire family, whe was even adopted by him (though randomly everyone thinks she’s a dude for a while, despite no disguise at all!) Now she wants revenge for her slain family.
Tin Erh Keng (Chang Yi) – Evil jerk whose favorite hobby is slaughtering all the members of a family except a young child who will then hunt him down for revenge. Eventually that hobby comes back to have consequences. Who knew???
First Head (Sammo Hung Kam-Bo) – Guard of East Gate who has a ridiculous name and he’s evil. EVIL!!!

Shaolin Traitorous
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When Taekwondo Strikes

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When Taekwondo Strikes

aka 跆拳震九州 aka Sting of the Dragon Masters aka Kickmaster aka Tai quan zhen jiu zhou

1973
Written by Gwak Il-ro and Chu Yu
Directed by Wong Fung
When Taekwondo Strikes
When martial arts movies are talked about, there is the practice by certain people of just labeling all martial arts films as kung fu films. Of course, fans of the genre know there are many different types of martial arts cinema, from kung fu to karate to taekwando to Pencak Silat to Muay Thai. And all of those have their own subgroups and subsubgroups, and films will mix styles, often as a selling point. For When Taekwondo Strikes, taekwondo is obviously the featured martial art, even Jhoon Rhee – “the father of American Taekwondo” – is one of the stars in his only film role. You can also spot Sammo Hung, Lam Ching-Ying, and Yuen Biao in the stunt teams, which is always a fun game with these older flicks.
When Taekwondo Strikes
When Taekwondo Strikes is one of hundreds of films that takes place during the Japanese Occupation, this time on the Korean peninsula. It also scores points for mention the use of Korean women as comfort women to the Japanese troops overseas, as the evil Bansan Karate School engages in this practice.
When Taekwondo Strikes
When Taekwondo Strikes features some great cinematography tricks that make it a far better film than just your random basher. The shots while the Japanese are threatening work great in establishing a mood. In the beginning, the Japanese men are shot from an upward angle, thus making them look more powerful and threatening. The Koreans who are victimized are shot at a downward angle, making them look weak. As the heroic Koreans get more brave and powerful, standing up to their oppressors, the shots become even. Eventually, the triumphant Koreans tower over their former oppressors as the camera angles reverse.

There is also a lot of religious imagery, especially crucifixion. Both the captured Father Louis and then the captured Li Jun Dong are both tied up in a crucifixion manner. In the beginning of the film, the Japanese chase a Korean who knows taekwondo (thus marking him as anti-Japanese) into a church run by Westerners. The priest will not talk, and when the Japanese slap one of his parishioners, he slowly turns his other cheek towards them.

Besides the cinematography, the fight choreography is well done, the battles being consistently entertaining and feeling furious and dangerous, even if Angela Mao is always in control. The Japanese villains are always presented as threatening, and even though they can be defeated they will not hesitate to harm the loved ones of anyone who dares resist them.
When Taekwondo Strikes

Huang Li Chen (Angela Mao Ying) – A Chinese who grew up in Seoul, works in her mom’s restaurant. But due to her sympathies with the Koreans who share the same fate of being invaded by the Japanese as her homeland, she gets caught up in the intrigue and fighting. Luckily, she’s more than skilled in the fighting department.
Li Jun Dong (Jhoon Rhee) – Gardener and secret resistance leader for Japanese occupied Korea. Jhoon Rhee was the father of American taekwondo, this looks like the only film he had a role in.
Mary (Ann Winton) – The niece of Father Louis and resistance fighter once the Japanese start hassling her uncle. Ann Winton was on of Jhoon Rhee’s followers who came with him to Hong Kong to make When Taekwondo Strikes. As far as I can tell, this was her sole movie role.
Jin Zheng Zhi (Carter Wong Ka-Tat) – Fellow resistance fighter who helps free Li Jun Dong. Is in a lot of the film but is surprisingly underdeveloped because he’s taking a backseat to Angela Mao and Jhoon Rhee.
Father Louis (Andre E. Morgan) – French missionary in Japanese-occupied Korea who stays to support his flock. Father Louis looks like George Lucas. In the subtitles, he’s called Father Lu Yi 

When Taekwondo Strikes
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The Zodiac Fighters

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The Zodiac Fighters

aka 十二生南 aka Dragon Zombies Return aka Shi er sheng nan

1978
Directed by Hau Chang

Zodiac Fighters
50 Shades of Grey wishes it was this daring!

Polly Shang Kuan Ling-Feng began her career In 1966 with the United Film Corporation, and was quickly and began studying martial arts. When director King Hu needed a new starlet for 1966’s Dragon Gate Inn (one of the films that helped usher in the modern wuxia films) with Cheng Pei-Pei still under contract at Shaw, Polly was his choice. Polly played a female swordmaster disguised as a man, a role she would be accustom to playing. Often it is hard to figure out what gender Polly is supposed to be in many of her films! 18 Bronzemen, probably her most famous role in the west besides Dragon Gate Inn, also sees her disguised as a man. In 1973’s Back Alley Princess, she was a woman who spent the entire film playing a man, and won the Golden Horse award for Best Actress. 1978’s Little Hero saw her playing a man, and 1977’s Fight for Survival saw her playing a woman who started to become a man thanks to some kung fu, causing her to need to learn a different kung fun style to revert back.

Zodiac Fighters
I have to stay in this cave for a year? But there’s no bathroom, there’s not even a corner!

In some of her earlier roles such as A Grand Passion, The Bravest Revenge, and A Girl Fighter, Polly was regularly cast as a female out to avenge her murdered father. If you stacked the bodies of all of Polly’s murdered fathers in her older films, you could climb to the moon and probably kill her moon father, causing her to seek moon revenge, which wouldn’t seem out of the ordinary by her later films. By the late 1970s, Polly was making some of the most awesome films to come out of Taiwan. Most of these were weird variations of martial arts films packed with comedic tones and funny situations. You don’t watch these films to see expertly performed Eagle Style, you watch it to see wacky costumes, ridiculous fights, and insane situations.

Unlike many of her contemporaries, Polly did not have Peking Opera training, but according to the one biography online that has been copy/pasta’ed everywhere, Polly eventually got black belts in taekwando, karate, and judo. I will point out that none of those are Chinese martial arts. Polly left film in the 1980s and moved to the US. Rumor is she runs a restaurant in LA, but no one has said which restaurant! Polly could be serving you catfish in black bean sauce right now! Or even denying you the ability to sit at your table until the rest of your party arrives… She has appeared occasionally in enough interviews that you can see pictures of her now if you so desire to Google it.

Zodiac Fighters
It’s time for Popeye Style Kung Fu!

So this all brings us to Zodiac Fighters, a film where we have people dressed up as the various Chinese Zodiac animals running around doing kung fu styles in the manner of the animal they are dressed up as. We have a few extra bad guys with different animal suits who show up near the end, and a sequence involving rubber sharks that you have to see to believe. Zodiac Fighters is crazy and freaking awesome, a great martial comedy. Unfortunately, it is also hard as heck to get a hold of. I had to bribe a guy dressed like a moose. Or maybe he was a moose. In any event, I now have a copy, and some moose has a bunch of caramel corn.

I’d like to tell you I did all this research and identified all the random actors, but that would be a lie. I just did what the few of us who watch these films do and went to the source, this Cast Photos Page that is used by every reference source out there, even the HKMDB! So now you know the terrible secret of all us obscure movie bloggers.

Zodiac Fighters is so beloved among cult world cinema fans that it was even featured as one of the Polly Shang Kuan films we talked about in an Infernal Brains Podcast! There is even an even harder to find sequel, called either Zodiac Fighters 2 or War of the Zodiacs depending who whoever wrote the cover of the bootleg with a Sharpie. It does not feature Polly Shang Kuan, but does feature most of the animal actors, little people in dog costumes, and the giant octopuses seen in Little Hero. War of the Zodiacs should probably be called War of the Props Left Over From Other Films.

Zodiac Fighters
The Secret Society of People Dressed as Animals Who Aren’t Furries is ready for battle!

I promise I won’t start quoting lyrics from Talk to the Animals or start wondering what would happen if we could walk with the animals, or possibly even grunt and squeak and squawk with the animals. Because that would just be easy and predictable, and we aspire to a higher standard of lame jokes at TarsTarkas.NET!

Zodiac Fighters
I’m the biggest Shark Week fan in the world!

East Sea Dragon/Polly (Polly Shang Kuan Ling-Feng) – A professional mourner who becomes mixed up in intrigue and thus spends a year learning Dragon Kung Fu in a magic cave, thus then becoming East Sea Dragon. She must then track down the other 11 zodiac sign fighters from the cave and defeat the evil Tiger Shark, because, he’s evil!
Heartbreak Girl (Yee Hung) – Manipulative lass who uses wide-eyed do-gooders to fight for her family’s honor. Despite breaking so many hearts it earned her a new name, she still uses people like East Sea Dragon to do her bidding.
Tiger Shark (Lo Lieh) – Evil jerk with a seafood evil theme, he’s like if a Long John Silvers restaurant came to life and was bad to the bone. The fishbone. Has shark weapons, goons dressed as crabs, the whole nine yards.
Pan Sing (Ngok Yeung) – Good scholar/fortune teller who East Sea Dragon runs into along the way in her quest to take down Tiger Shark. He joins on along with Polly’s old mourning buddies because they got nothing else going on. He will use his brain to figure out things that the audience figured out much earlier in the film. Ngok Yeung shows up in Dwarf Sorcerer and The Legend of Mother Goddess.
The Five Elements (various) – Besides the sea-themed goons, Tiger Shark also employs these five guys based on the five elements – Fire, Wood, Water, Air, and Gold. They are very colorful and have very complex fight moves, but are easily fooled (you might say they are lead by….FOOL’S GOLD!)

The Other 11 Zodiackers:

Rooster (Weng Hsiao-Hu) – The first of the crew they located, Rooster is off crowing in a field and helps East Sea Dragon locate the rest of the signs.
Rat (???) – This Rat guy has the power of digging tunnels and biting people with his rat teeth!
Ox (???) – Ox has the power of the Ox, which is not impressive enough that I noticed what it was. Maybe it was the power of being bought for the game Oregon Express!
Rabbit (???) – Probably the most memorable costume, we got a chick fighting in a fluffy bunny rabbit outfit. And she has a carrot-shaped flute that she plays during musical numbers. Rabbit also has the power of riding toy sharks, which comes in handy during the final battle, believe it or not!
Snake (Wu Feng-Hsien) – Snake is an entertainer at heart and also a fan of walking like an Egyptian, from the looks of her dance moves.
Horse (Gam Sai-Yuk) – Horse has all the power of the Horse, and can even talk like famed horse Mr. Ed.
Ram (???) – Ram enjoys fighting other members of the zodiac crew, because they all love to fight each other all the time. Some real anger management issues going on in this crew.
Monkey (Wang Tai-Lang) – Another entertainer, he uses his monkey skills to earn money as a street performer before being drafted into the ranks of the Zodiackers! Wang Tai-Lang specialized in playing characters named Monkey. Yeah.
Dog (Lee Keung) – When your special powers are biting people on the ankles and peeing on them, maybe you need some new special powers. Just saying. His weakness is rolled-up newspaper!
Pig (Cheng Fu-Hung) – We can’t have a pig zodiac without him looking vaguely like Zhu Bajie from Journey to the West. Cheng Fu-Hung is also in Island Warriors, Fight for Survival, and Fantasy Mission Force.
Tiger (Sek Fung) – Tiger has the most human zodiac costume of them all, and seems like a leader even though he’s subserviant to East Sea Dragon.
Zodiac Fighters
Something’s happening here. What it is, ain’t exactly clear…

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Shadowless Sword

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Shadowless Sword

aka 무영검 aka Muyeong geom

2005
Written by Kim Tae-kwan and Sin Joon-hee
Directed by Kim Young-Jun

A stylized action flick overly heavy on outside influences, Shadowless Sword delivers some good wirework action, but not enough heart or story to put it beyond popcorn fare. The fact that Shadowless Sword is a Korean flick does transform some of the usual wuxia tropes into new forms, giving Shadowless Sword a uniqueness, but that’s not enough to satisfy.

A period piece filmed in China, Shadowless Swords gets it story from the ancient Korean kingdom of Balhae and is very very loosely based on reality. Balhae was conquered by the Kitans in 926, and the royal family was killed and the kingdom turned into a puppet state that was eventually absorbed. But the last crown prince Dae Gwang-hyeon escaped with around 300 followers, arriving in Goryeo (the Kingdom from which modern Korea sprang) and causing occasional trouble for the Kitan. From reading up, the actual Dae Guang-hyeon history sounds much more interesting than the story used here. (If you are confused by the Dae Guang-hyeon/Dae Jeong-Hyun being the same person that, welcome to the wonderful world of different translation schemes colliding!)

Shadowless Sword‘s action sequences are heavily invested with wirework, and at times almost too choreographed. You start to notice a pattern and then predict when there will be a cut as the actor flips to suddenly fly in the air. But the choreography not bad, in particular the duel between Yeon So-Ha and Mae Young-Ok in the marketplace is very nice.

There is a heavy emphasis on qigong energy type moves, attacks cause the walls and pillars to explode in ridiculous fashion when people are thrown into them. In physical attack, bodies can explode violently, sometimes much later than the physical attack itself.

This expands with a sort of sword energy mythology – Shadowless Sword tries to include including philosophy of sword debates, can swords become noble or evil, or is it up to the user to decide what the sword is. Can a sword become evil? Where does the morality of killing come from? Another major point is two swords that are brothers, the swords being connected and also the people using the swords are connected

One neat thing is the energy attacks also work underwater, this is the only film I can recall seeing where energy is blasted back and forth underwater causing the energy pushing the water to be used as a weapon (The Last Airbender doesn’t count!) There is also lots and lots of shuriken. At one point bad guys throw like 100s of shuriken into the water likes they are machine guns, which is sort of bad. It crosses into ridiculous territory and takes you out of the film.

Shadowless Sword does borrow a lot of visuals from other films, Crouching Tiger gives us flying rooftop chases, a Korean gang has everyone dressed up like Johnny Depp in Pirates of the Caribbean (if this is accurate historical costuming, then we’re though a rabbit hole now, people!), the energy stuff sounds like it’s from a billion manga comics, fields of flags see straight from Kurosawa, and the end scene is very recognizable as well. If Shadowless Sword can’t be bothered to be less obvious in what it steals, then I can’t be bothered to care too much.

Yeon So-Ha (Yoon So-yi) – The best fighter of the surviving Balhae forces. Yeon So-Ha joined the army as a young girl after her whole family was killed. Carries a special shadowless sword (Muyeong geom) of which only two were made.
Prince Dae Jeong-Hyun (Lee Seo-jin) – Exiled prince and last surviving member of the Balhae royal family. He’s reluctantly taken from his black market dealings under the name Sosam and brought back to lead his people by Yeon So-Ha.
Gun Hwa-Pyung (Shin Hyun-jun) – Gun Hwa-Pyung’s father was a traitor to the prior King of Balhae and was executed along with his entire family, but Gun Hwa-Pyung survived the execution and joined up with the Khitan, leading the feared Killer Blade Army. It is his goal to eliminate the entire royal family for revenge
Mae Young-Ok (Lee Ki-Yong) – Female member of the Killer Blade Army and great admirer of Gun Hwa-Pyung, but his quest for revenge keeps him from being anything more than her commanding officer.


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Duelist (Review)

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Duelist

aka 형사 aka Hyeongsa

2005
Written by Lee Myung-se and Lee Hae-kyeong
Based on the comic by Bang Hak-ki
Directed by Lee Myung-se

Stylish visuals and Ha Ji-won can’t save Duelist from the horrors of mediocrity. They try so hard! But close only counts with horseshoes and hand grenades. Duelist suffers a few too many flaws to for me to recommend it, though I can appreciate the type of film it was trying to be. It’s an anachronistic tale of ancient detectives working against an attempted coup plotted against the Korean king, complete with stylized visuals that will remind you of MTV editing. But it’s actually a film about two people connecting, people on opposite sides of a conflict. And the tragedy that results. This is a Korean film, after all!

As longtime readers (all 3 of you) know, I’m a sucker for crazy visualizations in film. Especially when they’re integrated so well into the film they become indispensable. Parts of Duelist achieve this goal. But other parts do not, the visuals become a distraction at best, and a problem at worst. There are lots of scenes that transition not by normal cuts, but instead by the camera sweeping into the new scene and the old scene becomes the new. That was neat. I wasn’t so keen on the montages that features a lot of scenes fading in and out, but parts never fully fading in, just imprinting on the scene. It seemed more like the film was trying to remind us of what the characters were feeling and thinking about, even though we should know just by virtue of paying attention.

Duelist takes its music queues from throughout the world and throughout time, so European circus tunes and classic Korean music are both used to set whatever mood is needed. Even the noises of crowds cheering are dubbed in despite a lack of such crowds, to make us know that an action is worth our admiration.

The action scenes work well when it’s limited to two combatants, but the larger battle sequences don’t feature the drama and intimacy of the film’s duels (and the intimacy isn’t helped by the larger sequences featuring lots of overhead shots of crowds instead of shots in the battles. Lee Myung-se does his preferred smaller fights with a mix of slow-motion and sped-up choreography, which both shows off the dueling as a loving slow dance, and as a wild and furious clash of emotions. The duels often aren’t about fighting, but have a larger emotional meaning.

Duelist comes from a time when Korean cinema was riding high, atop the world. But that horse was getting tired, and the world is ever-spinning. Bearing that in mind, I still judge Duelist against its contemporary films and the quality of the work that was being released at the time. Duelist does not measure up. Were it released today, it would be regarded as a mini-masterpiece. But in the middle of the shuffle of some of the greatest cinema to come out of the peninsula, Duelist barely registers.

Detective Namsoon (Ha Ji-won) – Rookie detective who is focused on her mission to the point of not thinking of her own safety. Skilled with weapons and headstrong. She also makes the sassy faces that Ha Ji-won is known for. Ha Ji-won’s other films on TarsTarkas.NET include Sex is Zero, Love So Divine, and Sector 7.
Gu Janggon (Kang Dong-won) – The person of interest for the investigation about the coup and the assistant to Minister Song. He acts like so many long haired aloof anime/manga heroes that female characters fall for (this IS based on a comic book!), so of course Detective Namsoon falls for him, and he falls back. But, duty, honor, all that garbage. See Kang Dong-won as non-anime in Too Beautiful To Lie
Detective Ahn (Ahn Sung-gi) – Namsoon’s brash and drunken mentor, is sort of looked down on despite the fact everyone acknowledges he’s a great detective.
Minister Song Pil-joon (Song Young-chang) – A totally not suspicious evil military minister.


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Miraculous Flower (Review)

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Miraculous Flower

aka Phoenix The Ninja aka 蓋世奇花 aka Wolf Devil Woman 3 aka Gai shi ji hua

1981
Script by Godfrey Ho Jeung-Keung
Story by Pearl Cheung Ling
Directed by Fong Ho

It’s Pearl Cheung Ling Time! Another classic Pearl Cheung Ling martial arts cinema masterpiece gets its due. Miraculous Flower (possibly better known as Phoenix The Ninja, as that’s the name I knew it as for years!) is a great piece of cinema that stands on the edge of Pearl-insanity and classic wuxia revenge. Filled with kooky characters, varied and elaborate environments, and plenty of gory action, Miraculous Flower pulls out all the stops and succeeds in being entertaining and fun.

This is her first film where Pearl is actively involved in the narrative construction beyond just a producer role. And while she did come up with the story, it’s obvious that they needed to follow a more traditional kung fu revenge narrative. While it still walks the edge of the volcano, there are moments where things go a bit wild. It is probably safe to say some of the smaller quirks are also Pearl’s doing, and things were added to tailor to her interests. When Pearl is dressed in the all black revenge costume and swooping around like an angel of death, that’s pretty much pure Pearl Cheung Ling. Her transformation sequence in Matching Escort involves her donning a full white costume, while in Wolf Devil Woman the entire character changes constantly through the film. Dark Lady of Kung Fu deals with this by having Pearl’s character having two separate identities. By the time of her final film General Invincible, the Pearl character is torn between two worlds and duty and honor from those worlds, and the consequences thereof.

For more Pearl Cheung Ling background, be sure to check out the Infernal Brains Podcasts on her (Part 1 is here, Part 2 is upcoming!) and check out the other Pearl reviews up – Matching Escort and Dark Lady of Kung Fu.

As we noted before, Matching Escort was retitled during a released as Wolf Devil Woman 2, and Miraculous Flower was retitled Wolf Devil Woman 3, despite being made before either of the other two films! I have two versions of Miraculous Flower, the Hong Kong release that features all the gore but is missing some scenes in the beginning featuring the Happy Fairy, and the international IFD retitle Phoenix the Ninja that has the gore trimmed but doesn’t feature any full cut scenes. I do not know why the early scenes were cut, maybe to make room on a vcd or something? Both versions feature different credit sequences. A good breakdown of the two versions can be found here.

Ao-shuang Leng (Pearl Cheung Ling) – Just your average woman whose mother died and sends her on a quest that turns out to be far bigger than she imagined. She’s totally not the last of the May family hidden away so well even she doesn’t know it! And that certainly wouldn’t send her out seeking revenge!
Lord No-dust (Tsung Hua) – Lord No-dust hates dirt! Yet somehow he decided to wear white outfits all of the time in a land filled with women named Ao-shuang who constantly get him dirty. Okay, only one woman named Ao-shuang does that, but as she’s the main character and his lover interest, it’s a pretty important Ao-shuang. Lord No-dust secretly learned martial arts after his father forbid it.
Sheue Huai-jen (Wang Hsieh) – Lord No-dust’s father and the head of Snow Shadow in Plume Woods. He was involved in martial arts intrigue long ago and faces continual fallout, including lots of people who want to see him dead. ANd he may have been involved in Ao-shaung’s family’s murder.
Happy Fairy (Gua Ah-Leh) – Sometimes called My Lady, Happy Fairy is a martial arts master who motivates Ao-shuang to continue her quests and teaches her skills she needs to defeat the bad guys who killed her family.
The Monk Syma Chin-cherng (???) – A simple regretful monk is more than he seems, as not only is he Ao-shuang’s father’s brother, but he totally is behind the whole slaughter of her family thing!


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