La Mujer Murciélago
aka The Batwoman
1968
Written by Alfredo Salazar
Directed by René Cardona
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Even the corpse is checking her out!
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Someone took a luchador film and a Eurospy film, blended them together, dressed it in a Batman costume, and flicked the gender bender switch. Thus was born La Mujer Murciélago (The Batwoman)! Gloria/Batwoman is a heroine who is heroic just because she wants to be, like most of the lucha movie family. Thankfully, there is a healthy love of monster movie magic and a case for her to solve and a monster to punch. But we suffer from some feminism that isn’t really feminism, Batwoman’s girl power is lacking. Although Batwoman is better than everyone at everything, she still faints and needs to be rescued by men from time to time. Girls, am I right?
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Pisces got sick of taking crap from those Fry Guys and next thing you know he was on the run and the McDonaldLand Coroner was getting woken at 3am!
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Like so many of the cool wrestling flicks, there is a mad scientist doing diabolical things, namely he’s trying to create fish people! He’s doing so by killing wrestlers and using their gland juices to power fish into becoming a gillman. So, yes, we do get a bargain basement Creature from the Black Lagoon, who is named Pisces and sort of takes orders from the evil doctor. This is the second Mexican flick I’ve seen with a fish man creature, the prior one is The Swamp of the Lost Monster (though there is a twist on that one…)
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I give up! I won’t compete with you any more, Walter White!
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As is obvious, La Mujer Murciélago lifts imagery from the Adam West Batman tv series, namely the costume. Batwoman wears a batmask for most of the film, and when she’s wrestling, she does it in a copy of the Batman costume. Otherwise, she’s running around in a blue bikini and a cape. How much the news of Batgirl’s introduction to the tv series during the third season influenced this film I do not know, but her costume does not indicate any of the stylings of Barbara Gordon’s. Batwoman even drives around in a black convertable that is similar in look to the Batmobile.
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Hey, keep those hands at 10 and 2, Batwoman! And where is your seat belt???
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Don’t be expecting this to be some sort of girl power flick. The entire thing an excuse to get women in skimpy clothes. Batwoman parades around most of the film in her bikini action outfit, including scenes of her diving and swimming around, and sneaking around in enemy hideouts. There are plenty of other women in bikinis for a few scenes on the beach. When Gloria isn’t Batwoman, she still wears stylish outfits including négligée that shows off her body. Oddly enough, the wrestling matches are least female exploiting of any of the sequences. Batwoman is in control, except for the several key scenes (and mean final joke) where she is not. Her biography given is one of a woman of great wealth trying to help against injustice, but her actual on screen showing is of a woman who runs around wearing little, attracting attention to herself. It’s an odd translation of the Eurospy stuff, her character is one of those secret agents, except a female version, but the transformation isn’t complete. They make her just tough enough to get the job done. And even then, fishman lust is the true hero.
Maura Monti specialized in these roles that were revealing but not entirely revealing. The Italian born actress spent much of her life growing up overseas and eventually settled in Mexico. Her better known genre roles before The Batwoman include La muerte en bikini (1967) and Santo contra la invasión de los marcianos (1967), and later she also appeared in genre pics El tesoro de Moctezuma (1968), Blue Demon, destructor de espías (1968), Las vampiras (1969), and Cazadores de espías (1969). She retired around 1971 for a decade or so, then returned first in theater and then to television.
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I would be a millionaire if I sold women handles to movie monsters!
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Do I…or don’t I??? I don’t even know anymore!
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