Confessions of a Go-Go Girl
2008
Written by Lenore Kletter
Based on the play by Jill Morley
Directed by Grant Harvey
Lifetime Channel is a gift to the movie world. It’s been constantly creating and showcasing an array of original dramas and has one of the most prolific content creation legacies of a channel in history. Of course, most of their film output is despised by critics if they even bother to think of them, because most critics wouldn’t know a good film if it married them while after the suspicious deaths of its three previous wives. TarsTarkas.NET is not afraid to do whatever it takes to find cinematic gold, even if we have to watch a channel for….women! I kid, I kid. But people who have an aversion to Lifetime films are just missing out on a whole barrel of fun! From Cyber Seduction to Social Nightmare, Lifetime is magical. Their films are so popular they got their own spinoff network! Even SyFy can’t boast of that feat. Thus, in celebration of Lifetime, we shall now watch this film about go-go dancing.
Confessions of a Go-Go Girl has an amazing title and an amazing plot, following innocent rich girl Jane McCoy as she’s lured into the increasingly sleazy world of go-go dancing, parts of which correlate with your favorite stories about women becoming strippers. But this isn’t stripping, it’s go-go dancing. It’s totally different. Go-go dancing can be shown on tv!
This go-go movie has the decency to be partially self-aware, sections which I’m guessing are legacies from the stage play it’s based on. Because huge other chunks are not self-aware at all. As the play “True Confessions of a Go-Go Girl” by Jill Morley sounds biographical, things were probably enhanced for television dramatics, much as a character attempts to enhance her chest via a character named Dr. Double D. As we shall see, neither option turns out too well, but Confessions of a Go-Go Girl does manage to entertain in a schlocky way, and you can see it as how Jane McCoy gains her confidence. Part of the fun is wondering just when her family is going to find out what she’s doing, and how bonkers their reactions are going to be. Because her family is pretty terrible. Not terrible in a dysfunctional way, but terrible in an afunctional way. Dad is overly controlling and angry, Mom is upper crust oblivious, her brother is a puritanical tyrant, and her boyfriend would faint if he saw a woman in a short skirt. Jane needs these stereotypes as family members, which allows her to set out on her journey where she meets all the other stereotypes in the stri– I mean, go-go dancing world. Jane even becomes a stereotype, but that’s for a purpose. As Jane is in acting school, she creates a character persona that becomes her dancing persona. Soon the lines blur, which is Jane, and which is Dylan? Better keep dancing until you figure it out…
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