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Cozzilla

Cozzilla (Review)

Cozzilla

aka Godzilla, il re dei mostri

1977

Directed by Ishiro Honda and Terry O. Morse (USA)
Italian rearrangement and direction by Luigi Cozzi

cozzilla
Godzilla, il re dei mostri (hence after known as Cozzilla) began life long ago as 1954’s Gojira. After becoming a box office hit in Japan, the film was recut for America with scenes added starring Raymond Burr (at that time relatively unknown.) Godzilla, King of the Monsters proved to be a hit in America as well. Sequels were spawned, a franchise was born, and new Godzilla films were being produced 50 years later. The US cut of Gojira is not the only overseas modified version. Another one has gained some fame for the many odd alterations done to it. Writer/director Luigi Cozzi is a big fan of Godzilla, wrote a book about Big G, and is even nicknamed Cozzilla by his friends. Cozzi is best known here for being the director/Writer of Star Crash, Contamination, and the Lou Ferrigno Hercules movies, as well as the writer of Devil Fish (featured on MST3K.) None of those films are known for their stellar plots or special effects, but instead their cheese and terribleness. Here, one finds that even with a great movie base to work off of, you can ruin a final product.

Cozzi set out to share with Italy the great monster film, but he knew he would have to alter it for Italian audiences. In 1977, no one went to black and white films, thus Cozzi set up an elaborate colorization process known as Spectrorama 70. Colored gels were set behind frames of the film, oversaw by Armando Valcauda. New music cues were put together by Alberto Moro to go with the altered length of the film. Scenes were chopped out, and much new footage was added, but mostly World War II stock shots of bombed cities, weapons firing, and dead bodies. Yes, actual dead bodies. Also, a shark fights an octopus from The Beast from 20,000 Fathoms towards the end.

The only known copy of this film is a VHS tape that had direct footage from a 16mm print (complete with reel announces.) As the tape was old, parts of it are choppy, and it appears to cut off abruptly at the end. wtfFILM got a hold of a copy of the tape and helped allow the world to see it, first by providing DVDRs and then uploading the film to Google Video. You can see the film here with their review. Some of the background information mentioned here was revealed there, and they even subtitled the movie themselves! As of this writing the store is closed, but hopefully it will be open soon, he has some other neat stuff around (including a trailer I saw for a restored version of Cozilla, which looks like it might be re-color-altered from Godzilla KOTM DVDs! Maybe that will get compelted soon and we can have a real treat!)

cozzilla
Godzilla has always been an allegory about the dangers of the atomic bomb, even when he was dashing out of a cave to save TV hero Zone Fighter (okay, maybe not then) but this version of the film takes that to an extreme level. It is so extreme, I was expecting the film to be chugging Mt. Dew and snowboarding out of airplanes into a volcano. It is a depressing kind of extreme, as Godzilla turns into an indictment of war and the human race in general. Thanks to the ample WW2 stock footage, we see far too many real dead bodies for anyone’s taste. Sure, the original film was about the horrors of the atomic bomb, but they didn’t make you want to go curl up in a hole and cry. Talk about brushing your teeth with a shotgun! Thankfully, the VHS quality and the Spectorama 70 color bleed takes the wind out of the sails on some of the images’ graphic details.

The overall use of the color does some nice work setting the atmosphere of the film at times. Godzilla’s attack and the Tokyo destruction are shown as bright red, and makes it violent, chaotic, and tragic at the same time. I enjoyed that choice of color, but at other times the random blues, greens, and yellows seemed to be chosen haphazardly. Some of the screenshots will just look odd because of that. I tried to make many of the shots identical to the ones in the Godzilla, King of the Monsters review, so you can flip between them and see how the color made them different (ignoring the obvious difference in video quality.) In addition, I threw in new shots of the older altered movie and the new inserted footage. As we go along the plot, I’ll point out what differs, and copy over some of the similarities, as the basic story is the same.

Shaolin Lacrosse?

Twitch with word of a sequel to Shaolin Soccer. Don’t get excited, it will be all Japanese with Steve Chow only producing. Why even bother? There is a Shoalin Soccer TV series in China that gets played on KTSF in San Francisco at times, but it is not as good as the movie, either.

Here’s what we know: it’s the announcement of Shaolin Girl (Shaolin Shoujo), a sequel to Stephen Chow’s action-comedy Shaolin Soccer. It’s a purely Japanese film – with Chow on board as producer – starring Kou Shibasaki and directed by Odoro Daisousasen’s Katsuyuki Motohiro with the sports setting moved away from soccer and into the world of lacrosse.

shaolin girl kitty zhang

Ultra Q Gomess

Ultra Q – Episodes 1 and 2 (Review)

Ultra Q Episodes 1 and 2

Defeat Gomess! and Goro and Goro

1966

Both episodes directed by Hajime Tsuburaya

We have special treats for the last two segments of March of Godzilla 2. Unfortunately our attempt to get more editions of Super Scary Saturday fell through, but instead we have some things almost as good. First up, many of you are aware that Godzilla appeared in a few guest shots on TV shows, most notably Zone Fighter. In addition, the old Godzilla costumes were used in several Japanese series to become generic monsters. In this review, we will be watching the first two episodes of the Japanese TV series Ultra Q, where the monsters are modified costumes of Godzilla and King Kong.

Tsuburaya Productions Co. created the TV series, which started to air in 1966. As they also did the costumes for Toho’s movie productions, they had the monster suits lying around, and Godzilla effects master Eiji Tsuburaya was in charge of making new monsters for the TV show (after the series was decided to be more monsters and less Twilight Zone.) Several of the old Toho suits made appearances. In addition to Godzilla appearing in Episode 1 (as Gomess) and King Kong appearing in Episode 2 (as Goro), we had Manda in Episode 6 (as a dragon), Baragon in Episode 18 (as Pagos), the giant octopus in Episode 23 (as Sudar), and Magma the giant walrus from Gorath in Episode 27 (as Todola). Ultra Q was popular enough that it eventually spawned into the Ultraman series, and many of the monsters that originally appeared in this show turned up to fight Ultraman. I never saw any of these as a child, so this is all new territory. In addition, the DVDs are not subtitled in English! But that has never stopped us before! We may pepper more reviews of episodes throughout the year, as short episodes are easy to write if graduate school suddenly becomes much harder (which it will soon!)


Main Characters:

Jun Manjome (Kenji Sahara) – A pilot for Hoshikawa Aviation and an avid science fiction fan/writer, which causes him to investigate monsters and discover most of the beasts on the show. Actor Kenji Sahara had a marvelous career dating from the original Gojira all the way to Godzilla Final Wars.
Yuriko Edogawa (Hiroko Sakurai) – Female Newspaper Photographer who takes photos of all the horrible monsters that Jun managed to encounter. Went on to star in the sequel series, Ultraman, as Akiko Fuji, as well as many other Ultraman series as various characters.
Ippei Togawa (Yasuhiko Saijo) – Assistant pilot for Hoshikawa Aviation with Jun, and the show’s comic relief. According to the Internet, actor Yasuhiko Saijo used to own a coffee shop in Kagurazaka. He had roles in Gorath, Son of Godzilla as Suzuki, and Godzilla vs. Gigan as a henchman.
Daily News Editor Seki (Yoshifumi Tajima) – Yuriko’s boss, sends her on the assignments to photograph monsters, but is not adverse to getting the scoop on his own.

The main cast list is done, so we jump into the episodes!

Godzilla Mothra Tokyo SOS

Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S. (Review)

Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S.

aka Gojira tai Mosura tai Mekagojira: Tokyo S.O.S.

2003

Starring
Noboru Kaneko as Yoshito Chujo
Miho Yoshioka as Pilot Azusa Kisaragi
Mitsuki Koga as Mechagodzilla Pilot Kyosuke Akiba
Hiroshi Koizumi as Dr. Shinichi Chujo
Akira Nakao as Prime Minister Hayato Igarashi
Koichi Ueda as General Dobashi
Koh Takasugi as Colonel Togashi
Masami Nagasawa as Shobijin (Twin Fairy)
Chihiro Otsuka as Shobijin (Twin Fairy)
Directed by Masaaki Tezuka

March of Godzilla 2 soldiers on with the sequel to Godzilla X Mechagodzilla, Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S.! This time, Mothra has been thrown into the mix, main characters have been ceremoniously and unceremoniously dumped, while suddenly the movie goes all sanctity of life on us. It comes out of left field, but before we know it we’re getting pelted from every direction. If we can ignore the message, underneath it all we have a pretty entertaining Godzilla film, much better than its predecessor. In addition to Mothra making a reappearance, we also get a reappearance from Hiroshi Koizumi! He reprises his role of Dr. Shinichi Chujo that he did in the original Mothra back in 1961. Having met Mr. Koizumi about two years ago, I remember he said he was happy that he could reprise an older role, and was proud of his appearances in Godzilla films. The best part is this follows the continuity of this film series, for in this reality Godzilla never attacked Japan again after 1954 until he reappeared in 1998. However, monsters such as Mothra and the Gargantuas plagued Japan, so they created Special Forces to deal with them. Thus the Mothra movie happened, and so did Dr. Shinichi Chujo. Hiroshi Koizumi has been seen here numerous times: Godzilla vs. Mothra, Ghidrah the Three-Headed Monster, and Gigantis, the Fire Monster.

This is the second to last Millennium Series Godzilla film, and currently the second to last Godzilla film, period. Rumors abound a low-budget IMAX Godzilla film might happen, but officially Toho has shut down Godzilla for the time being, to renew interest. Until that day, we have to make due with what already exists, a huge library of films, and many TV appearances (some of which we are hard at work tracking down.) Such a horrible predicament!

As stated before, this is a direct sequel to the previous year’s Godzilla X Mechagodzilla, making it the second direct sequel to a Mechagodzilla film (third if you count the fact that the second original Mechagodzilla movie was part of a continuous series of films.) Needless to say, Mechagodzilla must have a good agent who is meticulous with the sequel clause. It always does him good. Mechagodzilla is again built by humans to fight Godzilla in the previous film, and is being repaired after major damage suffered in the fight. He has a few new tricks, and loses an old one due to funding cuts. Funding cuts, the essence of action films! This is also the only Godzilla movie I remember that makes a big deal about rebuilding efforts being stalled, as much of Tokyo where they fought before is still in ruins. The rest of the city is fine, and ripe to be destroyed in the next battle. Who will emerge victorious? Will Godzilla be stopped? Why do the Shobijin dislike Mechagodzilla? Will some dumb girl carry a plant around like a baby? Will the female lead be a depressed ice queen? Will the lame spirituality subplot tank the film? These questions and more can be answered in Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S.!

Godzilla X Mechagodzilla

Godzilla X Mechagodzilla (Review)

Godzilla X Mechagodzilla

aka Gojira tai Mekagojira

2002

Starring
Yumiko Shaku as Akane Yashiro
Shin Takuma as Tokumitsu Yuhara
Kana Onodera as Sara Yuhara
Koh Takasugi as Colonel Togashi
Yusuke Tomoi as 2nd Lieutenant Hayama
Kumi Mizuno as Prime Minister Machiko Tsuge
Akira Nakao as Prime Minister Hayato Igarashi
Jun’ichi Mizuno as 1st Lieutenant Sekine
Directed by Masaaki Tezuka

Godzilla continues his rampage, as the Millennium series continues its run on TarsTarkas.NET for March of Godzilla 2. This time, history is rewritten again, as we go to another alternate reality where Godzilla again never returned after his death for 45 years. Derivations abound, a new anti-Godzilla force is introduced, and this movie trumps everything by getting a direct sequel. It also gives us a new and improved Mechagodzilla, making the third version of that creature. Like the second version, this Mechagodzilla is built to fight Godzilla by humans, but has some noticeable differences. You see, he’s built on the bones of the original Godzilla, which weren’t vaporized by the oxygen destroyer as previously shown in the original script. I guess they just floated a few feet off camera or something during one of those bubble fade outs (or the convenient excuse: alternate reality.) Anyway, so that makes Mechagodzilla a bio-robot. Now, it is odd that this film got a direct sequel, as the human characters are some of the least interesting in a while. Some of them don’t even appear in the next installment, making you wonder what the heck happened. Well, not that much, since they aren’t that interesting. Drum that up with an unsatisfying conclusion, and you got some sort of messy Godzilla flick that only marginally entertains, at least until the title monsters actually start fighting. Both before and after, it’s a bumpy ride.

After the success of Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack, Toho was set to just redo popular monsters. As one of the most popular and classic monsters was the robotic double of Godzilla, here he is. And so we got the third movie entitled Gojira tai Mekagojira. But it’s cool, as instead they renamed it Godzilla X Mechagodzilla for the US. You see, the X makes all the difference. The prior Gojira tai Mekagojira was simply titled Godzilla vs. Mechagodzilla 2, despite the fact it was unrelated to the original Godzilla vs. Mechagodzilla. Terror of Mechagodzilla is the sequel to the first, making this all confusing. All those facts and titles making your head spin? Well, that’s funny, because the original Mechagodzilla spun his head as a weapon and….

Okay, enough of that, let’s focus on THIS movie. Problems or not, it is what is playing in the DVD player. So we are stuck with it. We seem to get that a lot here. Maybe I should fix the DVD player, so it stops playing stupid movies….Nah, then how would I update the site? In addition to the Japanese version, we also got the English dub, which makes some of the characters sound over-dramatic, and still uses the Kiryu name. The clips will be from that version, so you don’t have to read subtitles. But before the movie, we must meet the cast!

Godzilla Mothra King Ghidorah

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (Review)

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack

aka Gojira, Mosura, Kingu Gidora: Daikaiju sokogeki

2001

Starring
Chiharu Niyama as Yuri Tachibana
Ryudo Uzaki as Admiral Taizo Tachibana
Masahiro Kobayashi as Teruaki Takeda
Shiro Sano as Haruki Kadokura
Eisei Amamoto (Hideyo Amamoto) as Professor Hirotoshi Isayama the Prophet
Mizuho Yoshida as Godzilla/Gojira
Akira Ohashi as King Ghidorah
Rie Ota as Baragon
Directed by Shusuke Kaneko

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack aka GMK aka Gojira, Mosura, Kingu Gidora: Daikaiju sokogeki aka Godzilla, Mothra, King Ghidorah: The Giant Monsters’ General Offensive (the literal title) has a reputation of being one of the better entries in the series. This couldn’t be further from the truth. GMK is one of the worst entries, in my opinion THE worst film of the whole series. Biollante? Megalon? The Smog Monster? They are three Citizen Kanes compared to GMK. Director Shusuke Kaneko became famous for making the highly regarded modern Gamera films, and was given a chance to make a Godzilla film. His original concept would have been far superior, but Toho screwed around with his monster choices, and that combined with stylistic touches I don’t really care for ended up melting into a nasty soup of disflavor. We shall go over some of the origins of the film before we get to the story, and deal with the problems in their appropriate areas.

Godzilla X Varan, Baragon and Anguilus: Giant Monsters All-Out Attack would have been a neat film. It would have eliminated one of my major criticisms of this film, the complete role reversals of several established monsters. It also would have provided a reappearance of Varan after many years (last seen briefly as a ratty costume in Destroy All Monsters), Anguirus returning (who hadn’t been seen since Godzilla vs. Mechagodzilla), and Baragon (who made it into the final film.) Varan was actually director Shusuke Kaneko’s favorite monster, but he ended up keeping Baragon in the final product, and changing Ghidorah’s face to resemble the old Varan costume. Also, rumor is the Gotengo from Atragon would have also appeared (it ended up reappearing in Godzilla: Final Wars, alongside Anguirus) and lots of maser tanks (the tanks with the satellite dishes that shoot lasers.) But as Varan and Baragon were not box office bankable, something Toho was more worried about after the failures of Godzilla 2000 and Godzilla vs. Megaguirus; and after Kaneko’s own friends had no idea who Anguirus and Varan were (I don’t know if they knew who Baragon was) he decided to drop them in favor of the pushed by the studio King Ghidrah and Mothra. This provided a small wrinkle storywise. Okay, a huge wrinkle. The plot of the film is about Godzilla attacking, being the souls of the dead from World War 2 out for revenge. Japan would then be defended by three guardian creatures, which were weaker than Godzilla but teamed up their power. Since Mothra and King Ghidrah can both hold their own against Big G, they had to modify them a bit to make them smaller and weaker looking. Also, that meant Ghidrah was a hero for the first time ever, something I do NOT agree with. The monsters end up not being much of team players, with only Mothra doing things to help anyone else.

So now Godzilla, instead of being treated like a force of nature, is now a malevolent force of destruction. He doesn’t even have pupils anymore, to give him a more sinister look. I kind of find that annoying, but it fits in with the intended storyline, so I let it go. He also has a hunched back and pot belly, which is a tad harder to let go. Hit the gym, Big G! As a film in the Millennium series, it is free to rewrite continuity however it sees fit. Still, some things shouldn’t change, like character allegiances. The success of the film prompted Toho to continue making a few more G films, so some good came out of it. Just because I like it the least doesn’t mean I won’t watch it, but when given a choice between chocolate and chocolate with peanut butter, you take the C&PB every time. Plus, I lied earlier, this cannot be the worst Godzilla film, as thanks to this and Godzilla Final Wars, the American Godzilla is now part of the canon, making it the worst film. Hopefully some enterprising young student makes their own fan film of Godzilla X Varan, Baragon and Anguilus: Giant Monsters All-Out Attack, with which we can live on vicariously until Toho decides to start pumping out more Big G films again.