Batman: Return of the Caped Crusaders
Screenplay by Michael Jelenic and James Tucker
Directed by Rick Morales
I was super excited to hear about Batman: Return of the Caped Crusaders when it was announced that Adam West and Burt Ward would be reprising their roles from the 1960s series, even more so with Julie Newmar also around as Catwoman. As you have probably guessed from the large amount of campy super hero flicks TarsTarkas.NET has covered over the years, the television series that inspired many of them is a big deal, so any thing that means more of the cool magic that it was is great. It turned out better than I imagined, it’s one of the best animated films DC has put out, and they have put out a few good ones! (and a few….not so good ones!)
The film is jam packed with the flavor of the original series – wild alliteration, pop-up word balloons during action scenes, random labels on object, Robin declaring “Holy ______” every few seconds, all sorts of random bat gadgets, Batman and Robin figuring out the most obscure Riddler clues in the universe, and the ever-present incompetent police force. There are cameos from almost the entire era, really the only thing missing was Batgirl.
Bruce Wayne and Dick Grayson’s quiet evening at home is interrupted with the big four villains – Joker, Catwoman, Riddler, and Penguin – hijack a television show just so they can leave a Riddler clue behind. From that, Batman and robin deduce that the criminals are out to steal a duplicating ray, while Catwoman schemes to turn Batman just slightly evil so they can be united in love. But her plan fails and after one thing leads to another suddenly everyone is fighting in outer space to stop the villain’s schemes of duplicating more Earths so each one can control a Gotham City.
From the depths of the internet the Infernal Brains have returned again to discuss the wonderful adventures of Batman and James Bond in the Philippines! Yes, it is James Batman, a film so amazing it starred two of the most popular figures worldwide, both played by the same actor! Totally unauthorized, totally crazy, totally fun, James Batman is an amazing film that is a shining example of Filipino pulp cinema of the 1960s. We also get into other Filipino Batman movies (of which there are many, but far less that survive!) and some history on Dolphy, the comedian who brought both James Bond and Batman to life at the same time. There was a bit of audio distortion at times due to a bad connection, but not so bad you can’t hear the conversation (apologies!)
As usual, we have a whole Batcave full of ways to listen:
Watch in slideshow form:
Check out the Infernal Brains Facebook Page!
Prior Infernal Brains:
Taiwanese Giant Monster Films Part 1
Taiwanese Giant Monster Films Part 2
Polly Shang Kuan
Turkish Pop Cinema Part 1
Turkish Pop Cinema Part 2
Infernal Brains Podcast – 07 – Insee Daeng
Infernal Brains Podcast – 08 – Worst Podcast Ever
The Mummies of Guanajuato – Infernal Brains Podcast Episode 09
Jane Bond – Infernal Brains Podcast Episode 10
Daigoro vs Goliath – Infernal Brains Podcast Episode 11
Down the Rabbit Hole with Pearl Cheung Ling – Infernal Brains Podcast Episode 12
Through the Looking Glass with Pearl Cheung Ling – Infernal Brains Podcast Episode 13
Starman – Infernal Brains Podcast Episode 14
The Brainiac – Infernal Brains Podcast Episode 15
The Secret of Magic Island – Infernal Brains Podcast Episode 16
Space Ladies from Outer Space – Infernal Brains Podcast Episode 17
Cat-Beast – Infernal Brains Podcast Episode 18
Batman: Assault on Arkham
Written by Heath Corson
Directed by Jay Oliva and Ethan Spaulding
DC Animated has hit some sort of weird divergence where the films are either really good or really bad. Batman: Assault on Arkham fits in the really good category, even though it reduces Amanda Waller’s character to too simplistic of a bully villain. That’s a shame, as Waller is one of the greatest comic book characters, a high-ranking official who runs her own show outside of the normal good and evil duology, and is capable of standing up to the greatest heroes and villains.
Assault on Arkham becomes unlike a lot of the animated super hero fare because it features a team of scummy villains, who have no qualms about killing people and spend half the film trying to betray Waller and each other.
the Suicide Squad is a group of criminals with heavy sentences who are sent on dangerous missions in return for time being shaved off their terms. As the teams are largely made up of sociopaths, they don’t get along and have trouble working in teams. The fighting and backstabbing just adds to the fun of watching the villains work as they push towards their goal. Waller uses the team to take down threats that can’t be dealt with by normal means and need to be off the books, often ignoring what may be bigger problems to achieve her own goals.
This is as much a Batman film as a Suicide Squad film, so Batman runs around looking for a dirty bomb the Joker has to try to stop it from exploding. That means he crosses paths with the Squad more than once, especially since Harely Quinn is part of the team, despite her insistence that she and the Joker aren’t together any more. As the Squad has to break into Arkham to retrieve a flash disk and the Joker is interred in Arkham, he does end up becoming part of the story, especially when things begin to go haywire.
The Suicide Squad consists of Deadshot (who is concerned only with getting out so he can spend time with his young daughter), throwing expert Captain Boomerang, Harley Quinn, ninja Black Spider, ice queen Killer Frost, Killer Croc ripoff King Shark, and guy not to get too attached to KGBeast. Deadshot serves as the alternate main character, who keeps the team focused on the mission despite their various distractions like ex-boyfriends and marksmen rivalries. The Deadshot presented here is just professional enough to make a compelling main character. Captain Boomerang serves as his less moral counter and constant thorn in his side as Boomerang’s competitive and antisocial streak causes him to see Deadshot as an enemy.
Categories: Bad, Movie Reviews Tags: animated, Batman, Batmania, C.C.H. Pounder, Chris Cox, Ethan Spaulding, Giancarlo Esposito, Greg Ellis, Heath Corson, Hynden Walch, Jay Oliva, Jennifer Hale, John DiMaggio, Kevin Conroy, Martin Jarvis, Matthew Gray Gubler, Neal McDonough, Nolan North, super heroes, Troy Baker
Justice League: The Flashpoint Paradox
Written by James Krieg
Based on Flashpoint by Geoff Johns and Andy Kubert
Directed by Jay Oliva
Flashpoint became the even that subsequently rebooted the DC universe into The New 52!, as the covers say. Basically, everything got rebooted, and was done so with less of a notice than you would like to wrap up storylines in dozens of comic books. This resulted in some things being a bit more rebooted than others, but all that continuity you knew and loved was once again thrown out the window by the latest DC reboot. Justice League: The Flashpoint Paradox doesn’t get into the continuity situation (except a brief costume change at the end), but deals with the storyline that causes it, leaving the actual fallout for the eventual sequels like Justice League: War. It lacks the excitement and fun of some of the animated DC flicks, though does have a few bright points to offer.
Flash is a character that, like Batman, is overshadowed by his villains. I say this not because I don’t really care for Flash, but because I find the dynamics of his villains far more interesting. Captain Cold and the Rogues are a cool team dynamic, working together for profit while avoiding excess casualties, even if they occasionally get sucked into more bloody affairs simply because they walk in the criminal underworld. Flash is potentially one of the most powerful heroes on the planet, and they regularly do battle with him. They even fight against other super-villain teams that try to control them. However, Professor Zoom/Reverse Flash/Eobard Thawne is simply an Evil Flash from the future who is a jerk. Sadly, the tale here turns the Rogues into petty thugs easily tricked by Professor Zoom, who then orchestrates manipulating Flash into altering history and continues to taunt Flash even as the future Professor Zoom comes from ceases to exist. C. Thomas Howell puts in a good performance letting the creepy sociopath shine through, but he’s stuck with what is there in the script to deliver, and Professor Zoom never becomes a classic villain.
The biggest problem with Flashpoint is that it was never really that good to begin with. The series wasn’t terrible, but it never really turned into a classic story that will survived through the ages. The only real continual allure is the alternate reality itself, and even some of that is a bit corny. We already had alternate versions of the Justice League members not that long ago with Justice League: Crisis on Two Earths, and despite the limited screen times, many of those characters felt more developed than the inhabitants of the Flashpoint world.
The fact the event was used to justify the rebooting of all of DC continuity makes it a lightning point of controversy, as some of the rebooting caused arguments of their own (Superman’s marriage went kaput, many dead characters sprung back to life, a few established female characters suddenly became giant slores) in addition to the general idea of everything getting reset yet again in DC. One theory was the resetting was a ploy to gain new readers, though if that was true, it didn’t seem to pan out too well, but much digital ink was spilt as various factions argued throughout the internet.
Categories: Movie Reviews, Ugly Tags: Andy Kubert, animated, Batman, Batmania, C. Thomas Howell, Cary Elwes, Dana Delany, Dee Bradley Baker, Geoff Johns, Hynden Walch, James Krieg, James Patrick Stuart, Jay Oliva, Kevin Conroy, Kevin McKidd, Michael B. Jordan, Nathan Fillion, Ron Perlman, Sam Daly, Steve Blum, super heroes, Superman, Vanessa Marshall
Justice League: Doom
Written by Dwayne McDuffie
Based on JLA: Tower of Babel by Mark Waid
Directed by Lauren Montgomery
The Justice League is under attack, except this time it’s by one of their own! Okay, not really by one of their own, but by the very plans Batman developed to deal with members of the Justice League.
Justice League: Doom is based loosely on the JLA: Tower of Babel storyline by Mark Waid, Justice League: Doom changes things up enough to be a different take while providing a nice adaptation of the overall themes. The main villain is changed (from Ra’s al Ghul to Vangal Savage) and some of the Justice League’s lineup is different, but the feelings of betrayal by a paranoid Batman remain.
Doom is not direct sequel to Justice League: Crisis on Two Earths, but follows it with very similar character designs and voices. Many of the DC Animated films are their own shards of a loose continuity that exists purely to tell that exact tale. It’s a perfectly fine way to operate, allowing the general mythology of the heroes to exist and leaving toom for the specifics needed to make the stories work and be unique. The return of many of the familiar voice actors helps sell the loose familiarity and provides a comfort to longtime fans so they aren’t put off by Batman sounding weird or something.
Justice League: Doom is one of the better DC Animated films, dividing enough characterization between the different members to give each of them their own take, while still keeping a focus on Batman. Switching the villain to Vandal Savage helps push a more minor villain into focus and provides an excuse to make the full range of the plans make more sense than eliminating reading and talking.
Categories: Bad, Movie Reviews Tags: animated, Batman, Batmania, Bumper Robinson, Carl Lumbly, Carlos Alazraqui, Claudia Black, Dwayne McDuffie, Grey DeLisle, Kevin Conroy, Lauren Montgomery, Mark Waid, Michael Rosenbaum, Nathan Fillion, Olivia d'Abo, Paul Blackthorne, Phil Morris, Robin Atkin Downes, super heroes, Superman, Susan Eisenberg, Tim Daly
Justice League: Crisis on Two Earths
Written by Dwayne McDuffie
Directed by Sam Liu and Lauren Montgomery
A popular science fiction trope is heroes who are evil, villains who are good. From alternate universe to just same universe doubles, this phenomenon appears again and again, often involving goatees. Justice League: Crisis on Two Earths continues the tradition, by utilizing the long-lived Crime Syndicate that has survived several decades of DC comics reboots and remixes. Instead of getting caught up in having characters face their dark side, the evil twins are just the setting for a tale of good versus evil that accelerates into the ultimate stakes, thanks to Owlman’s secret plan.
Justice League: Crisis on Two Earths is an Easter egg hunter’s dream. There are so many alternate versions of DC Comics characters that you need a flow chart to figure them all out. Add to that several of them being not only evil mirrors, but references to other non-comic characters and you will spend each viewing discovering something new. It’s one of the better DC animated films, getting the characters correct The setting in the alternate Earth allows for much more crazy stuff
We open with Lex Luthor and the Joker breaking into a secure vault. But hey, Joker is called Jester, and the two are breaking into the vault of murderous criminals. One sacrifice later, and Lex Luthor is the only hero left in a world of villains. So he warps away to our world (I’ll be referring to the DC Universe as our world, because it’s just easier), with is stuffed full of heroes like an overripe pinata.
On their planet, the Crime Syndicate is free to do whatever they want, due to a combination of fear and bribes. They only don’t kill the leaders and take over the planet due to fears of retaliatory nuclear strikes. But they’re working on their own bomb that can potentially destroy anywhere on the planet, which will tip the balance in their favor. Only a few brave souls stand up to them, as most who try don’t live to stand again.