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Rocco Ang Batang Bato Boy God Stone Boy Filipino

Boy God (Review)

Rocco, Ang Batang Bato

aka Boy God aka Stone Boy
Rocco Ang Batang Bato Boy God Stone Boy Filipino
1983
Story by Joeben Miraflor
Screenplay by Eliseo Corcuerra
Directed by J. Erastheo Navoa

That vampire is paralyzed with shock at the idiocy he’s witnessing!

What a great movie for children! In the opening minute there is a woman being molested in her sleep by a spectral god, having an orgasm because, why not? Then her parents are gunned down less than two minutes later by a ruthless local warlord. An annoying fat kid then bloats up the running time until we finally get the werewolves, vampires, and monsters. Kids love violence and rape and annoying fat kids, and Boy God aka Stone Boy aka Rocco, Ang Batang Bato gives the children what they want!

If you aren’t familiar with Boy God, it’s a Filipino childrens’ film that was imported to the US and given an annoying dub and multiple titles. This lead to some confusion when attempting to track down rare films in the days before the internet. As far as I can tell, both titles are the exact same English dub and cut. I’ve not seen the original Filipino version, but the names in Tagalog do not seem to correspond at all with the English ones. I do want to see how the Filipino actor pretending to be the mad German scientist Dr. Mengele actually is supposed to be Dr. Mengele, and if he has a German accent. The gods all seem inspired from Clash of the Titans and similar films, as they are all Greek-looking. The vampires are more animalistic, like half-bat monsters, and Janice is dressed up as a Filipino komiks superheroine. So there is a healthy mixture of influences.
Rocco Ang Batang Bato Boy God Stone Boy Filipino
You can probably tell from my tone that I don’t really care for this film that much. The kid is among the most annoying I’ve seen in film, the most annoying child I’ve seen in a Filipino flick, and probably on my top ten list of most annoying children of all time. (That is a list with a heavy amount of Kennys!) But beyond that, the fantasy elements are pretty cool. They are all practical effects, and they are the lovable ridiculous practical effects that everyone rags on but secretly miss. Effects with heart. So I can’t hate on Boy God too much. Just the star, and the unfortunately decision to not kill the child off and replace him with someone not terrible.

Director J. Erastheo Navoa helmed a few other genre flicks, some have a bit written about them, and some are complete mysteries. His biggest is probably Darna at Ding, but there is also Tikboy and Pamboy and Super Islaw and the Flying Kids. The latter got a revival in the tv series Super Inggo, Super Inggo being the son of Super Islaw and a supervillainess. Movie superheroine Super Inday played Super Inggo’s fiance, Super Inday had her own movie in the 80s that was remade in 2010 called Super Inday and the Golden Bibe.
Rocco Ang Batang Bato Boy God Stone Boy Filipino
Despite this film being rather well-known among weird world cinema collectors, it doesn’t have that much written about it online, so enjoy the more detailed plot synopsis review below!

Rocco (Niño Muhlach) – Rocco has invulnerable skin, meaning he can’t be hurt by normal means. Rocco with the rock hard skin, a lot of creativity is present. His mom is named Cora (Cecille Castillo) and his father is Issabello, but both are killed when he is a baby and stuck in Purgatory. His real father is the god Pyfan. His grandmother is named Dunata, and is who raises Rocco. Rocco gets weak in water, which is a convenient excuse not to take a bath for a kid. His hobbies include rolling into a ball and bowling into people, defeating local warlords, fighting monsters, saving his parents from awful fates, and being annoying.
Tiki (???) – The talking parrot pet of Rocco who factors into the film in the beginning and then sort of fades away.
Robbie (???) – A local warlord dressed in a Flintsones cow toga who harasses the village. Killed Rocco’s parents. Is in league with Dr. Mengele. Robbie isn’t a name that instills in me a sense of terror, but occasionally it sounds like they are calling in Grobbie, which is even worse.
Golem (???) – A giant cyclops, not a golem, but whatever. Enjoys threatening and eating small people, but gets annoyed that they randomly have sharp knives on their bodies that he has to spit out. Tries to eat Rocco.
Janice (Liz Alindogan) – Why would you think this is Darna? She’s clearly Janice! A totally different Filipino wonder woman, and vaguely the love interest for Rocco, despite the fact he’s a goofy boy. Janice is named Janus in the Tagalog version, borrowing a name from Clash of the Titans
Dr. Rowling (Jimi Melendez) – A heroic doctor who tries to solve the monster problem in the neighborhood, and ends up teaming up with Rocco to do so. I don’t know if he’s related to the Harry Potter author. Dr. Rowling is named Eldee in the Tagalog version.
Dr. Mengele (???) – The infamous Nazi scientist has been hiding out in the Philippines under the name Dr. Desares, and he’s somehow also Filipino now! OMG! He’s behind the rash of monsters thanks to the continued efforst of his experiments, and he’s also financing Robbie’s reign of terror.
Vulcan, Elder of the Immortals (Venchito Galvez) – Vulcan shows up to do his blind soothsayer act and bestow upon Rocco a bunch of magic armor and a quest.

Rocco Ang Batang Bato Boy God Stone Boy Filipino

Sting of Death

Sting of Death (Review)

Sting of Death

Sting of Death
1965
Written by Al Dempsey and William Kerwin
Directed by William Grefé

How dare you complain about the Strategic Helium Reserve!

A Jellyfish Man terrorizes Florida in Sting of Death, and in so doing becomes one of the most ridiculous movie monsters in history. Not only is there a Jellyfish Man, but Sting of Death comes complete with it’s own rocking theme song, Do the Jellyfish by Neil Sedaka!

Sting of Death is important because the monster suit is ridiculous! He’s got a big balloon for a head! The rest of the costume is a wetsuit with partial monster slime glued on, but the gloves are painfully obvious thanks to some closeups. It’s one of the most ridiculous monster suits of all time. In fact, an list of awful monster costumes that does not contain the Jellyfish Man is suspect at best.
Sting of Death
Yes, a Jellyfish Man terrorizes women. Aside from that, it’s a pretty straightforward Creature of the Black Lagoon ripoff with elements of other horror classics thrown in. It also has a surprisingly high bodycount and many characters who act like gigantic douchenozzles. Almost enough to make you cheer for the Jellyfish Man. So instead, I just cheer for everyone to die. I almost get my wish. Almost…

Sting of Death features plenty of women in bikinis who are manhandled (Jellyfish Manhandled?) and killed by the monster. The (obvious) villain is revealed to have all sorts of issues with women, but these types of films also explore the creators’ issues with women. Sometime there are so many issues that you have to put them into longboxes and sell them 6 for $1 at conventions. Let’s also just ignore how easy it was to transition into talking about comic books while discussing issues with women.

There was almost an unbelievable tragedy with regards to Sting of Death, in that the film was almost lost forever. In fact, when a print was located, it was in terrible condition and covered with mold, causing a scramble to try to find a lab that could handle all the mold and decay. Luckily for film preservation history, things turned out okay, and now that Sting of Death is in the digital world, where it will exist forever. Being spread around on tapes, DVDs, on-demand streaming, digital downloads, torrents, and all methods of media sharing.

Sting of Death is on a Something Weird double DVD along with Death Curse of Tartu. Both feature commentary by director William Grefe, and include some cool information about the filming. Grefe is well aware that he made a low budget horror film with some ridiculous effects, but that’s part of the fun. Through this we learn the bump on Jack Nagle’s head was an actual injury that had to be written into the film, but it looks totally fake, which is hilarious. Another fun feature is one of the actresses is named Blanche Devereaux, who you might recall is a character on The Golden Girls, which is set in Florida.
Sting of Death
The scene set to “Do the Jellyfish” is hilarious because of the awful dancing. Every extra is dancing to a different beat and mixing up 1960s styles. You can’t help but be entertained by this sequence. Sting of Death was released in 1965, just as Neil Sedaka’s career was careening downward (his type of music was pushed out of the charts by the arrival of the Beatles, and Sedaka would be without a label by 1966), so this was a great get to have a former number 1 artist do the movie theme to such a ridiculous piece.

Parts of Sting of Death remind one of a beach party movie, but this goodhearted fun doesn’t last as some of the snobby boys begin mercilessly mocking Egon because of his deformity. While many of the women seem fine with this, there is one or two who object to the cruelty on display. Their protestations do little to stop the abuse, and will matter little later when the killing spree begins. The bad behavior makes many of the deaths much more satisfying, but Egon ruins all attempts to make him appear justified in his rampage. The bad behavior of the monster can’t be excused by bullying, he was killing before the party began and is full of excuses. The deaths keep him from gaining the coveted tragic villain slot, instead just turning him into yet another monster. He was treated like a monster for so long, he (literally) became one.
Sting of Death

Dr. John Hoyt (Joe Morrison) – Our generi-hero, a young handsome scientist who works with Dr. Richardson and has eyes on his daughter, Karen. Like all scientists, he’s a muscular manly-man who wouldn’t be out of place on the cover of one of those Men’s Adventures magazines.
Karen Richardson (Valerie Hawkins) – Daughter of Dr. Richardson and a scientist in her own right, but not a career scientist, she only helps out. Is sort of sympathetic to Egon, but hangs around with obnoxious jerks a lot.
Egon (John Vella) – Creepy hunchbacked one-eyed assistant who has an unnatural obsession with jellyfish. And there is a Jellyfish Man on the loose. Hmm… Has a habit of sneaking up on people. At one point is taunted by obnoxious party idiots. Has a crush on Karen.
Dr. Richardson (Jack Nagle) – Famous Florida scientist who does research on marine creatures, which includes jellyfish. Is very good at convincing his daughter to bring down a ton of hot single college girls to help with the research. Why, yes, he’s single, how could you tell? Has a bump on the head.
Jellyfish Man (Doug Hobart) – He’s got to be jelly, because jam don’t shake like that! Despite the enormous amount of jellyfish parts, Jellyfish Man retains his human intelligence, and murders and sabotages his way to his plans to destroy everyone out of hate. Especially women.

Sting of Death

Aventuras al centro de la tierra Adventure at the Center of the Earth

Aventura al Centro de la Tierra (Review)

Aventura al Centro de la Tierra

aka Adventure at the Center of the Earth
Aventuras al centro de la tierra Adventure at the Center of the Earth
1965
Written by José María Fernández Unsáin (as J.M. Fernandez U.)
Directed by Alfredo B. Crevenna

Hug time!

The mysterious center of the planet Earth has been a tantalizing source of speculative fiction for decades, until a bunch of eggheads determined it’s all magma and rocks. But screw those eggheads, because we’re still about journeying to mysterious underground civilizations. The concept is so universal that even Mexico has an entry, which not only brings to mind the many dryly boring 1950s adventure romps, but even uses stock footage from some of them. Aventura al Centro de la Tierra (Adventure at the Center of the Earth) even has its own boring old professor guys who are twenty years and twenty pounds to late to be trekking around to parts unknown. Luckily they bring guns and all sorts of modern violence on this quest, because it’s full of monsters.

Aventuras al centro de la tierra Adventure at the Center of the Earth

Hey, I’m a lizard with crap glued to my head! And you think you have a bad job…


First, let’s give Aventura al Centro de la Tierra a giant “FUCK YOU!” for the terrible real animal cruelty in one scene. A pit of snakes have a bucket of gasoline thrown on them and are set alight. I’m no big snake fan, but I’m definitely not a big fan of killing animals for a dumb film about a bat creature that wants to score with a hot babe. They also include that classic clip of the crocodile with a fin on its back battling the gila monster that’s in like four or five other films. BOOOOOOOOO!! to that as well. They even sort of reference it with iguanas with horns and crap glued to them that can be seen in the cave.

The real reason to watch Aventura al Centro de la Tierra isn’t all the terrible stuff I’ve been mentioning, but the creature costumes. There is a rather well constructed manbat creature, complete with giant wings and sort of human intelligence and lusts. Despite going on a murder spree, he realizes Kitty de Hoyos is far too attractive to just rip her neck open, and takes her back to his lair to try to woo with bat guts and live rats. The ManBat was joined by a Cyclops, who is also responsible for some of the bodycount in the film, but he’s gunned down rather spectacularly (efforts to drug him end with an impaled Cyclops!)

On the way, the film borrows from classic horror films. Underwater sequences bring to mind similar underwater scenes in Creature of the Black Lagoon. The entire going to the center of the Earth thing is borrowed from so many pulp novels, Jules Verne being the most famous. The ManBat acts like many monsters with crushes by trying to impress the lady he kidnaps (and carries in the required monster carried a lady pose!) Alfredo B. Crevenna would go on to direct Gigantes Planetarios, El Planeta de las Mujeres Invasoras, and Santo Contra la Invasion de los Marcianos

Aventuras al centro de la tierra Adventure at the Center of the Earth

Ladies and blacks, get out!


Professor Díaz (José Elías Moreno) – Lead professor guy who drags everyone into the caves and speaks all grand pronouncements while doing nothing except shooting and destroying everything he finds. Science!
Hilda Ramírez (Kitty de Hoyos) – An assistant professor who gets brought on the expidetion despite being left at camp almost all the time thanks to Professor Díaz. Likes to take pictures of the dark, which comes in handy when the pictures show eyes watching her. Is kidnapped by ManBat.
Dr. Peña (Carlos Cortés as Carlos Cortez) – A doctor brought along in case people are hurt. Becomes the love interest of Hilda despite being the least developed of the main characters.
Jaime Rocha (David Reynoso), Dr. Laura Ponce (Columba Domínguez), and Dr. Manuel Ruiz (Javier Solís) – Jaime Rocha is a big game hunter brought in to shoot whatever monster is rumored to be killing people in the cave. Dr. Laura Ponce is a geologist needed because caves are made of rocks. Dr. Ruiz is a writer who gets added to the group because they needed another guy with an advanced degree. Dr. Ruiz and Dr. Ponce like each other, but Ponce becomes greedy upon finding diamonds, while Ruiz wants to inform the government. Rocha overhears and kills Ruiz to cash in on the wealth, but Ponce says she’s going to inform the government anyway in deference to her late friend. Unfortunately both she and Rocha get killed by the ManBat before anyone knows what is going on, resolving this plot conflict with blood and bodies.
The Black Servant of Dr. Peña (???) – Because we need a cook in the center of the Earth! He never gets a name despite being a major character! Also there are cave guides brought along for monster fodder, all of which gets names. But not this guy! We salute you, Black Servant of Dr. Peña. Yes, he dies.
Cyclops (???) – Cyclops attacks the party randomly. They shoot it with a drug bullet, but the cyclops lands on a stalagmite as it falls and is somehow impaled like 3 feet through the chest. Cyclopses must have a low calcium diet that makes their chest bones basically jelly or something. This is why you should have proper nutrition, people! This cyclops costume has a tail, and I am unsure if it is the same costume from La Nave de los Monstruos and Santo el Enmascarado de Plata y Blue Demon Contra los Monstruos
ManBat (???) – I have to call him ManBat because the only alternative is BatMan. Falls in love with Hilda and stalks her all through the movie. Has an expressive makeup face in closeups, but is obviously a mask in long shots. Is intelligent and tough, but not immune to being shot with many many bullets.
Aventuras al centro de la tierra Adventure at the Center of the Earth

Someone saw the missing King Kong spider pit sequence!

La Nave de los Monstruos

La Nave de los Monstruos (Review)

La Nave de los Monstruos

aka The Ship of Monsters
La Nave de los Monstruos
1960
Story by José María Fernández Unsáin
Adapted by Alfredo Varela
Directed by Rogelio A. González

La Nave de los Monstruos

A woman after his own heart


An amazing adventure, La Nave de los Monstruos – aka The Ship of Monsters – is essential global pop cinema viewing, not simply just essential Mexican pop cinema viewing. A purely entertaining spectacle of space ladies who desperately need to replace the missing men from their civilization, thus are quested to scour the galaxy to find suitable males. But despite collected a rogues gallery of interesting monsters, nothing prepares them for the human male and his singing cowboy ways. Those who haven’t seen the film are now confused, not realizing the singing cowboy is presented as the irresistible bit of manliness that the rest of the galaxy is missing. In addition, he introduces the concept of love, which causes jealously and the best case of surprise space vampirism I’ve ever seen in a movie.
La Nave de los Monstruos

A non-gross male? What the heck??


The introduction to love concepts aren’t why everyone loves this film, it’s just the gravy on top. The real reason for the season is the amazing monster costumes! We got a crosscut of 1950s man in suit monsters, including a boxy robot. The costumes themselves are spectacular, some having appeared in Mexican cinema before, and a few that will show up again almost a decade later.

The Ship of Monsters takes more than just some of the monster designs from American science fiction films, there is a constant mention of radiation and atomic throughout the movie. The men from the planet Venus all died due to atomic sickness, everyone on Tor’s homeworld died due to nuclear radiation, and Zok’s planet had a radioactive disaster that rendered his entire species nothing but walking talking skeletons. While Mexico wasn’t a direct participant in the Cold War, it does lie in close enough proximity to the US that had any sort of nuclear exchange happened, it would suffer dire consequences as well. So the thought must have been on their minds. Mexico didn’t suffer from weapons being used on it like Japan, so their response in film is more a warning of the possibilities, not a reflection of the destruction of war and atomic horror returned in monstrous form.

La Nave de los Monstruos

We demand a creepier cave!


The joy of the monsters on the rampage propels The Ship of Monsters into amazing land, and you should track down a copy as soon as you can. Unfortunately, it only seems to be released as part of double DVDs. Where the heck is Criterion? Get on it, cinephiles! This is movie magic, so break out your wands and Wingardium Leviosa a copy to your player.

Gamma (Ana Bertha Lepe) – Commandress of the interplanetary fleet sent out to find dudes for planet Venus. Helps find a whole pack of gross monsters that are the best the galaxy has to offer. Until she finds a singing cowboy on Earth…
Beta (Lorena Velázquez) – a foreigner to Venus, daughter of Ur, planet of shadows. Is the navigator and secret vampire from Uranus. Goes mad with vampire bloodlust halfway through the film as things get crazy.
Lauriano Gomez (Lalo Gonzalez “Piporro”) – A singing cowboy that somehow becomes the most attractive single male in the galaxy. Helps defeat the monsters when they go berzerk. Is guardian to his younger brother, Chuy.

As all the men on Planet Venus have died due to radiation sickness, the interplanetary fleet is sent out to collect men. During a montage as the credits roll, Gamma and Beta’s ship picks up what is dubbed in the credits as Los Monstruos de las Galaxias:

Tor (himself) – A robot from the dead planet Palis, where everyone was killed in atomic wars. The robot is the only male the women find that they even want to associate with, as he interacts with them while everyone else is shoved in a closet and randomly gassed or froze. Powerful and follows their instructions. Attracted to jukeboxes. The robot suit was used before in the 1958 film Robot vs. The Aztec Mummy
Tagual (himself) – Prince of Mars, he mysteriously looks like one of the aliens from Invasion of the Saucer Men. Is very angry about being space kidnapped, and becomes the default leader of Los Monstruos de las Galaxias. Features a cool liquid blood moving in tubes effect that you can barely see most of the time. If you enjoy this costume, it can be seen in a slightly more tattered form in Santo el Enmascarado de Plata y Blue Demon Contra los Monstruos
Uk (himself) – A cyclops and King of fire planet. He’s also angry about being kidnapped and is a warrior. Despite being from the fire planet, he gets set on fire, which one would think he would be used to. If you enjoy this costume, it is also seen again in a more tattered form in Santo el Enmascarado de Plata y Blue Demon Contra los Monstruos.
Utirr (himself) – The grand priest of the Red Planet (which I don’t think is supposed to be Mars, but another Red Planet!), and also a spider. Probably the coolest costume because it’s so grotesque, but I don’t know if it was ever reused by another Mexican film.
Zok (himself) – A skeleton that laughs creepily a lot. He just floats in the air, occasionally moved around by one of the other monsters. His whole race is skeletal thanks to atomic radiation. Is a human skeleton with dog skull.
It’s another Republican primary debate!
Na Cha Seven Devils

Na Cha and the Seven Devils

Na Cha and the Seven Devils

aka 梅山收七怪 aka Mei shan shou qi guai aka Na Cha and the 7 Devils
Na Cha Seven Devils
1973
Written by ???
Directed by Yamanouchi Tetsuya

Na Cha Seven Devils

Here’s your disco inferno!


Who would have thought that a movie about a bunch of animal demons running amok, including a huge fire breathing dragon in sequences directed by Yamanouchi Tetsuya, would turn out to be so boring? Obviously anyone who has had prior experience with movies where flying kids battle monsters! At TarsTarkas.NET, we have dealt with a lot of them! Though most of those are Taiwanese, Na Cha and the Seven Devils comes from the illustrious Shaw Brothers studios. It’s the second of two Na Cha films that were made at the same time by Yamanouchi Tetsuya, featuring many of the same cast (they even reuse at least one human character as the grandson of his character from the first film!), and one of several Na Cha films, a character from a classic Chinese tale.

A quick Na Cha primer: Na Cha is that kid with the flaming circles around his feet that let him fly. Sometimes his name is translated Nezha or Na Zha. He’s based on Chinese mythology that probably has roots in Hinduism. Na Cha shows up in Journey to the West and has a stream of television and film appearances.

Na Cha and the Seven Devils seems like it would be an idea kids film, just let them watch the special effects while mom and dad go get hammered..I mean, go do chores. But there is an awful lot of boob grabbing. It’s oddly sensual (though in a clumsy sensual way), and Shaw was ranking up the sexy in the early 70s. It does seem way out of place for what goes on in the rest of the film.

The look of Na Cha and the Seven Devils comes from art director Mutsuo Mikimi, who has a pedigree of doing effects on Message from Space, Goke, Body Snatcher from Hell, and Super Infra-Man. Director Yamanouchi Tetsuya was making a brief foray out of Japan, but he also has a kaiju pedigree thanks to films like The Magic Serpent and 1969’s Akakage. Doi Michiyoshi is also listed as a director on the HKMDB, but not on the actual film and I can’t find any further information.

The biggest gripe with Na Cha and the Seven Devils is that Na Cha and his immortal buddies cause all these problems on Earth, then they send only three of them to deal with the problems. Meanwhile, hundreds of people die! Sorry, folks, you are all being slaughtered to teach Na Cha responsibility! The main trouble is there is a magic peach tree that only blooms every 1000 years, and then the peaches take 1000 years to ripen. And it’s about time for those babies to pop. There are 8 this year that are destined to be a gift to the Queen Mother by order of the Jade Emperor.

Na Cha is unaware of all this, and just sees a tree with a bunch of peaches, and Na Cha wants to eat them peaches. So he climbs up the tree and grabs on, accidentally causing the other 7 to fall. Because they are at Mt. Kunlu – which is between Heaven and the Mortal World, the peaches fall through the clouds to Earth. Where they are promptly found by animals, that eat them and become superpowered Devils themed on whatever animal they were.

Na Cha Seven Devils

See my vest, see my vest, made from real gorilla chest!


Now, Na Cha did cause the original problem, but he also wasn’t told not to eat the peaches, and as someone who has done their fair share of gardening (and has peach trees in the back yard!), I know for a fact peaches will be falling off the tree regardless of Na Cha shaking the branches or not, which means a few would have dropped down below anyways. Which means the immortals should have hung a few baskets to catch these valuable and dangerous peaches!

After the peaches are found to be missing, an edict comes down on high from the Jade Emperor to solve this problem in 10 days! So the group of immortals decide to just send Na Cha by his lonesome. It’s only when his two older brothers Jincha and Mucha beg to go along that the party is increased. But still, everyone else just stays around Mt. Kunlu and laments their fate and probably going to get squashed by an angry Jade Emperor soon. Lazy, lazy people who deserve it for not bothering to help solve the problem.

Na Cha Seven Devils

I’ll use this to contact Sauron!


Na Cha (Yau Lung) – The Third Prince, he who killed the dragon and brought the rain and did other stuff that was either in the other movie or is a mishmash of his legend. His dad is General Li, and his two older brothers are Jincha and Mucha. I’ve never realized until now that Na Cha is the prototype for all those annoying flying children movies that Taiwan kept pumping out. Na Cha is also annoying and flies!
Yang Jian (Ngok Yeung) – That legendary triclops who pops up from time to time in Chinese fantasy films. Notable here for popping up out of the blue and owning Celestial Dog!
Eagle Devil (???) – An eagle that eats a magic peach, becomes a devil, and decides to steal children for food!
Rat Devil (Ngai Chi-Wong) – A rat that eats a magic peach, becomes a devil, and begins chomping down on dozens of innocent people.
White Horse Devil (Chen Hung-Lieh) – A white horse that eats a magic peach, becomes a devil, and immediately declares he’ll make the village send him a lass every day!
Frog Devil (Aai Dung-Gwa) – A frog that eats a magic peach, becomes a devil, and starts trying to get it on with random human women.
Monkey Devil (???) – A monkey that eats a magic peach, becomes a devil, and starts trying to become a beautiful seductress or something. I’m not really sure what her endgame was.
Dragon Devil (Law Bun) – A huge dragon that eats a magic peach, becomes a Red Hair Devil, but still has plenty of time to burn villages and do other dragon stuff.
Fox Devil (Tina Chin Fei) – A fox that eats a magic peach, becomes a devil, and starts seducing all sorts of random guys just because she can.
Na Cha Seven Devils

I will be the Superior Spiderman!

Golden Bat

The Golden Bat

The Golden Bat

aka 黄金バット aka Ogon batto
Golden Bat
1966
Written by Susumu Takaku
Directed by Hajime Sato

Ogon Batto
The Golden Bat is one of the best movies of all time. The Golden Bat is one of the craziest movies of all time. The Golden Bat is one of the funnest movies of all time. The Golden Bat is the reason movies were invented. You will watch The Golden Bat, or he will beat the tar out of you with his cane, laughing all the while!

A dreamlike haze of crazy costumes and duplications and maniac villains and monsters, The Golden Bat drags the tokusatsu genre to a surreal edge, pushing the boundaries of what a sane child would accept as proper plot progression while making great use of the black and white cinematography to give a gothic noir flavor. Sinister characters get shadows cast over them unnoticed by the good heroes. The set design is a wild 60s psychedelic take on pulp science fiction while using the light and dark contrasts to make the alien seem alien. Director Hajime Sato would later go on to direct the Bava-esque Goke – Bodysnatcher From Hell. Sato can take a straight scenario and bend it into a warped world, He would later put this pulp science fiction experience to work as a television director on Captain Ultra, which also features crazy surreal aliens that would be right at home in The Golden Bat.
Golden Bat
Ogon Bat/Golden Bat was created in 1930 by writer Ichiro Suzuki and artist Takeo Nagamatsu for use in Kamishibai, a storytelling device where an entertainer would narrate a story for children as sequential wooden cards illustrate the exciting things that are happening. The Kamishibai merchant would make money by selling candy to the children who attend his shows. Kamishibai declined after World War 2, but a few story tellers still exist in tourist zones. The practice is said to date back to Buddhist monks in the 12th century, but the modern version used to entertain kids has it’s roots during the depression as a cheap way to entertain and make money.

Golden Bat is considered the first Japanese super hero due to these tales, and many more were created over the years (including adaptations of American heroes) Some of the art is collection in a few Kamishibai books, and slides are available for download on specialty Kamishibai sites. Ogon Batto would then appear in manga tales.
Golden Bat

Golden Bat made his first film appearance with 1950’s Ogon bat: Matenro no kaijin (Golden Bat: Frankenstein Skyscraper). After thisThe Golden Bat film, 1967 saw an anime series, and the last official film adaptation was 1972’s Ogon Batto ga yattekuru (Golden Bat Shows Up), where a fat and stupid Golden Bat does presumably unfunny things. Neither of the other two films are easily available for watching, probably due to the lack of Sonny Chiba. There is an unofficial Korean Golden Bat film called Yong Gu and the Golden Bat (영구와 황금박쥐 – 1992) which is one of those awful awful Korean children’s films that you should never watch.
Ogon Batto

Golden Bat (voice of Osamu Kobayashi, performer unknown) – Hero of Atlantis, Golden Bat took a nap because one day humanity would need him. It turns out they did, and thus he wakes up just in time to fight Nazo. Golden Bat beats people with his cane because that’s what cool people do.
Akira Kazahaya (Wataru Yamagawa) – Amateur astronomer who discovers that planet Icarus has gone off it’s course and will smash into the Earth. This is all you need to do to suddenly become invited to join the Pearl Research Institute and fight evil with science. Which Akira joins and does.
Bat (Himself) – Golden Bat’s bat, who lives as a pendant on Emily and acts as a calling device and spy for Golden Bat.
Nazo (Koji Sekiyama) – the self-proclaimed ruler of the universe, this four-eyed lunatic wants to destroy all other life in the universe so he will be the only life. Somehow that has given him followers who can’t put 2 and 2 together. Nazo’s latest target is the Earth. He hides out in his base, Nazo Tower, which can shoot lasers. Nazo can shoot lasers from his eyes and has a flying claw hand. In the pulp series, Dr. Erich Nazō (ナゾー) runs a crime syndicate based on world domination and wears a mask that resembles this alien form.
Keloid (Yoichi Numata) – Giggling maniac with a burnt face who likes torture. Is the chief goon of Nazo. At one point he impersonates Dr. Pearl. Yoichi Numata also appears in Female Prisoner #701 Scorpion and the first two Ring movies.
Piranha (Keiko Kuni) – Female goon of Nazo who impersonates Naomi for an extended period in an attempt of sabotage. She fails and is killed by Nazo. Keiko Kuni appears in Female Prisoner #701 Scorpion
Jackal (Keiichi Kitagawa) – A wolf man complete with hairy uniform, he is more of a shock troop of Nazo.
Nazo’s goons (various) – Dressed in all black, these faceless goons are disposable troops sent in service of their evil master.

Ogon Batto