Sexy Wives Sindrome
2011
Written by Steve Goldenberg
Directed by Jim Wynorski (as Sam Pepperman)
Sexy Wives Sindrome IS a Jim Wynorski joint, baby! So it follows all the Wynorski touches that make his films unique, from camera angles that peer around womens’ bustlines to characters acknowledging the camera. That also means we got a whole host of Roobie Breastnut songs making up the soundtrack (and, yes, Pussy Pussy Bang Bang IS in the film!) Additional music is also done by Chuck Cirino, as some of the scenes that use a score to help enhance the mood or are more serious just wouldn’t play right with Roobie Breastnut songs blaring.
The core of Sexy Wives Sindrome is relationship therapists who conduct unorthodox fantasy solutions to couples’ problems, which usually involve a lot of sex, and usually involve the therapist herself in a lot of the sex. You would think this would be a gross violation of ethical practices and cause a whole host of legal issues, but it turns out things are even more weird and bizarre than you could possibly imagine, yet the solution also resolves all the lingering problems. I think it’s hilarious how everything worked out in the end, and how the conclusion basically destroys any long ethical argument I could bring up, hence there won’t really be one for this review. I know, I know, you are all disappointed. You better hope the next one doesn’t have a game-changing twist!
There is plenty of pseudopsychological mumbo jumbo going on to justify some of the relationship issues. It basically boils down to couples loving each other and trying to keep things interesting for each other. You could argue that letting other people into relationships can potentially cause lots of drama, but let’s face it, these couples are all pretty much swingers anyway, so they know the score.
The title Sexy Wives Sindrome comes from the made up syndrome discovered by one of the characters about how men become afraid of their attractive wives because they are so attractive and the men just can’t handle the possibility of losing them. None of that is really worked into the relationships in the film, but it’s the title so it’s important.
But enough about your Psych 101 class, it’s time for the Roll Call!
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