Peligro…! Mujeres en Acción
aka Danger! Women in Action
1969
Written and directed by René Cardona Jr.
If you heartily missed the action of Alex Dinamo, agent of Servicio International, after his last adventure discovering the Bikini Conspiracy, then you are not alone. Alex Dinamo returns because of that ever-present danger, women doing things! Peligro…! Mujeres en Acción(Danger! Women in Action) was made a year after SOS Conspiración Bikini, and has the return of Julio Alemán as Alex Dinamo and René Cardona Jr. as writer/director. By now the Alex Dinamo franchise has grown to the point where there were comic books, and spy films in the mold of James Bond were hot hot hot. So it’s not a big surprise when Peligro… was eyed as an international production, even going so far as probably producing an English language dub. If that version was released is a mystery, but as the opening credits sport overlapping credits in Spanish and English, it was at least partially completed.
Peligro…! Mujeres en Acción sees the return of the mysterious international force known as S.O.S.(Secret Organizational Service), who plan to poison the water supplies of Ecuador and other Latin American countries in a bid to openly take over. S.O.S. is presented as a large conglomerate movement that actively controls the governments of many third world nations, but whatever their larger goal other than world takeover just for the thrill of taking over is never explained. Nor is any overlying S.O.S. ideology, so it is a mystery why it attracts so many people, especially a high proportion of women. Like S.O.S., the sequel is largely female-centric, despite being stuck in a male super hero spy world. The leadership of S.O.S. is almost exclusively women, Dinamo’s partner and contact are both women, and other women are instrumental in helping Dinamo take down S.O.S. It’s almost a consolation prize, Cardona knowingly packing the cast with women to try to counter Dinamo’s sexist ride through life, as well as taking advantage of all the eye candy to pack in male audiences.
This being an Alex Dinamo film, the following things return, thus making them official Alex Dinamo tropes: Weird ways of passing notes by secret agencies, this time via cigarettes. Random gadgets such as a cigarette voice recorder and a hairpin gun. A female contact who dies halfway through the film, and a female main partner for Alex. Lots of random S.O.S. agents who all die in a hail of gunfire during a long long action climax.
Peligro… falls short in that it is too long (ha!), and not because it’s packed with lots of action. We see every second of things that happen. From people walking and walking to their planes/boats, to starting the planes/boats, to the planes taking off and boats unmooring, not a frame goes to waste on the cutting room floor. Hey, I understand, editing is expensive. But that makes the film clock in to close to two hours, while only having 90 minutes of film.
The major difference is the action sequences are very long and much more brutal, which is better than the prior and I like the change. The violence isn’t innocent, Alex Dinamo and his companions are not immune to bullets and get injured in almost every fight. There is a cool knife fight that is the best scene in either Dinamo film combines. It’s not enough to propel this sequel to awesomeness, but it was enough to keep me interested. You don’t need to see the original to follow along, so if you see one Alex Dinamo film, this is the one you should get.
Sonia Furió is replaced by Elizabeth Campbell as the new head of S.O.S. Bárbara Angely plays an agent named Bárbara, who spends a large amount of time in a bikini like all government agents do. Amedee Chabot (Agente 00 Sexy ) pops up as a bikini-wearing girl with a gun. Other women who have bit parts as S.O.S. Agents include Nadia Milton, Elsa Cárdenas, Ellen Cole, and Arturo Correa.
Although the film appears to be filmed at least partially in Ecuador, information has made it out that it was largely Florida and Mexico City that were where the film was actually shot. Production and union problems plagued the film, necessitating the cutting of shooting location. It sounds like they just flat ran out of money and had to make due with what they could scrape together. Not a wholly unusual story, and it’s good to know these things when judging the final product to see how they compensated.
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