Trip To Moon (Review)
Trip to Moon
aka Chand Par Chadayee
1967
Written by Dr. P. Balakrishnan and T.R. Sundaram
Directed by T.P. Sundaram
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How you boys like my new goldfish bowl?
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Trip to Moon is another Dara Singh adventure, as the famous wrestler has become far too manly and powerful to be confined to foes just upon Earth, he has to search the stars for new enemies. Luckily the Moon and Mars both contain a sizeable amount of wrestlers and monsters for him to battle with, and then there is the little matter of the love of a Princess and adverting war between the Moon and Mars. As we get an experience that’s obviously heavily influenced by serials like Flash Gordon, the audience comes along for the ride in one of the few instances of Indian science fiction film. It’s also a bonus entry into the MOSS (Mysterious Order of the Skeleton Suit) Conspiracy Big Muscle Tussle, because I am awesome like that.
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Rise of the Moon of the Apes!
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Trip to Moon has several mysteries surrounding it. Though it was released in 1967, one of the actors – S. Nazir who plays a kidnapped scientist in the beginning – died earlier. He’s even listed as deceased in the credits. Theories abound as to when Trip to Moon was actually filmed, with guesses ranging from 1963-1967 – though it is possible additional scenes were added later. So why did it take so long for Trip to Moon to hit Indian theaters, if that was the case? Was it more distribution problems similar to what drove producers to start making stunt films in the first place, or was there something else going on? Or are these rumors all untrue and just made up by people with websites? Perhaps if you know Dara Singh, you can ask him. Tell him TarsTarkas.NET sent you! Then he won’t punch you as hard for bothering him.
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Only in India do you get crowd scenes with Devo and a herd of Phantoms from Krankor…
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Much like his other films King Kong and Samson, although he’s given a character and backstory, Dara Singh is just Dara Singh. Much like how Arnold Schwarzenegger is Arnold in every movie, even if he is a robot or a believer in Free Mars. By now Dara is headlining films himself, no need for pretty boys to share the spotlight. He still has a comic relief guy, because you can’t escape their goofy grasps. Dara’s wrestling opponents are less billed than before, and though some make appearances, many are under layers of makeup or costumes playing various space monsters. There is a feeling in the air that Trip to Moon is using whatever costumes the studio had lying around for use, along with possibly monster costumes.
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It’s lonely out in space on such a timeless flight
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The opening credits are filled with what look like stock scifi paintings as the credits role. Despite the trappings, there are relatively few Indian science fiction films. Others known or suspected to be (besides mythologicals or super hero films) include Dara Singh’s other film Rocket Tarzan (1963), Wahan Ke Log (1967), Rocket Girl (1962), Flying Circus (1965 – though that just has a robot), Flying Man (1965), Miss Chaalbaaz (1961), Atom Bomb (1949, dir. Homi Wadia), Kalai Arasi (1963), and Aditya 369 (1991). Thank MBarnum of Pedro the Ape Bomb for some of these titles. The either missing of unavailable status of many of those films prevents a good overview of older Indian science fiction. The more modern films are better known – Koi Mil Gaya, Krrish, Love Story 2050, Da.One, Aa Dekhen Zara, Endhiran (a Kollywood joint) and Krrish 2. But those are entries for new dawns and new days.
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I’ll be He-Man, and you’ll be Bee-rah, Princess of Honeypots!
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Yes, this unsubtitled, badly encoded vcd just doesn’t want us to know what is going on. But here at TarsTarkas.NET, we don’t need no stinking subtitles!
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Things went ugly quickly when a robot played 7 aces during Fizzbin
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King Kong (1962 – Review)
King Kong
1962
Written by Vishwanath Panday, Pandit Mathur, Mastji, and Majrooh Sultanpuri (lyrics)
Directed by Babubhai Mistry
Not that King Kong, there are no giant apes in this movie, though there are guys who sort of look like giant apes when you squint, or at least fat blogs. Nope, this is 1962s Indian epic King Kong, starring the great Dara Singh in his first starring role. You remember Dara Singh from Samson right? The Infernal Brains Podcast about Dara Singh? Well, if not, you now have a bunch of extra listening and reading to do! For the rest of us, this is an entry in the MOSS (Mysterious Order of the Skeleton Suit) Conspiracy Big Muscle Tussle, featuring dudes and chicks with muscles doing muscular things in muscular ways. Said muscular ways usually means punching many things. Click on the MOSS Page to see many more entries, as long as your roid rage is low enough you won’t Hulk Smash all our webpages. As for King Kong, let’s just say that there is a giant monster in the beginning of the film, but it’s all downhill from there!
Dara Singh was born in 1928 in the Punjab village of Dharmuchak. He wrestled in local tournaments while growing up, but went to Singapore to seek employment as a laborer. He ended up learning East Asian wrestling techniques – in addition to the Indian (and surrounding regions) technique called Pehlwani – and returned to India. With his brother Randhawa, the two became professional wrestlers and soared through the ranks. By the 1970s, Dara and his brother were the highest paid wrestlers in India, earning 30-40 times the going rate for bouts. Dara was also the “world champion” in the local circuits.
Prior to his lead role here, Dara Singh had been relegated to stunt work in films like Sangdil (1952), Pehli Jhalak (First Sight) (1955), and Jagga Daku (1959). In King Kong and many of his later films, Dara helped do the fight choreography, as he thought the usual Indian choreography didn’t look real enough. As Dara Singh comes from a lower caste, there was often trouble finding leading women who would appear with him. Besides Kum Kum from this film, his usual partner was Mumtaz (seen here in Samson) Dara’s lower caste status helped instill him as a hero of the common man, though his films usually had him suddenly discover his noble roots (as this one does.) After his movie career slowed down, Dara Singh gained a new generation of fans when he appeared in the 1980s tv series Ramayana playing Hanuman.
The movie’s title King Kong is even taken from wrestling. Though a reference to the giant ape, King Kong became a wrestling title, one which Dara Singh soon claimed, winning it off of stocky Hungarian wrestler Emile Czaja – who often went billed as King Kong (including his appearance in this film!) Dara winning the King Kong title gave him enough fame that director Babubhai Mistri decided he would be bankable as a leading man. The added fact that it was cheaper for people to buy movie tickets than to pay for wrestling tickets was just gravy. Due to distribution politics/drama, low-budget stunt films like King Kong were usually exhibited in rural areas, often with the director or star in attendance presenting the film.
Director Babubhai Mistri did effects work at Wadia Movietone, and directed many mythologicals in the 1950s (mythologicals being a genre of Indian cinema that does stories from the religious texts.) by by the 60s was unable to direct big picture films, thus he turned to the B movie circuit and making Dara Singh a star.
Like most surviving Dara Singh films, King Kong is available on badly encoded unsubtitled vcd with the craptastic video quality you expect. And the vcd has commercials on it..in the middle of the film! Luckily, a few Dara films have started to migrate to DVD, so maybe, just maybe, we’ll get some of his awesome stunt films on DVD soon…
As this is the inaugural Dara Singh starring flick, they didn’t trust him to headline the picture by his lonesome, so they threw in another character, the handsome swashbuckler type Badal (played by Chandrashekhar) There is also a comic relief sidekick for Badal. Comic relief sidekicks were so in vogue at this time, the evil warrior character Evil Guy also has his own comic relief sidekick. As you have probably noticed by some of the names, I haven’t figured them all out yet.
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Categories: Movie Reviews, Ugly Tags: awful monster costumes, Babubhai Mistry, Bollywood, Chandrashekhar, Dara Singh, India, Kamal Mehra, King Kong, Kum Kum, Leela Mishra, Majrooh Sultanpuri, Mastji, Pandit Mathur, Parveen Choudhary, Sheila Kashmiri, Uma Dutt, Vishwanath Panday, We don't need no stinking subtitles, yellowface
Infernal Brains Podcast – Episode 06 – Dara Singh
In this episode, Tars and Todd sing the praises of Singh, Dara Sing, the manliest man of them all. Be a man and find all about how Dara Singh fights King Kong, cow dinosaurs, lizard puppets, 50 men at once, cyclops, Medusas, magic dwarfs, Moon men, Martians, space rhinos, stalker girlfriends, cardboard robots, and evil comic relief sidekicks.
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Movies discussed include:
King Kong (1962)
Samson
Hercules
Trip to Moon
Thief of Baghdad
Prior Infernal Brains:
Taiwanese Giant Monster Films Part 1
Taiwanese Giant Monster Films Part 2
Polly Shang Kuan
Turkish Pop Cinema Part 1
Turkish Pop Cinema Part 2
Infernal Brains Podcast – Episode 06 - Dara Singh [ 44:39 ] Play Now | Play in Popup | Download (452)Categories: Movie Reviews, Podcasts Tags: Dara Singh, Infernal Brains, Mumtaz Banoo, Podcast
Samson (Review)
Samson
1964
Directed by Nanabhai Bhatt
It’s time for some Bollywood Peplum with Dara Singh! Wait, you ask, Bollywood made Peplum and who is Dara Singh? Where the crap have you been, reader? Bollywood pumped out a few Peplum films because Bollywood does that stuff. And Dara Singh is only the greatest Indian wrestler who ever lived. He did tons of awesome films where he wrestles dudes. And he fights dinosaurs! What more do you want?
So Samson is a Bollywood feature disguised to look very much the part of a 1960s Italian Peplum movie. If they didn’t break into song every twenty minutes or so you might be fooled into thinking this was just another crazy Peplum film. It has all the same tropes as the genre it is copying, including funky awesome costumes, giant army battles, evil kings, genies, magic midgets, and fake-looking monsters. It’s available on unsubtitled vcd, but at TarsTarkas.NET, we don’t need no stinkin’ subtitles! What we also don’t need are stupid watermarks on the vcd, but practically every Indian vcd has them (and also Bangladeshi, Nepalese, Pakistani, and several other countries vcds as well.)
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Categories: Movie Reviews, Ugly Tags: Ameeta, BM Vyas, Bollywood, Dara Singh, Feroz Khan, India, kaiju, little people, Mumtaz Banoo, Nanabhai Bhatt, Peplum, We don't need no stinking subtitles
