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Chocolate (Review)

Chocolate


2008
Directed by Prachya Pinkaew

Thailand has been making films for a long time. Sadly, their films have not gained much interest outside their home country until recently, which is a shame as some of their older efforts (like Insee Thong for example) are worth checking out. Tony Jaa has helped put modern Thai films on the map. His martial arts films and the stunt therein have given lots of fame to the industry. Many people are unaware of the man behind Tony Jaa, who is also the man behind this film. Director Prachya Pinkaew was Tony Jaa’s mentor, directing him in Ong Bak, and now has a new, female prodigy, the star of this film Yanin “Jeeja” Wismistananda. Director Prachya Pinkaew has been involved in making movies in Thailand for years, but until his recent fame with Ong Bak and Tom Yum Goong, most of them haven’t left Thailand ever, now many can be found in VCD format. In addition, some of them can be found in this movie, being watched by Zen in between her own fights.

Setting out to make the film feel different from the start, Zen is autistic, so does not act like your normal fighting chick. But she has the ability to learn to copy movements, which makes her a natural fighter. The storyline of the film works to get Zen from one giant set-piece to another in order to have many well-choreographed battles. This works rather well, and towards the end you just sit back and watch as the stunts get wilder and the choreography gets more intricate. The fight choreographer was Panna Rittikrai, also of Ong Bak and Tom Yum Goong fame. Prachya Pinkaew said he went in the autistic direction because Jeeja Wismistananda didn’t have any sex appeal (see Wise Kwai’s Blog.) She has no sex appeal like zebras have no stripes.

Chocolate is in a mix of English and Japanese, but is mainly Thai, so subtitles are on. As the film is not widely available in the US yet, there are bootlegs with terrible subs out there, so be warned. They are not necessary to enjoy the action, but help you follow a bit of the plot. Luckily, I had a real version, so the language barrier was no problem, not that no subtitles has ever been a problem here on TarsTarkas.NET.

Zen (Yanin “Jeeja” Vismistananda)- Autistic daughter, has muscle memory (once she sees it, she can do it, like that girl on Heroes) can catch almost anything, afraid of flies. Loves her mother very much. Jeeja did all the stunts herself, and was even kicked in the eye (requiring her to wear an eyepatch for a bit!)
Zin (Ammara “Zom” Siripong) – Zen’s Mother and lover of Masashi, former lover of No. 8. A famous actress and singer in her home country, Ammara Siripong was a torch carrier when the Olympic flame went through Thailand in 2008, and is an avid supporter of marine-life conservation.
Moom (Taphon Phopwandee) – Zen’s brother, a former street orphan adopted by Zin. Full name is Mangmoom. Does street performances with Zen in order to earn extra money for Zin’s illness. Finds the book filled with names that owe Zin money.
Masashi (Hiroshi Abe) – Zen’s gangster absentee father. Not absentee by choice. Forced out of Thailand by No. 8 after he took Zin as his lover, and forbidden to see her or his daughter under threat of death. Returns to Thailand when Zin and Zen get into trouble. Has a fascination with imperfection.
No. 8 (Pongpat Wachirabunjong) – Thai mob boss (is the Thai mob known by an special name like Yakuza or Triads?) and former lover of Zin. Number 8 lost his beloved to Masashi, so shot off his own toe to teach himself a lesson. That lesson was “Don’t shoot yourself in the foot!” Dresses pretty retro. Eight is a lucky number in Asian culture, just look at how many Chinese restaurants have 8 in their name (or 18 or 88).
Priscilla (Dechawut Chuntakaro) – Transvestite apprentice to No. 8. Brutal enforcer and jealous of Zin and No. 8’s affection for Zin. But still sympathetic enough to give some money to Moom and Zen when they are street performing. Dechawut “Day” Chuntakaro is a cabaret diva.

The Machine Girl (Review)

The Machine Girl

aka Kataude Mashin Gâru

2008
Directed by Noboru Iguchi

One day people will be able to detect awesomeness with a Geiger counter type device. When this Awesomeness Detector is used to measure DVDs of The Machine Girl, it will overload by so much, the explosion will destroy half the universe. This film simply rocks. It is beyond cool. We have a girl with a machine gun for an arm, evil ninja yakuza, and more blood than a Red Cross warehouse. There will be blood. Lots and lots of blood. Blood that sprays forth at like a firehose. Let’s just say that if any woman in this universe ever had her period, the force of the blood exiting her body would cause her to launch up into the air like a rocket and she’d crash into the moon. There’s that much blood.

Much of this film is beyond description, only pictures and video will be satisfactory. It’s an explosion of visual images and over the top-ness that will make your jaw drop and your pants moist. A low-budget original film from Fever Dreams/Media Blasters, hopefully the first of many awesome productions. It was actually released in the US before Japan, which is a first I can get behind. The DVD has both subtitles and an English dub, so of course we will jump right to Japanese with subtitles. Because we are out and proud geeks.

Ami Hyuga (Minase Yashiro) – A normal basketball-playing girl becomes the instrument of vengeance known as The Machine Girl after her brother Yu is murdered by the son of Yakuza. After losing her arm, she is aided by fellow victims and given a machine gun as replacement, which allows her to blast her way to total vengeance. Ami’s parents killed themselves when they were framed for murder.
Miki (Asami Sugiura as Asami) – Miki was in a biker gang with her hubby. Her son Takeshi was killed by Sho, and afterwards helps Ami on her quest of vengeance. Married to Suguru. Asami is an AV actress, for those of you who don’t speak Japanophile, that means she’s a porn star (Mosaic only.)
Yu Hyuga (Ryôsuke Kawamura) – Ami’s little brother, who is killed by Sho Kisuma, son of a Yakuza boss. Appears as a ghost helping Ami and applauding her efforts. Thankfully, not as a scary long-haired ghost like most Asian horror films.
Sho Kimura (Nobuhiro Nishihara) – Killed Yu and Takeshi for kicks. Snotty and sarcastic. Has a flair for wearing outfits that make him look like a gay pimp. He and his mom are almost like they share brains…
Ryuji Kimura (Kentaro Shimazu) – Dad Kimura is head of a ninja clan that is the Hatori Hanzo clan, which now is yakuza. Crazy. Wears his hair in demon horn style. Uses the flying guillotine, mouth masks, swords, and intense praying powers.
Violet Kimura (Honoka) – Mom Kimura is formerly of the Kanto Beasts, this woman beats her husband for being soft, kills maids as punishment, makes a chef eat “finger food”, and wears metal undergarments. Just your average Japanese woman!
Suguru (Yûya Ishikawa) – Takeshi’s dad, Miki’s husband, mechanic, and builder of machine gun arms. The son of a surgeon, and a former biker gang member (where he met his wife.) He doesn’t seem to have the temperament of a biker gang member, unless they are much calmer in Japan, which I doubt based on their many other depictions in movies. He’s a nice guy, so of course he gets killed violently.
Abraham Lincoln (???) – Abraham Lincoln is alive and well, living as a Yakuza bodyguard in Japan. Until he’s killed in the movie, so I guess he is dead. Damn you, Japanese John Wilkes Booth!!!

DOA: Dead or Alive (Review)

DOA: Dead or Alive

DOA: Dead or Alive
2006
Directed by Corey Yuen
DOA: Dead or Alive
DOA: Dead or Alive is not a movie. It is not a video game. It is a music video. A ninety minute music video with no discernable song (except maybe “I like the way you move” as it is used during one montage.) But you don’t need a song, you just need lots of women bouncing around in micro-clothes, and dozens of action sequences with posing shots. Actually, there is a movie a lot like this one, but instead of just being mindless action, Hero went a step farther and goes all commie in the end. DOA goes all “Let’s be friends!” and then goes back to sword-wielding chicks in spandex. That’s not to say DOA is any good. However, I was expecting it to be so horrible, that when it turned out to be passable I was pleasantly surprised. Sure, I’ll never watch it again, but there are many films I won’t be watching again, for I don’t have the time. Speaking of Hero, several of the scenes here are directly lifted from that film, as well as movies such as Crouching Tiger, Kill Bill, and Charlie’s Angels. Just part of the flash in the pan fun of DOA. But the imitations are not complete nor memorable on their own, giving another reason why there is little value in rewatching this film.
DOA: Dead or Alive
DOA: Dead or Alive is based on a series of video games, fighting video games mostly. These games have plots, as much of plots as fighting games can have, and the film chooses to ignore much of it. As I have never played the game nor care about the original story, it is not a big deal to me, but I remember a few people making a big stink when this came out. As some people complain about everything, they were easily ignored. They probably would have attacked the Q*Bert cartoon had it aired while they were alive. One of the main drawing points of the video games is the many teenage girls that bounce around and jiggle while beating the crap out of gigantic opponents. DOA games also spawned the ridiculous DOA Extreme Volleyball games, where you watch the female characters run around on an island, playing mini-games and buying ever-more revealing bikinis for the girls. Obviously a game for very lonely men. Fan service triumphed and there was plenty of volleyball in the DOA movie, but as they are real girls I am not complaining.
DOA: Dead or Alive
The movie plot itself is ludicrous. The DOA tournament is held, which randomly invites the world’s greatest fighters by some sort of flying invitation/blade that always seems to invite people just after a cool action sequence. They are then set against each other for a $10 million prize, but organizer Donovan may have another agenda. Realistic? Of course not, but much of this movie is not, so no bother. Luckily, some Wikipedia nerd has chosen to tell us that one of the major factual errors in the film is that a ninja clan would not be staffed by hundreds of armed soldiers. He seems not to have taken issue with the nanobot/magic sunglasses technology, which should tell you something about Wikipedia. The biggest flaw he found in a movie that opens with a girl fly-walking over hundreds of troops, diving off a sword, flying over a wall, ripping off her clothes to reveal a backpack, which opens to reveal a hang glider, and gets an invitation to the DOA tournament thrown at her by someone who was watching all this. But, yeah, too many armed guards for a ninja clan. Thanks Asperger McVirgin! People with too much time on their hands aside, the film is rife with several other problems, most noticeably the fact no one seems to get any injury at all, despite constantly being punched and thrown through walls. Hardly a bruise is to be found. It’s all fun and games until someone gets a paper cut. This would spoil all the fun, so just ignore the lack of wounds and go with it. Director Corey Yuen is a Hong Kong import, best known in the US for The Transporter, but best known to me for So Close.

Yo-Yo Girl Cop (Review)

Yo-Yo Girl Cop

aka Sukeban Deka: Kôdo nêmu = Asamiya Saki

2006
Starring
Aya Matsuura as Saki Asamiya
Rika Ishikawa as Reika Akiyama
Shunsuke Kubozuka as Jirou Kimura
Yui Okada as Taie Konno
Erika Miyoshi as Kotomi Kanda
Yuki Saito as Saki’s Mother
Riki Takeuchi as Kazutoshi Kira
Directed by Kenta Fukasaku
Yo-Yo Girl Cop
The power of my yo-yos cannot be denied. From their first appearance around 500 BC, the designs have improved and become more deadly. Now, they are the most powerful weapon in the world today, and may treaties limit their use on the battlefield. Wait, all that is a pack of lies, unless you live in the universe that Yo-Yo Girl Cop takes place in! Based on a manga named Sukeban Deka by Shinji Wada that became an 1980’s Japanese TV series, it’s now been updated for the 2006 audience. In fact, the movie is a continuation of the old TV series, as the previous Yo-Yo Girl Cop is the mother of the current titular character. There also has been three previous live action movies, some of which are on Amazon so hopefully I’ll see them at the rental places. Being that this is Japanese fantasy, this film is packed with Pop Idol girls, many of which beat the crap out of each other. This has the only yo-yo chick fight I have seen in a movie to date, so it stands out in that respect. The movie is a turn your brain off type movie, but also deals with the issue of bullying, which has become a controversial topic in Japan recently, as it has lead to a few suicides. Yo-yos are not a prevalent.
Yo-Yo Girl Cop
Pop Idol Aya Matsuura is Saki Asamiya, the Yo-Yo Girl Cop. Saki Asamiya is the code name for the special agent yo-yo girls, who are not police but a different unofficial agency. Aya Matsuura (nickname Ayaya) has many albums and even hosts a weekly radio show. Following Japanese famous girl tradition she has a bunch of photo books as well. Her personality style of bubbly and happy is a stark contrast to Saki Asamiya, who is a tough street girl. She pulls it off well, I am curious to see in her a happier role now. The evil yo-yo girl Reika Akiyama is played by Rika Ishikawa, another J-Pop star. She’s a former member of Morning Musume (along with 90% of the women in Japan) and currently in the female trio v-u-den when not hosting the TV show Hello! Morning, which is one of the shows of the Hello! Project, the megaconsortium behind Morning Mesume and 9000 other girl acts in Japan. She’s joined by fellow v-u-den member Yui Okada, who plays the bullied girl Taie Kono. Rika Ishikawa must have had lots of fun spending the entire film teasing her coworker Yui Okada, where else can you strap bombs to someone you work with and not get arrested? The last v-u-den member is Erika Miyoshi, who spends most of the film not talking as Kotomi Kanda. I hope it is not because she’s a terrible actress, but you can’t find out from just this film. This is all brought to us by Kenta Fukasaku, son of famous director Kinji Fukasaku, he finished up the abomination that was Battle Royale 2. This film is far less an embarrassment to cinema. The use of yo-yos allows such wonderful terms as yoing, yo-yoing, yoed, yo-yo attack, you got yoed, and yo-yo Joe!
Yo-Yo Girl Cop

Lady Iron Monkey

Lady Iron Monkey

aka The Ape Girl aka Zui Hou Nu
Lady Iron Monkey
1979
Starring (This is guesswork)
Fung Ling Kam as Ming Ling Shur (the Ape Girl)
Lap Bo Au as Drunken Monk
Sing Chen as Prince Yan Shing
Man Tai Lee as Evil Advisor
Lo Lieh as Assassin Millenrapen
Directed by Chi-Hwa Chen
Lady Iron Monkey
Lady Iron Monkey (or The Ape Girl as it was known before producers tried to cash in on Iron Monkey getting a theatrical release in America) is a pretty fun flick that takes us to a world where a girl is raised by monkeys, and uses her monkey abilities to become a master of kung fu. She beats up plenty of people along the way, and her monkeyness gets her into several spots of trouble. The films doesn’t take itself too seriously, bordering on campy, but is serious enough that they don’t do any of the annoying “acknowledging that they’re in a movie” type stuff. The goofiness allows the movie to flow quickly and to the point, and you get disarmed from questioning the logic of certain events. In addition, some of the plot is centered on actual Chinese history, though that is prevalent in many Chinese Kung Fu films, some of which is ruined by terrible dubbing. Even if this is just a response to Charlton Heston demanding damn dirty ape stinking paws off him, it’s still pretty entertaining. Actress Fung Ling Kam/Gam Fung-Ling (or Kim Fung Li as she’s billed as) wasn’t in many films, IMDB has this as her sole credit and I only found two more that even listed her (thanks to Google) titled Iron Bridge Kung-Fu and The Gloomy Tower (aka Shaolin 36 Beads, which was released on DVD – UPDATE: I recently saw The Gloomy Tower and Gam Fung-Ling is nowhere to be found) IMDB being incomplete regarding Asian cinema? I never!! At least they even have a listing for this film. Lady Iron Monkey also has early roles for Lo Lieh, who plays an assassin and would go on to be a very famous martial arts star; as well as Chen Sing, who also had a long career despite not reaching the level of fame as Lo Lieh. With this information here, we will seemingly become the leading resource for information about The Ape Girl/Lady Iron Monkey

The opening credits is the traditional 1970’s kung fu movie opening with the star posing different stances as the credits run by. We get Ming Ling Shur, the Ape Girl, dancing around doing her monkey style kung fu, and who is she joined by? A chimpanzee! Chimpy is flipping around, doing some of the same flips and jumps Ming Ling Shur does as well. The print is pretty scratched up, but it’s suddenly clear as day when the title appears (because it’s a retitle.) Ming Ling Shur is a hairy girl, with hair on her arms and monkey makeup on her face. She’s also pretty good at acting like a monkey, with big, exaggerated movements. It adds to the charm of the film, as does the Ape Girl Theme which plays during the lighthearted moments. This is a film about an ape girl, it isn’t going to be the most serious thing in the universe.

Lady Iron Monkey

Insectocidal

Insecticidal (Review)

Insecticidal


2005
Starring
Meghan Heffern as Cami
Rhonda Dent as Josi
Samantha McLeod as Sophi
Shawn Bachynski as Martin
Vicky Huang as Fumi
Travis Watters as Mitch
Anna Amoroso as Jenni
Directed by Jeffery Scott Lando

The Horror Genre is blooming again in the movie industry, this time getting a massive infusion in the Low Budget Arena due to the profitability of producing cheap horror films for video rental outlets. This has lead to many terrible, terrible films, and a few good ones mixed in. The glut of horror has also produced films that try to stand out by mocking the genre, or introducing comedy in an effort to sidestep the standard celluloid (by celluloid I mean digital frames in the DVR Camera.) Thus, we get another send up of horror movies, specifically the giant bug horror movies. Insecticidal also grabs from several other traditional sources of horror, including sorority houses, nerdy girls, tons of nudity, and infested humans. Not ashamed dwell in it’s low-budget arena, Insecticidal has some fun. One of the subtle gags is all the girls in the sorority have their last name end in “I”. From Cami to Jessi to Fumi to even Belli (Belli?) it’s universal. Normally, I hate replacing Y’s with I’s, but in this case I’ll make an exception. Now, the low budget causes problems, noticeably the effects on the giant insects aren’t very good, and the bugs repeat the same animations over and over again. At times, it’s overly distracting. The actresses are largely unknowns (keeping with the low-budget theme) but many of them can’t keep their clothes on to save their lives, and many of them die horrible deaths as insect food. The acting varies, but there is a healthy mix of good and bad, and none so horrible that they ruin the film. The major thing to look for with low-budget films is whether or not you were entertained. If that is the case, all of the other flaws seem to be less important.