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InMovie Reviews, Ugly

Godzilla vs. Megaguirus (Review)

March 19, 2007By

Godzilla vs. Megaguirus

aka Gojira tai Megagirasu: Ji shometsu sakusen aka Godzilla vs. Megaguirus: The G Annihilation Strategy
Godzilla vs Megaguirus
2000

Starring
Misato Tanaka as Kiriko Tsujimori
Shosuke Tanihara as Hajime Kudo
Masato Ibu as Motohiko Sugiura
Yuriko Hoshi as Yoshino Yoshizawa
Toshiyuki Nagashima as Takuji Miyagawa
Tsutomu Kitagawa as Godzilla
Minoru Watanabe as Megaguirus
Directed by Masaaki Tezuka
Godzilla vs Megaguirus
Godzilla fights a giant bug! Sound familiar? Because most of this movie is, and has been done before much better. There are a few nice scenes, but for the most part the movie is just a pale imitation of its forbearers, a legacy it can never hope to be part of. The second film of the “Millennium” series (Shinsei series), where the story can ignore continuity at will to make things however they want. Sure, that allowed this movie to potentially do some neat things, but in the end, they just floundered with them, and the whole thing fizzled.

Godzilla attacks the mainland periodically, but as they only follow the first film, Godzilla can attack whenever they want him to. Godzilla’s main foe is Megaguirus, who is one of the lamest monsters. So far, the Millennium series does have one point of continuity: they all created crappy new villains for Big G. Eventually they just gave up and went back to reusing older monsters, for much better effect. Until then, we have to deal with this Megaguirus. Megaguirus is a large, prehistoric dragonfly. Sure, prehistoric dragonflies were lizard-looking giant monsters who never had to flap their wings. They probably fought Anguilusaurus all the time during the time of the Fire Monsters. Megaguirus’s little henchbugs are the Meganula, who are the smaller, only people sized prehistoric dragonflies, which have a wingless and mature winged form. They like to snack on tasty people.
Godzilla vs Megaguirus
Good ideas, bad execution, tired story. A few good points, outshadowed by the many bad. Not the hallmarks of a film you want to see, but at this point we have no choice, for the DVD is bought, and the play button has been activated!

Godzilla 2000
InMovie Reviews, Ugly

Godzilla 2000 (Review)

March 5, 2007By

Godzilla 2000

aka Gojira ni-sen mireniamu

1999

Starring
Takehiro Murata as Professor Yuji Shinoda
Hiroshi Abe as Mitsuo Katagiri
Naomi Nishida as Yuki Ichinose
Mayu Suzuki as Io Shinoda
Shirô Sano as Professor Shiro Miyasaka
Directed by Takao Okawara

The first of the Godzilla Millennium Series of films, where all previous continuity was thrown out again, and writers were allowed to make things however they bloody well wanted. This was also the first Godzilla film produced after the horrifying 1998 US Godzilla, with Matthew Broderick and the most useless giant monster ever. So, it was with great joy that in 1999 Toho made their own Godzilla film, to make up for the terrible, terrible mistake they made in letting that moron Emmerich get his grubby mitts on their franchise. Now, when Godzilla 2000 premiered in theaters, I dragged my best friend and off we went, opening night. A grand total of eight people were in the audience, including 7 with Y-chromosomes (one guy managed to bring his girlfriend as well as his best friend.) The low theater count was an omen of things to come, as the following 90 minutes of mediocrity were less than a satisfying evening. Still, it was more enjoyable than Emmerich’s effort, but then so is soaking your genitalia in boiling cooking oil!

Godzilla 2000 featured a revamped Godzilla costume, and the first fully CGI Gojira Godzilla during some swimming scenes. Thankfully, all the rest of the shots are full man in suit. G2K also features some neat composite shots, with zooms and background renders, that really puts Godzilla in a real-world environment. He looks more like he’s really in the background or in the cities in this film than any before it. Sadly, the people plot is uninteresting, and the villain is even more uninteresting. Orga, the evil monster who doesn’t even get his named mentioned on screen, first shows up as a spaceship before he turns into a goofy jellyfish, then finally some freaked out version of Godzilla. Many of the opponents of Big G have evolving forms, especially in the Heisei and Millennium Series of films. But many of them also suck, thus why Toho played it safe for the last Millennium films and went with tried and true monsters.

The casts are some of the most important parts of the films, and even if they are dubbed you can still gauge the strength or weakness of their acting. The cast here is filled with several actors who are better than the roles they have been stuck with. Toho decided to have some fun with the dubbing, the American version makes several scenes more embarrassing, even altering the perception of some of the characters and the actors playing them. The worst line in G-History will be uttered later in the film, so stay tuned!

Gigantis
InBad, Movie Reviews

Gigantis, the Fire Monster (Review)

March 1, 2007By

Gigantis, the Fire Monster

aka Godzilla Raids Again aka Gojira no gyakushuu

1955

We start out the second March of Godzilla with the second Godzilla movie, Godzilla Raids Again! Or Gigantis, the Fire Monster, as it is known in the US. What a mess the American version of this film is. A complete an utter destruction of cinema. The Japanese version suffering from some of the faults of films of the time, but the American distributors just completely butcher the entire film. Most noticeably, Godzilla is not called Godzilla, but instead Gigantis. Now, he is technically not the original Godzilla, they make reference to the fact Godzilla Number One was disintegrated in Tokyo Bay. This new Godzilla is his brother, Marvin Godzilla, and he is actually the Godzilla that the next several movies in the series follow, as they are loosely connected. But in America, they just called him “Gigantis” because of reasons mentioned later. Joining Godzilla is the first fellow daikaiju, a creature named Anguirus. He’s loosely based on Ankylosaurs, and has a shell armored with many spikes all over his back. Crawling on four legs, Anguirus was stylistically different from Godzilla and made a good contrast for a first foe. Later monsters would get beam weapons, wings, multiple forms, but Anguirus fights with just one thing: guts!

There are some familiar faces in this film as well. Most notably, main character Shoichi Tsukioka is played by Hiroshi Koizumi, who has been previously seen here in Godzilla vs. Mothra and Ghidrah, playing Dr. Miura. I’ve met Hiroshi Koizumi, which I also mention each time he pops up in a Godzilla movie. Another big name is Takashi Shimura, playing Dr. Yemane, who he also played in the original Godzilla. He is probably best known for Seven Samurai or other Kurosawa films. Another Kurosawa veteran is Minoru Chiaki, who was another of the Seven Samurai, and here plays fellow pilot Kobayashi. All Godzilla movies need a girl, and actress Setsuko Wakayama makes her only Godzilla series appearance as Hidemi Yamaji. Directing this time is Motoyoshi Oda, who is also making his only appearance in G-history.

Both the US and Japanese versions will get reviewed simultaneously here. This is made possible because the US version is not chopped out of order, but follows the same pathway. They both deviate from the set path, as the US distributors added and removed footage, sometimes seemingly at random. The most obvious aspect aside from the Gigantis name is that the US version has narration. Lots of narration. The entire film is narrated. Every second someone is not speaking, the narrator has to talk. The Japanese version has no narrator, so is full of long moments of no dialogue, and little to no sound as the score only drops in randomly. We will note that the US version was produced by Paul Schreibman, who has expressed regrets for ruining the movie so badly. He claims responsibility for renaming Godzilla, as it was his desire to make Americans think they were getting a new monster. Other problems we will experience along the way, including the education film that makes me think Paul Schreibman must be insane.

InBad, Movie Reviews

Yo-Yo Girl Cop (Review)

December 11, 2006By

Yo-Yo Girl Cop

aka Sukeban Deka: Kôdo nêmu = Asamiya Saki

2006
Starring
Aya Matsuura as Saki Asamiya
Rika Ishikawa as Reika Akiyama
Shunsuke Kubozuka as Jirou Kimura
Yui Okada as Taie Konno
Erika Miyoshi as Kotomi Kanda
Yuki Saito as Saki’s Mother
Riki Takeuchi as Kazutoshi Kira
Directed by Kenta Fukasaku
Yo-Yo Girl Cop
The power of my yo-yos cannot be denied. From their first appearance around 500 BC, the designs have improved and become more deadly. Now, they are the most powerful weapon in the world today, and may treaties limit their use on the battlefield. Wait, all that is a pack of lies, unless you live in the universe that Yo-Yo Girl Cop takes place in! Based on a manga named Sukeban Deka by Shinji Wada that became an 1980’s Japanese TV series, it’s now been updated for the 2006 audience. In fact, the movie is a continuation of the old TV series, as the previous Yo-Yo Girl Cop is the mother of the current titular character. There also has been three previous live action movies, some of which are on Amazon so hopefully I’ll see them at the rental places. Being that this is Japanese fantasy, this film is packed with Pop Idol girls, many of which beat the crap out of each other. This has the only yo-yo chick fight I have seen in a movie to date, so it stands out in that respect. The movie is a turn your brain off type movie, but also deals with the issue of bullying, which has become a controversial topic in Japan recently, as it has lead to a few suicides. Yo-yos are not a prevalent.
Yo-Yo Girl Cop
Pop Idol Aya Matsuura is Saki Asamiya, the Yo-Yo Girl Cop. Saki Asamiya is the code name for the special agent yo-yo girls, who are not police but a different unofficial agency. Aya Matsuura (nickname Ayaya) has many albums and even hosts a weekly radio show. Following Japanese famous girl tradition she has a bunch of photo books as well. Her personality style of bubbly and happy is a stark contrast to Saki Asamiya, who is a tough street girl. She pulls it off well, I am curious to see in her a happier role now. The evil yo-yo girl Reika Akiyama is played by Rika Ishikawa, another J-Pop star. She’s a former member of Morning Musume (along with 90% of the women in Japan) and currently in the female trio v-u-den when not hosting the TV show Hello! Morning, which is one of the shows of the Hello! Project, the megaconsortium behind Morning Mesume and 9000 other girl acts in Japan. She’s joined by fellow v-u-den member Yui Okada, who plays the bullied girl Taie Kono. Rika Ishikawa must have had lots of fun spending the entire film teasing her coworker Yui Okada, where else can you strap bombs to someone you work with and not get arrested? The last v-u-den member is Erika Miyoshi, who spends most of the film not talking as Kotomi Kanda. I hope it is not because she’s a terrible actress, but you can’t find out from just this film. This is all brought to us by Kenta Fukasaku, son of famous director Kinji Fukasaku, he finished up the abomination that was Battle Royale 2. This film is far less an embarrassment to cinema. The use of yo-yos allows such wonderful terms as yoing, yo-yoing, yoed, yo-yo attack, you got yoed, and yo-yo Joe!
Yo-Yo Girl Cop

Godzilla's Revenge
InMovie Reviews, Ugly

Godzilla’s Revenge (Review)

May 10, 2006By

Godzilla’s Revenge

aka All Monsters Attack aka Godzilla-Minya-Gabara: All Monsters Attack! aka Gojira-Minira-Gabara: Oru kaiju daishingeki

1969

Starring
Tomonori Yazaki as Ichiro Miki
Eisei Amamoto as Toy Consultant Shinpei Inami
Sachio Sakai as Bank Robber Senbayashi
Kazuo Suzuki as Bank Robber Okuda
Kenji Sahara as Ichiro’s Father
Machiko Naka as Ichiro’s Mother
Shigeki Ishida as The Landlord
Directed by Ishiro Honda

SUPER SCARY SATURDAY! BOOOoooOOOoooOOOooOOOOooOOO! Once again, Super Scary Saturday will be our guide through the world of Godzilla! This is the greatest Super Scary Saturday intro of them all! It’s only ironic that it’s on one of the worst Godzilla movies of them all! It’s got stock footage, more stock footage, annoying kids in short shorts, even more stock footage, even more annoying kids in short shorts, and oddly enough was one of my favorite G films as a kid, probably because this movie is marketed for kids (though I suspect the Super Scary Saturday intro also helped.) The stock shots of Godzilla are pulled from several films, so you see Godzilla’s head change shape a few times. We got our grubby paws on the Japanese version as well as the American TV dub, so we’ll be contrasting both as we go along. It’s the same storyline, but there are a few key differences, most notably, the kid in the Japanese version is about twenty times less annoying! He’s almost respectable! It’s amazing. Minya famously talks in this film, and shrinks down in size to have chats with little Ichiro, the Boy of Monster Island. Speaking of Monster Island, this film was the immediate follow-up to Destroy All Monsters, where all the monsters were living on Monsterland, but from this movie forward they all live on Monster Island. Also, Destroy All Monsters took place in the far off future of 1999, while this film is set back in 1969. So either Monster Island becomes Monsterland, or Monsterland is another name for Monster Island, possibly due to Monster Island being really a peninsula.


I hope I didn’t bore you off with that over-analysis there. It’s time to not care about technicalities anymore, as we’re going to be visiting the mind of an 11 year old boy, his monster playmates, a crazy toy inventor, two bumbling master thieves, and two bullies named Gabara! All of this hosted by Al Lewis, Grandpa Munster himself! It’s the last March of Godzilla film until the next March of Godzilla (ignore that this is May and we’re still putting up films) and the last Super Scary Saturday film I have on tape. So let’s Celebrate, Celebrate, Super Station TBS! And bring on Super Scary Saturday!

After the famous Super Scary Saturday commercial scares it’s way by again, we get the opening. “It’s Me, Grandpa!” we get our familiar greeting as Grandpa Munster awaits us sitting in the Super Scary Saturday theater. He’s excited to have us there: “Do I have a treat for you! This is better than having your own Red Cross Blood Bank franchise!” It sure is. Grandpa Munster rules! Grandpa continues: “You heard of Wrestlemania? Well, we have MONSTERmania!” It’s Godzilla vs. All Comers!

Grandpa then jumps to Crazed Grandpa Announcer Don King mode to promote the upcoming fight! Behind him at the podium are cartoons of Godzilla and Gabara, Godzilla in a wrestling suit giving his pointing finger, and Gabara doing his hair! We cut to Gabara for his view of the upcoming fight, and his Godzilla-taunting, which I will transcribe in it’s entirety for your reading pleasure: “Listen up you giant water lizard! I’m the prettiest monster and the meanest Godzilla. You’re going to get the shock of your life when you step on the Monster Island with me, Gabara, the giant cat from Monstermania! I’m the one, the only, the true world champion!”


Grandpa Al Lewis
InBad, Movie Reviews

Godzilla vs. Mothra (Review)

April 28, 2006By

Godzilla vs. Mothra

aka Godzilla vs. the Thing aka Mosura tai Gojira

1964

Starring
Akira Takarada as News Reporter Ichiro Sakai
Yuriko Hoshi as News Photographer Junko ‘Yoka’ Nakanishi
Hiroshi Koizumi as Professor Miura
Yu Fujiki as Reporter Jiro Nakamura (with egg and frying pan)
Emi Ito as Shobijin (Twin Fairy)
Yumi Ito as Shobijin (Twin Fairy)
Yoshifumi Tajima as Kumayama
Kenji Sahara as Banzo Torahata

Super Scary Saturday is in the HOOOOOOOOOOOOOOOOOOOUSE! Not House, MD, your house! Our house! It’s a very very very fine house, with two cats in the yard… Seriously, it’s time once again for a Godzilla movie, as March of Godzilla heads to the penultimate recap, and it’s a Super Scary Saturday version once again, as Grandpa Munster is there to guide us through! This time Godzilla is fighting Mothra in a battle that is battle-ish. Or something. This is pre-good guy Godzilla. Godzilla is still bad, still stomping the people for a pastime. In this version, they ramp up his lizardness, redesigning his head to make him more lizard-looking and more sinister-looking. Mothra makes her first appearance since her own movie, and the Twin Shobijin fairies played by the Peanuts are along for the ride. This is the American dub, complete with a scene filmed only for the US version.



Super! Scary! Saturday! It’s Super Scary Saturday, in case you missed the dozen other times I mentioned it and the big pictures. Grandpa Munster opens singing Zippity do dah! before beginning the standard “It’s me, Grandpa!” Grandpa walks in, with a baseball glove in hand, suddenly stops in his tracks! He says “What is this?” All of his friends are lounging around sleeping and being lazy. Slim the Skeleton is lying down flat on his back. Grandpa tells him to “shake a leg” and he does.

Next up, Grandpa asks mannequin Deadra if she’s going to spend all day filing her nails, which are ten penny nails which she is filing down with a metal file. Explaining this pun takes all the life out of it. Grandpa skips over Fang, who’s also sleeping but just woke up, to see Igor the bat asleep on his bed. Grandpa says Igor was more fun during the Black Plague! “Actually, the Black Plague was a lot of laughs…” Finally, Grandpa says the group needs to “shape up or ship out!” Grandpa will introduce….Grandpa-cise! What’s Grandpa-cise? We’ll find out in the next host segment. Until then, it’s time for the main show…Godzilla vs. Mothra!!!


We open in a storm, like so many Godzilla films. Well, at least Godzilla vs. the Sea Monster. Instead of wrecking a boat, we gets lots of shots of model sets being blown over. It’s like Hurricane Katrina, Japanese Model Version! Look out, Newu Oreansu! Actually, it’s Hurricane Abe, as the dialogue will tell us later. Areas of Japan are ruined, and Reporter Ichiro Sakai and his rookie photographer Junko Nakanishi arrive to survey the scene. Ichiro Sakai is played by Godzilla favorite Akira Takarada, who starred both in the first Gojira all the way to the last one (but not all of them in between.) Photographer Junko Nakanishi is played by actress Yuriko Hoshi, who will be playing almost the same role in the next film Ghidrah, except as a stronger woman character. She doesn’t return to the world of Big G until 2000’s Godzilla X Megaguirus. Her character has the nickname Yoka, so that’s what we’ll be calling her in the synopsis. Reporter Sakai has made some enemies, most notably the loudmouth mayor of the coastal city that was trashed by the hurricane. He boasts that their development project will be on schedule despite what Sakai wrote, thanks to their industrial-strength water pumps. Mr. Loudmouth Mayor fails to reveal how much these things cost, or why he’s wasting money on that instead of providing aid relief. I’d like to think that in the US he’d get run out on a rail, but we still have 99% of the Katrina idiots in charge, so we’d probably give him a medal as people starve.


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