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Mini Moni the Movie: The Great Cake Adventure! (Review)

Mini Moni the Movie: The Great Cake Adventure!

aka Mini Moni ja Movie: Okashi na Daibouken!

2002
Directed by Shinji Higuchi

What in the name of all that is holy did I just watch?

This film is BONKERS! Members of the JPop group Mini Moni work at a bakery, and get turned into cartoon characters who have to fight an evil queen who hates cake. It’s full of trippy musical numbers, CGI weirdness, and more sugar than Frosted Flakes. And, like Frosted Flakes, it is part of a complete breakfast and is GRRRRRR-reat! First we’ll try to explain Mini Moni and JPop groups from the Hello! Project in general, and then jump into the film.

Mini Moni is a spinoff of Morning Musume, one of the biggest rotating lineup girl bands in Japan. Morning Musume is the flagship group of the Hello! Project, which is responsible for unleashing hordes of JPop singing super cute acting Japanese girls upon the nation. The juggernaut Hello! Project contributed most of the cast of Yo-Yo Girl Cop and contributes the entire cast here. Besides this being an excuse to explain the departure of one member of Mini Moni and the joining of another, the movie also introduces a new underage group named 4KIDS, the four members (Sugaya Risako, Hagiwara Mai, Suzuki Airi, Sudou Maasa)would later become members of Berryz Kobo and °C-ute. I am not making any of these band names up. (Sugaya and Sudou are now members of Berryz Koubou; Suzuki and Hagiwara are members of C-ute. )

Mari Yaguchi had an idea in 2000 for a subgroup whose members were 1.5 meters (4 ft 11 inches) in height or shorter, and they soon picked up Ai Kago and Nozomi Tsuji to join. The fourth member was Mika Todd, who is not native Japanese and was added to give them some international flavor. Mini Moni gained some notoriety for acting crazy during their media gigs, including grabbing people’s butts. They are also popular on the internet for their show being the source of the Dramatic Chipmunk image. The group eventually disbanded in 2004. A great loss to the music world, indeed.

Here, we have an adventure where Mini Moni is turned into little CGI girls, meet magic fairies, fight an evil queen who hates cake, befriend a refrigerator, and try to get back to their bakery in time for it’s second anniversary. So basically it is the Gone of the Wind of the JPop world. And it’s insane. Completely insane. Get a bucket, your brain will melt.

Legend of the Eight Samurai

Legend of Eight Samurai (Review)

Legend of Eight Samurai

aka Satomi hakken-den

1983
Directed by Kinji Fukasaku

A classic Japanese tale gets a reworking and then is dubbed and imported into America. Like many Asian epics, there are a lot of characters and a complicated plot, which is made more confusing with the bad dubbing. Even worse, this is an adaptation of an epic tale that is condensed into a film so huge chunks of back story are either disregarded or glossed over in less than a sentence. Any movie boasting giant centipedes is worth a look. Unfortunately, the 80’s soundtrack does a wonderful job of dating the film, despite it being a period piece. Originally I thought that the songs were added by the American importers, but with the release of the Japanese language original since I originally wrote this review over a year ago, it has become known that the songs where already added in the original version. It’s a deadly blow, imagine the worst of hair bands and love ballads, more deadly than any martial art. The film loses some of the fun factor as the emotion turns to hating the soundtrack. This version of Legend of Eight Samurai that we are recapping is the full screen original American dub, one day we will try to get a hold of the Japanese widescreen version for comparison.

The story is a Japanese mythology that originated in China (like many things Japanese, including the Japanese writing scripts (the kanas are simplified versions of the kanji they “borrowed” from China.) The story of a princess, the last of her clan, given eight warriors to protect her, selected without their knowledge. Magic crystals are found by those selected, the crystals created by a dog (thus giving the story its name:Hakkenden or “Dog Warriors.”) Each crystal has a different Confucian virtue, which is only used in this film as the kanji symbol on each crystal (we have gone through the trouble of translating each one.) Takizawa Okikuni (also known as Kyokutei Bakin or Takizawa Bakin) created the version used in this film from 1814 to 1842 (Edo era) a 106 volume story called Nanso Satomi Hakkenden that took 28 years to complete. Almost as long as the Wheel of Time series is taking. The serial was then updated in 1982 by Toshio Kamata in a novel called Shin Satomi Hakkenden. Many of the stars are part of the Japanese Action Squad, a group founded by Sonny Chiba that practiced martial arts and seemed to star in many movies together. In fact, they previously starred in a futuristic version of this very same tale called Message From Space over here (Uchu kara no messeji in Japan) that even featured the same director!


These are the eight who have Confucian Virtue Jewels:

Daikaku (Minori Terada) – (Gi – Duty or Justice.) Loyal sidekick to Dosetsu, hides Princess Shizu at his mother’s house, only to find his mother has been replaced. Killed in the final battle.
Dosetsu (Sonny Chiba) – (Chuu – Loyalty.)Sonny Chiba gained massive fame from the original Streetfighter film, and had a long career before and after, with many ups and downs. His recent inclusion in the first Kill Bill rocketed him back to fame, and lead to many of his films being released again in better editions. Has been seen here before in Sister Streetfighter, which also stars another of this movie’s actors. Killed in the final battle.
Shino (Masaki Kyomoto) – Brother of his sister (well, duh!) who just happens to be in love with his sister (not blood sister) but as she is getting married it is impossible for him. Until her groom-to-be is killed, but then their forbidden love results in her death and his revenge upon his family. Eventually given a crystal and ends up dead in the final battle. (Kou – Filial devotion/piety.) Played Ryo in Cutie Honey.
Female Assassin Keno (Etsuko Shiomi) – An assassin who disrupts Shino’s sister’s wedding in order to kill the groom. Eventually gets a crystal as well. (Rei – Knowledge traditional/proper form. I think they may have altered her kanji character.) Killed in the final battle by a killer who was hounding her the entire movie. Etsuko Shiomi became famous after the Sister Streetfighter films, and was Japan’s only all-around female action star. She retired after marrying singer Tsuyoshi Nagabuchi and now runs marathons under her married name, refusing interviews about her action star career.
Soldier (Kenji Oba?) – A servent of the demons who kills for them, before given a crystal because of his disgust for what he is forced to do. Killed in the final battle. I believe the soldier is played by Kenji Oba (who is credited as Genpachi in the credits.) Kenji Oba was another Japanese Action Club member who also starred in Kill Bill recently. (Shin – Faith.)
Kid (??) – Some kid who lives in a cave with a Big Dude. He gets a crystal, making him awfully close to Kenny territory. Luckily he doesn’t say or do much at all. Killed in the final battle. (Chi – Wisdom.)
Big Dude (??) – A Big Dude who lives in a cave, where there is also a kid. Both he and the Kid are basically tacked on and don’t do much. Not much except die in the final battle. (Tei – Brotherly affection.)
Shinbei (Hiroyuki Sanada) – Shinbei is a punk kid who goes around pretending he is a swashbuckler until he finds out the Princess has a reward on her head, then tries to capture her repeatedly. Eventually forced to be evil, then gets his own crystal after he dies but returns to life and has sex with Princess Shizu. You’ve heard of STD? Well, that was STC, Sexually Transmitted Crystal! Not killed in the final battle. (Jin – Sympathy, inclusive of all virtues. Jin is the top virtue in Confucianism, thus the main hero gets it.)
Ultra Q Manda

Ultra Q – Episodes 5 and 6 (Review)

Ultra Q Episodes 5 and 6

Pegila Has Come! and Grow! Turtle

1966
Episode 5 Pegila Has Come! directed by Samaji Nonagase
Episode 6 Grow! Turtle directed by Harunosuke Nakagawa

Once again we dip into the world of Ultra Q, the Japanese TV series. A precursor to the Ultraman series, Ultra Q features many giant monsters that our plucky heroes have to deal with. Previously we have gone over Episodes 1 and 2, and then Episodes 3 and 4. Now we tackle the next two episodes! In addition to the 28 episodes of Ultra Q, a movie was produced in 1990 titledUltra Q: Star of Legend. A follow up series aired in 2004 entitled Ultra Q: Dark Fantasy as well as a radio drama called Ultra Q club (episode guide here.)

Tsuburaya Productions Co. created the TV series, which started to air in 1966. Before it became Ultra Q, however, it was known as Unbalance. As it became less Twilight Zone and more monsters, the name turned out to be a problem, but luckily a sports move called the Ultra C was gaining popularity, and thus Ultra Q was coined. Several artifacts of the original concept remain, including the very Twilight Zone-ish main title theme, as well as a narrator (but one used less frequently.) Several episodes would be somewhat independent stories that barely featured the main characters, and still other episodes would have ambiguous endings.

Thanks to recent Region 2 DVD release, these shows are now available to a whole new generation. However, they aren’t available to me in their entirety, as there are no English subtitles! But that’s where making up what we don’t understand comes in. Plot synopses and visual clues help us get the gist of the episodes, but the subtle parts we are just winging. That actually makes the show a bit better, as if we found out something was lamer than we though we might not like it as much. We don’t need no stinking subtitles!


Main Characters:

Jun Manjome (Kenji Sahara) – A pilot for Hoshikawa Aviation and an avid science fiction fan/writer, which causes him to investigate monsters and discover most of the beasts on the show. Actor Kenji Sahara had a marvelous kaiju career dating from the original Gojira all the way to Godzilla Final Wars.
Yuriko Edogawa (Hiroko Sakurai) – Female Newspaper Photographer for the Daily News who takes photos of all the horrible monsters that Jun managed to encounter. Hiroko Sakurai went on to star in the sequel series, Ultraman, as Akiko Fuji, as well as many other Ultraman series as various characters.
Ippei Togawa (Yasuhiko Saijo) – Assistant pilot for Hoshikawa Aviation with Jun, and the show’s comic relief. According to the Internet, actor Yasuhiko Saijo used to own a coffee shop in Kagurazaka. He had roles in Gorath, in Son of Godzilla as Suzuki, and in Godzilla vs. Gigan as a henchman.
Daily News Editor Seki (Yoshifumi Tajima) – Yuriko’s boss, sends her on the assignments to photograph monsters, but is not adverse to getting the scoop on his own. Not in either of these episodes.
Dr Ichinotani (Ureo Egawa) – After not being in the first two episodes, Dr. Ichinotani makes his first appearances here. Originally he was to serve as the Rod Sterling-type narrator, but when the show was refocused to be less Twilight Zone he became the wizened Professor who helps the heroes deal with the random rampaging monsters. Looks like a Japanese Wilford Brimley. Not in either of these episodes.

Astroboy Fuhrer ZZZ

Astro Boy – Fuhrer ZZZ (Review)

Astro Boy – Fuhrer ZZZ


1962

Astro Boy is a Japanese manga/anime created by Osamu Tezuka in Japan in 1951. He is one of the most recognizable faces in cartoons, not just manga. A string of projects have been created over the years, including the popular 1960’s cartoons that spread Astro Boy throughout the world. What is of most interest to us now is the 1958-59 live action TV series on Japan TV developed by MBS. In 1962 they released either a continuation movie or a string of TV episodes that follow the Fuhrer ZZZ story in the manga as a movie, which still circulates today in bootleg format. Thus, we got blurry scenes, no subtitles for the Japanese, and little or no information about the film or any of the actors. We don’t even have an accurate array of the character names, especially since the Peg Leg guy doesn’t even get a name in the manga this is based on! But it is a good window into Japanese TV of the late ’50s and how it was turning into the groovy 60s with superheroes and other fun effects. And where else are you going to see a kid dressed up as Astro Boy fighting villains? Certainly not on Cnn.com!

As stated before, the film has no subtitles, so certain things are inferred by actions or deduction. There is precious little information about this film anywhere. There isn’t even a definite explanation on where it came from, if it is some TV episodes strung together or a movie sequel to the TV series. The series dates from 1958-59, but the few sources date this film as 1962. That could be an error, or a movie could have been strung together from episodes a few years later to capitalize on the cartoon series. Or maybe a sequel movie was greenlit. What is important is we don’t know.

In addition, I am not that familiar with Astro Boy the cartoon, so many of the characters I had to look up their back stories. It also matters that this TV adaptation doesn’t have some of the main characters from the comic, and uses its own versions of some main characters as well. So the Roll Call is as accurate as possible, but TarsTarkas.NET does not guarantee accuracy. But we did the best we could, and this should be the best review of the Astro Boy Movie to ever hit the net. We can’t even locate an imdb.com entry (but that is not unusual for a film here.)

Revenge of Dr. X

The Revenge of Dr. X (Review)

The Revenge of Dr. X

aka The Double Garden aka The Venus Flytrap

1970
Directed by Kenneth G. Crane
Written by Edward D. Wood Jr.

Ed Wood Jr. strikes again! One of his most creative scripts, due to the uniqueness of the monster, not the plot, which is just a Frankenstein rehash sans the hash. At this time Ed Wood was writing for films both insane and perverse (see the review of One Million AC/DC for more of his nutty writing) as he was unable to direct anymore films. Ed Wood loved filmmaking, even though he was terrible at it. That alone makes him stand out above the rest of the current crop of dime store directors, many lack the passion Ed Wood put into each and every movie he made. Even films involving a Venus Flytrap Man still had the traditional Ed Wood dialogue and wonky spirit that made his films cult classics decades later. Yes, a Venus Flytrap Man is created in this film, who predictably runs amok and eats people until destroyed. It is a take on the old Frankenstein story, except with plants and made in Japan. Produced with Toei, the film company probably best known here for the Gamera films and the Super Sentai series (the shows Power Rangers are based on.) The original opening credits have been lost on the public domain releases, mistakenly replaced with a revamped title sequence for The Mad Doctor of Blood Island. Thus we don’t even know any of the actors’ names! Luckily, James Craig is pretty well known, and people have figured out another actor and the director and writer. However, some of the other cast is totally left out in the dark. Part of the problem is they are most likely Japanese actors, and as I am not too familiar with Toei’s film library, I wouldn’t even know where to begin trying to track them down. We are going through Ultra Q and may hit another Japanese series soon in addition to movies, so maybe she’ll show up. Until then, I guess Noriko will have to remain anonymous for now.

The script for this film was originally written in the 1950’s, but dusted off and revamped to be sold during the period when Ed Wood was putting out pulp novels filled with sex and sleaze to make ends meet. Director Kenneth G. Crane had helmed a few prior B movies, including the US portions of Abominable Snowman as well as The Manster and Monster from Green Hell. He never directed again after this film. Lots of padding to fill up the film is Crane’s trademark. As for the cast, ROLL CALL!!!

Ultra Q episode 3

Ultra Q – Episodes 3 and 4 (Review)

Ultra Q Episodes 3 and 4

The Gift from Space and The Mammoth Flower

1966
Episode 3 The Gift from Space directed by Hajime Tsuburaya
Episode 4 The Mammoth Flower directed by Koji Kajita

Once again we dip into the world of Ultra Q, the Japanese TV series. A precursor to the Ultraman series, Ultra Q features many giant monsters that our plucky heroes have to deal with. Previously we have gone over the first two episodes, and now we deal with episodes 3 and 4. In addition to the 28 episodes of Ultra Q, a movie was produced in 1990 titledUltra Q: Star of Legend. A follow up series aired in 2004 titled Ultra Q: Dark Fantasy.

Tsuburaya Productions Co. created the TV series, which started to air in 1966. Before it became Ultra Q, however, it was known as Unbalance. As it became less Twilight Zone and more monsters, the name turned out to be a problem, but luckily a sports move called the Ultra C was gaining popularity, and thus Ultra Q was coined. Several artifacts of the original concept remain, including the very Twilight Zone-ish main title theme, as well as a narrator (but one used less frequently.) Several episodes would be somewhat independent stories that barely featured the main characters, and still other episodes would have ambiguous endings.

Thanks to recent Region 2 DVD release, these shows are now available to a whole new generation. However, they aren’t available to me in their entirety, as there are no English subtitles! But that’s where making up what we don’t understand comes in. Plot synopses and visual clues help us get the gist of the episodes, but the subtle parts we are just winging. That actually makes the show a bit better, as if we found out something was lamer than we though we might not like it as much. Such is the way of things.


Main Characters:

Jun Manjome (Kenji Sahara) – A pilot for Hoshikawa Aviation and an avid science fiction fan/writer, which causes him to investigate monsters and discover most of the beasts on the show. Actor Kenji Sahara had a marvelous kaiju career dating from the original Gojira all the way to Godzilla Final Wars.
Yuriko Edogawa (Hiroko Sakurai) – Female Newspaper Photographer for the Daily News who takes photos of all the horrible monsters that Jun managed to encounter. Hiroko Sakurai went on to star in the sequel series, Ultraman, as Akiko Fuji, as well as many other Ultraman series as various characters.
Ippei Togawa (Yasuhiko Saijo) – Assistant pilot for Hoshikawa Aviation with Jun, and the show’s comic relief. According to the Internet, actor Yasuhiko Saijo used to own a coffee shop in Kagurazaka. He had roles in Gorath, in Son of Godzilla as Suzuki, and in Godzilla vs. Gigan as a henchman.
Daily News Editor Seki (Yoshifumi Tajima) – Yuriko’s boss, sends her on the assignments to photograph monsters, but is not adverse to getting the scoop on his own.
Dr Ichinotani (Ureo Egawa) – After not being in the first two episodes, Dr. Ichinotani makes his first appearances here. Originally he was to serve as the Rod Sterling-type narrator, but when the show was refocused to be less Twilight Zone he became the wizened Professor who helps the heroes deal with the random rampaging monsters. Looks like a Japanese Wilford Brimley.

The main cast list is done, so we jump into the episodes!
Episode 3: The Gift from Space

Episode three of Ultra Q gives us a new main character and the most Twilight Zone ending so far. But it is still a solid episode, and the monster from Mars Natnegon has become one of the signature monsters from the series. This episode also is the first involving aliens in the Ultra-universe, who will turn out to be very pesky indeed with their constant monster attacks. Stupid aliens! I shake my fist at you! Invade some other planet for once. I hear Neptune is nice, or Krankor. First the guest cast, and then let’s get started with the episode.