Hong Kong breaking out the Sci-Fi

Hong Kong films seem like they want to get back to not being so terrible, and have done a good job recently. Now they got a Science Fiction trilogy in the works.

Science Fiction Trilogy Planned for Hong Kong
April 2007
Hong Kong cinema, often defined by its gangster and action pictures, will have a rare treat of a new big-budget science fiction trilogy. New writer-director Daniel Chan is currently prepping for “Exodus”, the US$12.8 mn opening installment of the trilogy which is scheduled to start shooting in the territory towards year-end.

The CGI-laden “Exodus” is set in a post-apocalyptic Hong Kong when the prosperous Island City treats the working class natives of Kowloon as slaves. The legend has it that a Kowloon native will lead an army that will defeat the Islanders and set the slaves free.

“This is Ten Commandments meets Blade Runner shot like 300,” says Chan. The 25-year-old Hong Kong-born filmmaker was raised in Australia where he made his first feature film Half Lit.

The special effects will be created by Dajoint’s Thomas Chou whose credits include “The Eye 10” and “Perhaps Love”. The dialogue will be mainly in English with some Cantonese.

The new picture will be mostly funded by new Singapore-US film financing company Upside Down Entertainment, a joint venture between Singapore’s production house Upside Down Concepts and Mark Byers’ Quixotic Media Group of the US which aims to bring western film financing strategies to Asia.

Before “Exodus”, Daniel Chan will direct “Jiang Hu Yi” this summer, a US$3.5 mn gangster epic backed by Mei Ah Entertainment and produced by veteran actor Eric Tsang. He is also attached as associate producer to Stanley Kwan’s upcoming project “The Green Mansion”.

“This is Ten Commandments meets Blade Runner shot like 300” does not instill me with much confidence that it will be plot driven, but if it delivers good action maybe that can be overlooked. The English language means they are going to be trying to get it distributed worldwide (like Naked Weapon was)

science_fiction

Shaolin Lacrosse?

Twitch with word of a sequel to Shaolin Soccer. Don’t get excited, it will be all Japanese with Steve Chow only producing. Why even bother? There is a Shoalin Soccer TV series in China that gets played on KTSF in San Francisco at times, but it is not as good as the movie, either.

Here’s what we know: it’s the announcement of Shaolin Girl (Shaolin Shoujo), a sequel to Stephen Chow’s action-comedy Shaolin Soccer. It’s a purely Japanese film – with Chow on board as producer – starring Kou Shibasaki and directed by Odoro Daisousasen’s Katsuyuki Motohiro with the sports setting moved away from soccer and into the world of lacrosse.

shaolin girl kitty zhang

Ultra Q Gomess

Ultra Q – Episodes 1 and 2 (Review)

Ultra Q Episodes 1 and 2

Defeat Gomess! and Goro and Goro

1966

Both episodes directed by Hajime Tsuburaya

We have special treats for the last two segments of March of Godzilla 2. Unfortunately our attempt to get more editions of Super Scary Saturday fell through, but instead we have some things almost as good. First up, many of you are aware that Godzilla appeared in a few guest shots on TV shows, most notably Zone Fighter. In addition, the old Godzilla costumes were used in several Japanese series to become generic monsters. In this review, we will be watching the first two episodes of the Japanese TV series Ultra Q, where the monsters are modified costumes of Godzilla and King Kong.

Tsuburaya Productions Co. created the TV series, which started to air in 1966. As they also did the costumes for Toho’s movie productions, they had the monster suits lying around, and Godzilla effects master Eiji Tsuburaya was in charge of making new monsters for the TV show (after the series was decided to be more monsters and less Twilight Zone.) Several of the old Toho suits made appearances. In addition to Godzilla appearing in Episode 1 (as Gomess) and King Kong appearing in Episode 2 (as Goro), we had Manda in Episode 6 (as a dragon), Baragon in Episode 18 (as Pagos), the giant octopus in Episode 23 (as Sudar), and Magma the giant walrus from Gorath in Episode 27 (as Todola). Ultra Q was popular enough that it eventually spawned into the Ultraman series, and many of the monsters that originally appeared in this show turned up to fight Ultraman. I never saw any of these as a child, so this is all new territory. In addition, the DVDs are not subtitled in English! But that has never stopped us before! We may pepper more reviews of episodes throughout the year, as short episodes are easy to write if graduate school suddenly becomes much harder (which it will soon!)


Main Characters:

Jun Manjome (Kenji Sahara) – A pilot for Hoshikawa Aviation and an avid science fiction fan/writer, which causes him to investigate monsters and discover most of the beasts on the show. Actor Kenji Sahara had a marvelous career dating from the original Gojira all the way to Godzilla Final Wars.
Yuriko Edogawa (Hiroko Sakurai) – Female Newspaper Photographer who takes photos of all the horrible monsters that Jun managed to encounter. Went on to star in the sequel series, Ultraman, as Akiko Fuji, as well as many other Ultraman series as various characters.
Ippei Togawa (Yasuhiko Saijo) – Assistant pilot for Hoshikawa Aviation with Jun, and the show’s comic relief. According to the Internet, actor Yasuhiko Saijo used to own a coffee shop in Kagurazaka. He had roles in Gorath, Son of Godzilla as Suzuki, and Godzilla vs. Gigan as a henchman.
Daily News Editor Seki (Yoshifumi Tajima) – Yuriko’s boss, sends her on the assignments to photograph monsters, but is not adverse to getting the scoop on his own.

The main cast list is done, so we jump into the episodes!

Uwe Boll's Postal Opening

HA. HA. HA. He is so offensive. Or stuff.

Ultra Q Gomess

New Review – Ultra Q episodes!

We have just completed two episodes of Ultra Q for your reading pleasure. These are the first two, done due to the fact they have familiar monsters running around in them. Though officially something different, their suits’ point of origins are clear. Each episode gets a movie clip so you can see the monsters in action! A freaky-modification of a Godzilla suit, and a small modification of a King Kong suit!

Ultra Q – Episodes 1 and 2 (“Defeat Gomess!” and “Goro and Goro”)

Godzilla Mothra Tokyo SOS

Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S. (Review)

Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S.

aka Gojira tai Mosura tai Mekagojira: Tokyo S.O.S.

2003

Starring
Noboru Kaneko as Yoshito Chujo
Miho Yoshioka as Pilot Azusa Kisaragi
Mitsuki Koga as Mechagodzilla Pilot Kyosuke Akiba
Hiroshi Koizumi as Dr. Shinichi Chujo
Akira Nakao as Prime Minister Hayato Igarashi
Koichi Ueda as General Dobashi
Koh Takasugi as Colonel Togashi
Masami Nagasawa as Shobijin (Twin Fairy)
Chihiro Otsuka as Shobijin (Twin Fairy)
Directed by Masaaki Tezuka

March of Godzilla 2 soldiers on with the sequel to Godzilla X Mechagodzilla, Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S.! This time, Mothra has been thrown into the mix, main characters have been ceremoniously and unceremoniously dumped, while suddenly the movie goes all sanctity of life on us. It comes out of left field, but before we know it we’re getting pelted from every direction. If we can ignore the message, underneath it all we have a pretty entertaining Godzilla film, much better than its predecessor. In addition to Mothra making a reappearance, we also get a reappearance from Hiroshi Koizumi! He reprises his role of Dr. Shinichi Chujo that he did in the original Mothra back in 1961. Having met Mr. Koizumi about two years ago, I remember he said he was happy that he could reprise an older role, and was proud of his appearances in Godzilla films. The best part is this follows the continuity of this film series, for in this reality Godzilla never attacked Japan again after 1954 until he reappeared in 1998. However, monsters such as Mothra and the Gargantuas plagued Japan, so they created Special Forces to deal with them. Thus the Mothra movie happened, and so did Dr. Shinichi Chujo. Hiroshi Koizumi has been seen here numerous times: Godzilla vs. Mothra, Ghidrah the Three-Headed Monster, and Gigantis, the Fire Monster.

This is the second to last Millennium Series Godzilla film, and currently the second to last Godzilla film, period. Rumors abound a low-budget IMAX Godzilla film might happen, but officially Toho has shut down Godzilla for the time being, to renew interest. Until that day, we have to make due with what already exists, a huge library of films, and many TV appearances (some of which we are hard at work tracking down.) Such a horrible predicament!

As stated before, this is a direct sequel to the previous year’s Godzilla X Mechagodzilla, making it the second direct sequel to a Mechagodzilla film (third if you count the fact that the second original Mechagodzilla movie was part of a continuous series of films.) Needless to say, Mechagodzilla must have a good agent who is meticulous with the sequel clause. It always does him good. Mechagodzilla is again built by humans to fight Godzilla in the previous film, and is being repaired after major damage suffered in the fight. He has a few new tricks, and loses an old one due to funding cuts. Funding cuts, the essence of action films! This is also the only Godzilla movie I remember that makes a big deal about rebuilding efforts being stalled, as much of Tokyo where they fought before is still in ruins. The rest of the city is fine, and ripe to be destroyed in the next battle. Who will emerge victorious? Will Godzilla be stopped? Why do the Shobijin dislike Mechagodzilla? Will some dumb girl carry a plant around like a baby? Will the female lead be a depressed ice queen? Will the lame spirituality subplot tank the film? These questions and more can be answered in Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S.!