• Home
  • Tag Archives:  Jung Woo-sung

Reign of Assassins (Review)

Reign of Assassins

aka Jianyu

2010
Directed by Su Chao-Pin and John Woo

Reign of Assassins left me angry, not because it is a bad film, but because it could have been an outstanding film. Reign of Assassins had the potential to be an awesome and unforgettable film experience. Instead, we have just a good film, with parts I remember more because of how they could have been and not what they are. Yes, there are some great sequences in Reign of Assassins (RoA for those of us who are cool), mostly the action sequences (which is where it looks like John Woo just completely took over), but there are many other parts that look great in screencaps and as stills.

Interesting characters are introduced, only to be barely in the film or have suspect motivations, while other characters get far far too much screen time. Why we had like 30 minutes of the land lady vs. five minutes of the Magician I will never know. The villain’s big secret reveal was a let down, as was his secret identity. Why does the undisputed master of the biggest circle of thieves need a secret identity? And it isn’t even a secret identity that he uses to get information no one else can get, he’s just… Gah!

One is tempted to compare this to John Woo’s Face/Off, what with all the face-switching, but he didn’t write the film and seemed to be just hanging around the set all day telling Su Chao-Pin what to do. I guess he just sort of took over and Su Chao-Pin was so impressed that John Woo is hanging around he just let him. John Woo’s daughter Angeles Woo even shows up near the beginning of the film! So we can say that Su Chao-Pin got Wooed. Big time.

Just imagine one day you are directing a film, and then Steven Spielberg walks in and says he loves the script and wants to hang out on set. Of course you’re stoked, you are in the presence of a master and probably learn a lot. Then the next day, Steven comes back. And that’s cool. And he has tips and helps out your crew. Then he comes back again the next day. And the next. Soon your crew starts deferring to him and he virtually takes over directing most of the major scenes. The press gets wind, and suddenly your film is now “Steven Spielberg’s…” and his daughter is suddenly cast in it. Soon, no one even remembers who you are. Your star asks you to go get coffee. Spielberg is sent on a ten city tour to promote the film, while you get yelled at for forgetting the hazelnut syrup in the latte. Bitter and dejected, you then log onto TarsTarkas.NET, only to find even he is making fun of you. Your life is ruined, and there is nothing left to do but jump off the Empire State Building. But don’t despair, I think they got suicide nets now. Try the Golden Gate Bridge, it is still net free at the moment.

Now, I’m not saying that’s what happened on this film, I’m just saying they need to get the barriers on the bridge built faster.


So let’s start the Roll Call for John Woo’s Reign of Assassins!

Zeng Jing aka Drizzle (Michelle Yeoh) – Change your face, change your life. Also steal half of a dead body and realize you can’t really leave the underworld unless it is on a trail of dead bodies. Michelle Yeoh is famous enough I shouldn’t have to explain who she is.
Jiang Ah-Sheng (Jung Woo-Sung) – Zeng Jing’s husband with a secret of his own. He’s a delivery guy who enjoys hiding from the rain and being rejected by Zeng Jing. Until she finally marries him because we’ve wasted enough time in the village and the plot demands we continue on. Jung Woo-Sung was in Musaand The Good, The Bad, and The Weird.
Wheel King (Wang Xue-Qi) – Leader of the Dark Stone, the super thieves gang that rules the Chinese underworld. He has a secret identity and a secret. He also has a goofy nickname. Just because he did awesome on Wheel of Fortune and even scored a date with Vanna White, he’ll never live it down….
Turquoise Leaf (Barbie Hsu Hsi-Yuan) – Barbie Hsu plays a good crazy woman, you almost forget she can play likable characters (cough cough Adventure of the King), or characters that are the living embodiment of a gloomy rainy day (cough cough Future X-Cops).
The Magician (Leon Dai Lap-Yan) – The coolest character who is completely ignored and quickly eliminated. That’s what you get for not being a boring guy who likes noodles!
Lei Bin (Shawn Yu Man-Lok ) – The needles guy likes noodles. This guy is pretty boring, and throwing needles is something that you usually see women doing in martial arts films. Another Dark Stone assassins. Did you know Dark Stone members are called “Dark Stoners”? Now you do! Shawn Yu has been in the Infernal Affairs trilogy and tons of other films I have seen but not written reviews of.
Drizzle (Kelly Lin Hsi-Lei) – Here is Drizzle pre-face surgery, because she was played by someone famous so we’re namedropping her. Largely because Kelly Lin was in Asian Charlie’s Angels.

The Good, The Bad, and the Weird

The Good, The Bad, and The Weird (Review)

The Good, The Bad, and The Weird

aka 좋은 놈, 나쁜 놈, 이상한 놈 aka Joheunnom nabbeunnom isanghannom

2008
Directed by Kim Ji-woon
Written by Kim Ji-woon and Kim Min-suk


The Good, the Bad, and the Weird is the best Korean movie I have seen in years. There was a point a few years ago where Korea was the darling of the cult movie lover’s heart. Korea produced more good films a month than certain places (like Hong Kong at the time) made all year. From about 1998 until 2005, South Korea was supreme as far as Asian film was concerned. Then Korea started to falter. Movies became less good, budgets became smaller, the market became flooded with inferior products from the boom years, and the government let more foreign films into theaters. Other Asian film markets started to climb out of their slumps, and now the whole region is more competitive. Only a few great gems come out of Korea each year now, and this is one of the brightest.

From the title alone, you can guess where much of the influence comes from. The Good, the Bad, and the Weird borrows from Sergio Leone westerns in style and basic character archetypes, moving the setting to 1930’s Manchuria and allowing the influences of the Indiana Jones films. The stylization creates a universe of its own, sucking you in and taking you along for the ride. The action is non-stop, the only pauses are just to set up even bigger and more exciting action sequences.

With a budget of 20 billion won (US $15.43 million) it still lost money even with the year best ticket sales of 6.68 million tickets (at 10,000 won ($7.70) each, that should be 66.9 billion won, so something isn’t adding up even if they lose half the money to the theater owners.) Maybe someone with more knowledge of film costs in South Korea can enlighten me, but until then, we’ll just be confused. Just dub this thing and drop it off at Blockbuster, it will make money in a week. Of course, this assumes this ever shows up in America, as the track record for movies like this is that they disappear for years and everyone who wanted to see it gets it by other means… EDIT: I wrote this several months before it appeared on site, and since then a limited theatrical release was announced.