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She Shoot Straight
InBad, Movie Reviews

She Shoots Straight (Review)

May 24, 2014By

She Shoots Straight

aka 皇家女將 aka Huang jia nu jiang aka Lethal Lady
She Shoot Straight
1990
Written by Yuen Gai-Chi and Barry Wong Ping-Yiu
Directed by Corey Yuen Kwai
She Shoot Straight
An underloved classic, She Shoots Straight gives us a healthy dose of female fighting action that will satisfy even demanding Hong Kong Action Cinema junkies, as well as throwing in family drama and even a few funny scenes. Corey Yuen helms and shows off his action movie chops that have kept him producing cool cinema for decades.

Despite the awesome fights, She Shoots Straight failed to do well at the box office and has gone down in history as a failure. Despite the effort of many cult film fans and bloggers, it remains relatively obscure, lacking a lead who is one of the better known Girls with Guns actresses. It deserves a larger audience, the fight sequences are brutal and well choreographed, and several of the supporting actresses are legends of Hong Kong cinema. An English dub exists, but it is terrible, so avoid it like the plague.
She Shoot Straight
Joyce Godenzi is a former Miss Hong Kong (1984), whose big break in the acting world was 1987’s Easter Condors, directed by her future husband Sammo Hung. Mixed Australian and Chinese, it is even mentioned in the film. Her Eurasian ancestry and accusations of being a homewrecker (Sammo Hung was married when they met) may have had a hand in her disappearing from the spotlight. This is one of several films Hung put together for her.

Agnes Aurelio is an American-born body building champion, and I’ve seen her claimed to be the daughter of former President of the Philippines (though I can’t figure out which one, so take that with a grain of salt!) She apparently makes a fleeting appearance in JFK(!!), which gives her a Kevin Bacon number of 1.

Tang Pik-Wan plays the Huang family matriarch. A classic Hong Kong actress with credits dating back to 1950, She Shoots Straight would be among her last work, passing away in 1991. Her credits largely consist of opera or comedic roles, and she had a long career on television serials as well.
She Shoot Straight
With Carina Lau and Sandra Ng as sisters, the Huang family is well represented with legendary actresses and 1980s hairstyles. Rounding out the four sisters are Angile Leung and Sarah Lee (who is somehow Loletta Lee’s sister!), who are short on lines thanks to the already huge cast. Sammo Hung pops up as an adopted member of the Huang family who is also a cop. Yuen Wah is almost unrecognizable as the Vietnamese gang leader. His hair style and nerdy glasses hide the ruthless individual beneath who cares for nothing except his own family and revenge, innocents be damned.

The action sequences are solid, opening with Mina Kao showing her stuff saving a diplomat. There is a lot of leaping through windows and shooting while flying in the air. There is also a huge body count, with not only villains but many police and innocent people getting killed and maimed as the fights continue. The villains are presented as a force of pure destruction, the cops can only hope that they’ve brought enough men and ammo to slow them down and contain them. The final fight is classic, and the assault on the cargo ship is filled with some awesome moments of butt kicking. Ignoring the family drama, the action alone is enough to bump this up to classic territory.
She Shoot Straight

Inspector Mina Kao (Joyce Godenzi) – Decorated police inspector headed for a high ranking position. Also a new bride of a husband feeling pressure not only to carry on the family line, but because she’ll soon outrank him. A tough cop who gets results.
Huang Chia-Ling (Carina Lau Ka-Ling) – Hot-headed sister-in-law of Mina, doesn’t like her one bit. Her anger issues endangers a mission, then help lead her into a trap that she’s saved from at the cost of her brother. Forms a bond with Mina after that event.
Mrs. Huang (Tang Pik-Wan) – Matriarch of the Huang family, was the wife of a cop and saw her four daughters and one son become cops.
Inspector Huang Tsung-Pao (Tony Leung Ka-Fai) – The only son of a three-generation police family. You might as well call him Inspector Dead Meat, because he’s way too nice to survive. And that’s not just an opinion, it happens.
Huang Chia-Ju (Sandra Ng Kwun-Yu) – While a more minor character, Sandra Ng is a welcome sight as another of Tsung-Pao’s sisters who is involved in a few of the action scenes.
Yuen Hua (Yuen Wah) – Vietnamese refugee who is a veteran of guerrilla warfare, came to Hong Kong to cause trouble and rob for money. Life is cheap to Yuen Hua, except that of his family. Leaves a bloody trail at all of his crime spots.
Yuen Ying (Agnes Aurelio) – Sister of Yuen Hua and a huge body builder and fighter. Just as ruthless as her brother, and more perceptive about the police. Has a big fight scene with Mina Kao.

She Shoot Straight

Erotic Ghost Story
InMovie Reviews, Ugly

Erotic Ghost Story (Review)

January 31, 2009By

Erotic Ghost Story

aka Liao zhai yan tan

1987
Directed by Ngai Kai Lam
Written by Chang Kwan

Erotic Ghost Story is a classic Hong Kong Cat III film, it is the second most popular with only Sex and Zen being a greater influence to Cat III erotic films. Part of what made Sex and Zen so classic was previewed here, including one of the stars.

The film has its origins as a tale from Liaozhai Zhiyi aka Strange Stories from a Chinese Studio aka Strange Tales of Liaozhai, written by Pu Songling (1640-1715) during the early Qing Dynasty. This is a collection of 431 stories written in classical Chinese (not the usual form for the time.) The earliest existing printed version dates to 1766, but it may have been published earlier. Pu Songling was a former scholar himself, which may explain why a scholar becomes the central figure of some many of his tales. Stories from Liao zhai Zhiyi have inspired countless Chinese films and television shows. Painted Skin, Tsui Hark’s A Chinese Ghost Story, and several TV shows with fox spirits. You can read many of the translated tales here. Many stories are short, as what was important was the emotional response, not the details.

The three main characters are fox spirits who are trying to become human. This can be accomplished by meditation and prayer, but takes hundreds of years. If they deviate from their path, they will revert back into animals.

Erotic Ghost Story‘s Chinese title is Liao zhai yan tan, which betrays its origin as coming from the Liao Zhai stories. It is a highly eroticized version of the tales, and many other movies and shows reference the work by having Liao zhai or liu chai or liu jai in their Chinese titles. The Witches of Eastwick is largely listed as another inspiration of Erotic Ghost Story, and it got another lucky strike as A Chinese Ghost Story was released the same year. A Chinese Ghost Story had made ghost lover stories incredibly popular. Add that to the fact that Erotic Ghost Story is very well made despite its role as an exploitation film, and you have a recipe for success that made Erotic Ghost Story a classic film that has several sequels and imitators. Maybe we will get to a few of them someday.

Another important factor in the success of Erotic Ghost Story was the presence of Amy Yip Ji-Mei. Amy Yip (aka The Yipster) was at one point the most popular sex symbol in Hong Kong cinema, and pretty much any book you read on Hong Kong cinema written from the mid-1980s to the late 1990s will have at least one chapter dedicated to her. Some authors were disturbingly obsessed with her, but creepy movie books is a subject for another article. She was propelled to stardom with this film, and to super-stardom after Sex and Zen. Amy Yip’s claim to fame was her gigantic rack, and her ability to keep from showing the essential elements of said rack. This was called her “Yip tease”. She revealed things only once, in Sex and Zen, and this was rumored to be because one of the producers was a triad gangster who threatened her. Like most Chinese actresses, she retired and dropped off the face of the Earth after a few years. So let’s meet her and the rest of the cast:

Hua-Hua (Amy Yip Ji-Mei) – Her name is Hua-Hua in subtitles, but Fa-Fa is what is spoken in the Cantonese version. I will be using the subtitle names for everyone, which I believe is derived from the Mandarin names. Oh, well. Played by Amy Yip, Hua-Hua is the middle sister, and her color of choice is purple.
Pai So-So (Man Siu) – So-So is the average one. Okay, now we go the obvious joke out of the way, let’s then reveal that So-So is the oldest sister. She helps guide her two younger sisters in their quest to evolve from fox spirits to human beings. At age 50, foxes can choose to become human or spirits. I bet you didn’t know that. Well, Chinese mythology knows it, so you better buy the Cliff Notes! Her color of choice is pink.
Fei-Fei (Kudo Hitomi) – The youngest of the three sisters and the most easily given to temptation. Sister number three is also the most exposed of the three. Kudo Hitomi seemed to vanish after this role, but I suspect she was a Japanese AV star that I just can’t find any information on because everything focuses on newer actresses. Her color of choice is Lime Green.
Scholar Wu Ming (Tan Lap-Man) – A shy scholar who is also a ladies man and lothario. He gets chased by bandits at one point, and has a terrible, terrible secret….
Wutung (Tan Lap-Man) – This demon is the true form of Wu Ming. Let that be a less to you: All scholars are secretly demonic monsters. The next time you see a scholar beat him upside the head with his books. Wutung is the God of Carnal Desire. He has no clan as far as I know.
Hsuan Kuei (Lam Chung) – A taoist priest who recognize the girls for what they are, and helps them defeat wutung. Lam Chung usually plays sleazy characters in films, so this turn as a Taoist priest is a departure. He will fill the role of Lam Ching Ying for this film.